Apollo Twin USB
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Superior Desktop Audio Conversion with
Classic Analog Sound for Windows.With its class-leading resolution and Realtime UAD Processing, Apollo Twin USB sets a new standard for desktop music production.
This 2x6 USB 3 interface for Windows allows you to record with near-zero latency through the full range of UAD Powered Plug-Ins — ingeniously merging classic analog tones with cutting-edge features.Record with world-class Apollo A/D and D/A conversion — as heard on hundreds of hit records
Use alongside UAD-2 PCIe DSP Accelerator cards, UAD-2 Satellite FireWire, and UAD-2 Satellite USB for truly scalable mixing power
Mix with UAD plug-ins like the included Teletronix® LA-2A and 1176 compressors, Pultec® EQs, and 610-B Preamp
Track with near-zero latency through preamp emulations from Neve,® API,® Manley® and more using Unison™ technology†
Unison Technology: The Genuine Sound of Neve, SSL, API & Manley Preamps
Apollo Twin features two Unison-enabled mic preamps, letting you track through exacting mic preamp emulations from Neve, SSL, API, Manley, and Universal Audio. An Apollo exclusive, Unison technology nails the tone of these sought-after tube and solid state mic pres — including their input impedance, gain stage “sweet spots,” and the component-level circuit behaviors of the original hardware.
The secret to Unison is its hardware-software integration between Apollo’s mic preamps and its onboard UAD-2 DUO Core DSP Acceleration. Simply place a Unison preamp plug-in on your mic input in Apollo Console software, and it physically reconfigures the Apollo interface's impedance — so you can tap into the classic sounds of the world’s most recorded mic preamps.
Watch the Unison Shoot Out (hardware vs. software) video
A Full Suite of Classic
Analog Processing OnboardRight out of the box, Apollo Twin USB provides a suite of incredible analog emulation plug-ins including the world’s only authentic Teletronix LA-2A, 1176LN, Pultec EQs, and the Unison-enabled UA 610-B Tube Preamp. Developed by UA’s world-renowned team of algorithm engineers, these Realtime Analog Classic plug-ins set the standard by which all other hardware emulation plug-ins are judged.
From the tube warmth of the Pultec EQ on guitars, to the gentle limiting of the LA-2A on vocals, your recordings will take a giant leap forward in rich, sonically complex analog sound.
See Included Plug-Ins | Watch the live tracking videoAccess the World of UAD Powered Plug-Ins
Beyond the included Realtime Analog Classics plug-ins, Apollo Twin USB lets you tap into the full library award-winning UAD Powered Plug-Ins — including vintage EQs, Compressors, Reverbs, Tape Machines and more — at near-zero latency, regardless of your audio software’s buffer size and without taxing your computer’s CPU.
With exclusive emulations from Neve, Studer, Manley, API, Ampex, Lexicon, Fender, and more,† it’s like having an endless analog studio, right on your desktop. And unlike competing interfaces, these DSP-powered plug-ins are also available in your DAW for mixing.
Next-Generation A/D and D/A Conversion
Of course, the heart of any audio interface is the quality of its conversion. In designing the next-generation Apollo range, UA engineers started with an obsessive auditioning of the latest A/D and D/A converters, ultimately pairing the selected 24-bit/192kHz converters with all-new analog circuitry for the optimal signal path. Apollo Twin provides increased dynamic range and lower THD versus other interfaces — rivaling dedicated converters costing thousands more.
Apollo: The Choice of New-School Professionals
Apollo is the confirmed choice of hit-making professionals, used to record landmark albums by Kendrick Lamar (DAMN.), Chris Stapleton (From A Room: Volume 1), Arcade Fire (Everything Now), Post Malone (Beerbongs & Bentleys), and many more. The Apollo range of interfaces has earned numerous industry awards from Sound on Sound, Future Music, and Electronic Musician — as well as the prestigious TEC Award for computer audio hardware five years running.
“Everyone assumes I use a lot of outboard gear, but with Apollo Twin and UAD plug-ins, I get incredible sounds on the go, anywhere.”
– Louis Bell (Post Malone, DJ Snake, Cardi B)
“The Apollo has some of the better preamps I've ever heard – lots of headroom, quiet at high-gains, and the converters are really sweet sounding.”
– Mick Guzauski (Daft Punk, Mariah Carey, Eric Clapton)
“Apollo is a platform that grows more powerful with every innovation – the UAD plug-in processing onboard has changed the way I work forever.”
– Tony Platt (AC/DC, Bob Marley, Buddy Guy)
“The Apollo is the best I/O we've ever used, and we've tried them all. It has an incredibly clean, transparent, and accurate sound.”
