| Recording Magazine |
"Compared to many other well-known units on the market, 'The 2192 would hand many of those converters their lunch on a plate!" |
Review
Trevor Sadler |
April 2005 |
|
|
| EQ |
"...Combining UA's analog expertise with cutting edge digital technology was a masterful stroke and the results are outstanding." |
Review
Mitch Gallagher |
October 2004 |
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| AudioMedia |
"...it certainly ranksin terms of quality with the priciest of A/D D/A devices available in the professional audio market." |
Review
Doug Mitchell |
January 2004 |
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| MIX |
"[Listening to the 2192] reminded me of the reason I became an audio engineer: for the sheer joy of being able to hear the stark beauty of sound." |
Review
K.K. Proffitt |
January 2004 |
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|
| Resolution |
"...for all practical purposes the 2192 is as good as it gets." |
Review
Rob James |
January 2004 |
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|
| Tape Op |
"Sonically, it will stand next to any high end converter around..." |
Review
JB |
January 2004 |
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|
Recording
Musicien
|
"Rigueur de construction; Qualité audio irréprochable"
|
Review (French)
Guillaume Bouchateau |
April 2004 |
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|
| Keyboards/Home Studio |
|
Review (French)
Philippe David |
April 2004 |
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|
| DigiZine |
"When I get music into Pro Tools/HD at 192khz with external converters like the 2192, it sounds analog." |
Interview with
Elliot Mazer |
Sept 2003 |
|
|
| UA WebZine |
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Article: Enhancing the Sound of Pro Tools with the 2192 |
October
2003 |
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| UA WebZine |
|
Article: Ask Joe! VP of Engineering Joe Bryan Answers Many Questions About the 2192
|
September
2003 |
