Does an outstanding job without breaking the bank. It's all I use on bass now.
I have had this for about a year now.
At first I was underwhelmed. The pre does not have an over the top 'TUBE' vibe like some preamps do. It just seems to do it's job without complaints.
However after using it a while I started to notice that it is actually very very good in an unobtrusive way. I simply can not get this pre to sound harsh or strident, but it does not sound dark either.
Did I mention this is good on bass guitar?
I recorded a Stingray with the hiZ input. Very little tweaking and it was one of the better DI recordings I have ever done.
Perfect amount of bite, sizzle and nice fat low end.
Cons, no highpass filter so you have to use the low EQ for that. It would be nice to be able to boost the mid bass and cut sub lows.
This is my go to channel strip for tracking bass, acoustic or vocals! just makes everything sound amazing! available in software too now so now i can have many instances at once ;)
I love this bad boy. my go to for vocals, i'm a baritenor and its luscious in the low with the highs right where i need them. or just plug and play my guitar or bass with an optical compression, what more do i need... well i do have an apollo so i guess its a UA love affair!!!!
I'm a luck star, i have two LA-610 MKII, they are my best device, Thanks, UA!!!
Hello, here is my review of the La-610 MkII channel strip. I am not going to tell the features again, the product page does it quite well.
I use it in a home studio to record almost anything : Drums, vocals, basses, guitars, pianos.
I already knew the amazing sound of the 610 Mic pre, as I already had a 6176 before I bought the LA-610. The 610 is absolutely sweet and warm (SSL addicts should not stay here). I like to push it with the +10 gain.
The EQ section is simple yet usefull on any source.
Let's talk about the compressor, wich is built on the LA-2A tube leveler.
I use it on snare drums, vocals and clean electric guitars (like rickenbacker's).
The fact is that this comp has an really cool color, but you can't use it on anything. It is used at its best on sources with a Â«Â middlerangeÂ Â» color, like vocals, or even snares.
It doesn't work well on kicks (i use the brightness of the 1176 from the 6176) as it gives to much middlerange, and on any source that doesn't need a boost in middlerange.
This is why I give it 4 stars, and also for the fact that it doesnt have the Â«Â splitÂ Â» function of the 6176, wich means I can't use the comp alone.
Salut, voici mon test du channelstrip LA-610 MKII. Je ne vais pas m'attarder sur les caractÃ©ristiques, rÃ©fÃ©rez-vous Ã la page du produit.
Je m'en sers en home studio pour enregistrer tout type de sources : batterie, voix, guitares, basses et mÃªme un piano droit.
Je connaissais dÃ©jÃ le son du prÃ©ampli 610, puisque je possÃ©dais dÃ©jÃ le 6176 avant d'acheter le LA-610. Le son est trÃ¨s doux et chaud, il arrondit les angles (Fans du son SSL, passez votre chemin).
Il excelle lorsqu'on le pousse dans ses limites avec le gain Ã +10.
L'Ã©galiseur est aussi simple qu'utile sur n'importe quelle source.
Voyons le compresseur Ã lampes, construit Ã partir du classique LA-2A.
Je m'en sers sur la caisse claire, les guitares clean (rickenbacker pour les connaisseurs), et les voix.
Ce compresseur dÃ©livre une chouette couleur, trÃ¨s typÃ©e mÃ©dium chaud, qui ne le rend pas absolument polyvalent. Il est le plus efficace sur les sources chargÃ©es en mÃ©diums, comme les voix ou mÃªme la caisse claire.
Il faut l'Ã©viter sur la grosse caisse (je prÃ©fÃ¨re la brillance du 1176), et plus gÃ©nÃ©ralement sur toute source ou les mÃ©diums ne doivent pas Ãªtre mis en avant.
C'est pour Ã§a que je lui met 4 Ã©toiles, et aussi pour l'absence de la fonction Â«Â splitÂ Â» pourant disponible sur le 6176. j'aimerai bien utiliser le compresseur seul, ou en chaine avec un autre traitement.
This is my review of the LA-610 MkII after a couple weeks of daily use in a commercial recording studio.
