Works really well to get a punchy kick and cracking snare
UAD has done it again - I assume that MK. III of this plug-in collection will simply be them shipping the hardware straight to your door.
This units are absolutely amazing. Each one has its own character and takes your tracks to a new level. Very rich and detailed sound! Thanks UAD-Team!
I think this plug-in is awesome, plenty of knobs to tinker with, and comes with a lot of good and interesting presets. I found the two drum presets a great starting point on a bus or directly on the track.
I'm particular about optical compressors. I love the original LA2A and the LA3A, but I have yet to be excited about any of the "clones" or other types of optical compressors that I've used. I've found the Legacy version of the LA2A to be surprisingly useful. When I finally got around to demoing the Classic Collection, I was REALLY blown away. All three of the units have unique characteristics that make each one useful, but the sound of the silverface LA2A makes the package worth the purchase price. This version of the LA2A is so much closer to the sound of the original units that I've used than any of the hardware clones I've heard. This was an easy purchase for me and I've used the Classic LA2As on every mix I've done since I bought it.
I was finished with a session at the end of the day, before I purchased. After installation, I went back to the project I had been working on and tried these out on several different things in one of the tunes. On bass guitar, vocals and acoustic guitar they all were "jaw dropping." I have used the hardware versions many times through the years, and was so happy to know that I could get the same sound without having to fork over several thousand dollars, not to mention maintaining such wonderful hardware pieces. I think you would be happy to have these in your arsenal.
I remember when it came it reading a review that it wasn't as exciting as the Fairchild updated plugs, etc....... but I have to disagree. I have used it for many applications at this point and it just excelled at all of them..... basically has sounded great no matter what I use it for, just as you would expect the real vintage hardware items to sound.... so, I'm very happy and once again heading into "how can I live without it" mode....
Far superior to the legacy version, these three emulations are a superb tool for bass, brass sections, drum buses - I haven't had the opportunity to try them on vocals yet.
I find the emphasis control critical for the correct response. I'm working on a lot of retro music & they seem to really capture the vibe. True I've never owned the originals but I'm loving these compressors. Be careful not to drive them too hard though as they can easily bring in unwanted distortion. If you like John Barry, Morricine etc then you'll love these beauties!
Significant sound improvement compared to the legacy version.
Unfair price-ing to existing users.
The same as my thousands in hardware I used to have!! I got all the new collections of the classics and I honestly think they're do everything I always grabbed them for in the real world. Love this UA system. I missed letting my studio go when I retired, but now I have it all back, for a lot less...LOL
The easiest and one of the most beautiful way of compressing Vocals. Its natural and smooth sound is unbeatable.
Love this plugs, very useful for low cpu usage and .
The UA 610 gives a distinctive sound response that is in the top class of any tube preamp plug-in that is available.
The UA 610 TubePreamp plug-in has all the needed warmth that gives any sound going thru it a remarkable response.
Just got an octo and got this for free. It works pretty good in low freq enhancements. I do not know if I would pay $199 for it though but it is good if it is a deal.
really good enhancer, honest, eq and combressor its really useful!
nice entry level vst!and the modes are as possible as it should for a degault vst... I recommend it
a great product, whether it be for the bedroom studio or pro set up this is a valuable tool in your arsenal. The digital tide is turning!
I love this plug. Not many channel strips have a delay component. I use the individual parts quite often (especially the DM-1L as an easy to use delay). I really like the reflector, a very useful tool. Compressor works pretty well and the eq can yield good results if you take some time with it. Overall, a very solid offering using only a little DSP for the best price – FREE.
Since I read that the daft punk used a lot the 1176 and LA2-A Hardware for their last Album Random access memory, I wanted to get the similar vibe with some air space and live feel on a disco track.
I used the 1176 AE mainly on bass and Drums, it adds some depth, warmth, space, air, a little bit of pleasant noise and space (similar to a natural subtle reverb or some analog hardware breath).
I wasn't really impressed by the the 1176 LN or SE but when I tried the 1176 AE, I understood why so many studio are using it. It just works so nicely I can only recommend you to test it and forget the LN and SE version.
On bass I combine it to the LA2-A + pulteq EQ-1A + Bx Saturator
On Drums, I combine it with the pulteq EQ-1A + Bx Saturator
The CS-1 came to me as a free channel strip plug-in. I have never been a major fan of full channel strip pugs, but I have caught myself using this several times when a track needs a little of everything. The interface is easy to use as well.
I was looking for a similar tool than Waves Maxxbass, universal audio decided to give away this tool to all the apollo owner. Its first purpose is add upper harmonics
to bass fundamentals
You don't have many plugins like that ( maxxbass), so I recommend you to test it, because often bass frequency are hard to sit properly. The enhancer HZ can help you to sit your kick & bass properly in the mix.
It's very easy to use, it has 5 modes, 4 modes for each type of instrument and 1 for special effects.
Mode A to add low frequency for acoustic & electric bass.
Mode B is primarily for electric and DI bass with balanced mid range harmonics to help the bass stick out of the mix, Mode C for synth bass, on sub-mix, Mode D for kick & percussive instru