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Customer Reviews 499 Reviews

4.75 out of 5 stars

by . (11/19/2015):

Excelente delay para todos los estilos musicales. La uso especialmente para guitarras… Read more

404 Reviews
73 Reviews
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Roland® Classic FX Plug-In Bundle

This bundle is no longer available for purchase, but will continue to be supported.

The World's Most Accurate Plug-In Emulations of Vintage 1970s Roland & BOSS Effects.

The Roland® Classic FX Plug-In Bundle represents the world's most accurate – and the only authenticated – plug-in emulations of vintage Roland and BOSS analog hardware from the 1970s. The sound of these classic products, including the RE-201 Space Echo, Dimension D and BOSS CE-1 Chorus, has graced legions of recordings – from Bob Marley and The Clash to Radiohead, the Talking Heads and so many more. Roland entrusted Universal Audio to painstakingly model all three effects from "golden" hardware units, including a Dimension D unit belonging to famed producer Jerry Harrison (Talking Heads, No Doubt, Violent Femmes). 

Roland® RE-201 Space Echo Plug-In

In 1973, Roland created the Space Echo system that utilized multiple play heads to create warm, highly adjustable echo effects, which added wonderful tape character and chaos to performances and recordings. The Space Echo can be heard on numerous recordings, from 70’s space rock like Pink Floyd and David Bowie, to countless reggae and dub albums, to more recent bands like Portishead and Radiohead. Universal Audio has been entrusted by Roland to re-create the highly beloved RE-201 unit, considered the best of the Space Echo line. Our team spent over a year developing our RE-201 Space Echo, which truly captures the physical behavior of this complex device, “warts and all."


Roland® Dimension D Plug-In

The Dimension D is a one-of-a-kind studio gem that adheres to the principle of doing one thing, and doing it extremely well. Its one and only function: producing the best sounding stereo chorus effects ever made. However the Dimension D is more than a chorus; it's really a unique sound enhancer for adding spatial and stereo widening effects. This classic 1979 Roland device has been heard on countless records, from luminaries such as Peter Gabriel, Talking Heads and INXS. Universal Audio went to great lengths to preserve this bucket brigade chorus with all its unique design elements and sonic characteristics.

BOSS® CE-1 Chorus Ensemble Plug-In

Even for the mix engineer, stomp boxes can provide “secret weapon" effects not found any other way. In 1976, BOSS originated the chorus effect pedal, the CE-1, and nobody has come close to matching the CE-1’s captivating chorus sound since. Its unmistakable warm analog stereo chorus and vibrato have been heard on countless tracks -- particularly on guitars, bass and electric keys. It's the perfect effect for widening the stereo sound of any given instrument. Universal Audio has been commissioned by Roland to accurately model the CE-1, and the results are nothing short of spectacular.


Requires a UAD DSP Accelerator Card or Apollo Interface available from authorized dealers worldwide and the latest version of the UAD Powered Plug-In Software (available here).



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  • Jim James

    My Morning Jacket

    "The UAD Powered Plug-ins collection is such a great tool kit. So many tools under one roof and all at your fingertips in a fraction of a second."

    Ronnie Vanucci

    The Killers

    "The UAD plug-ins allow us [The Killers] to get into the wheelhouse of the sounds of yesteryear. It's another instrument in the band these days."

    Ivan Barias

    (Musiq Soulchild, Faith Evans)

    “The UAD-2 is the 21st century musician's best friend."

    Darrell Thorp

    (Beck, Radiohead, Charlotte Gainsbourg)

    "Knowing the abilities of the DSP and the incredible quality and tonality of the plug-ins, the UAD-2 has become such a first response tool in my everyday recording and mixing."

    Peter Kirn

    Create Digital Music

    "It’s difficult to describe UA’s plug-ins until you’ve tried them. It’s a bit like having chocolate sauce at your disposal, sonically speaking."

  • Garrett Haines

    (Tape Op Magazine)

    "Universal Audio’s achievements in capturing the sonics of equalization, transformers, and control interaction need to be recognized. This goes beyond software models; they’re getting to the heart of the gear."