I like the flexibility of the gain staging. Picking the input impedance, input gain and preamp level for my source isn't hard - the sweet spot is generally pretty apparent and a blast to dial in.
The LA2 style compression is easy to use - find a spot where it floats nicely on the source without dulling things, or sounding too grabby and you're good to go. The compression is fairly forgiving, so it's great in a situation where you need to "set it and forget it"
The EQ is very useful and musical, even though it's just shelving. +6dB @ 10k is very smooth on pop/r&b vocals, for example. Cutting with the 70hz band instantly removes most "mud" I have inevitably encountered with a darker pre like the 610.
True compressor bypass allows me to accurately compare compression in and compression out. Extremely useful.
Fantastic VU meter with LED light.
The fact that you can not use the preamp and compressor as separate units with independent I/O really bothers me - it was almost a deal breaker to be honest. Sure, i can bypass the LA2 section if i need to patch in faster compression after the strip, but I could be using the now unused LA2 with something else in the mean timel! Or what if I wanted to run a 1176 before the LA2 to grab fast peaks and smooth things out? am trying to look for a mod but am having no luck.
Input clipping isn't always super pleasant. For a long time, my go to mic pre has been a Vintech x73. I love pushing the input gain right to the edge of breaking up, on almost anything, because even when it starts clipping, it often is still very musical and pleasant. The clipping on the input gain of the 610 is, in some cases, less musical than some other preamps I have used.
I use the LA-610 MkII for recording and mixing.
During mixing, the EQ and compression give me a special quality of sound that I can't achieve with most plugins.
For recording , I find the pre amp/EQ/compression works fantastically for vocal recording especially. The high frequency band works well at adding a pleasant "air" to the vocal when this is what I require.
The compressor works very naturally when controlling the dynamics of the singer. I have not yet found an instance when the limiter option has worked well for me.
I ran a comparative test between the instrument input with my Great River ME-1NV, Millennia TD-1 and the LA-610 MkII when preparing to record a bass guitar session. The Great River was very much better in my opinion than both other options. However, the LA-610 MkII performs well when capturing a direct guitar signal when I use an amp simulator in the computer.
I had the LA-610 MkII go faulty mid-session recently whilst recording tabla. The power relay switch stated to flicker on and off. As it turns out there was a problem with the power supply and all the relays in the unit downstream from that flickered on/off.
I was a fair bit disappointed to discover that the LA-610 MkII is made using SMD electrical components and not point to point wiring as the original UA hardware devices had before. This makes getting a repair done very much more complicated.
Fortunately, the local agents in South Africa, Tuerk Music in with the help of Matt Allison have been extremely helpful in identifying the problem and helping me get the unit repaired.
The only issue is that when I bought and payed for the LA-610 MkII and UAD2 solo card combo special, there was a shipment shortage from the supplier to South Africa. My unit arrive more that three months after I paid for it (worth the wait, by the way!) So now, when it came to repair the unit, it appears that I am out of warranty when in fact I am not. I will have to pay for the new power supply myself! If the folks at UAD a reading this, please see if you can rectify this. Paul Martin at Tuerk Music is my main contact for this if you choose to follow up.
In summary, I love using the LA-610 MkII. It will remain with me as a key part of my work as long as I am able to keep working in the exciting world of music recording!
Creative Native Productions
Cape Town, South Africa
Both 610 preamp and LA-2A compressor are evergreen classics, and their sound signature doesn't need more explanations. The combination of the two is something extremely powerful and usable.
One of my main concerns, when I was thinking to buy it, was the absence of independent I/O sections for preamp and compressor (like i.e. the 6176 channel strip). On the LA-610, you can bypass the compressor section, but you can't do the same with the preamp section. So, I was afraid to get a not completely flexible gear as the 6176 is.
When I finally got it in my studio, I started to experiment with it not only as a front-end gear for recording (this was obviously the main purpose I bought it for), but also for tracking previously recorded tracks (using the Line level input and output). There, I discovered the LA-610 can effectively be used as a standalone compressor, when needed, with its own lovely personal sound, when keeping the input preamp gain low enough to give minimum sound coloration.