– The Glitch Mob
“Having the Apollo with UAD plug-ins at my disposal is like carrying a giant studio with outboard racks at all times. Minus the tech fees, down time, and electricity bill!”
– Andrew Dawson (Jay-Z, Fun.)
“The Apollo's ability to do low latency – I mean that's the whole ballgame right there.”
– Joey Waronker (Atoms for Peace, Beck, Other Lives)
“My Apollos are my sound.
Where I go, they go.”
– Trevor Lawrence Jr. (Dr. Dre, Herbie Hancock, Eminem)
“Using my Apollos and Console 2.0, I'm able to front a live mix, create a monitor mix, and record, all at the same time. That’s pretty awesome.”
– Chris Dugan (Green Day, Iggy Pop, U2)
“With the Apollo 8 in the studio and an Apollo Twin on the go, I know I've got the best sound quality and an incredible arsenal of plug-ins — wherever I'm working.”
– Jeremy Ruzumna (Fitz And The Tantrums)
“I knew about the ingredients of Apollo, but this is truly a special dish. The Apollo just set a new standard of excellence for audio interfaces, in terms of both its sound and its feature set.”
– Fab Dupont (Shakira, Santigold, Jennifer Lopez)
“UAD plug-ins are amazing...
I’ve used them on all my projects
for the last few years.”
– Dan Auerbach The Black Keys
Now with Vintage Amps
New for Apollo Twin USB is Unison technology on the front panel instrument input, giving you dead-on, impedance-matched emulations of guitar and bass amps like the Fender '55 Tweed Deluxe, Marshall Plexi Super Lead 1959, and the Ampeg B-15N Bass Amplifier.
A Sleek, Low-latency App
With Apollo Twin’s Console 2.0 application — a complete re-imagining of Apollo’s original Console software — you can take advantage of over 25 new user-requested features such as Channel Strip presets, Drag & Drop functionality, dynamically resizable windows, and more.
Apollo Twin Setup
Learn to use Apollo Twin as producer/engineer Fab Dupont (Jennifer Lopez, Mark Ronson) demonstrates basic setup, routing, and recording with UAD plug‑ins.
Apollo Artist Sessions
Watch producer/engineer Fab Dupont (Jennifer Lopez, David Crosby) record Latin superstars Monsieur Periné live in Colombia with Apollo X audio interfaces.
View All Apollo Artist SessionsCustomer Reviews
N. Sousa
September 6, 2021
Incredible and very versatile product. Ideal for those who want professional sound.
This formula of having a hardware and software in one set working to have a wide range of resources during the recording...
Read MoreS. Faulk
September 3, 2021
I'm happy with mine
I got a refurbished model and it works perfectly. The plugins are a bit expensive, and I think the Unison is a bit of a hype, but overall it's fun to use and has excellent sound quality....
Read MoreJ. Gecelter
September 2, 2021
Schwer beeindruckt
Die Apollo Twin mit den UAD Plufgs ist so flexibel wie keine andere Soundkarte in der Größenordnung. Das Routing ist sehr Umfangreich und somit etwas Zeitintensiv. Aber dann ist es eine...
Read MoreE. Urrutia
August 5, 2021
EMMA
Simplemente muy bueno, no es igual a ninguna otra interfaz simplemente Universal Audio
Read MoreI. Dzigun
July 28, 2021
USB Apollo Twin USB
Very satisfied! It works without glitches on Windows 10. The delay when playing through the map with plugins is not heard at all! Super audio card!
Read MoreM. Johnstone
July 27, 2021
Pluggins
These analog pluggins are absolutely crazy insanely amazing, I don’t think I’ll ever use other pluggins again, the depth, warmth etc is insane.
Read More -
Realtime Analog Classics Bundle
With the Realtime Analog Classics plug-in bundle, you get legendary compressors like the Teletronix® LA-2A and EQs like the Pultec® EQP-1A, stunning guitar and bass amp emulations from Softube, as well as UA’s landmark 610-B Tube Preamp and EQ plug-in.
- UA 610‐B
- Marshall Plexi Classic Amplifier
- Teletronix LA‐2A Legacy
- UA 1176LN Legacy
- UA 1176SE Legacy
- Pultec EQP‐1A Legacy
- Pultec Pro Legacy
- Ampeg® SVT-VR Classic Bass Amp
- Precision Channel Strip
- Precision Reflection Engine
- Precision Delay Modulation
- Precision Delay Modulation L
- Raw Distortion
- RealVerb‐Pro
UA 610-B Tube Preamp and EQ
Impart your tracks with the iconic warmth and character of the classic hardware used to track everyone from Duke Ellington to Coldplay. By emulating the entire signal path, including tube amplifiers, transformers, and circuit nonlinearities, the 610-B Tube Preamp and EQ plug-in injects organic detail and saturation to any signal — whether you’re re-amping or tracking through the 610-B via Universal Audio’s Unison™ technology.
