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Overview

EMT® 140 Classic Plate Reverberator Plug-In

Three Unique Plate Reverbs Captured in a Single, Powerful Plug-In

Universal Audio “steps up to the plate,” rendering another classic tool for the DAW: Introducing the EMT 140 Plug-In. German company EMT made a breakthrough in 1957 with the release of the EMT 140, which utilized a resonating metal plate to create ambience. Nothing is quite like the wonderfully lush and distinctive tone of plate reverb, which still endures as part of the fabric of modern music. Endorsed by EMT Studiotechnik GmbH, and painstakingly modeled by Universal Audio, this plug-in replicates the sonic signature of three uniquely different EMT 140s installed at The Plant Studios in Sausalito, CA. Impractical or impossible in the past, UA again brings classic analog tools within the reach of everyone.

The EMT 140 plug-in is an amalgam of real plate system amplifiers and remote control components, and also offers useful feature enhancements that recreate common applications when using plate reverbs. Emulations of both the original EMT 80 Hz shelf filter electronics and the popular aftermarket Martech electronics with their 12dB filters cut filters are represented first in the signal path. The user is then presented with three switchable plate controllers (A, B and C) that recreate the mechanical dampers that decrease plate decay time, each with its own measured characteristic sound. Plates A and B use the original EMT electronics system, for which the plates themselves had not been tuned in some time. Plate C uses the more modern Martech electronics which had just been fully serviced.

$199.00

Features & Specs

EMT® 140 Classic Plate Reverberator Plug-In

Features:

  • Based on three EMT 140 plates from The Plant Studios – each with a unique sound
  • Fully endorsed by EMT Studiotechnik GmbH
  • Highly prized smooth and natural plate sound
  • Decay, two-band EQ, Predelay, Width & Wet/Dry
  • Control modeled analog high pass filters: stock EMT 80 Hz and Martech
  • Reverb modulation with Depth and Rate control
  • Stereo Balance control
  • Requires a UAD-1 or UAD-2 DSP Accelerator Card available from authorized dealers worldwide

See the UAD Instance Chart here

Parameters:

  • Plate Select chooses from three distinct plates, A, B and C
  • A, B and C Damper Controls independently adjust reverb time from .5 to 5.5 seconds for all three plates
  • Input Filtering: Martech fixed 12 dB Low Cut Filter at 90, 125, 180, 250, 270, 360 Hz or EMT 80 Hz fixed Shelving EQ at -4,-10,-16 dB
  • Continuous Stereo Width controls effect image from 0% (mono) to 100% (full width)
  • Continuous Stereo Balance positions effect field from hard left to hard right or anywhere in between
  • Output Filtering: Continuous Low and High Shelving EQ filters from 20 Hz to 2 kHz and 200Hz to 20 kHz with +/- 12 dB Gain, plus In/Out global EQ bypass
  • Continuous Pre Delay from 0-250 ms
  • Continuous Mix Blend from 100% Dry to 100% Wet plus Wet Solo
  • Continuous Modulation Rate from .01 Hz to 1 Hz
  • Continuous Modulation Depth from 0 to 10 cents
  • VU meter represents EMT 140 Output Level
  • Power bypasses entire EMT 140 circuit
Reviews / Ratings

Reviews

1 of 5
  • Frederick Norén

    Sound On Sound

    "The EMT 140 [plug-in] is held by many — including me — to be the best-sounding digital plate reverb on the market."

    07/2010

    Garrett "Jacknife" Lee

    (R.E.M., The Cars)

    "Wow! How did i do without it [UAD-2]? The 1073 EQ! 1176LN! Dimension D! The EMT reverbs! Fairchild 670!"

    08/2010

    Hank Shocklee

    (Public Enemy)

    "I need the EMT 140 Classic Plate Reverberator for creating bigger-than-life snare and clap sounds."

    Review
    07/2010

    Ryan Hewitt

    (Red Hot Chili Peppers)

    "The EMT 250 and EMT140 emulations [for UAD] are stunning. They're just absolutely phenomenal."

    Review
    07/2010

    Ryan Hewitt

    (Red Hot Chili Peppers)

    "So now I have my UAD on everything, and I'm using the EMT 140 and the EMT 250 as effects. It's so much easier."