Furthermore, I'm now used (for vocals especially) to record using very neutral preamps, and retracking afterwards through the LA-610. This way, I have a lot more flexibility, and I can fine-tune the LA-610 to make the tracks to sit perfectly in the mix without any other processing.
Definitely, the LA-610 is a really complete gear, you can use it as a front end pre or pre+compressor, but also as a standalone compressor, and as a "plugin" for tracking.
Really love it.
very nice vintage sound but the only flaw in my opinion is not being able to bypass the preamp
SO.... Don't buy this and expect it to last.... OR Hold its Resale Value....Sent it to the Canadian repair, Very nice guys, replaced almost everything and NOW, 2 months after the repair, i have the SAME output distortion from JUST the compressor when its in line., NOW, i call Canada rep, then say send to USA for get fixed, that's where its from.... NO, end of story for me.... sorry guys, i expect more out of High end gear... I'm kinda disappointing, I could have Bought a Behringer..It may have lasted longer than 1.5 yrs.... Hope others have better, longer , results....
Ok. So I bought it because I got a free UAD-2 Duo card (which I use all the time and love). and its rep and some friends recomendations I figured why not great deal right. I will state here for the record that it sat unopened for months. I just didn't have a call for it. But a jazz vocal session just the thing right?!
Well Im thinking maybe something is amiss. I just finished the vocal session and I actually put this baby back in the box and went with another channel strip. The mics used were Neumann U87i and Neumann Geffel UM57 both tried and true. The LA-610 MKII just sounded midrangey and no low end warmth. I actually took down my UM 57 and put up the U87 because I thought no way it could be this box, no way! I tried everything, switched impedance, made EQ adjustments, limiter in, limiter out, compressor in compressor out, dynamic stage bypassed and even pad in and EQ setting changes but still no dice. Signal was robust and all parameters affected the signal but it just lacked musicality
Well I for one am sadly underwhelmed and will try the box as a DI. But as a channel strip it did not make the cut.
Well maybe my engineering skills just aren't right for this unit. I got it to work ok for some things. I have it boxed up to sell. I put it on ebay for 1000 and no takers. I'll try it again for 900, which seems low since I paid 1600, but then I did get the card with it, which is doing me pretty good. I found a used Avalon that is working so much better for me as a main preamp than the 610mk2. I've had a few people tell me that the 2-610 is a better thing to have, and maybe I'll get one of those eventually. But right now I'm curious about 'iron' so I think my next one will be a neve so I can see what that's all about.
Still a newbie at home studio recording, but the LA-610 MkII is sure making life simper and I'm dialing in warm bass guitar and vocal tracks with so much better success! UA rocks, love it.
An amazing piece of outboard gear....multi-useful mainly due to the Line input and the ability to switch pickup & mic impedences, its also an integral part of my live guitar setup.
The preselected EQ frequencies are very musical and restrict the `option anxiety` found in overly elaborate EQs.
Used as a channel strip/preamp for recording acoustic guitar....a real sense of `warmth` so missing from the digital medium is easily achieved....a great product, well done UAD.
Breaks up nicely.
Still colors tones when bypassed, and the attack is extremely fast, almost brutal, hard to dial in.
The pre-amp section has a very clean, warm, and smooth texture to the sound. I record a lot of vocals with it and really enjoy over driving the tube pre-amp because it gives the recording a very nice distorted crunch that isn't harsh on the ears and makes great for recording adlibs, stacking vocals, or even a lead vocal in some cases. Now the compressor, being that it is a clone of an LA-2A (which is notably a slower compressor) I would not recommend this if you deal with mostly fast transient noises as I feel that the attack time is a little slow and cuts off your transient. Fast rappers, no bueno as some of the words get cut off. For a singer tho its sounds amazing and very natural. This a great buy depending on what you will be recording
I've been using my LA-610 for awhile now and I couldn't be happier, i'm using a Neumann TLM 49 running to the 610. The color from the mic going into a tube pre brings a very smooth/sweet sound to female vocals. The fun part about the preamp is over driving it, even then you still get a beautiful sound that doesn't hurt the ears. The only problem is my wife want let me get another one lol..
