Next-Generation Audio Conversion with Eight Unison™ Mic Preamps and Classic Analog Sound.
Apollo 8p is the premium eight-preamp version of the world’s most acclaimed professional recording interface for Mac and Windows — giving project and commercial studios superior A/D and D/A conversion with the tone, feel, and realtime workflow of classic analog recording.
Built upon UA’s 60-year heritage of audio craftsmanship, Apollo 8p distinguishes itself with eight Unison-enabled mic preamps, onboard UAD-2 QUAD Core processing, and an included bundle of award-winning UAD plug-ins — which you can track through with near-zero latency, shaping sounds like a classic analog studio — without taxing your host Mac or PC.
Record with world-class Apollo A/D and D/A conversion — as heard on hundreds of hit records
Cascade up to 4 Apollo interfaces and 6 UAD-2 devices over Thunderbolt, adding DSP and I/O as your studio grows
Mix with UAD plug-ins like the included Teletronix® LA-2A, 1176, and Fairchild® compressors, Pultec® EQs, and 610-B Preamp
Track with near-zero latency through preamp emulations from Neve®, API®, Manley® and more using Unison technology†
Unison Technology: The Genuine Sound of Neve, API & Manley Preamps
Apollo 8p comes equipped with eight Unison-enabled mic preamps, letting you track larger projects through exacting mic preamp emulations from Neve, API, Manley, and Universal Audio. An Apollo exclusive, Unison technology nails the tone of these sought-after tube and solid state mic pres — including their input impedance, gain stage “sweet spots,” and the component-level circuit behaviors of the original hardware.
The secret to Unison is its hardware-software integration between Apollo’s mic preamps and its onboard UAD-2 QUAD or DUO Core DSP Acceleration. Simply place a Unison preamp plug-in on your mic input in Apollo Console software, and it physically reconfigures the Apollo interface's impedance — so you can tap into the classic sounds of the world’s most recorded mic preamps.
Watch the Unison Shoot Out (hardware vs. software) video
A Full Suite of Classic
Analog Processing Onboard
Right out of the box, Apollo 8p provides a suite of incredible analog emulation plug-ins including the world’s only authentic Teletronix LA-2A, 1176LN, and Fairchild compressors, the legendary Pultec EQs, and the Unison-enabled UA 610-B Tube Preamp. Developed by UA’s world-renowned team of algorithm engineers, these Realtime Analog Classics plug-ins set the standard by which all other hardware emulation plug-ins are judged.
From the tube warmth of the Pultec EQ on guitars, to the gentle limiting of the LA-2A on vocals, or the pump of a genuine Fairchild 670 compressor on drums, your recordings will take a giant leap forward in rich, sonically complex analog sound.
See Included Plug-Ins | Watch the live tracking video
Access the World of UAD Powered Plug-Ins
Beyond the included Realtime Analog Classics plug-ins, you can tap into the full library award-winning UAD Powered Plug-Ins — including vintage EQs, Compressors, Reverbs, Tape Machines and more — at near-zero latency, regardless of your audio software’s buffer size and without taxing your computer’s CPU.
With exclusive emulations from Neve, Studer, Manley, API, Ampex, Lexicon, Fender, and more,† it’s like having an endless analog studio, in a single rack space. And unlike competing interfaces, these DSP-powered plug-ins are also available in your DAW for mixing.
Next-Generation A/D and D/A Conversion
Of course, the heart of any audio interface is the quality of its conversion. In designing the next-generation Apollo range, UA engineers started with an obsessive auditioning of the latest A/D and D/A converters, ultimately pairing the selected 24-bit/192kHz converters with all-new analog circuitry for the optimal signal path. Apollo 8p provides increased dynamic range and lower THD versus other interfaces — rivaling dedicated converters costing thousands more.
The Apollo Story
Watch UA’s Lev Perrey explain the innovative thinking behind the next-generations Apollos.
Apollo: The Choice of New-School Professionals
Apollo is the confirmed choice of hit-making professionals, used to record records by Kendrick Lamar (To Pimp A Butterfly), Coldplay (A Head Full of Dreams), Dr. Dre (Compton), Brad Paisley (Wheelhouse), and many more. The Apollo range of interfaces has earned numerous industry awards from Sound on Sound, Future Music and Electronic Musician — as well as the prestigious 2016 TEC Award for computer audio hardware.