    Review
    07/2010
  • Ryan Hewitt

    (Red Hot Chili Peppers)

    "The EMT 250 and EMT140 emulations [for UAD] are stunning. They're just absolutely phenomenal."

    Review
    07/2010

    Frank Filipetti

    (James Taylor, Rod Stewart)

    "Neve 1073, Fairchild 670, & EMT 140 — I don't think I'd even consider mixing in the box without them."

    Review
    05/2010

    Hans Zimmer

    (Dark Knight, Gladiator)

    "The EMT 140 Plate Reverb plugs are on everything ... It's great, that feeling of not having to run out of plates."

    Review
    05/2010

    Frank Filipetti

    (James Taylor, Rod Stewart)

    "The EMT 140 Classic Plate Reverberator plug-in — not a mix goes by without it."

    Review
    05/2010

    Vance Powell

    (The Raconteurs)

    "[The EMT 140 plug-in is] Unbelievable. Love it. Use it all the time."

    03/2009
  • Dweezil Zappa

    (Zappa Plays Zappa)

    "The [UAD] EMT 140 reverb I use on everything. It's my favorite reverb of anything I have."

    John Cuniberti

    (Joe Satriani, The Meters)

    "UA successfully modeled our three EMTs so well that in a blindfold test we could not tell the difference!"

    David Issac

    (Marcus Miller)

    "When I heard the [UAD] EMT 140 ... I instantly remembered standing in a chamber in Detroit. It was that close."

    Ed MacFarlane

    (Friendly Fires)

    "We record toms separately, and to get that big washy Serge Gainsbourg sound we've used the UAD EMT 140 reverb on them."

    Review
    10/2009

    Eli Crews

    (Electronic Musician)

    "The [UAD] EMT 140 blew the plate presets of my standard reverb plug-in out of the water."

    Review
    03/2006
  • Jonathan Wilson

    (Future Music UK)

    "[The EMT 140 is] possibly the world’s finest software plate reverb emulation."

    Review
    07/2005

    John Baccigaluppi

    (TapeOp Magazine)

    "Well, consider me won over… The EMT 140 [plug-in] was used extensively on a record I recently mixed."

    05/2005

    Paul White

    (Sound On Sound)

    "You owe it to yourself to check this [EMT 140 plug-in] out, even if you're not a vintage gear freak."

    Review
    03/2005

    Jason Scott Alexander

    (Remix Magazine)

    "The [UAD] EMT 140 added unmistakable character to everything I threw at it ... it consistently tickled the ear."

    03/2005

    Paul White

    (Sound on Sound)

    "The [UAD] EMT 140 is the nearest thing I've heard yet to a real plate reverb."

    03/2005
  • Gavin Monaghan

    (The Twang)

    "The [UAD] EMT 140 is pure Motown, better than my real one! Stunning!"

    Jeff Balding

    (Amy Grant, Faith Hill)

    "[The EMT 140 plug-in] is great on snare to put a little space around it, I use it as a general plate."

User Ratings

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Average Rating (79 Reviews)
    • 1 Star
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    • 5 Star
    by Steve Froudist(Wednesday 14 December, 2011)

    The original EMT plate reverb is a steel monster that needs an isolated vault of its own. With only rudimentary damping and EQ, it is more or less a "set and forget" creature. Instead of a soundproof room, the UA version (really three units in one) just needs a UAD card to run on. While lacking some … Read more

    • 1 Star
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    • 5 Star
    by Dylan Dresdow(Friday 9 December, 2011)

    This is a killer 3 pack of dense plate verbs that do an excellent job at adding a texture within a mix. The EMT's have been the "must have" with UAD from the day they came out, imo. … Read more

    • 1 Star
    • 2 Star
    • 3 Star
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    • 5 Star
    by Balint Dobozi(Saturday 12 November, 2011)

    A truly marvelous plug-in – whether it's a super-short reverb insert on a kick drum, a bass or a Fender Rhodes, or big warm plates on vocals. … Read more

    • 1 Star
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    by Waldemar Kopka(Tuesday 20 September, 2011)

    Hi, update on the UAD version 6 1 is no longer my EMT 140. what do I do now? Waldemar wkopka@aol.com … Read more

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    by stu maxwell(Tuesday 23 August, 2011)

    Well there is a lot i could say about this reverb, lush, rich, deep. But i like these two simple words.... F@#king great! Thanks UA … Read more

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