The 610 tube preamp is a legand for a reason. Such a dynamic and useful tool. To sum it up in one word... "Classic"
Now onto the compressor... its pretty good but if they want my option on it for improvements they need:
A) faster attack time (my first hit on anything aways comes in hot)
B) the true bypass has a noticable "tone" difference. not in a good way. Seems little nosy when the compressor / limiter is plugged in the chain.
So as a room mic its prob good to go. but for a lead vocal I'm not sold. You need the 1176 like 98% of the other pro studios.
C) EQ - add more control, eq sweep, 3rd eq. Would make this a revised legend to repurchase.
I'll admit, I haven't had this thing a long time. 3 weeks at this point. I bought it used, so it already had a few years of breaking in. Here's what I love and what I don't...
1. Love the depth and clarity it imparts
2. Love the warmth it brings and the EQ to help tame/enhance
3. Love the line in as a "reamp" option for the warmth and the compression
1. Don't love the T4 Comp for aggressive compression (I know, I know. Not what it's for)
2. Don't love the T4 "tied" to the 610 but I can deal
In truth, this unit re-ignited my love of tube gear and I don't love how now I want more 610s. All it's issues are really complaining for complaining's sake. This is a great unit that is happily on my "Go To Channel" list.
YOU MAY NOT USE THE UA WEBSITE IF: (A) SUCH USE WOULD BE PROHIBITED BY ANY LAW, REGULATION OR GENERALLY-ACCEPTED PRACTICE OR GUIDELINE IN ANY APPLICABLE JURISDICTION (EACH, A "LAW") OR (B) YOU ARE LESS THAN FOURTEEN (14) YEARS OLD (UNLESS YOU HAVE OBTAINED WRITTEN PARENTAL CONSENT), MENTALLY INCAPACITATED OR OTHERWISE INCAPABLE OF ENTERING INTO A BINDING AGREEMENT WITH UNIVERSAL AUDIO, INC. ("UA").
ASSUMING NEITHER (A) NOR (B) OF THE PRIOR PARAGRAPH APPLY TO YOU, YOU MAY USE THE UA WEBSITE AS SET FORTH IN THESE GENERAL TERMS. YOU, PERSONALLY, SHALL BE BOUND BY THE GENERAL TERMS IN THE SAME MANNER AS IF YOU HAD SIGNED A WRITTEN AGREEMENT WITH UA, UNLESS YOU NOTIFY UA IN WRITING THAT YOU ARE USING THE UA WEBSITE ON BEHALF OF AN ENTITY, IN WHICH CASE, THAT ENTITY (THE "DESIGNATED ENTITY") SHALL BE BOUND BY SUCH TERMS AND CONDITIONS. IN SUCH EVENT, YOU REPRESENT AND WARRANT THAT YOU HAVE THE AUTHORITY TO BIND YOUR DESIGNATED ENTITY IN CONNECTION WITH THE TRANSACTIONS CONTEMPLATED BY THESE GENERAL TERMS.
SUBJECT TO THE FOREGOING, YOU OR, ALTERNATIVELY, YOUR DESIGNATED ENTITY ( THE "END USER") AND UA HEREBY AGREE AS FOLLOWS:
1. License Grant. UA hereby grants End User a non-exclusive, non-sublicenseable, non-transferable license to access the UA Website, solely in object code format, solely during the Term (as defined in Section 3(a) below) and solely for internal, non-commercial purposes.
