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Overview

dbx® 160 Compressor / Limiter Plug-In

Faithful Plug-In Emulation of First Commercially Available VCA Compressor

The dbx 160 Compressor/Limiter is a fully licensed and faithful emulation of the legendary dbx 160 hardware compressor/limiter — still widely considered the best VCA compressor ever made. “VU” is the common nickname for this highly regarded studio staple, famous for its simple control set and firm, distinct compression characteristics. The dbx 160 also has unique nonlinearities not found in other VCA compressors, giving it a sonic distinction from later models. The dbx-endorsed UAD Powered Plug-In version of the VCA VU captures all of the sonic nuances from our “golden” modeling unit, plus the simple control set of the original hardware.

$199.00

Features & Specs

dbx® 160 Compressor / Limiter Plug-In

Features:

  • Plug-in model of dbx 160; first solid-state VCA compressor
  • Modeled discrete version with unique nonlinearities
  • Same simple control set of its analog counterpart
  • Threshold, Compression and Output controls
  • LED threshold indicators just like the original
  • Input/Output/Gain Change VU meter
  • Modeled from desirable ‘non-monolithic’ original design, adding unique nonlinearities
  • Requires a UAD-1 or UAD-2 DSP Accelerator Card available from authorized dealers worldwide

See the UAD Instance Chart here

Reviews / Ratings

Reviews

  • Neil Mclellan

    (TapeOp)

    "My favortite [UAD Powered Plug-In] is the VCA VU Compressor/Limiter. I love it so much. It's absolutely unbelievable."

    04/2010

    Hans Zimmer

    (The Dark Knight, Gladiator)

    "For years I used an old dbx 160 compressor for drums. So when UA came out with the VCA VU, I was very happy."

    Review
    05/2010

    Ed MacFarlane

    (Friendly Fires)

    "I really like it [VCA-VU] & it's really simple... it beefs up the sound & makes the signal from an 808 more interesting."

    Review
    10/2009

    Review

    (Computer Music)

    "It's easy to get the VCA VU pumping away. Correctly adjusting the Threshold knob to get the unit working is simple ..."

    Review
    05/2008

User Ratings

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Average Rating (25 Reviews)
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    by Dylan Dresdow(Friday 9 December, 2011)

    Thwacktastic. I'd like to write a paragraph about it, but that's pretty much it to me. It's the goto for adding 'twack' on drums in my studio. … Read more

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    by Alan Charles(Tuesday 4 October, 2011)

    Probably the most underated software compressor in the UAD range or native even. The most versital capable of the most extremes as well. I can't say enough good things about it. … Read more

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    by Nick Zervos(Thursday 30 June, 2011)

    Only 3 knobs but so powerful thats for sure. Great for creating new grooves from lifless phrases.... … Read more

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    by Hamed Yousefi Pak(Sunday 19 June, 2011)

    Amazing!! Original dbx-160 sound! I have try the hardware and i say that plug have the same sound. I often use the brauerizeâ„¢ technique and the dbx are perfect for my VCA-Bus. I can only say buy buy buy buy. … Read more

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    by John Vawter(Friday 17 June, 2011)

    For sound quality and accuracy of the emulation, five stars. For versatility, it does one thing extremely well - it makes things go "POP!" It can be subtle or extreme, but that's all it does. For my styles of music, folk, country, melodic rock and jazz rock, I tend to use it more subtly, or in compr … Read more

Artists
  • Thievery Corporation's Chris “Stone” Garrett on UA

    Chris Garrett an integral part of Thievery Corporation's tight productions, which emphasize a unique blend of spacious organic elements and electronic grooves. Read more

    Dave Isaac

    There were many recording techniques used in my years as an engineer back in Detroit in the various recording studios. Read more

    Matt Knobel

    Matt Knobel has a great job. A job that many of us covet. He is the head engineer at South Beach's Setai Recording Studio. Read more

Docs