Precision Enhancer Hz
A Specialized Tool for Enhancing Bass Perception
The Precision Enhancer Hz allows the user to selectively add upper harmonics to bass fundamentals, sometimes referred to as “phantom bass”. This significantly enhances the perception of low-end energy beyond the conventional frequency response of small speakers. These harmonics stimulate a psychoacoustic bass-enhancing effect in the listener, giving even the smallest speakers greater translation of low frequency sources. Universal Audio’s unique approach to this common problem combines a simple control set that yields exacting results with minimal adjustment and allows the widest range of tonality available in its class, from subtle to decidedly audible.
- A specialized tool for enhancing bass perception
- Suitable for individual tracks or even full program material
- Extends perceived bass response by up to 1.5 octaves
- Effect blends generated signal into original signal with the ability to solo effect
- Hz Frequency cutoff with ability to solo low passed filtered signal
- Four Effect filter Slopes and five enhancement Modes ensure versatility with the widest array of material
- Requires a UAD-2 DSP Accelerator Card available from authorized dealers worldwide.
A Specialized Tool for Enhancing Bass Perception
The Precision Enhancer Hz allows the user to selectively add upper harmonics to bass fundamentals, sometimes referred to as “phantom bass”. This significantly enhances the perception of low-end energy beyond the conventional frequency response of small speakers. These harmonics stimulate a psychoacoustic bass-enhancing effect in the listener, giving even the smallest speakers greater translation of low frequency sources. Universal Audio’s unique approach to this common problem combines a simple control set that yields exacting results with minimal adjustment and allows the widest range of tonality available in its class, from subtle to decidedly audible.
The Hz Frequency control sets the corner frequency of the bass-isolation low pass filter, while Effect blends the generated signal into original signal. Four effect slopes are available for variations in harmonic density, while five Modes present various internal control configurations to support the widest array of source material. Finally, the Precision Enhancer Hz includes control over the final Output with metering to compensate for gain changes created by the effect.
The five Modes (A, B, C, D and “All”) present various control configurations to support the widest array of source material. Modes A and B specialize in natural sources such as electric or acoustic bass. Mode C is tailored to bass-rich synthesizer patches. Mode D is specially tuned for kick drums. Lastly, “All” brings a more exaggerated and audible effect for creative uses.
- A specialized tool for enhancing bass perception
- Suitable for individual tracks or even full program material
- Extends perceived bass response by up to 1.5 octaves
- Effect blends generated signal into original signal with the ability to solo effect
- Hz Frequency cutoff with ability to solo low passed filtered signal
- Four Effect filter Slopes and five enhancement Modes ensure versatility with the widest array of material
- Requires a UAD-2 DSP Accelerator Card available from authorized dealers worldwide.
- Effect adjusts the level of the new enhanced bass signal from 0 to 100%
- Effect Solo isolates the generated signal and is affected by Effect level
- Hz Frequency of 16Hz-320Hz sets the corner frequency of the bass-isolation low pass filter
- Hz Solo isolates the original bass signal and can be combined with Effect Solo
Slope sets the harmonics-shaping high pass filter at 6, 12, 24 or 36dB per octave - Mode (A, B, C, D and All) determines the specialized type of enhancement applied to the signal
A Bass 1
B Bass 2
C Synth
D Kick
All Effects - Output adjusts final combined dry signal and effect from 0 to -20 dB
- Effect meter and output meter with 3 second 0 dB peak hold
- Global power switch bypasses plug-in
User Reviews
05/2010
05/2010
(Kid Cudi,T-Pain)
05/2010
(Kid Cudi,T-Pain)
05/2010
(Kid Cudi,T-Pain)
05/2010
(Simply Red, The Stone Roses)
Sound On Sound
07/2010
