UAD Tones & Techniques featuring the Marshall 1962 Bluesbreaker Plug-In

Posted by Mason Hicks on January 12, 2016 10:47:06 AM PST

The Marshall 1962 Bluesbreaker plug-in is is the first emulation of the iconic 2x12 combo used on the landmark 1966 album, Blues Breakers with Eric Clapton. In this UAD Tones & Techniques video, you’ll learn how to dial in the Marshall Bluesbreaker 1962 plug-in to quickly craft legendary sounds and textures.

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Eventide H910 Harmonizer® Plug-In Trailer

Posted by Mason Hicks on November 4, 2015 9:43:41 AM PST

From sci-fi sound design to pop music landmarks from David Bowie and AC/DC, the Eventide H910 Harmonizer is an unmatched creative tool. Now, Eventide and Universal Audio proudly announce the Eventide H910 Harmonizer plug-in, the first and only end-to-end circuit emulation of this legendary processor — complete with all of its analog quirkiness — exclusively for UAD-2 hardware and Apollo interfaces.

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Oxide Tape Recorder Plug-in

Posted by Miles Stiler on November 3, 2015 4:47:48 PM PST

The Oxide Tape Recorder plug-in lets you easily inject the warmth, cohesion, and punch of large format analog tape to your tracks with UA's industry-leading magnetic tape modeling. Exclusively for UAD-2 hardware and Apollo interfaces, Oxide puts magnetic tape magic in a simple, affordable package. 

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Marshall Legends Plug-in Bundle by Softube

Posted by Miles Stiler on November 3, 2015 4:34:14 PM PST

Marshall amplifiers defined the sound of rock. Now you can get three different flavors of the iconic Marshall sound with the Bluesbreaker 1962, Silver Jubilee 2555, and Plexi Super Lead 1959 amplifier plug-ins — complete with impedance-matching Unison™ technology for Apollo audio interfaces. 

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5-Minute UAD Tips: Oxide Tape Recorder

Posted by Miles Stiler on November 3, 2015 12:10:08 PM PST

The Oxide Tape Recorder plug-in for UAD-2 hardware and Apollo interfaces gives you the clarity, punch, and glue that only magnetic tape can. In this 5-Minute UAD Tips video, you'll learn how Oxide can easily add cohesion to your drum bus, shape bass guitar, and sit electric guitars perfectly in the mix. 

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Passion Pit’s Michael Angelakos on Apollo, UAD & Creativity

Posted by James Rotondi on September 22, 2015 1:54:40 PM PDT

Beyond the gorgeous dance-pop veneer of Passion Pit’s latest album, Kindred, is a complex, deeply layered world of overlapping synth textures and nuanced beat architecture. Frontman Michael Angelakos breaks down the group’s creative process and how Apollo and UAD plug-ins act as a main ingredient.

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Mixing Eskmo’s "The Light of One Thousand Furnaces" with UAD Plug-Ins

Posted by Brendan Angelides on September 22, 2015 11:10:51 AM PDT

Writing and producing under the name "Eskmo," Los Angeles-based Brendan Angelides has releases on labels Ninja Tune, Warp, Ancestor and Apollo labels.  

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Mixing Glasser’s “Shape” with UAD Plug-Ins

Posted by Van Rivers on August 26, 2015 10:52:54 AM PDT

Producer/engineer Van Rivers (Blonde Redhead, Fever Ray, Matthew Dear) details how he used UAD plugins to produce and mix the song ”Shape, ”the lead single from Glasser’s latest record, Interiors.

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Engineer Michael Ilbert Mixes Multi-National Hits with UAD Plug-Ins

Posted by Christian Stahl on August 24, 2015 4:28:45 PM PDT

Engineer/producer Michael Ilbert has mixed records by the Cardigans, the Hives, Supergrass, and In Flames, but it's his work on Taylor Swift's Red and 1989 that have garnered him multiple Grammy nominations. Here, Ilbert discusses what UAD Powered Plug-Ins bring to his A-list international hit parade.

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