Cart Summary View cart

  • Total: $0.00
  • Items: 0
Checkout

Customer Reviews 812 Reviews

4.89 out of 5 stars

by N. van der Burg (9/26/2016):

What's left to say? I think this is the best selling UAD plugin and there's a good… Read more

744 Reviews
60 Reviews
2 Reviews
2 Reviews
5 Reviews
Overview

EMT® Classic Reverb Bundle

A Dynamic Duo of Classic EMT® Reverbs Combine Forces for the UAD-2.

The EMT® Reverb Bundle is a considerable compliment to any Mac- or PC-based recording system, and a powerful, “go to” combo in any UAD Powered Plug-Ins collection. This remarkable bundle combines stellar emulations of two of the most sought-after and difficult to attain EMT® reverb units ever created into one conveniently packaged and price-reduced bundle; you’ll save 20% compared with buying the plug-ins solo. Whether you’re enveloping a vocal track, or adding elegant ambience, these EMT® reverbs will always help your tracks fit perfectly in the mix.

EMT® 140 Classic Plate Reverb Plug-In

Universal Audio “steps up to the plate,” rendering another classic tool for your DAW: Introducing the EMT 140 Plug-In. German company EMT made a breakthrough in 1957 with the release of the EMT 140, which utilized a resonating metal plate to create ambience. Nothing is quite like the wonderfully lush and distinctive tone of plate reverb, which still endures as part of the fabric of modern music. Endorsed by EMT Studiotechnik GmbH, and painstakingly modeled by Universal Audio, this plug-in replicates the sonic signature of three uniquely different EMT 140s installed at The Plant Studios in Sausalito, CA. Impractical or impossible in the past, UA again brings classic analog tools within the reach of everyone.

EMT® 250 Classic Electronic Reverberator Plug-In

Introduced in 1976, the EMT 250 is still regarded as one of the best-sounding hardware reverb units ever made. Its fan-base includes studio legends like George Massenburg, Bruce Swedien, Daniel Lanois, Brian Eno, and Allen Sides. Its distinctive clear and open reverb sound has appeared on countless records, including Prince & The Revolution’s Purple Rain, Elvis Costello’s Spike, and The Red Hot Chili Pepper’s Stadium Arcadium. Re-engineered by UA alongside original creator Dr. Barry Blesser, the EMT 250 plug-in goes far beyond emulation by using the very same algorithm found in these extremely rare hardware units.

Requires a UAD-2 DSP Accelerator Card or Apollo Interface available from authorized dealers worldwide and the latest version of the UAD Powered Plug-In Software (available here).

“UA successfully modeled our three EMTs so well that in a blindfold test we could not tell the difference! Our 500-pound classic plate reverbs are now available to anyone in a…dare I say, plug-in.”
      -John Cuniberti, Engineer (The Plant Recording Studios)

“The EMT 250 is amazing. That’s one of my favorite digital reverbs. It’s all over Norah’s [Jones] record, on all the songs.”
      -Jacquire King, Producer/Engineer (Norah Jones, Modest Mouse, Tom Waits) 

"The EMT 140 [plug-in] is pure Motown, better than my real one. Stunning!”
      -Gavin Monaghan, Producer/Engineer (Joe Strummer, Elvis Costello, Fugees)

“The EMT 250 reverb [plug-in] instantly took me back 20 years. I’m so glad to have such musical-sounding tools.”
      -Charlie Clouser, Engineer (NIN, Saw Soundtracks)

"The EMT 140 [plug-in] blew the plate presets of my standard reverb plug-in out of the water." 
      -Eli Crews, EMT 140 plug-in Review (Electronic Musician)

$359.00

Reviews

Reviews

1 of 15
  • Ronnie Vanucci

    The Killers

    "The UAD plug-ins allow us [The Killers] to get into the wheelhouse of the sounds of yesteryear. It's another instrument in the band these days."

    Jim James

    My Morning Jacket

    "The UAD Powered Plug-ins collection is such a great tool kit. So many tools under one roof and all at your fingertips in a fraction of a second."

    Ivan Barias

    (Musiq Soulchild, Faith Evans)

    “The UAD-2 is the 21st century musician's best friend."

    Darrell Thorp

    (Beck, Radiohead, Charlotte Gainsbourg)

    With the incredible quality and tonality of the plug-ins, the UAD-2 has become a first response tool in my everyday recording and mixing.

    Peter Kirn

    Create Digital Music

    "It’s difficult to describe UA’s plug-ins until you’ve tried them. It’s a bit like having chocolate sauce at your disposal, sonically speaking."