Marshall® Plexi Classic Amplifier
The undisputed alpha dog of rock and roll guitar amps, the Marshall “plexi” amplifier is as legendary as the music it helped create. From Jimi Hendrix to Jimmy Page, Duane Allman to Eric Clapton, the Plexi’s punishing melange of snarl, sustain, smoothness, and raunch defined the sound of rock. Developed by Softube, the Marshall Plexi Classic Amp plug-in gives you the sound of this iconic amp with a perfectly placed microphone from engineer Tony Platt who recorded AC/DC’s Back in Black and Highway to Hell.
Teletronix® LA-2A Classic Leveling Amplifier (Legacy)
With its gentle, program dependent optical compression and meticulously designed tube amplifier, the LA-2A is the go-to compressor for professional mixers around the world — especially for vocals. Incredibly easy-to-use Peak Reduction and Gain controls gives you the ideal optical compression sound for guitar, bass, drums, and more.
1176SE/LN® Classic Limiting Amplifiers (Legacy)
Get classic, ultra-fast FET compression from the world’s most recognized compressor. The 1176 will impart punch, presence, and character as well as its signature distortion overtones on drums, vocals, guitars, and bass. The 1176LN has graced countless recordings, from Led Zeppelin, to the White Stripes and Michael Jackson.
Pultec® Pro Equalizers (Legacy)
Mix with two of the most sought-after hardware EQs ever made — the MEQ-5 Midrange Equalizer and the EQP-1A Program Equalizer. Both of these tube-based icons deliver smooth and silky EQ curves with an abundance of warm analog character.
Ampeg® SVT-VR Classic Bass Amp
Introduced in 1969, the Ampeg SVT bass amp is still the reigning king of high-powered tube bass tone. Developed by Brainworx, the Ampeg SVT-VR Classic Bass Amp plug-in perfectly captures the raw power and punch that has made this the go-to amp for rock, funk, and soul players. Track in real time using Unison™ preamp technology for the tone, touch, and feel of a real SVT bass amp, or transform bland DI tracks with the thunderous roar of a stone cold classic.
Precision Mix Rack Collection
Featuring the Precision Channel Strip, Precision Reflection Engine, and Precision Delay Modulation plug-ins, the Precision Mix Rack Collection offers four modern, high-fidelity plug-ins for recording and mixing. Powerful and intuitive, Precision Mix Rack Collection gives you an impressive tool set — perfect for beginners and seasoned professionals alike.
Raw Distortion
Modeled from a vintage early-’80s Pro Co Rat, Raw Distortion delivers all the gritty dynamic raunch of the legendary stompbox. And with Unison™ technology, you can plug in to Apollo Twin, 8, or 8p’s front-panel Hi-Z instrument jack and experience the same circuit interaction, gain range, and clip points for the true tone, feel, and response of the original hardware.
RealVerb Pro
RealVerb Pro is a flexible, natural sounding reverb based on UA’s own unique set of algorithms. Allowing you to design the room just as you hear it, the RealVerb Pro goes beyond simply big/small or dark/bright, giving your sources distortion-free, smoothing diffusion control and ultra-long reverb tail.
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Features
Desktop 2x6 USB 3 audio interface for Windows with world-class 24-bit/192 kHz audio conversion
Realtime UAD Processing for tracking through vintage Compressors, EQs, Tape Machines, Mic Preamps, and Guitar Amp plug-ins with near-zero (sub-2ms) latency
Includes the "Realtime Analog Classics" UAD plug-in bundle. Other UAD plug-ins sold separately.
Unison™ technology offers stunning models of classic tube and transformer-based mic preamps
USB 3 connection for easy connectivity on Windows-based recording systems
Two premium mic/line preamps; Two line outputs; front-panel Hi-Z instrument input and headphones output
Two digitally controlled analog monitor outputs for full resolution at all listening levels
Up to eight channels of additional digital input via Optical connection
Uncompromising analog design, superior components, and premium build quality
Runs UAD Powered Plug-Ins via Audio Units, VST, RTAS & AAX64 in all major DAWs
To see full system requirements, click here.
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Customer Reviews
Apollo Twin USB
N. Sousa
Incredible and very versatile product. Ideal for those who want professional sound.
