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  • 3 of 3 found this helpful.
    swiss army knife

    by D. Smolenaers . 4 out of 5 stars

    Perfect swiss army knife for any stereo recording that has phase issues. I use it a lot on acoustic guitars. Just fiddle with the phase or delay adjust parameters until you get it just right. Tip for people just starting out: invert the phase, make it as bad sounding as you can and invert the phase again.


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  • 3 of 3 found this helpful.
    Finally got what i wanted

    by M. Gatto . 5 out of 5 stars

    I knew I needed a tool like this but didn't realize how much it would actually help. being able to change the phase and time really solved problems i haven't heard in the past. I would simply toggle a phase invert switch and not really be satisfied with the difference. Now with the little labs tool I'm getting much better results with a more defined sound.


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  • 1 of 1 found this helpful.
    Works for specific things

    by G. Berry . 3 out of 5 stars

    I bought this hoping to use it for drum phase problems, but it seems to really only work on very specific things (guitar amp mult-mic phase problems, etc.). I haven't used it since I bought it. Hope to though!


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  • 2 of 2 found this helpful.
    A great fixer tool

    by G. Leslie . 5 out of 5 stars

    Just used this on some stereo piano recordings which had phase issues between the two mics. Delaying one channel just wasn't helping enough, a few simple tweaks on the Little Labs later, problem solved!


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  • 4 of 4 found this helpful.
    Little Labs IBP Phase Alignment Tool

    by J. Moore . 5 out of 5 stars

    Great little tool. I use it mostly for tighting up a snare mic with the overheads. It can really bring that focus and punch. Very simple tool but be sure to read the manual to really understand how it works and what it's doing.


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  • 2 of 2 found this helpful.
    Using IBP

    by S. Roberts . 5 out of 5 stars

    I have a home studio and generally work with Superior Drummer for my percussion tracks. I like working with SD because, unlike a lot of drum packages, it provides ambient and overhead mic pairs, as well as a phase inversion button for each channel.

    When I demo'd IBP and put it on drum tracks, I was suprised to find out that SD was not doing phase alignment.

    IBP allows me to get things all lined up between the overheads and kick, overheads and snare, ambients and overheads, etc.

    I also find it invaluable for lining up multiple guitar tracks.

    This plugin is well worth the money. A little time and effort with it and you will get very noticeable improvements in your mix.


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  • 1 of 1 found this helpful.
    Adjusts EVERYTHING

    by R. Hofmann . 5 out of 5 stars

    There's so many knobs you could turn that nearly everything can be brought to or out of phase!


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  • 3 of 3 found this helpful.
    This is a must!

    by B. Lederer . 5 out of 5 stars

    This thing is just plain simple but still a musthave plugg! I just did an album and used it on the Kickdrumtrack - and I wondered how I did it before! You´ll hear the phasey spectrum and you´ll get a clear image, when you´ll achieve the right setting. Simple and Stunning! Thanx UA


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  • 1 of 1 found this helpful.
    Great for doubling tracks!

    by J. Manes . 5 out of 5 stars

    Recently used this plugin to parallel process the same track, produced great results considering I purchased it with other uses intended..


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  • 1 of 1 found this helpful.
    Very useful

    by P. Russell . 5 out of 5 stars

    Does exactly what it says in the blurb. I used this in Samplitude to fix a phasey mess that had been created in Sonar, where two drum samples which were supposed to be in sync weren't. It didn't take long to get them perfectly in phase and sounding very powerful.


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  • 4 of 4 found this helpful.
    Great for single guitar into multiple guitar amps

    by C. Presnell . 5 out of 5 stars

    I split my Les Paul into both a Marshall and a Mesa Boogie amp, each into its own Marshall cabinet and both mic'd with an SM-57. In Pro Tools, I could get a great tone from each individual amp and they sounded ok hard panned but they didn't hold up when both were mono. Comb filtering made it sound thin and harsh.

    I put the IBP on both tracks, left one alone and changed the settings only on the other and POW!!! A tone that truly sounded like a blend of both tracks even in mono, just like it sounded when live in the room with the two cabinets cranking side by side. Then when I hard panned, it sounded really wide and meaty, nothing thin about it.

    I'll be using this all the time now and might have to put it in my template!

    Thanks UA!!!


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  • 2 of 2 found this helpful.
    Phase Phixer

    by T. Abrigo . 5 out of 5 stars

    I record in a very small studio where sometimes my mic placement has to be very creative...hahaha. The little labs helps me dial in the little discrepancies in the mic phase and makes every vocal and instrumental nuance glow. I am able to get separation where i had muddiness.

    Thanks Universal Audio


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  • 1 of 1 found this helpful.
    Phase Be Gone

    by R. Hickey . 5 out of 5 stars

    The Little Labs IBP is a lifesaver when it comes to phase. Sometimes 180 degrees isn't the right change. I have found the IBP specifically helpful with multiple instrument takes and drum phase.

    Incredible problem solver when mixing. Must have!


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  • 1 of 1 found this helpful.
    Probably the best phase tool

    by P. Michelangelo . 5 out of 5 stars

    Extremely useful tool for phase issues, I use it every time I double mic snare, bass drum or guitar cab. Great results also on D.I. & mic bass recording!
    Worth every single dollar IMHO!


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  • 1 of 19 found this helpful.

    by A. Bjorn . 1 out of 5 stars

    only UAD plugin I'd really like to return . complete error purchase


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  • 0 of 0 found this helpful.
    A Must-Have Utility

    by J. Clement. 5 out of 5 stars

    You need this one, even if you don't know it yet.

    I had purchased IBP for one track that didn't really get better or worse flipping phase, just kind of neutral either way. But when I got curious and started playing with IBP on other tracks, the real usefulness of this bit of software became apparent. IBP has brought punch and character to tracks I believed to be phase synced and has brought back depth to tracks I would have otherwise started hacking away at with EQ. You really want this one in your UAD toolbox.


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  • 0 of 0 found this helpful.
    Little Labs IBP. One of the best tools in the tool shed

    by K. Belanger . 5 out of 5 stars

    It's the only too I use to fix phase problems. A really easy to use, and efficient tool that every serious studio engineer should keep in their plug-in arsenal


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  • 0 of 0 found this helpful.
    Love the control for Phase Correction.

    by R. Cross . 5 out of 5 stars

    This plug saves me so much time and effort. I use it on every other tom track and opposing overhead mics, snare mics and internal and external kick mics. It uses very little processing power and allows me to keep the channel strips completely free of other, more complex plugs that I like not having to use.

    Another great problem solver.

    Thanks, UA


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  • 0 of 0 found this helpful.
    Does exactly what its suppose to

    by J. H . 5 out of 5 stars

    I got this on sale when I had a coupon one time. Its been very helpful when trying to fix phase issues on drums and guitars recorded with multiple mics. sweet stuff.


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  • 0 of 0 found this helpful.
    depth and focus

    by C. Vonsneidern . 5 out of 5 stars

    The IBP Phase Alignment Tool Plug-In is nearly always needed anytime I use more than one mic on a source. I fix comb filtering problems- fatten up a guitar, snare drum, or bring into focus an overhead drum mic vs the rest of the close-miked drums. I've used other similar plug ins for this job but the IBP has more features like delaying the signal, and the GUI is intuitive.


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Little Labs® IBP Phase Alignment Tool Plug-In

Little Labs® IBP Phase Alignment Tool Plug-In
$99.00
Average Rating [99 ratings]:
4.79 out of 5 stars