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Overview

UAD-2 SOLO DSP Accelerator Package

The Fast, Easy Way to Step Up to UAD Powered Plug-Ins. Includes Analog Classics Software Bundle

The UAD-2 SOLO gives producers and engineers a simple, powerful entry point into the award-winning UAD Powered Plug-Ins platform on Mac or PC. This DSP accelerator package includes several of Universal Audio’s most popular “analog classic” plug-ins — the LA-2A and 1176 Compressors/Limiters, and the Pultec EQP-1A — for rich, vintage sound quality right out of the box. It also provides a processing boost for running larger mixes, thanks to its PCIe card with an onboard SHARC processor. Better still, it gives users access to the UAD Powered Plug-Ins library, including some of the best-reviewed plug-ins of all time.

  • Run world-class UAD-2 Powered Plug-Ins on your Mac or PC
  • Includes “Analog Classics” plug-in bundle, featuring LA-2A Classic Audio Leveler, 1176LN / 1176SE Classic Limiting Amplifiers, Pultec EQP-1A and Realverb Pro plug-ins.
  • High-bandwidth PCIe card w/ (1) Analog Devices SHARC floating-point processor
  • Includes $50 voucher for plug-in purchases via UA’s Online Store
  • Also available as SOLO Flexi package with $500 UAD Plug-In voucher
  • View All Features

Specifically, the UAD-2 SOLO provides access to popular UAD plug-in titles from Manley, Empirical Labs, Neve, Roland, BOSS, EMT, Fairchild, Harrison, Helios, Little Labs, Pultec, SPL, Teletronix and more (sold separately), from any Mac or PC with available PCIe card slot. Whether you use Cubase, Nuendo, Logic, Digital Performer or Pro Tools, the UAD-2 SOLO can inject the character and quality of classic hardware into your mixes, while freeing up your computer’s internal processor for other mixing duties.

Mac- and Windows-compatible, with support for VST, Audio Units and RTAS, the UAD-2 SOLO is easy to use. Just install the software, install the card, and start mixing.

Developed by the industry’s finest engineering team, and backed by frequent new software and plug-in releases, the UAD-2 is the processing platform of choice for many of the world's top musicians, producers and engineers.


Features & Specs

UAD-2 SOLO DSP Accelerator Package

Features:
  • Run world-class UAD-2 Powered Plug-Ins on your Mac or PC
  • Includes “Analog Classics” plug-in bundle, featuring LA-2A Classic Audio Leveler, 1176LN / 1176SE Classic Limiting Amplifiers, Pultec EQP-1A and Realverb Pro plug-ins.
  • Access the complete UAD Powered Plug-Ins library, including: Manley, Empirical Labs, Neve, Roland, BOSS, EMT, Fairchild, Harrison, Helios, Little Labs, Pultec, SPL, Teletronix and more (sold separately)
  • Run complex mix processing in Pro Tools, Logic, Cubase, Nuendo, Performer and more — without taxing host computer CPU
  • Free UAD software upgrades, plus access to more plug-ins at UA’s Online Store
  • High-bandwidth PCIe card w/ (1) Analog Devices SHARC floating-point processor
  • VST, AU, RTAS support; Mac OS X Leopard/Snow Leopard/Lion and Windows XP/Vista/7 compatible
  • Use up to 4 UAD-2(s) in one system; can be combined with UAD-1 cards
  • Includes $50 voucher for plug-in purchases via UA’s Online Store
  • 1-year Limited Warranty

See the UAD Instance Chart here

Specifications:

  • High-bandwidth x1 PCI Express card (PCIe 2.0 compatible)
  • UAD-2 SOLO: low-profile, half-height, short PCIe card
  • UAD-2 DUO/QUAD: full-height, short PCIe card
  • 1, 2 or 4 Analog Devices SHARC 21369 floating-point processors
  • Multi-card support for up to 4 UAD-2’s and 4 UAD-1’s in one computer
  • Supports VST, RTAS, and Audio Units plug-in formats
  • 44.1, 48, 88.2, 96, 176.4, 192kHz sample rate support for all plug-ins
  • Drivers optimized for modern multi-thread and multi-processor architectures
  • Real-time and faster than real-time processing for mix bounces
  • LoadLock™ ensures resource availability on loaded plug-ins
  • 14-day full function demo for all plug-ins; try before you buy
  • Powered Plug-Ins™ available 24/7 @ my.uaudio.com

Minimum System Requirements:

Windows (x86 and x64):

  • Windows XP (Home, Professional, or x64 Edition),
    Windows Server 2003, Windows Vista, or Windows 7

Mac OS X (32-bit and 64-bit)*:

  • Mac OS X 10.5 Leopard, 10.6 Snow Leopard, or 10.7 Lion
  • Processor upgrade cards are not officially supported
  • (*64-bit drivers for UAD-1 are not available for Mac)

All Platforms:

  • Available PCIe (PCI Express) x1/x4/x8/x16 slot for each UAD-2 card
  • 512 MB RAM (1 GB is strongly recommended)
  • 1024 x 768 or higher resolution monitor
  • CD-ROM drive or internet connection for software installation
  • 600 MB available hard drive space for UAD-2 or UAD-1 installation
  • 800 MB available hard drive space for combined UAD-2 plus UAD-1 installation
  • Internet connection required for registration and plug-in authorization
  • Compatible VST, Audio Units, or RTAS plug-in host application software
Reviews / Ratings

Reviews

1 of 15
  • Ivan Barias

    (Musiq Soulchild, Faith Evans)

    “The UAD-2 is the 21st century musician's best friend."

    11/2011

    Peter Kirn

    Create Digital Music

    "It’s difficult to describe UA’s plug-ins until you’ve tried them. It’s a bit like having chocolate sauce at your disposal, sonically speaking."

    Review
    01/2011

    Garrett Haines

    (Tape Op Magazine)

    "Universal Audio’s achievements in capturing the sonics of equalization, transformers, and control interaction need to be recognized. This goes beyond software models; they’re getting to the heart of the gear."

    Review
    11/2010

    Matt Knobel

    (Lenny Kravitz)

    "The family of effects that I have with my UAD-2 is incomparable with any other when it comes to working in the box yet having an 'out of boxy experience'."

    10/2010

    Paul Moak

    (Third Day, Matthew Mayfield)

    "The flexibility is priceless and has won me over on UAD for life. Thanks for making a great product!"

    08/2010
  • Jose Cancela & Amy Marie Beauchamp

    (HBO Sports, NFL, NBA)

    “The UAD-2 has time and time again given sterile samples warmth, depth and brilliance."

    08/2010

    Garrett "Jacknife" Lee

    (R.E.M., The Cars)

    "Wow! How did i do without it [UAD-2]? The 1073 EQ! 1176LN! Dimension D! The EMT reverbs! Fairchild 670!"

    08/2010

    Garrett "Jacknife" Lee

    (R.E.M., The Cars)

    "I @#$%ing love my UAD-2 card! Doing my first proper mix [The Cars] with it. Wow! How did i do without it?"

    08/2010

    Ryan Hewitt

    (Red Hot Chili Peppers)

    "So now I have my UAD on everything, and I'm using the EMT 140 and the EMT 250 as effects. It's so much easier."

    Review
    07/2010

    Greg Parkin

    (Capitol Studios & Mastering)

    “It is fitting that UA continues to provide a platform for our engineers to innovate."

    Review
    07/2010
  • Jono Buchanan

    Future Music (UK)

    "The accuracy & quality of [UA's] recent additions [shows] their recreations of classic hardware are only improving."

    07/2010

    Hank Shocklee

    (Public Enemy)

    “I like to use the UAD plug-ins to their extremes and push them to get the crazy sound I use to set my productions apart."