2. Reservation of Rights; Express Restrictions.
(a) Reservation of Rights. Except as expressly set forth in Section 1, UA retains all right, title and interest in: (i) all of the technology, features, functionality, data, written materials, photographs, images, trademarks, logos and other components of the UA Website (each, a "Website Component"), (ii) all Derivative Works of the Website Components and (iii) all Intellectual Property Rights in the items listed in (i) and (ii), except as expressly set forth in this Agreement. For purposes of this Agreement, "Derivative Work" means any revisions, modifications, translations, abridgment or compilation. "Intellectual Property Rights" means United States and foreign patents, utility models, trademarks, sound marks, copyrights, copyright registrations, mask work rights, trade secrets, moral rights, trade dress, know-how, algorithms, impulse responses and other intellectual property rights, whether currently existing or prospective, and including all applications therefor and reissuances, divisions, re-examinations, renewals, extensions, provisionals, continuations and continuations-in-part thereof, and any similar, corresponding or equivalent rights to any of the foregoing anywhere in the world. The structure and organization of Website Components including, without limitation, the computer code embedded in the UA Website, are the valuable trade secrets and confidential information of UA and/or UA's Licensors (as defined in Section 2(b) below) and are protected by the copyright laws of the United States and other countries and by international treaty provisions.
(b) Express Restrictions. Without limiting the generality of Section 2(a) above, End User SHALL NOT:
(i) Translate, adapt, reverse engineer, decompile, disassemble, create derivative works of or modify any Website Component;
(ii) Copy, transmit, rent, sell, sublicense or otherwise make available any Website Component to any third party;
(iii) Use any robot, spider or other automatic or manual process to monitor, access or copy any Website Component;
(iv) Attempt to circumvent technical measures in any Website Component that are intended to detect and/or prevent misuse of the UA Website or otherwise monitor usage of the UA Website;
(v) Publish, post, upload, e-mail, distribute, or otherwise disseminate (collectively, "Transmit") any files that contain viruses, corrupted files, or any other similar software or programs that may damage or adversely affect the operation of any Website Component or any other UA or third party asset;
(vi) Interfere with or disrupt any Website Component or any of UA's servers or networks;
(vii) Engage in any activity that would subject UA to public disparagement or scorn;
(viii) Use any Website Component to extract information about usage, individual identities or users;
(ix) Use any Website Component to transmit surveys, pyramid schemes, spam, unsolicited advertising or promotional materials, or chain letters;
(x) Use any Website Component to transmit any material that is inappropriate, profane, defamatory, infringing, obscene or indecent or otherwise violates the legal rights of others;
(xi) Use any Website Component to transmit any material that is copyrighted, patented, trademarked, protected by trade secret or otherwise subject to third party proprietary rights, unless End User is the owner of such rights or have permission from their rightful owner to post the material;
(xii) Falsify or delete any author attributions, legal or other proper notices or proprietary designations or labels of the origin or the source of software or other material;
(xiii) Impersonate any person or entity, including, but not limited to, a UA representative, or falsely state or otherwise misrepresent End User's affiliation with a person or entity.
In addition, as to those features that require End User to register with UA, End User agrees that: (1) End User will provide accurate and complete information; (2) End User will promptly update End User's registration to keep it accurate, current, and complete; (3) End User is solely responsible for the activity that occurs on End User's account and End User must keep its account password secure; (4) End User will notify UA immediately of any breach (or suspected breach) of security or unauthorized use of End User's account; and (5) End User will not use anyone else's account without permission.
3. Term; Termination.
(a) Term. These General Terms shall become effective on the day End User first accesses the UA Website (the "Effective Date") and shall continue in full force and effect unless and until these General Terms are terminated pursuant to Section 3(b) below (the "Term").
(b) Early Termination. This Agreement will terminate automatically without notice from UA if End User fails to comply with any term(s) of this Agreement. In addition, UA may terminate this Agreement at any time, for any reason effective immediately.
(c) Obligations Upon Termination. Upon termination of this Agreement, End User shall cease using the UA Website.
(d) Survival. Sections 2-15 shall survive termination of this Agreement; provided, however, such survival will not imply or create any continued right to use the UA Website after such termination.