  • Garrett Haines

    (Tape Op Magazine)

    "Universal Audio’s achievements in capturing the sonics of equalization, transformers, and control interaction need to be recognized. This goes beyond software models; they’re getting to the heart of the gear."

    Matt Knobel

    (Lenny Kravitz)

    "The family of effects that I have with my UAD-2 is incomparable with any other when it comes to working in the box yet having an 'out of boxy experience'."

    Garrett "Jacknife" Lee

    (R.E.M., The Cars)

    "I @#$%ing love my UAD-2 card! Doing my first proper mix [The Cars] with it. Wow! How did i do without it?"

    Jose Cancela & Amy Marie Beauchamp

    (HBO Sports, NFL, NBA)

    “The UAD-2 has time and time again given sterile samples warmth, depth and brilliance."

    Paul Moak

    (Third Day, Matthew Mayfield)

    "The flexibility is priceless and has won me over on UAD for life. Thanks for making a great product!"

  • Jono Buchanan

    Future Music (UK)

    "The accuracy & quality of [UA's] recent additions [shows] their recreations of classic hardware are only improving."

    Greg Parkin

    (Capitol Studios & Mastering)

    “It is fitting that UA continues to provide a platform for our engineers to innovate."

    Hank Shocklee

    (Public Enemy)

    “I like to use the UAD plug-ins to their extremes and push them to get the crazy sound I use to set my productions apart."

    Ivan Barias

    (Musiq Soulchild, Jill Scott, Estelle)

    UAD is my new secret weapon in the studio. I get everything to sound the way I always wanted, way before the mixing.

    Ivan Barias

    (Keyshia Cole, 2Pac)

    "Before UAD life in the studio was like television before HD. Everything sounds incredibly detailed now."

  • John Paterno

    (Los Lobos, Bonnie Raitt)

    "This [UAD-2] is a 'game changer' for me ... The sound, responsiveness, and detail [of the plug-ins] are great!"

    Nathaniel Kunkel

    (Lyle Lovett, Nirvana)

    "With the UAD-2, UA has provided something that I have been missing from my plugs for a long time: inspiration."

    J.J. Blair

    (Rod Stewart, George Benson)

    "I was never into mixing completely in the box until I started using UAD cards ... I'm loving it more and more."

    Jim Dalrymple

    (The Loop)

    "[I use] the Fairchild Compressor, Neve 1081, Neve 1073, LA-2A and the 1176 Compressor. They all give you something different."

    Jim Dalrymple

    (Macworld)

    "While there are a lot of plug-in choices [on the market], I have found none better than Universal Audio."

  • Eli Janney

    (Wilco, Wheat)

    "I’m heavily into the [UAD-2] cards. They just sound really, really good ... the new cards give you a lot of horsepower."

    Vance Powell

    (The Raconteurs, Jars of Clay)

    "The UAD-2 is the first plug-in set that replaces gear I own, hardware-wise, and that's a big deal."

    John Baccigaluppi

    (TapeOp Magazine)

    "[With the UAD-2] ... everything worked perfectly with the sonic quality we’ve come to expect from the UAD series."

    Charlie Clouser

    (NIN, "Saw" Soundtracks)

    "The UAD-2 provides so much DSP that I can really lay the plug-ins on thick without giving it a second thought"

    David Grissom

    (Mellencamp, Buddy Guy)

    "The UAD-2 plug-ins have become the backbone of my mixes ... I've been able to eliminate my console altogether."

  • Elliot Mazer

    (Neil Young)

    "I can mix anyplace with my UAD-2 SOLO/Laptop. I get to use the same UAD plug-ins on my portable that I use on my big MacPro."

    Frank Filipetti

    (James Taylor, Rod Stewart)

    “I wish more companies paid attention to what you guys are doing at UA ... it's right on the money."

    Frank Filipetti

    (Carly Simon)

    "I go to my UAD plug-ins just as naturally as I do any hardware ... UAD is now an essential part of my mixing arsenal"

    Frank Filipetti

    (Carly Simon, Korn)

    "I don't need anything else to mix with, other than the UAD plug-ins. Everything else I use is hardware."

    Gavin Monaghan

    (The Twang)

    "I'd never even think of tackling a session without UAD plug-ins."

  • Hank Shocklee

    (Public Enemy)

    "I can surely say that working with the UAD family of plug-ins has greatly increased the sound of my projects"

    Nathaniel Kunkel

    (Sting)

    "I use my UAD cards every time I mix ... the quality of the plug-ins make mixing 'in the box' not only easier, but really fun."

    Nathaniel Kunkel

    (James Taylor, Lyle Lovett)

    "The thing that I feel no one's really talking about is that this [the UAD-2] is a paradigm shift."