    Review
    07/2010

    Ivan Barias

    (Keyshia Cole, 2Pac)

    "Before UAD life in the studio was like television before HD. Everything sounds incredibly detailed now."

    04/2010

    Ivan Barias

    (Musiq Soulchild)

    "UAD is my new secret weapon in the studio. I get everything to sound the way I always wanted, way before the mixing."

    04/2010

    Future Music UK

    (Future Music UK)

    "Genuinely allows you to turn each channel of your DAW into a virtual Neve channel strip."

    02/2010
  • John Paterno

    (Los Lobos, Bonnie Raitt)

    "This [UAD-2] is a 'game changer' for me ... The sound, responsiveness, and detail [of the plug-ins] are great!"

    01/2010

    Nathaniel Kunkel

    (Lyle Lovett, Nirvana)

    "With the UAD-2, UA has provided something that I have been missing from my plugs for a long time: inspiration."

    12/2009

    J.J. Blair

    (Rod Stewart, George Benson)

    "I was never into mixing completely in the box until I started using UAD cards ... I'm loving it more and more."

    10/2009

    Jim Dalrymple

    (The Loop)

    "[I use] the Fairchild Compressor, Neve 1081, Neve 1073, LA-2A and the 1176 Compressor. They all give you something different."

    Review
    09/2009

    Eli Janney

    (Wilco, Wheat)

    "I’m heavily into the [UAD-2] cards. They just sound really, really good ... the new cards give you a lot of horsepower."

    Review
    05/2009
  • Jim Dalrymple

    (Macworld)

    "While there are a lot of plug-in choices [on the market], I have found none better than Universal Audio."

    05/2009

    Vance Powell

    (The Raconteurs, Jars of Clay)

    "The UAD-2 is the first plug-in set that replaces gear I own, hardware-wise, and that's a big deal."

    03/2009

    John Baccigaluppi

    (TapeOp Magazine)

    "[With the UAD-2] ... everything worked perfectly with the sonic quality we’ve come to expect from the UAD series."

    Review
    10/2008

    Charlie Clouser

    (NIN, "Saw" Soundtracks)

    "The UAD-2 provides so much DSP that I can really lay the plug-ins on thick without giving it a second thought"

    Nathaniel Kunkel

    (Sting)

    "I use my UAD cards every time I mix ... the quality of the plug-ins make mixing 'in the box' not only easier, but really fun."

  • Hank Shocklee

    (Public Enemy)

    "I can surely say that working with the UAD family of plug-ins has greatly increased the sound of my projects"

    David Grissom

    (Mellencamp, Buddy Guy)

    "The UAD-2 plug-ins have become the backbone of my mixes ... I've been able to eliminate my console altogether."

    Gavin Monaghan

    (The Twang)

    "I'd never even think of tackling a session without UAD plug-ins."

    Stuart Price

    (The Killers)

    "You judge [the UAD-2] by how many people you recommend it to, and everyone I have worked with has now gone and got one."

    Rik Simpson

    (Coldplay)

    "The sound of the UAD software is the closest thing in analog modeling ... it actually sounds like the real gear."

  • Frank Filipetti

    (Carly Simon)

    "I go to my UAD plug-ins just as naturally as I do any hardware ... UAD is now an essential part of my mixing arsenal"

    Ryan West

    (Kanye West, T.I., T-Pain)

    "I'm not sure what mathematical voodoo they do over there [at UA], but I like it and I won't mix without it."

    Nathaniel Kunkel

    (James Taylor, Lyle Lovett)

    "The thing that I feel no one's really talking about is that this [the UAD-2] is a paradigm shift."

    Elliot Mazer

    (Neil Young)

    "I can mix anyplace with my UAD-2 SOLO/Laptop. I get to use the same UAD plug-ins on my portable that I use on my big MacPro."