“Apollo's next-gen A/D and D/A conversion sounds incredibly detailed, with great clarity and tighter, punchier low end. And with the Console 2.0 app, I have all of the routing and monitoring options I need.”
– Dave Pensado (Justin Timberlake, Beyoncé, Maroon 5)
“Apollo is a platform that grows more powerful with every innovation – the UAD plug-in processing onboard has changed the way I work forever.”
– Tony Platt (AC/DC, Bob Marley, Buddy Guy)
“I'm really impressed with the new Apollos. I hear more detail in the several sets of monitors I use, and I'm getting that little bit extra out of the Unison mic pre emulations – and they were already extremely close.”
– Jacquire King (James Bay, Kings of Leon, Tom Waits)
“The Apollo is the best I/O we've ever used, and we've tried them all. It has an incredibly clean, transparent, and accurate sound.”
– The Glitch Mob
“Having the Apollo with UAD plug-ins at my disposal is like carrying a giant studio with outboard racks at all times. Minus the tech fees, down time, and electricity bill!”
– Andrew Dawson (Kanye West, Jay-Z, Fun.)
“My Apollos are my sound.
Where I go, they go.”
– Trevor Lawrence Jr. (Dr. Dre, Herbie Hancock, Eminem)
“The Apollo's ability to do low latency – I mean that's the whole ballgame right there.”
– Joey Waronker (Atoms for Peace, Beck, Other Lives)
“With the Apollo 8 in the studio and an Apollo Twin on the go, I know I've got the best sound quality and an incredible arsenal of plug-ins — wherever I'm working.”
– Jeremy Ruzumna (Fitz And The Tantrums)
“UAD plug-ins are amazing...
I’ve used them on all my projects for the last few years.”
– Dan Auerbach The Black Keys
“Overall, Apollo 8 sounds smooth and sweet, revealing subtle details with superior phase response and lower distortion than the original Apollo... UA has certainly improved on an already excellent device.”
– Mick Guzauski (Daft Punk, Mariah Carey, Eric Clapton)
“I knew about the ingredients of Apollo, but this is truly a special dish. The Apollo just set a new standard of excellence for audio interfaces, in terms of both its sound and its feature set.”
– Fab Dupont (Shakira, Santigold, Jennifer Lopez)
“Using my Apollos and Console 2.0, I was able to front a live mix, create a monitor mix, and record to Pro Tools, all at the same time. That’s pretty awesome.”
– Chris Dugan (Green Day, Iggy Pop, U2)
Creating a Multi-Unit Apollo Setup
Watch producer/engineer Fab Dupont (Jennifer Lopez, Mark Ronson) install a powerful studio system by combining multiple Apollo interfaces over Thunderbolt.
Build a Networked Studio
Apollo 8p offers 16 x 20 simultaneous inputs/outputs, with two built-in Thunderbolt ports. Thanks to Apollo Expanded software, users of any Thunderbolt-equipped Apollo Twin, Apollo 8, Apollo 8p, and Apollo 16 audio interfaces can combine up to four Apollos and six total UAD-2 devices — adding I/O and DSP as your studio grows. Apollo 8p also provides seamless integration with previous generation Apollos over Thunderbolt.
A Sleek, Low-latency App
With Apollo 8p’s Console 2.0 application — a complete re-imagining of Apollo’s original Console software — you can take advantage of over 25 new user-requested features such as Channel Strip presets, Drag & Drop functionality, dynamically resizable windows, and more.
Now with Vintage Amps
New for Apollo 8p is Unison technology on the front panel instrument inputs, giving you dead-on, impedance-matched emulations of guitar and bass amps like the Fender '55 Tweed Deluxe, Marshall Plexi Super Lead 1959, and the Ampeg B-15N Bass Amplifier.