    Rik Simpson

    (Coldplay, Portishead, Jay Z)

    "The sound of the UAD software is the closest thing in analog modeling ... it actually sounds like the real gear."

    Stuart Price

    (The Killers)

    "You judge [the UAD-2] by how many people you recommend it to, and everyone I have worked with has now gone and got one."

  • Ulrich Wild

    (Pantera)

    "The new UAD-2 cards are extremely powerful ... I completely abandoned analog gear for mixing and I rely heavily on this system"

    Ryan West

    (Eminem, Kanye West, Kid Cudi)

    "I'm not sure what mathematical voodoo they do over there [at UA], but I like it and I won't mix without it."

    Grieves

    “Universal Audio has redefined how I look at my sessions. With easy access to emulations of some of the most classic gear of all time –– there is no tone or feel that I can't achieve.“

    Paul Moak

    (Third Day, Matthew Mayfield)

    "As an analog junkie and an audiofile, this [UAD-2] is the best of both worlds for me."

    Ryan Hewitt

    (Red Hot Chili Peppers, The Avett Brothers)

    "So now I have my UAD on everything, and I'm using the EMT 140 and the EMT 250 as effects. It's so much easier."

  • Neil Mclellan

    (TapeOp)

    "I've recommended the UAD platform to all of my friends, and once they heard it, there was no looking back."

    John Paterno

    (Los Lobos, Bonnie Raitt)

    "The sound of these [UAD Powered Plug-Ins] will definitely change the way I approach mixing in the computer."

    Paul White

    (Sound On Sound)

    "UA has given their UAD-2 platform extra appeal with yet more accurate recreations of classic studio hardware ..."

    Paul White

    (Sound On Sound)

    "[Cooper Time Cube, EMT 250, or FATSO] ... for the real vintage character, I don't think UA have any rivals at the moment."

    D. James Goodwin

    (The Bravery)

    "When I finally decided to try the UAD platform, I was immediately floored by the realism. These things sounded amazing."

  • Ed MacFarlane

    (Friendly Fires)

    "[I use] the 6176 as my preamp & compressor, and I've been using the UAD plug-ins once the track's in the computer."

    J.J. Blair

    (Rod Stewart, George Benson)

    "Way to go, Universal Audio! Thanks for helping me achieve the sounds in the box that I really want to hear."

    D. James Goodwin

    (The Bravery)

    "I decided to sell my hardware SPL TD4, and my vintage dbx 160 rack, because the UAD became my go-to choice. Bravo to UA"

    D. James Goodwin

    (The Bravery)

    "UAD plug-ins are my new benchmark for how processors should sound, look, and function.”

    JR Hutson

    (Jill Scott, Musiq Soulchild)

    "[Once] I got the UAD Powered Plug-Ins, I can get things so much closer to what they're supposed to sound like."

  • Jim Dalrymple

    (The Loop)

    "I find that the UA plug-ins allow me to control that [dynamic] range of frequencies better than anything else."

    Justin Niebank

    (Keith Urban, Rascal Flatts)

    “[W]hen you came out with the UAD-2, I jumped on that, even before the software came out. I adore it.”

    Frederick Norén

    (Sound on Sound)

    "[For DSP-based systems]...the UAD2 platform is a good alternative, with great-sounding, humanely priced plug-ins."

    Roy Davis Jr.

    "A mix is not complete without UAD Powered Plug-Ins on it!!!"

    Eli Crews

    (Electronic Musician)

    "With the UAD-2, Universal Audio has made one of the most attractive plug-in families even harder to live without."

  • Cian Ciaran

    (Super Furry Animals)

    "[With the UAD-2] It's like having the right tools to do the right job ... Because you know all the gear's quality."

    Jason Blum

    (Remix Magazine)

    "The only thing better than UAD plug-ins is more of them."

    Craig Anderton

    (EQ Magazine)

    "The UAD concept [is] the 21st century equivalent of a rack of special-purpose processors ... maybe even an entire mixer."

    Craig Anderton

    (Keyboard)

    "The UAD-2 is much more powerful than the original ... the UAD concept is no longer to just replace a few cool pieces of gear"

    Mike Senior

    (Sound on Sound)

    "Universal Audio are a force to be reckoned with in terms of the quality of their audio processing"

  • Paul Vnuk, Jr.

    (Recording Magazine)

    "The UAD-2 ... is a huge improvement over everything that made the UAD-1 the leader in its class."

    Mike Senior

    (Sound On Sound)

    "UAD-2 is an enormous leap forward from the UAD-1"

    Barry Rudolph

    (Mix Magazine)

    "The UAD-2 breaks all the UAD-1's limitations ... it's a dream come true for all DAW users.”