    Ulrich Wild

    (Pantera)

    "The new UAD-2 cards are extremely powerful ... I completely abandoned analog gear for mixing and I rely heavily on this system"

  • Frank Filipetti

    (Carly Simon, Korn)

    "I don't need anything else to mix with, other than the UAD plug-ins. Everything else I use is hardware."

    Frank Filipetti

    (James Taylor, Rod Stewart)

    “I wish more companies paid attention to what you guys are doing at UA ... it's right on the money."

    Paul Moak

    (Third Day, Matthew Mayfield)

    "As an analog junkie and an audiofile, this [UAD-2] is the best of both worlds for me."

    08/2010

    Neil Mclellan

    (TapeOp)

    "I've recommended the UAD platform to all of my friends, and once they heard it, there was no looking back."

    Review
    04/2010

    John Paterno

    (Los Lobos, Bonnie Raitt)

    "The sound of these [UAD Powered Plug-Ins] will definitely change the way I approach mixing in the computer."

    01/2010
  • Paul White

    (Sound On Sound)

    "UA has given their UAD-2 platform extra appeal with yet more accurate recreations of classic studio hardware ..."

    10/2009

    D. James Goodwin

    (The Bravery)

    "UAD plug-ins are my new benchmark for how processors should sound, look, and function.”

    10/2009

    J.J. Blair

    (Rod Stewart, George Benson)

    "Way to go, Universal Audio! Thanks for helping me achieve the sounds in the box that I really want to hear."

    10/2009

    Ed MacFarlane

    (Friendly Fires)

    "[I use] the 6176 as my preamp & compressor, and I've been using the UAD plug-ins once the track's in the computer."

    Review
    10/2009

    Paul White

    (Sound On Sound)

    "[Cooper Time Cube, EMT 250, or FATSO] ... for the real vintage character, I don't think UA have any rivals at the moment."

    10/2009
  • D. James Goodwin

    (The Bravery)

    "I decided to sell my hardware SPL TD4, and my vintage dbx 160 rack, because the UAD became my go-to choice. Bravo to UA"

    10/2009

    D. James Goodwin

    (The Bravery)

    "When I finally decided to try the UAD platform, I was immediately floored by the realism. These things sounded amazing."

    10/2009

    Jim Dalrymple

    (The Loop)

    "I find that the UA plug-ins allow me to control that [dynamic] range of frequencies better than anything else."

    Review
    09/2009

    JR Hutson

    (Jill Scott, Musiq Soulchild)

    "[Once] I got the UAD Powered Plug-Ins, I can get things so much closer to what they're supposed to sound like."

    09/2009

    Frederick Norén

    (Sound on Sound)

    "[For DSP-based systems]...the UAD2 platform is a good alternative, with great-sounding, humanely priced plug-ins."

    Review
    08/2009
  • Roy Davis Jr.

    "A mix is not complete without UAD Powered Plug-Ins on it!!!"

    08/2009

    Justin Niebank

    (Keith Urban, Rascal Flatts)

    “[W]hen you came out with the UAD-2, I jumped on that, even before the software came out. I adore it.”

    08/2009

    Eli Crews

    (Electronic Musician)

    "With the UAD-2, Universal Audio has made one of the most attractive plug-in families even harder to live without."

    Review
    04/2009

    Cian Ciaran

    (Super Furry Animals)

    "[With the UAD-2] It's like having the right tools to do the right job ... Because you know all the gear's quality."

    12/2008

    Jason Blum

    (Remix Magazine)

    "The only thing better than UAD plug-ins is more of them."

    Review
    12/2008
  • Mike Senior

    (Sound On Sound)

    "UAD-2 is an enormous leap forward from the UAD-1"

    Review
    11/2008

    Craig Anderton

    (EQ Magazine)

    "The UAD concept [is] the 21st century equivalent of a rack of special-purpose processors ... maybe even an entire mixer."