4. DISCLAIMER OF WARRANTIES. ACCESS TO THE UA WEBSITE IS PROVIDED ON AN "AS-IS, AS-AVAILABLE" BASIS. UA AND ITS LICENSORS EXPRESSLY DISCLAIM ALL WARRANTIES RELATED TO THE UA WEBSITE AND THE WEBSITE COMPONENTS, INCLUDING THE WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NON-INFRINGEMENT. WITHOUT LIMITATING THE GENERALITY OF THE FOREGOING, UA MAKES NO REPRESENTATIONS OR WARRANTIES AS TO THE IDENTITY OR TRUSTWORTHINESS OF ANY THIRD PARTY WHOSE PRODUCTS OR SERVICES ARE ACCESSIBLE THROUGH THE UA WEBSITE. END USER IS SOLELY RESPONSIBLE FOR ASSESSING THE ADVISABILITY OF ENTERING INTO A BUSINESS RELATIONSHIP WITH EACH SUCH THIRD PARTY AND, IF SO, UPON WHAT TERMS. THE FOREGOING DISCLAIMERS MAY NOT BE VALID IN SOME JURISDICTIONS. END USER MAY HAVE RIGHTS THAT CANNOT BE WAIVED UNDER CONSUMER PROTECTION AND OTHER LAWS. UA DOES NOT SEEK TO LIMIT ITS WARRANTY OR REMEDIES TO THE EXTENT NOT PERMITTED BY LAW.
5. LIMITATION OF LIABILITY. NEITHER UA NOR ITS LICENSORS SHALL BE LIABLE FOR ANY SPECIAL, INDIRECT, INCIDENTAL, PUNITIVE OR CONSEQUENTIAL DAMAGES OF ANY KIND WHATSOEVER (INCLUDING, WITHOUT LIMITATION, ATTORNEYS' FEES) IN ANY WAY RELATED TO THE UA WEBSITE OR ANY WEBSITE COMPONENT. TO THE EXTENT THE FOREGOING LIMITATION OF LIABILITY IS PROHIBITED OR FAILS OF ITS ESSENTIAL PURPOSE, THE SOLE OBLIGATION OF UA AND/OR ITS LICENSORS TO END USER FOR DAMAGES SHALL BE LIMITED TO $50.00.
6. USER SUBMISSIONS.
(a) The UA Website may now or in the future permit End User to submit data, ideas, text, graphics, messages, links, information, or other content ("User Submissions") and the hosting, sharing, and/or publishing of such User Submissions. End Users understand that whether or not such User Submissions are published, UA does not guarantee any confidentiality with respect to any submissions.
(b) End User shall be solely responsible for End User's own User Submissions and the consequences of posting or publishing them. In connection with User Submissions, End User affirms, represents, and warrants that End User owns or has the necessary licenses, rights, consents, and permissions to use and authorize UA to use all patent, trademark, trade secret, copyright or other proprietary rights in and to any and all User Submissions to enable inclusion and use of the User Submissions in the manner contemplated by the UA Website and these General Terms.
(c) UA does not claim ownership of User Submissions. However, End User hereby grants UA perpetual, irrevocable, worldwide, royalty-free and non-exclusive license(s) to use, distribute, reproduce, modify, adapt, publicly perform and publicly display such content in connection with any aspect of UA's business.
7. SPECIAL COPYRIGHT CONSIDERATIONS.
(a) Claim Submission. If End User is a copyright owner or an agent thereof and believes that any User Submission or other content infringes upon End User's copyrights, End User may submit a notification pursuant to the Digital Millennium Copyright Act ("DMCA") by providing our Copyright Agent (as defined below) with the following information in writing (see 17 U.S.C 512(c)(3) for further detail):
(i) A physical or electronic signature of a person authorized to act on behalf of the owner of an exclusive right that is allegedly infringed;
(ii) Identification of the copyrighted work claimed to have been infringed, or, if multiple copyrighted works at a single online site are covered by a single notification, a representative list of such works at that site;
(iii) Identification of the material that is claimed to be infringing or to be the subject of infringing activity and that is to be removed or access to which is to be disabled and information reasonably sufficient to permit UA to locate the material;
(iv) Information reasonably sufficient to permit UA to contact End User, such as an address, telephone number, and, if available, an electronic mail;
(v) A statement that End User has a good faith belief that use of the material in the manner complained of is not authorized by the copyright owner, its agent, or the law; and
(vi) A statement that the information in the notification is accurate, and under penalty of perjury, that End User is authorized to act on behalf of the owner of an exclusive right that is allegedly infringed.