Apollo Artist Sessions
Joel Hamilton w/ Lyrics Born
View All Apollo Artist Sessions
June 17, 2016
Big step up
I just started my first project with the Apollo 8P. My workflow speed has increased significantly with this interface and the associated plug ins that came with it. It took me a long time...Read More
June 13, 2016
Love it top to bottom, but need better routing
I love it. I already owned a few of the emulation plugs and can a/b them with the UAD version. The SSl channel has much more depth, and the Comp is now usable. The box is great.: the sound...Read More
March 18, 2016
LEAN MEAN AND NOT TOO FAR BETWEEN
History. Play/d in bands/write for other people/spiritually guide folk. Recorded all over the world from pissy basements to abbey road. Love tape/shitty mics/busted guitars. Budgets...Read More
September 1, 2015
More than I expected
I consider myself a fairly "informed consumer" and I tend to research ALL possibilities before making any choices. I already owned an Apollo 16 (Silverface) and have thoroughly...Read More
August 26, 2015
8 emulate-able pre-amps and quad core processing is pure bliss. I couldn't say enough good things about the Apollo 8 if I tried. It's like waking up every morning next to an exquisitely...Read More
August 20, 2015
Loving the Apollo 8P
Just tracked a few drum tracks with the Apollo 8P and UA Store Plug-Ins. Using AKG 112 on Kick, Miktek PM10 on Snare, Sennheiser 421 on Toms, Shure KSM 32 OHs, and SM 81 on Hats....Read More
Realtime Analog Classics Plus Bundle
With the Realtime Analog Classics Plus plug-in bundle, you not only get legendary compressors such as the Fairchild® 670 and EQs like the Pultec® EQP-1A, but also stunning guitar and bass amp emulations from Softube, and UA’s landmark 610-B Tube Preamp and EQ plug-in.
- UA 610‐B
- Marshall Plexi Classic Amplifier
- Fairchild 670 Legacy
- Teletronix LA‐2A Legacy
- UA 1176LN Legacy
- UA 1176SE Legacy
- Pultec EQP‐1A Legacy
- Pultec Pro Legacy
- Precision Channel Strip
- Precision Reflection Engine
- Precision Delay Modulation
- Precision Delay Modulation L
- UA Precision Enhancer Hz
- Raw Distortion
- Softube Bass Amp Room 8X10
UA 610-B Tube Preamp and EQ
Impart your tracks with the iconic warmth and character of the classic hardware used to track everyone from Duke Ellington to Coldplay. By emulating the entire signal path, including tube amplifiers, transformers, and circuit nonlinearities, the 610-B Tube Preamp and EQ plug-in injects organic detail and saturation to any signal — whether you’re re-amping or tracking through the 610-B via Universal Audio’s Unison™ technology.
Marshall® Plexi Classic Amplifier
The undisputed alpha dog of rock and roll guitar amps, the Marshall “plexi” amplifier is as legendary as the music it helped create. From Jimi Hendrix to Jimmy Page, Duane Allman to Eric Clapton, the Plexi’s punishing melange of snarl, sustain, smoothness, and raunch defined the sound of rock. Developed by Softube, the Marshall Plexi Classic Amp plug-in gives you the sound of this iconic amp with a perfectly placed microphone from engineer Tony Platt who recorded AC/DC’s Back in Black and Highway to Hell.
Fairchild® 670 (Legacy)
The world’s most coveted compressor, the classic Fairchild 670 tube limiter will give your tracks and mixes unmistakable tube warmth and character. Whether you’re looking for subtle compression on a lead vocal, or grittier textures that can work on guitars, bass, or a drum bus, the Fairchild 670 plug-in adds a classic “glow” to anything you run through it.
Teletronix® LA-2A Classic Leveling Amplifier (Legacy)
With its gentle, program dependent optical compression and meticulously designed tube amplifier, the LA-2A is the go-to compressor for professional mixers around the world — especially for vocals. Incredibly easy-to-use Peak Reduction and Gain controls gives you the ideal optical compression sound for guitar, bass, drums, and more.
1176SE/LN® Classic Limiting Amplifiers (Legacy)
Get classic, ultra-fast FET compression from the world’s most recognized compressor. The 1176 will impart punch, presence, and character as well as its signature distortion overtones on drums, vocals, guitars, and bass. The 1176LN has graced countless recordings, from Led Zeppelin, to the White Stripes and Michael Jackson.