    Review
    11/2008

    Mike Senior

    (Sound on Sound)

    "Universal Audio are a force to be reckoned with in terms of the quality of their audio processing"

    11/2008

    Craig Anderton

    (Keyboard)

    "The UAD-2 is much more powerful than the original ... the UAD concept is no longer to just replace a few cool pieces of gear"

    11/2008

    Paul Vnuk, Jr.

    (Recording Magazine)

    "The UAD-2 ... is a huge improvement over everything that made the UAD-1 the leader in its class."

    Review
    11/2008
  • Barry Rudolph

    (Mix Magazine)

    "The UAD-2 breaks all the UAD-1's limitations ... it's a dream come true for all DAW users.”

    Review
    10/2008

    Rob James

    (Resolution Magazine)

    "[UAD Powered Plug-Ins] have more character than many native or TDM plug-ins, while being a great deal more affordable."

    10/2008

    Craig Anderton

    (EQ Magazine)

    "It's the strikingly realistic, and musical, emulations of vintage (and not so vintage) gear [that hooks people on the UAD-2]."

    10/2008

    Future Publishing

    (MusicRadar.com)

    "Offering several times the power of the UAD-1, this powered plug-in system is very impressive."

    Review
    09/2008

    Andy Hong

    (TapeOp)

    "I'd have to say that the UAD plug-ins blow similar TDM plug-ins out of the water"

    03/2008
  • Jono Buchanan

    (Future Music UK)

    "It's now possible to turn your DAW into a full Neve console, for a fraction of the cost of a real desk."

    10/2008

    David Riggs

    "There is a God and he uses the UAD plugins. The best set of plug-ins anywhere. Period."

    12/2005

    Mike Senior

    (Sound on Sound)

    "The UAD-2 gives access to some of the best-sounding analogue emulation plug-ins available ... a mouth-watering prospect."

    Matt Boudreau

    (Keith Urban)

    "The bottom line is, it's got so much more power ... it allowed me to use whatever plug-in I wanted, whenever I wanted"

    Carmen Rizzo

    "I make a living with the UA plug-ins, because I use them every single day on every session."

  • Geoff Sanoff

    (Pro Sound News)

    "I keep saying to people that plug-ins are only going to get better, and UAD keeps proving me right."

    Matt Knobel

    (Lenny Kravitz)

    "With the UAD-2 , you put it on and it sounds like a Fairchild. It makes it so much easier to get what you're looking for."

User Ratings

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Average Rating (54 Reviews)
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    • 5 Star
    by Sergio Suarez Gil(Thursday 30 June, 2011)

    Im happy thi these products, very nice dps card, with the best sound to make music. … Read more

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    • 5 Star
    by Devin Glover(Monday 27 June, 2011)

    I started out with the UAD-2 Solo and I was absolutely BLOWN AWAY with the quality of this card, considering it is "just a solo" I can hardly wait to see the results I will get with the quad, (which I am currently waiting on now) and it is FREE as a result of purchasing the 6176 Vintage Channel Stri … Read more

    • 1 Star
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    • 5 Star
    by RITTER philippe(Thursday 23 June, 2011)

    all plugins work vonderful thank to all the team philippe ritter, sound engineer … Read more

    • 1 Star
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    • 5 Star
    by Dirk Cussnick(Thursday 23 June, 2011)

    great hardware. running very stable. never had a crash. really like the choices made in the near past which hardware to emulate (but sadly business not too good, therefore no buying lately..) really like to have them all. planning to invest in hardware (LA-610 II). suggestions for new gear-emulatio … Read more

    • 1 Star
    • 2 Star
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    • 5 Star
    by NOURRY Jean-Louis(Wednesday 22 June, 2011)

    Excellent product, ok for any situation of mixing. Not Five star just because the top do not exist!! … Read more

Artists
  • Jason Schweitzer On Mixing With UA Gear for Snoop

    GRAMMY®-winning mixer and recording engineer Jason Schweitzer talks with UA about developing artful ears by channeling years of experience as a performing musician. Read more