(b) Copyright Agent. UA's designated Copyright Agent to receive notification of claimed infringement is Keith Koegler, General Counsel, who can be reached by email at email@example.com or by fax at (831) 461-1550. For clarity, only DMCA notices should go to the Copyright Agent; any other feedback, comments, requests for technical support, and other communications should be directed to UA customer service. End User acknowledges that if End User fails to comply with all of the requirements of this Section 7(b), End User's DMCA notice may not be valid.
(c) Counter-Notice. If End User is the owner of a User Submission that was removed (or to which access was disabled) and such End User reasonably believes that its User Submission is not infringing, or that End User has the authorization from the copyright owner, the copyright owner's agent, or pursuant to the law, to post and use the content in the User Submission, End User may send a counter-notice containing the following information to the Copyright Agent:
(i) End User's physical or electronic signature;
(ii) Identification of the content that has been removed or to which access has been disabled and the location at which the content appeared before it was removed or disabled;
(iii) A statement that End User has a good faith belief that the content was removed or disabled as a result of mistake or a misidentification of the content; and
(iv) End User's name, address, telephone number, and e-mail address, a statement that End User consent to the jurisdiction of the federal court in Santa Clara County, California, and a statement that End User will accept service of process from the person who provided notification of the alleged infringement.
If the UA Copyright Agent receives a counter-notice in accordance with this Section 7(c), UA may send a copy of the counter-notice to the original complaining party informing that person that it may replace the removed content or cease disabling it in 10 business days. Unless the copyright owner files an action seeking a court order against the content provider, member or user, the removed content may be replaced, or access to it restored, in 10 to 14 business days or more after receipt of the counter-notice, at UA's sole discretion.
(d) Removal Policy. For matters involving alleged copyright infringement, UA intends to follow the requirements of the DMCA in deciding whether to remove a User Submission from the Website. In all other matters, UA reserves the right to remove User Submissions without prior notice if UA determines, in its sole discretion, that such User Submission has violated a provision of these General Terms.
8. Export Rules. End User acknowledges that UA's products and services are subject to the U.S. Export Administration Regulations and other export laws, restrictions, and regulations (collectively, the "Export Laws") and that Customer will comply with the Export Laws. End User will not ship, transfer, export, or re-export such products or services, directly or indirectly, to: (a) any countries that are subject to US export restrictions (currently including, but not necessarily limited to, Cuba, Iran, North Korea, Sudan, and Syria) (each, an "Embargoed Country"); (b) any end user whom End User know or have reason to know will utilize them in the design, development, or production of nuclear, chemical or biological weapons, or rocket systems, space launch vehicles, and sounding rockets, or unmanned air vehicle systems (each, a "Prohibited Use"); (c) or any end user who has been prohibited from participating in the U.S. export transactions by any federal agency of the U.S. government (each, a "Sanctioned Party"). In addition, End User's are responsible for complying with any local laws in Customer's jurisdiction which may impact Customer's right to import, export or use UA's products and services. End User represents and warrants that End User: (x) is not a citizen of, or located within, an Embargoed Country; (y) will not use any UA product or service for a Prohibited Use; and (z) is not a Sanctioned Party. All rights to use the UA Website and UA's products and services are granted on condition that such rights are forfeited if Customer fails to comply with the provisions of these General Terms.
9. Indemnity. End User agrees to defend, indemnify and hold harmless UA, its officers, directors, employees and agents, from and against any and all claims, damages, obligations, losses, liabilities, costs or debt and expenses (including, but not limited to, attorney's fees) arising from End User's use of the UA Website or any Website Component including, without limitation, (i) End User's violations of any provision of these General Terms, (ii) End User's violation of any third part right, including, without limitation, any copyright, property or privacy right or (iii) any claim that one of End User's User Submissions caused damage to a third party. This defense and indemnification obligation will survive these General Terms and End User's use of the UA Website.