This formula of having a hardware and software in one set working to have a wide range of resources during the recording process was for me an incredible experience and took my musical projects to another level. I recommend it because this product is worth every cent invested. I am so happy to have such a powerful tool here in my studio.S. Faulk
I'm happy with mine
I got a refurbished model and it works perfectly. The plugins are a bit expensive, and I think the Unison is a bit of a hype, but overall it's fun to use and has excellent sound quality. Here's a Unison comparison video I did for anyone interested: https://www.youtube.com/watch?v=vDwnUY3Lg5M&t=117s
J. Gecelter
Schwer beeindruckt
Die Apollo Twin mit den UAD Plufgs ist so flexibel wie keine andere Soundkarte in der Größenordnung. Das Routing ist sehr Umfangreich und somit etwas Zeitintensiv. Aber dann ist es eine State of the art Karte. Ich bin so glücklich!
E. Urrutia
EMMA
Simplemente muy bueno, no es igual a ninguna otra interfaz simplemente Universal Audio
I. Dzigun
USB Apollo Twin USB
Very satisfied! It works without glitches on Windows 10. The delay when playing through the map with plugins is not heard at all! Super audio card!
M. Johnstone
Pluggins
These analog pluggins are absolutely crazy insanely amazing, I don’t think I’ll ever use other pluggins again, the depth, warmth etc is insane.
J. Vaughn
Possibly The Best Desktop Interface Ever
Concerning the Apollo Twin USB, one could pen exhaustive volumes of longhand, copiously peppered with all the requisite audio engineering vernacular, and it is indeed most worthy of being profusely lauded with such noble resound relating to its myriad virtues and amenities. But, barring all such garrulous verbiage, all may still quite accurately be condensed into a single, simple, succinct statement:
THIS THING IS SICK, ABSOLUTELY SICK.
In 40 years of playing, gigging, composing, recording, and running live sound, I don't think I’ve ever been happier with a music-related purchase. An overflowing cup of true genius on behalf of Universal Audio! You can read all about its connectivity, operation, specs, etc on the product description page, so I'll focus on the sonic performance here.
The Apollo's hardware preamps are extremely clean, clear, neutral, colorless and transparent; a notable step up from the ten or so well-known industry brand interfaces in the <$500 price range that I've heard, and as good as the pres in a friend's $25,000 console. They have enough low-noise gain for very low output dynamic mics like the RE20 and SM7B, and will also work with passive ribbon mics if you fiddle with it in the Console software, which I found to be very intuitive, familiar and hardware-like. If you can operate a basic analog mixer (much less a DAW!), you'll have this well thought out GUI mastered in a few minutes.
But, the real magic happens when you tap into the UAD-Powered plug-in suite. Before the advent of digital recording, I recorded in some studios equipped with the coveted "vintage" goodies everyone drools over today. I can truly say the UAD Heritage plugs sound closer to the genuine article than anything I've yet heard in the digital realm, especially with the Unison preamp feature. When you open a UAD "Unison-Enabled" preamp plug-in in Console's Unison slot the realism is uncanny, with unmistakable analog coloration, harmonic richness, punch and that gorgeous, euphonic gloss and sheen. TIP: The UAD Neve 1084 plug-in in the Unison slot is utterly beyond amazing!
Finally, the Apollo Twin USB's real-time processing capability is the icing on the cake. Being able to hear your post-processed vocal or instrument in your cans in real time (< 2 ms latency) while tracking is incredible. It's literally like tracking through hardware. Speaking of cans, the Apollo Twin USB's headphone amplifier is very noticeably better than what you typically find in desktop interfaces. It drives high impedance headphones with ease, and sounds as good as my expen$ive rackmount headphone amplifier.
My only complaint with the entire package is that (depending on which plugs you're using and where) it can run out of internal DSP ability. You can't stack both channels with Unison-Enabled preamp plug-ins and 3 or 4 other plugs each and maintain real-time monitoring; you must turn some of the plug-ins off if you're monitoring with cans during tracking. While not a deal-breaker, it IS disappointing, and I do wish Universal Audio would've simply equipped it with more powerful internal DSP engines.
At the end of the day, while I'd never argue it sounds *exactly* like a studio full of the real, physical hardware, this will get you 98% of the way there at well less than 1% of the price. Plus, it takes up less than a square foot of space, can be up and running with just a few cables, is virtually noiseless, and never needs maintenance or new tubes and capacitors. It's already revolutionized my tracking, editing, mixing and mastering, and will no doubt be a close friend and indispensable tool for a very long time to come. It takes me back to the sound of "the good old days," coupled with unparalleled ease of use in the best of today's technology.R. Raymond
No pop's here whit AMD
Hi I have a windows 10 PC using AMD 2700 Ryn an a 3.1 USB MB. The USB Apollo Twin run's great no pop's just sound good on all my Daw's , ProTools / Cubase /FL &
NI Machine
I' am very happy ... that sound of a good interface I got That...DSP Plugins are Limit in the amount but the sound you get ...look you need to try them your self then you will know why I like them so much....they work...like they say they do. Thanks' UAD for making this one.
j. Jensen
Solid construction
All in all a good interface . But I am not impressed by the sound , its sounds good but not better than my presonus audiobox ione cheap beginner interface . What makes this interface top notch is the console software which is the reason I bought it , and that is totally something you can’t live without ones you try it .