    Grammy-Winning Engineer Darrell Thorp

    Marsha Vdovin hears how UA hardware and UAD Powered Plug-Ins are instrumental in his high profile engineering projects. Read more

    Rik Simpson

    Rik Simpson has engineered, produced, or mixed hit artist such as Jay Z, PJ Harvey, and Portisthead, but his latest project was producing Coldplay's latest album, Mylo Xyloto. Read more

  • Phil Tan

    With more than 24 #1 Billboard Hot 100 hits, 3 Grammys®, and nearly 300 album credits, there are few engineers that can touch Phil Tan’s recent track record. Read more

    Ampex ATR-102 Trailer

    For more than three decades, the Ampex ATR-102 Mastering Tape Recorder has turned music recordings into records. Read more

    Thievery Corporation's Chris “Stone” Garrett on UA

    Chris Garrett an integral part of Thievery Corporation's tight productions, which emphasize a unique blend of spacious organic elements and electronic grooves. Read more

  • The Glitch Mob

    UA sits down with edIT, Boreta, and Ooah of The Glitch Mob to hear about their latest release, their life on the road. and their studio workflow with UAD Plug-Ins. Read more

    Dave Isaac

    Three-time GRAMMY® Winner Dave Isaac Shares Tips for Widening Tracks with UAD Powered Plug-Ins... Read more

    Jacknife Lee

    An Irish musician, remixer, producer, and engineer, Jacknife Lee has worked with legendary rock bands... Read more

  • Miles Walker

    Jay Sean’s “Hit the Lights,” Mixed by Miles Walker… Read more

    Michael Brauer

    Michael Brauer has enjoyed an illustrious 30-year music career, mixing chart-topping albums by artists including Aretha Franklin and The Rolling Stones. Read more

    Josh One & Ian Boxill

    DJ/Producer Josh One and engineer Ian Boxill walk us through their grooving, slickly-produced new single, "After It," featuring Julie Walehwa. Read more

  • UA NAMM 2011 Artists

    A short collection of interviews with various platinum-selling producers and engineers at UA's NAMM 2011 booth… Read more

    Alan Meyerson

    Mixing film scores for Hans Zimmer—one of Hollywood’s most sought-after film composers—sounds like a dream job, and Alan Meyerson is living that dream. Read more

    Mike Shipley

    GRAMMY®-winner Mike Shipley is one of the music industry’s top mixers; his hit-making career spans over thirty years. Read more

  • Steve Levine

    Steve Levine is perhaps best known as the producer behind mega-acts such as Culture Club and the Beach Boys. Read more

    Malcolm Toft

    What is the secret behind the distinctive sound of British rock in the 1960s and ‘70s?… Read more

    Vance Powell

    Vance Powell accepted the GRAMMY® award for The Raconteurs album, Consolers of the Lonely. Read more

  • Rik Simpson

    It was a great treat to interview UK producer/engineer Rik Simpson on his use of UA gear with the band Coldplay. Read more

    John Nowland

    This month I spoke to John Nowland, Neil Young’s longtime engineer and big Universal Audio fan. Read more

    Bruce Swedien

    You can’t think of the Harrison console without thinking of Bruce Swedien and the fantastic records he made on it. Read more

  • Cian Ciarán

    This month I interviewed Cian Ciarán [kee-AHN kir-ON], keyboard player and sound sculptor for the Welsh band Super Furry Animals... Read more

    Nathaniel Kunkel

    I met Nathaniel Kunkel several years ago at an audio conference and was impressed by how self assured and outspoken he was for his young age. Read more

    Bill Putnam, Jr.

    I realized this month that I’ve never interviewed Bill Putnam, Jr., for the Heritage column. Read more

  • Matt Boudreau

    I know — we interviewed Matt Boudreau back in March about his racks of UA outboard gear and four UAD-1 cards... Read more

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