10. Discontinuation of Products or Services. Nothing contained herein shall be construed as limiting UA's right to discontinue any of its products, models, parts and accessories, and/or support for any of the foregoing or to limit UA's right to change the specifications for the foregoing at any time without notice or liability to any third party.
11. Entire Agreement. These General Terms set forth the entire agreement of the parties relating to the subject matter hereof and supersede all prior and contemporaneous oral and written agreements and understandings with the respect to the same; provided however, that if (a) End User downloads any UA software from the UA Website or otherwise accesses any product(s) or services via the UA Website and (b) End User's use of such products or services is conditioned on End User's acceptance of terms and conditions contained in a separate agreement with UA (the, "Additional Terms"), the Additional Terms shall also apply. To the extent there is a conflict between one or more terms in these General terms and the Additional Terms, the Additional Terms shall take precedence in relation to that product or service.
12. Modification. UA may change the General Terms at its sole discretion. If UA changes the General Terms, then UA will make a new copy available at www.uaudio.com/terms.html. End User's use of the UA Website is subject to the most version of the General Terms that are in effect at the time of such use.
13. Severability. In the event that a provision of these General Terms is deemed to be invalid, the parties agree that the remaining portions of these General Terms will remain valid, and further agree to substitute for the invalid provision a valid provision, which most closely approximates the intent and effect of the invalid provision.
14. Governing Law and Jurisdiction. THESE GENERAL TERMS ARE MADE UNDER, AND WILL BE CONSTRUED ACCORDING TO, THE LAWS OF THE STATE OF CALIFORNIA, U.S.A. The parties agree that the Uniform Computer Information Transaction Act (or any statutory implementation of it) and the United Nations Convention on the International Sale of Goods will not apply with respect to these General Terms or the parties' relationship. Subject to the last sentence of this section, any claim, dispute or controversy arising out of or relating to this Agreement shall be resolved by arbitration in accordance with the provisions of the commercial or business rules of the American Arbitration Association. The arbitration shall be held in Santa Clara, California. Notwithstanding the foregoing, a party may seek preliminary judicial relief (such as a preliminary injunction) from the state and federal courts located in Santa Clara County, California if, in its judgment, such action is necessary to avoid irreparable damage, and such courts shall have exclusive jurisdiction and venue over all matters relating to such preliminary relief.
15. UA Trademarks. Universal Audio, the Universal Audio “diamond” logo, Apollo, Apollo Twin, Apollo 16, Unison technology, UAD, UAD Series, UAD-1, UAD-2, UAD-2 Satellite, Powered Plug-Ins, 1176LN, 1176SE, Teletronix, LA-2A, LA-3A, LA-610, LA-610MkII, 2-1176, 2-610, 6176, 710 Twin-Finity, 2192, 4-710d, Cambridge EQ, DreamVerb, Plate 140, Precision Limiter, RealVerb Pro, Precision Buss Compressor, Precision De-Esser, Precision Maximizer, and “Analog Ears | Digital Minds,” are among the trademarks, trade names, and service marks owned by UA that may appear on the Site, many of which are registered in the United States and other countries. This is not a comprehensive list of all UA trademarks. All UA trademarks inure to the benefit of UA. Other trademarks and trade names that may appear on the Site and which are not owned by UA are owned by the respective owners.
Last Updated December 16, 2014
UA wants your opinions to be heard
We want customers to get the information they need to make smart buying choices, and we'd love to have your help doing that. As a UA customer, you can submit written reviews for items listed on uaudio.com. We encourage you to share your opinions, both favorable and unfavorable.
Who can create customer reviews?
Anyone with an active uaudio.com account. All we ask is that you follow a few simple rules (see "What’s not allowed" below).
Tips on writing a great review
What's not allowed
UA is pleased to provide this forum for you to share your opinions on products. While we appreciate your time and comments, we reserve the right to remove reviews that include any of the following:
If you have a question or you'd like to tell us about a specific problem with Customer Reviews, please contact us.