    Matt Knobel

    (Lenny Kravitz)

    "The family of effects that I have with my UAD-2 is incomparable with any other when it comes to working in the box yet having an 'out of boxy experience'."

    Paul Moak

    (Third Day, Matthew Mayfield)

    "The flexibility is priceless and has won me over on UAD for life. Thanks for making a great product!"

    Garrett "Jacknife" Lee

    (R.E.M., The Cars)

    "I @#$%ing love my UAD-2 card! Doing my first proper mix [The Cars] with it. Wow! How did i do without it?"

    Jose Cancela & Amy Marie Beauchamp

    (HBO Sports, NFL, NBA)

    “The UAD-2 has time and time again given sterile samples warmth, depth and brilliance."

  • Greg Parkin

    (Capitol Studios & Mastering)

    “It is fitting that UA continues to provide a platform for our engineers to innovate."

    Hank Shocklee

    (Public Enemy)

    “I like to use the UAD plug-ins to their extremes and push them to get the crazy sound I use to set my productions apart."

    Jono Buchanan

    Future Music (UK)

    "The accuracy & quality of [UA's] recent additions [shows] their recreations of classic hardware are only improving."

    Ivan Barias

    (Musiq Soulchild)

    "UAD is my new secret weapon in the studio. I get everything to sound the way I always wanted, way before the mixing."

    Ivan Barias

    (Keyshia Cole, 2Pac)

    "Before UAD life in the studio was like television before HD. Everything sounds incredibly detailed now."

  • John Paterno

    (Los Lobos, Bonnie Raitt)

    "This [UAD-2] is a 'game changer' for me ... The sound, responsiveness, and detail [of the plug-ins] are great!"

    Nathaniel Kunkel

    (Lyle Lovett, Nirvana)

    "With the UAD-2, UA has provided something that I have been missing from my plugs for a long time: inspiration."

    J.J. Blair

    (Rod Stewart, George Benson)

    "I was never into mixing completely in the box until I started using UAD cards ... I'm loving it more and more."

    Jim Dalrymple

    (The Loop)

    "[I use] the Fairchild Compressor, Neve 1081, Neve 1073, LA-2A and the 1176 Compressor. They all give you something different."

    Jim Dalrymple


    "While there are a lot of plug-in choices [on the market], I have found none better than Universal Audio."

  • Eli Janney

    (Wilco, Wheat)

    "I’m heavily into the [UAD-2] cards. They just sound really, really good ... the new cards give you a lot of horsepower."

    Vance Powell

    (The Raconteurs, Jars of Clay)

    "The UAD-2 is the first plug-in set that replaces gear I own, hardware-wise, and that's a big deal."

    John Baccigaluppi

    (TapeOp Magazine)

    "[With the UAD-2] ... everything worked perfectly with the sonic quality we’ve come to expect from the UAD series."

    Ryan West

    (Kanye West, T.I., T-Pain)

    "I'm not sure what mathematical voodoo they do over there [at UA], but I like it and I won't mix without it."

    David Grissom

    (Mellencamp, Buddy Guy)

    "The UAD-2 plug-ins have become the backbone of my mixes ... I've been able to eliminate my console altogether."

  • Frank Filipetti

    (James Taylor, Rod Stewart)

    “I wish more companies paid attention to what you guys are doing at UA ... it's right on the money."

    Ulrich Wild


    "The new UAD-2 cards are extremely powerful ... I completely abandoned analog gear for mixing and I rely heavily on this system"

    Hank Shocklee

    (Public Enemy)

    "I can surely say that working with the UAD family of plug-ins has greatly increased the sound of my projects"

    Rik Simpson


    "The sound of the UAD software is the closest thing in analog modeling ... it actually sounds like the real gear."

    Frank Filipetti

    (Carly Simon)

    "I go to my UAD plug-ins just as naturally as I do any hardware ... UAD is now an essential part of my mixing arsenal"

  • Frank Filipetti

    (Carly Simon, Korn)

    "I don't need anything else to mix with, other than the UAD plug-ins. Everything else I use is hardware."

    Nathaniel Kunkel


    "I use my UAD cards every time I mix ... the quality of the plug-ins make mixing 'in the box' not only easier, but really fun."