Pultec® Pro Equalizers (Legacy)
Mix with two of the most sought-after hardware EQs ever made — the MEQ-5 Midrange Equalizer and the EQP-1A Program Equalizer. Both of these tube-based icons deliver offer smooth and silky EQ curves with an abundance of warm analog character.
Precision Mix Rack Collection
Featuring the Precision Channel Strip, Precision Reflection Engine, and Precision Delay Modulation plug-ins, the Precision Mix Rack Collection offers four modern, high-fidelity plug-ins for recording and mixing. Powerful and intuitive, Precision Mix Rack Collection gives you an impressive tool set — perfect for beginners and seasoned professionals alike.
UA Precision Enhancer Hz
Expertly dial-in your music’s low-end frequencies with the Precision Enhancer Hz plug-in. Able to yield exacting results with minimal adjustment, the Precision Enhancer Hz can add weight to kick drum samples, fatten up a synth bass, or simply make the low-end of your tracks more audible on smaller speakers.
Modeled from a vintage early-’80s Pro Co Rat, Raw Distortion delivers all the gritty dynamic raunch of the legendary stompbox. And with Unison™ technology, you can plug in to Apollo Twin, 8, or 8p’s front-panel Hi-Z instrument jack and experience the same circuit interaction, gain range, and clip points for the true tone, feel, and response of the original hardware.
Softube Bass Amp Room
Based on a classic and versatile 1970’s bass amp, Softube’s Bass Amp Room plug-in boasts a vast range of sonic textures — from clean and fat to gritty and thick. Three different cabinets — 8x10, 4x12, and open-back 12" — give you enough sonic versatility to cover any genre, and a blend-able DI along with adjustable mic placement let you fine tune even more.
RealVerb Pro is a flexible, natural sounding reverb based on UA’s own unique set of algorithms. Allowing you to design the room just as you hear it, the RealVerb Pro goes beyond simply big/small or dark/bright, giving your sources distortion-free, smoothing diffusion control and ultra-long reverb tail.
16 x 20 Thunderbolt audio interface for Mac and Windows* with powerful Console 2.0 software control
8 Unison™-enabled mic preamps for recording through exacting preamp emulations from Neve, API, Manley, and Universal Audio
Built-in UAD-2 QUAD Core allows Realtime UAD Processing — tracking through DSP-assisted UAD plug-ins with near-zero latency, without draining CPU
Includes “Realtime Analog Classics Plus” UAD plug-in bundle featuring authentic LA-2A, 1176, and Fairchild® compressors, Pultec® EQs, UA 610 tube preamp, and more
Next-generation 24-bit/192 kHz Apollo A/D and D/A conversion as heard on hundreds of hit records
Cascade up to 4 Apollo interfaces and 6 UAD devices total over Thunderbolt
Convenient front panel monitoring functions including Alt Speakers, and assignable Dim or Mono
World-class UA analog design, superior components, and premium build quality
Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers
Thunderbolt System Requirements
- Apple Mac computer with available Thunderbolt port
- (Mac) macOS 10.10 Yosemite, 10.11 El Capitan, 10.12 Sierra, or 10.13 High Sierra
- PC computer with built-in Thunderbolt 3 via USB-C port
- Windows 10 w/Anniversary Update (64-Bit Edition)
- Qualified Thunderbolt 3 to Thunderbolt 2 adapter (sold separately)
- Thunderbolt 2 cable (sold separately)
- 6 gigabytes available storage
- Internet connection to download software and authorize UAD plug-ins
- Compatible VST, Audio Units, RTAS, or AAX 64 plug-in host DAW software
- Quad Core i7 or better processor recommended
- For additional compatibility information, visit help.uaudio.com
*Apollo 8p includes the “Realtime Analog Classics Plus” UAD plug-in bundle. Other UAD plug-ins sold separately.
Avoid this unit if you plan to use both ADAT lightpipe ports
Universal Audio have disabled the 2nd ADAT lightpipe port for 44.1khz and 48khz digital transfers. I attempted to transfer audio from my HD24 but the 8p does not see it. UA should clearly indicate this in their literature and not bury it on page 22 of their manual. Also hearing slight pops and crackles in the audio from my unit. At one point it had issues not passing audio and I had to reboot it just to get the audio to pass through. Going to return this item.