    Craig Anderton

    (EQ Magazine)

    "It's the strikingly realistic, and musical, emulations of vintage (and not so vintage) gear [that hooks people on the UAD-2]."

    Rob James

    (Resolution Magazine)

    "[UAD Powered Plug-Ins] have more character than many native or TDM plug-ins, while being a great deal more affordable."

  • Future Publishing

    (MusicRadar.com)

    "Offering several times the power of the UAD-1, this powered plug-in system is very impressive."

    Andy Hong

    (TapeOp)

    "I'd have to say that the UAD plug-ins blow similar TDM plug-ins out of the water"

    Jono Buchanan

    (Future Music UK)

    "It's now possible to turn your DAW into a full Neve console, for a fraction of the cost of a real desk."

    David Riggs

    "There is a God and he uses the UAD plugins. The best set of plug-ins anywhere. Period."

    Carmen Rizzo

    "I make a living with the UA plug-ins, because I use them every single day on every session."

  • Geoff Sanoff

    (Pro Sound News)

    "I keep saying to people that plug-ins are only going to get better, and UAD keeps proving me right."

    Matt Boudreau

    (Keith Urban)

    "The bottom line is, it's got so much more power ... it allowed me to use whatever plug-in I wanted, whenever I wanted"

    Matt Knobel

    (Lenny Kravitz)

    "With the UAD-2 , you put it on and it sounds like a Fairchild. It makes it so much easier to get what you're looking for."

    Mike Senior

    (Sound on Sound)

    "The UAD-2 gives access to some of the best-sounding analogue emulation plug-ins available ... a mouth-watering prospect."

User Ratings

  • 1 Star
  • 2 Star
  • 3 Star
  • 4 Star
  • 5 Star
Average Rating (812 Reviews)
    • 1 Star
    • 2 Star
    • 3 Star
    • 4 Star
    • 5 Star
    Get it.
    by N. van der Burg(Monday 26 September, 2016)

    What's left to say? I think this is the best selling UAD plugin and there's a good reason for that: it sounds great. I would definitely include this one in the 'must haves'. If you like an easy to use and great sounding plate reverb that adds width and depth to your sound; get it. Read More

    • 1 Star
    • 2 Star
    • 3 Star
    • 4 Star
    • 5 Star
    Damnit, UA, I'm starting to sound like a shill for your marvelous products.
    by . (Friday 23 September, 2016)

    This is going to have to be the last review I leave for a while. I am starting to wonder if I am, in fact, a computer program written for UA to tout the superiority of their products. I love reverb. It is kind of gross. I would rather have reverb than ever eat ice cream again for the rest… Read More

    • 1 Star
    • 2 Star
    • 3 Star
    • 4 Star
    • 5 Star
    My Plate is Full
    by R. Cambrin(Saturday 17 September, 2016)

    I always like plate reverb sounds and was super happy when i could find one that requires minimum tweaking. There's so much to do in a mix that anything that gets you there faster is a Must Have in my opinion. I put down my cash on this plugin after using a different UAD DEMO verb plugin… Read More

    • 1 Star
    • 2 Star
    • 3 Star
    • 4 Star
    • 5 Star
    Simply the Best Plate Reverb Ever
    by W. Gall(Friday 9 September, 2016)

    This plugin is used on every single project I do and I've never felt the need for any other plate reverb. This thing puts the mojo factor to 11. Sounds lush and beautiful on anything you put it on!! Simply a UAD Must Have. Read More

    • 1 Star
    • 2 Star
    • 3 Star
    • 4 Star
    • 5 Star
    Reverb is the best thing about UAD for me
    by M. Kondracki(Sunday 28 August, 2016)

    The reverb plugins are really my favorite thing about UAD. They are so close to the real thing I feel like I'm in a world class studio using the original gear. A MUST BUY. Read More

$359.00

Artists
  • Top Engineers Top "Desert Island" Plug-Ins

    If you were stuck on a desert island with your recording studio, what UAD plug-ins could you not live without?… Read More

    UA NAMM 2011 Artists

    A short collection of interviews with various platinum-selling producers and engineers at UA's NAMM 2011 booth… Read More

    Jacquire King

    Jacquire (pronounced Ja-KEER) King has emerged as one of the most exciting engineer/producers of his generation. Read More

  • Vance Powell

    Vance Powell accepted the GRAMMY® award for The Raconteurs album, Consolers of the Lonely. Read More

    Matt Boudreau

    I know — we interviewed Matt Boudreau back in March about his racks of UA outboard gear and four UAD-1 cards... Read More

$359.00

Docs
 Hardware & Software Manuals
$359.00