Apollo & Apollo 16 Interfaces w/ UAD Processing Trailer

Posted by Mason Hicks on December 10, 2013 10:47:38 AM PST

Building upon decades of UA's analog design heritage, the Apollo and Apollo 16 offer extremely high-resolution sound — with the lowest THD and highest dynamic range in their class on Mac and Windows 7. While Apollo's "natural" sound is open and transparent, it can quickly deliver a range of classic analog tones from Ampex, Lexicon, Manley, Neve, and more — thanks to its onboard UAD-2 plug-in processing.

Read More

AAX 64 for UAD Powered Plug-Ins is Here!

Posted by Darrin Fox on December 9, 2013 3:38:38 PM PST
Available for free, UAD software v7.5 is compatible with Mac OS X and Pro Tools 11.  Read More

Apollo Artist Sessions Vol. III: Vance Powell w/ INTL

Posted by Mason Hicks on December 3, 2013 2:25:15 PM PST

See and hear Grammy-winning engineer Vance Powell recording INTL’s "Straight Line" exclusively through a pair of Apollo 16 High-Resolution Interfaces with Realtime UAD Processing. Live session filmed at Sputnik Sound in Nashville, TN. 

Read More

Rich Chycki on Mixing Rush and Dream Theater with UAD Plug-Ins

Posted by Marsha Vdovin on November 26, 2013 10:53:53 AM PST
From his work with Dream Theater and Aerosmith, to his 26 Gold and Platinum records with Rush, Richard Chycki is an indisputable veteran of the rock scene. Known to use over 40 mics on Neil Peart's massive drum array alone, the Toronto-based engineer/mixer is no stranger to intricate musical production.  Read More

Mixing Talib Kweli's "Come Here" with UAD Plug-Ins

Posted by Jason Schweitzer on November 26, 2013 10:52:42 AM PST
Grammy Award-winning mixer and engineer Jason Schweitzer has become an integral part of the hip-hop, and pop scene. Making his name working with Dr. Dre, Schweitzer has since collaborated with Eminem, Nelly, and John Legend. Here, Schweitzer shows how UAD Powered Plug-Ins were used in mixing Talib Kweli's track, “Come Here” (featuring Miguel). 

Read More

Matt Lange's Top Techniques Using UAD Plug-Ins

Posted by Matt Lange on November 25, 2013 2:24:02 PM PST

Matt Lange has made remixes for pop superstar Usher as well as the Halo 4 soundtrack. Here, Lange breaks down some of his favorite techniques using UAD plug-ins. 

Read More

Tips & Tricks — The Fairchild Tube Limiter Plug-In Collection

Posted by Konrad Snyder on November 22, 2013 3:47:37 PM PST
The Fairchild Tube Limiter Plug-In Collection is the most sonically realized rendering of these classic tube limiters ever. Now you can get the same warm, iconic compression heard on Dark Side of the Moon and Sgt. Pepper's. Read More

Fairchild Tube Limiter Collection Trailer

Posted by Mason Hicks on November 12, 2013 4:24:33 PM PST

For a half-century, the Fairchild 670, and its aggressive little brother, the Fairchild 660, have defined much of popular music’s most revered vocal and drum sounds. The Fairchild Tube Limiter Collection for UAD-2 and Apollo interfaces is the only one based on an accurate circuit model of Ocean Way’s “golden reference” units – right down to the complete tube-powered amplifier and transformer sections.

Read More

Maag EQ4 Plug-In Trailer

Posted by Mason Hicks on November 11, 2013 10:19:58 AM PST

In a self-professed quest for “audio perfection,” Cliff Maag designed the EQ4 to provide unparalleled transparency and top-end presence while maintaining a true, natural sound. Designed in conjunction with Brainworx, the Maag EQ4 Plug-In is an expertly rendered emulation of this modern classic EQ for your UAD-2 DSP Accelerator or Apollo-equipped workstation.

Read More

Must Reads

0 of 0