Big step up
I just started my first project with the Apollo 8P. My workflow speed has increased significantly with this interface and the associated plug ins that came with it. It took me a long time to save for it but it's felt well worth it. I'm only a couple of weeks in but the new-gear honeymoon might last awhile longer with this thing.
Love it top to bottom, but need better routing
I love it. I already owned a few of the emulation plugs and can a/b them with the UAD version. The SSl channel has much more depth, and the Comp is now usable. The box is great.: the sound of the pres, conversion (both ways), the hardware (switches, metering), the software (no driver issues).
The only issue is the lack of routing, specifically ear cues. My previous box (an RME unit) allowed one to send any ins to any outs. I (ignorantly) assumed a new technology like the UAD would by default include such a feature. Discovering a 4- cue max was quite a shock, almost enough to return the unit. I track larger bands, and not being able to have dedicated mixes for each player is a big problem.
3000 doesnt worth apollo 8p ....there should be atleast complete ultimate bundle with it.....
LEAN MEAN AND NOT TOO FAR BETWEEN
History. Play/d in bands/write for other people/spiritually guide folk. Recorded all over the world from pissy basements to abbey road. Love tape/shitty mics/busted guitars. Budgets disappear,no more abbey road more coronation street.[For my U.S. friends thats no more Silverlake but more The valley]. Still fuck em,i can make music from dustbins cause I'm different,I'm not like the rest of you on this forum, so I'm happy.Must think. UAD 8p arrives. No more compatibility charts for months/there's knobs/switches/sounds cool/easy to use. More time for making art and less gawping@a screen/more time to look into artists eyes and suck there best work out of them. For 3g's job done. I don't need UAD, they don't need me,but we are good together
limited routing is maddening
I feel like i wasted my money on this unit. the routing is frustratingly basic and integrating this into my workflow has been difficult at best.
standalone it is a decent unit and recording through the plugins is an obvious plus but the routing is bafflingly limited and trying to use additional adat outputs is not an easy task.
my RME units with total mix are FAR superior and much easier use.
More than I expected
I consider myself a fairly "informed consumer" and I tend to research ALL possibilities before making any choices. I already owned an Apollo 16 (Silverface) and have thoroughly enjoyed it. I added the 8P primarily for the Unison preamps (8 already great preamps that you can mix and match 1073's, API's, and UA 610's with more to come Im sure, cmon -no brainer!) AD/DA, and clocking. I also REALLY like the fact that you can use one simple thunderbolt cable and get DSP, IO, and clock all at once.
What I didn't anticipate was the much better stereo field and definition. Small changes seemed more noticeable, reverb tails seem more detailed...all in all a GREAT box.
8 emulate-able pre-amps and quad core processing is pure bliss. I couldn't say enough good things about the Apollo 8 if I tried. It's like waking up every morning next to an exquisitely beautiful woman and questioning "how can this be real?" Thanks for that UA!
Loving the Apollo 8P
Just tracked a few drum tracks with the Apollo 8P and UA Store Plug-Ins. Using AKG 112 on Kick, Miktek PM10 on Snare, Sennheiser 421 on Toms, Shure KSM 32 OHs, and SM 81 on Hats. Absolutely no outboard pre-amps or compressors. I love how the Apollo captures the character of each mic, not to mention the DSP technology on all 8-inputs. Can't wait for the 16P (hint, hint) version to hit the market!
Needs More DSP
First of all, the Apollo 8p sounds incredible! Routing and integration into my existing rig were a breeze. HOWEVER… for $3K, the DSP is lacking BIG time! At 96kHz, I get a Unison plugin, and one… maybe two additional plugins on each channel before the processor is maxed. Now try adding Ocean Way or AKG verb to an aux and real trouble hits! I was looking to start recording/mixing everything at 192kHz, but at that rate, I barely get Unison plugins on each channel before the Apollo 8p processor overloads. It's like UA made the Apollos just to wet your appetite so you have to spend more money on their satellite DSP accelerators.
