Warm, Highly Adjustable, Tape Echo Emulation Inspired By Two Classic Echoplex* Units.
Universal Audio's EP-34 Tape Echo plug-in gives guitar players and mix engineers the rich, warm tape delay effects of vintage Echoplex units, now on the UAD Powered Plug-Ins platform for Mac and PC. One need only listen to classic recordings from Jimmy Page, Brian May, Chick Corea, Eddie Van Halen, Eric Johnson and Andy Summers to hear the Echoplex sound in action. Unlike other Echoplex emulations, the EP-34 is the first plug-in that targets specific behaviors of both the EP-3 and EP-4 Echoplexes.
The original Echoplex hardware boxes employed an infinite tape loop combined with a sliding record head, allowing the user to set the desired delay length. Of course, as an analog tape-based unit, there were many idiosyncrasies along the way — including distortion, wow and flutter, self-oscillation, squelch effects, and other vintage magic. The EP-34 plug-in emulates all of these attributes, with a record head slider that can be moved in real time and used in conjunction with an Echo Repeats control to create echo and pitch chaos. The distinct, musical input clipping of the original hardware is also captured via a Record Volume control, giving the EP-34 some subtle to not-so-subtle tonal coloring and distortion as desired. Recreating the infinite delay times afforded by a sliding record head — as well as capturing the desirable distortion of the hardware's preamp circuit — were difficult and DSP-intensive tasks, but the experts at UA sweated every last detail, ensuring that the EP-34 plug-in is verifiably the most accurate model for those who want the distinct, chaotic Echoplex sound, "warts and all."
Just like the original hardware, faster-than-tape-path speeds can be achieved with the EP-34 plug-in, leading to "sonic-boom/tape squeal" effects, self-chorusing due to speed variations, plus pinch roller wow and flutter. The Echo Volume control allows the blending of processed and unprocessed signal; however as with the original, even the dry signal is tonally affected by the plug-in. Finally, the original Echoplex's self-oscillation capabilities are present as well, including the "squelch" effect (an interruption in self-oscillation) achieved at extreme settings when processing low-frequency material.
The EP-34 includes the same metering and highly musical tone controls found on the EP-4, but removes its undesirable in-line noise reduction circuit that guitarists often disabled (original manufacturer Maestro removed this circuit soon after the product's release). A few EP-34 "extras" not found on the original hardware include modern conveniences like Tempo Sync, Input Select (allows for a cleaner sound [LO] or a dirtier sound [HI] ), Tension (for a snappy or sludgy response time), Echo Send, Wet Solo, Pan (wet signal only) and Power (plug-in bypass).
Taken together, these features make the EP-34 more than just a tape delay plug-in, but a warm and inspiring instrument that can be played by manipulating the controls as you go.
*Note: The EP-34 Tape Echo product is not affiliated with, sponsored, nor endorsed by any companies currently using the "Echoplex" name. The Echoplex name, as well as the EP-3 and EP-4 model names, are used solely to identify the classic effects emulated by Universal Audio's product.
Engineer/producer Michael Ilbert's has crafted records by the Hives, Supergrass, and In Flames, but it's his work on Taylor Swift's Red and 1989 that have garnered him multiple Grammy nominations. Read More
Jacquire King (Of Monsters and Men, Norah Jones, Modest Mouse) shows how he used the Apollo interface and UAD plug-ins to track Robert Ellis' band on a live rendition of the track, "Good Intentions."… Read More
Grammy-winning engineer Neal Cappellino has recorded and mixed hits for Nashville's biggest stars. Read More
In this UA Artist Tips & Tricks video, Ryan Hewitt demonstrates how he used UAD Powered Plug-In favorites on The Avett Brothers' latest album. Read More
If you were stuck on a desert island with your recording studio, what UAD plug-ins could you not live without?… Read More
The Grammy-winning producer, mixer, and engineer is responsible for capturing some of modern times’ most beloved sounds. Read More
GRAMMY®-winning mixer and recording engineer Jason Schweitzer on developing artful ears. Read More
Simpson has worked on three of Coldplay's albums, including Mylo Xyloto, which he co-produced, engineered, and helped mix. Read More
With more than 24 #1 Billboard Hot 100 hits, 3 Grammys®, and nearly 300 album credits, there are few engineers that can touch Phil Tan’s recent track record. Read More
Three-time GRAMMY® Winner Dave Isaac Shares Tips for Widening Tracks with UAD Powered Plug-Ins... Read More
An Irish musician, remixer, producer, and engineer, Jacknife Lee has worked with legendary rock bands... Read More
Jay Sean’s “Hit the Lights,” Mixed by Miles Walker… Read More