    Gavin Monaghan

    (The Twang)

    "I'd never even think of tackling a session without UAD plug-ins."

    Charlie Clouser

    (NIN, "Saw" Soundtracks)

    "The UAD-2 provides so much DSP that I can really lay the plug-ins on thick without giving it a second thought"

    Nathaniel Kunkel

    (James Taylor, Lyle Lovett)

    "The thing that I feel no one's really talking about is that this [the UAD-2] is a paradigm shift."

  • Elliot Mazer

    (Neil Young)

    "I can mix anyplace with my UAD-2 SOLO/Laptop. I get to use the same UAD plug-ins on my portable that I use on my big MacPro."

    Stuart Price

    (The Killers)

    "You judge [the UAD-2] by how many people you recommend it to, and everyone I have worked with has now gone and got one."

    Paul Moak

    (Third Day, Matthew Mayfield)

    "As an analog junkie and an audiofile, this [UAD-2] is the best of both worlds for me."

    Ryan Hewitt

    (Red Hot Chili Peppers)

    "So now I have my UAD on everything, and I'm using the EMT 140 and the EMT 250 as effects. It's so much easier."

    Neil Mclellan


    "I've recommended the UAD platform to all of my friends, and once they heard it, there was no looking back."

  • John Paterno

    (Los Lobos, Bonnie Raitt)

    "The sound of these [UAD Powered Plug-Ins] will definitely change the way I approach mixing in the computer."

    D. James Goodwin

    (The Bravery)

    "When I finally decided to try the UAD platform, I was immediately floored by the realism. These things sounded amazing."

    Ed MacFarlane

    (Friendly Fires)

    "[I use] the 6176 as my preamp & compressor, and I've been using the UAD plug-ins once the track's in the computer."

    D. James Goodwin

    (The Bravery)

    "I decided to sell my hardware SPL TD4, and my vintage dbx 160 rack, because the UAD became my go-to choice. Bravo to UA"

    Paul White

    (Sound On Sound)

    "UA has given their UAD-2 platform extra appeal with yet more accurate recreations of classic studio hardware ..."

  • D. James Goodwin

    (The Bravery)

    "UAD plug-ins are my new benchmark for how processors should sound, look, and function.”

    Paul White

    (Sound On Sound)

    "[Cooper Time Cube, EMT 250, or FATSO] ... for the real vintage character, I don't think UA have any rivals at the moment."

    J.J. Blair

    (Rod Stewart, George Benson)

    "Way to go, Universal Audio! Thanks for helping me achieve the sounds in the box that I really want to hear."

    Jim Dalrymple

    (The Loop)

    "I find that the UA plug-ins allow me to control that [dynamic] range of frequencies better than anything else."

    JR Hutson

    (Jill Scott, Musiq Soulchild)

    "[Once] I got the UAD Powered Plug-Ins, I can get things so much closer to what they're supposed to sound like."

  • Roy Davis Jr.

    "A mix is not complete without UAD Powered Plug-Ins on it!!!"

    Justin Niebank

    (Keith Urban, Rascal Flatts)

    “[W]hen you came out with the UAD-2, I jumped on that, even before the software came out. I adore it.”

    Frederick Norén

    (Sound on Sound)

    "[For DSP-based systems]...the UAD2 platform is a good alternative, with great-sounding, humanely priced plug-ins."

    Eli Crews

    (Electronic Musician)

    "With the UAD-2, Universal Audio has made one of the most attractive plug-in families even harder to live without."

    Cian Ciaran

    (Super Furry Animals)

    "[With the UAD-2] It's like having the right tools to do the right job ... Because you know all the gear's quality."

  • Jason Blum

    (Remix Magazine)

    "The only thing better than UAD plug-ins is more of them."

    Paul Vnuk, Jr.

    (Recording Magazine)

    "The UAD-2 ... is a huge improvement over everything that made the UAD-1 the leader in its class."

    Mike Senior

    (Sound On Sound)

    "UAD-2 is an enormous leap forward from the UAD-1"

    Mike Senior

    (Sound on Sound)

    "Universal Audio are a force to be reckoned with in terms of the quality of their audio processing"

    Craig Anderton

    (EQ Magazine)

    "The UAD concept [is] the 21st century equivalent of a rack of special-purpose processors ... maybe even an entire mixer."