Great Idea, Slow execution
After some time with this unit I have come to the conclusion that it is a little hyped. First I would like to say that it sounds really good. The plug-ins are a better emulation than waves. The GUI are nice looking but, picking settings is a little frustrating. Also, I experience pops and clicks, minor lag when ran at 92k with 256 sample buffer (I have a decent new macbook and I'm running Ableton Live) Honestly, my little NI Komplete Audio 6 ran smoother. The biggest disappointment for me is of course that you max out real fast using 8 mic pre's along with plug-ins. I had 4 mic's with Neve pre amps and comps on each channel and that was too much for tracking. If you got the money and it's no big deal then this unit is a cool buy.
Apollo 8p = Weak DSP.... Buyer Beware!!!!!
1 star simply for the weak DSP. UA brags about the Apollo 8p having 4 sharc processors, what they don't mention is that really doesn't amount to much when running their UA plugins. I did the research, was aware that said plugins could take up as much as 44% of 1 processor, but I made the purchase anyways simply because I liked the idea of having 8 pre amps. If it wasn't for the weak DSP (I max out at about 12-15 UA plugins, depending on which ones I'm using), I'd definitely give 5 stars, but for $3000, I'm expecting a lot more bang for my bucks....
I’ve had my 8P for over a year. It’s incredible. It is robust, and 100% reliable. Eight mic pres and four sharc processors is enough to say I got my money’s worth.
I’m very satisfied with the routing, headphone impedance, and endless versatility with Console.
If you try to run premium plugins on every one of the eight channels you will run out DSP, but there are so many ways to work around it. Plus once you’ve finished tracking, you can save the session and reset console or simply disable all plugins and you basically have all of the 8P’s processing power to use in your DAW for post production. If your mix is on the larger side and you want to use premium plugins, let’s be realistic - you’ll need a Satellite or a PCIe card. And in my opinion that’s OK! You get what you pay for. There’s a reason we’d rather go UAD over our DAW’s built-in plugs.
For $3K this is a great interface and/or mixer and/or studio in a box.
I have been wanting an Apollo for years and finally purchased the 8p. Love it. Wish I had purchased it a long time ago. Slightly different workflow than I am used to, but tracking through plug ins is just amazing. Still waiting on my free OCTO Sat, to really go for it, though to b honest the 8p has plenty DSP for me. Still also deciding to print the wet or dry signal, but the flexibility to do so is great.
Apollo 8P and Apollo Twin and Apollo Octo Thunderbolt System
I use Apollo 8P, Apollo Twin, and Apollo Octo. This system is great and very easy to use. I use all equipment for band and studio. In my band I use 6 mixers simultaneosuly thus each band member has its own mix. This solution is very easy to operate. I have 2 synths so I can operate 6 mixers including Ableton and 5 mixes in Apollo Console (master mix, and buses).
This system is great. I use in on Mac.
Wish I bought it sooner!
I own a commercial recording studio and last year we landed 2 Billboard Top 100 songs. The Apollo 8P is a serious piece of equipment worthy of professional level engineering requirments for limited space deployments. The UAD software is absolutely incredible and ABSOLUTELY holds up to our actual hardware counterparts. Don't let the internet naysayers make you second guess yourself.
Loving my new Apollo 8p!
I was prompted to purchase my 8p after I had updated to OS High Sierra on my iMac only to find that the update had rendered my Firewire ports useless! I was using a PreSonus StudioLive 24.4.2 as my interface for ProTools through Firewire, and it didn't have Thunderbolt. An American producer friend of mine highly recommended the UA Apollo 8p, which he uses in his studio in Texas. So the PreSonus went up for sale and the 8p was ordered along with the free Octo Satellite, and I am totally happy with the upgrade! I work in my studio with my bassist/vocalist wife, so the 8 inputs are all we need. I love the quality of the A/D converters and the interface is very intuitive. The ability to record through Console using the fantastic UA plug ins is a major plus. It's still early days with the 8p, but so far I am totally happy with it and have no complaints whatsoever. A lovely piece of kit UA!!
I was pretty happy with my Apollo firewire. To be honest I mostly made the move on the new Apollo because of the free-satelitte-promotion. When I swapped gear I was amazed by the sonic improvement. This Apollo is really and audibly better. Just great, way to go UA!
J. De La Cruz
...in addition to the Apollo Twin
I was so impressed my purchase of the Apollo Twin Duo in 2014 that I decided to add the 8p for the additional preamps and DSP. Very flexible.