Plugins sound good but not better than what you can get much cheaper elsewhere . To pricey in my oppinion .M. Gant
Best interface I ever had!
Since I’ve had the Apollo twin I’ve created some of the best music I ever made. The latency function is outstanding and the plugins make my work all the more easier. Thanks for these great products.
s. sk
great sound
音質に関して、アナログに近く使いやすい。
機能も使い勝手問題無し。
価格が高いのがデメリットである。
全体的に購入して良かったといえる。N. Zangara
Excelente
Súper fácil de usar y con un gran sonido...
G. Akhtayev
Apollo Twin Usb Heritage
This is my second audio interface after steinberg ur22 mkii. Immediately I felt the difference in sound quality, both during recording and during monitoring. Pleased with the headphone output. High-impedance headphones pump loudly and with a margin. Unison technology and plugin handling is something. The sound just came to life with them and played with different colors. 2 dsp is certainly not enough for large projects, but for a start, that's it. No matter what others say, Apollo pays off all the money invested in it, especially since they give plugins for a good amount of promotions.
P. Higgins
Apollo Twin usb, this thing is crazy good.
Years with standard cheap read" interface... nothing wrong but when I got to experiment the uad dsp power plugins WOW, even for live performance they keep up as long as it takes flawlessly.
S. Collingwood
Awesome audio interface
Sound quality, Ease of use. Everything is perfect. Well done
K. Sarikos
Best audio interface
Perfect sound and preamps...
K. Sarikos
Best audio interface
Perfect sound and preamps...
A. Martino
Sorprendido
Me costó decidirme a cambiar a Universal Audio, ya que he Estado muchísimos años trabajando con Rme Fireface, pero después de aprender y acostumbrarme al nuevo entorno de trabajo UA Console, he obtenido unos resultados excelentes con poco esfuerzo, he de decir que los Plugins son fantásticos y suenan increíbles...
Me imagino que según vaya aprendiendo obtendre mejores resultados que ahora..
Solo queda felicitar a Universal Audio por la construcción de este tipo de interface...
r. wegner
Class A Produkt
Sehr durchdachtes Konzept, auch am Windows PC Installation ohne Probleme. Beste Audio Qualität , Mic Preamp auch ohne Software Realtime Plug In sehr gut klingend. Besser geht nicht , wie immer bei UAD, ich bin sehr zufrieden.
T. Oehlke
Ein absolutes Highlight
Ich habe lange gewartet und mir die Entscheidung nicht leicht gemacht. Immerhin kostet dieses Interface sehr viel Geld. Die Installation auf meinem Windows Rechner verlief reibungslos. Windows habe ich wie von UA beschrieben optimiert. Dias Gerät läuft von der ersten Sekunde an reibungslos. Meine analogen Synths sind via ADAT mit einem 8 Kanal Preamp verbunden und auch hier funktioniert alles von Anfang an ohne Probleme. Die Konsole ist ein absolutes Highlight und wer ein Mischpult bedienen kann findet sich sofort zurecht. Nun zum wichtigsten.....der Sound. Da war ich schon sehr gespannt. Ich war vorher auf RME und Apogee unterwegs. Die klingen ja nun mal sehr amtlich. Das dieses Interface auch ohne die UA Plugins hier noch einmal eine Schüppe drauf legt hat mich echt überrascht. Der 1zu1 Vergleich über meine Studio Monitore und Kopfhörer ist nicht zu überhören. Mit den Plugins geht dann noch einmal richtig die Sonne auf. Man muss beachten, dass man nicht sehr viele Plugins auf einmal benutzen kann, da die DSP hier schnell an ihre Grenzen stößt. Die Sachen sind aber so gut zu händeln, dass man die Preamps direkt mit aufnehmen kann und dann wieder aus dem Kanal entfernen. So schafft man im Mix wieder Platz. Ich bin kein Fanboy Typ und es gibt Tonnenweise gute Interfaces am Markt. Doch das Apollo kriegt von mir eine glatte 1. Gerät Top, Treiber Top, Plugins Top, Sound Top. Danke