  • Craig Anderton


    "The UAD-2 is much more powerful than the original ... the UAD concept is no longer to just replace a few cool pieces of gear"

    Barry Rudolph

    (Mix Magazine)

    "The UAD-2 breaks all the UAD-1's limitations ... it's a dream come true for all DAW users.”

    Craig Anderton

    (EQ Magazine)

    "It's the strikingly realistic, and musical, emulations of vintage (and not so vintage) gear [that hooks people on the UAD-2]."

    Rob James

    (Resolution Magazine)

    "[UAD Powered Plug-Ins] have more character than many native or TDM plug-ins, while being a great deal more affordable."

    Future Publishing


    "Offering several times the power of the UAD-1, this powered plug-in system is very impressive."

  • Andy Hong


    "I'd have to say that the UAD plug-ins blow similar TDM plug-ins out of the water"

    Jono Buchanan

    (Future Music UK)

    "It's now possible to turn your DAW into a full Neve console, for a fraction of the cost of a real desk."

    David Riggs

    "There is a God and he uses the UAD plugins. The best set of plug-ins anywhere. Period."

    Geoff Sanoff

    (Pro Sound News)

    "I keep saying to people that plug-ins are only going to get better, and UAD keeps proving me right."

    Mike Senior

    (Sound on Sound)

    "The UAD-2 gives access to some of the best-sounding analogue emulation plug-ins available ... a mouth-watering prospect."

  • Carmen Rizzo

    "I make a living with the UA plug-ins, because I use them every single day on every session."

    Matt Boudreau

    (Keith Urban)

    "The bottom line is, it's got so much more power ... it allowed me to use whatever plug-in I wanted, whenever I wanted"

    Matt Knobel

    (Lenny Kravitz)

    "With the UAD-2 , you put it on and it sounds like a Fairchild. It makes it so much easier to get what you're looking for."

User Ratings

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Average Rating (499 Reviews)
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    Space Echo Baby yeah!
    by . (Thursday 19 November, 2015)

    Excelente delay para todos los estilos musicales. La uso especialmente para guitarras voces e incluso el bajo y la bateria. Suena super real!. Poder usarla en estereo te permite optimizar el color del efecto paneando la rev y el delay. Es hermosa. Sin dudas un plug in q debes tener.… Read More

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    Great emulation
    by G. Kovács(Wednesday 14 October, 2015)

    Good as an effect, but also great for sound design. I am glad that I bought it before it was discontinued. Read More

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    good for the reverb
    by F. BOURDONNEAU(Sunday 20 September, 2015)

    I buy this plug for the delay, but i don't used the delay, i prefere the spring reverb, spring reverb have a different color that the other reverberator plug i don't know the original RE-201 Read More

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    Nice One
    by V. Koenig(Thursday 17 September, 2015)

    I have the luck to get this plug in last month before UAD stop to sell the RE-201. This emulation sounds great. Iàm a bit sad that i can`t purchase the Dimmension D and the CE 1 :( Nothing is forever. Anyway i have lots of fun withe the RE-201 :) Well done (y) Read More

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    Nice for everything.
    by M. Nykvist(Tuesday 15 September, 2015)

    Just love it! doing mostly techno stuff and this sounds and works just great! Read More

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    Adam Blake

    Zoot Woman is a pioneering electronic super-group with multiple UK and worldwide hits. The group consists of Adam Blake, Stuart Price, and Johnny Blake. Read More

    Arabian Prince

    Veteran hip-hop/electronic producer Arabian Prince has enjoyed a steady career of hits spanning 25 years, and he’s not stopping now. Read More

  • Jacquire King

    Jacquire (pronounced Ja-KEER) King has emerged as one of the most exciting engineer/producers of his generation. Read More

    Just Blaze

    Justin Smith, aka Just Blaze, was spinning records in clubs when he was just fourteen years old. Now he produces Platinum-selling mega-hits for stars such as Jay-Z... Read More

    Vance Powell

    Vance Powell accepted the GRAMMY® award for The Raconteurs album, Consolers of the Lonely. Read More


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