16 Channels of Elite Audio Conversion, HEXA Core Processing, and Surround Sound Monitoring.
The flagship Apollo x16 allows music producers, project, and post-production studios to track, overdub, and mix with elite-class A/D and D/A conversion, HEXA Core UAD plug-in processing, Dual-Crystal clocking, and 7.1 surround sound monitoring — all in a sleek rackmount Thunderbolt 3 audio interface for Mac or Windows.
Built upon UA’s 60-year heritage of audio craftsmanship, this 18 x 20 interface delivers the widest dynamic range (133 dB) and lowest THD+N (-129 dB) of any integrated audio interface on the market, all-new HEXA Core processing — yielding 50% more DSP for running acclaimed UAD Powered Plug-Ins in real time — plus it includes LUNA Recording System, giving you a fully-integrated music production application.
Record with UA’s flagship A/D and D/A conversion — providing the widest dynamic range and lowest noise available, at any price
Mix with powerful HEXA Core processing, featuring 6 UAD DSP chips for running more UAD Powered Plug-Ins in real time
Easily connect to professional studio gear with 16 x 16 analog I/O via DB-25 connections, plus switchable +24 dBu headroom settings
Includes LUNA Recording System — a fully-integrated and inspiring music production application
UA’s Flagship A/D and D/A Conversion
With thousands of chart-topping songs and hundreds of Grammy-winning albums under their belt, Apollo interfaces are no strangers to tracking stellar-sounding records. To improve on the previous generation Apollo interface’s class-leading audio conversion, UA engineers obsessively auditioned the latest A/D and D/A converters — ultimately pairing elite-class 24-bit/192 kHz converters with all-new analog circuitry for an ultra-pristine signal path.
The Apollo X series also introduces new Dual-Crystal clocking — featuring dedicated crystals for 44.1/88.2/176.4k and 48/96/192k sample rates — resulting in stunningly low jitter, measured at less than 10 picoseconds. This translates into pure, artifact-free recordings and solid stereo imaging you can trust.
With 133 dB dynamic range and THD+N of -129 dB, the Apollo x16’s open, natural sound quality bests every interface in its class — regardless of price — and is the perfect starting point for applying UAD processing.
Realtime UAD HEXA Core Processing
Apollo x16 features new HEXA Core processing, with six DSP chips and 50% more UAD plug-in processing power than previous Apollos. This lets you run more UAD plug-ins, whether you’re tracking in real time with channel strips from Neve,® Manley,® or API,® or running high UAD plug-in counts when mixing in your DAW.
From the tube warmth of Pultec EQs on guitars to the musical tube limiting of the LA-2A on vocals, or the pump of a genuine 1176 or Fairchild 670 tube compressor on drums, your recordings will take a giant leap forward with a rich, three-dimensional analog sound that UAD plug‑ins provide.
A Full Suite of Classic Analog Processing Onboard
Of course, a hallmark feature of Apollo is its Realtime UAD Processing, letting you run the full library of UAD plug-ins with near-zero latency. Apollo x16 includes the Realtime Analog Classics Plus plug-in bundle, so you can record and mix with the world’s only authentic Teletronix LA-2A, 1176LN, and Fairchild compressors, Pultec EQs, and many more.
See Included Plug-Ins | Watch the live tracking video
Access the World of UAD Powered Plug-Ins
Going beyond the included Realtime Analog Classics Plus plug-ins, Apollo x16 lets you tap into the full UAD Powered Plug-In library of legendary vintage EQs, compressors, reverbs, tape machines, channel strips, and more — at near-zero latency, regardless of your audio software’s buffer size and without taxing your computer’s CPU.
With exclusive emulations from SSL, Neve, Studer, Manley, Helios, API, Ampex, Lexicon, Fender, and more,† it’s like having a studio full of iconic analog gear, in a single rack space. And unlike competing interfaces, these award-winning DSP-powered plug-ins are also available in your DAW for mixing.
†Apollo x16 includes the “Realtime Analog Classics Plus” UAD plug-in bundle. Other UAD plug-ins sold separately at www.uaudio.com.
LUNA Recording System
Deep Apollo Integration with a Fast, Natural Workflow
Apollo X series interfaces work with all major DAWs. But they become a fully integrated recording system with LUNA, Universal Audio’s groundbreaking music production application for Mac. Harness LUNA’s Accelerated Realtime Monitoring™ and power your workflow with a host of built-in features and optional extensions — from genuine Neve summing and integrated Studer tape, to inspiring LUNA instruments, and more.
Surround Sound, Talkback, and More
The Apollo x16 features built-in front-panel monitoring functions including a Talkback mic, Alt Speakers, and assignable Dim or Mono control. Plus, with its comprehensive 7.1 surround monitoring support, Apollo x16 is a boon for engineers and producers working on audio and music for video games, television, and the web. In addition, Apollo x16 offers selectable +24 dBu operation for out-of-the-box compatibility with professional mixing consoles and other high-end pro audio equipment.
Build an Expanded Studio System Over Thunderbolt
Apollo x16 offers 18 x 20 simultaneous inputs/outputs (16 x 16 analog I/O) and two built-in Thunderbolt 3 ports. This allows users of any Thunderbolt-equipped Apollo Twin or Apollo rackmount audio interfaces to easily combine up to four Apollos and six total UAD-2 devices — adding fast, high-bandwidth I/O and DSP as your studio grows.
Available as Apollo Heritage Edition
Featuring 10 premium UAD titles — including complete plug‑in Collections of our award-winning Teletronix,® UA 1176, and Fairchild® compressors, Helios® Type 69 and UA 610 mic preamps, Pultec® EQs, and more.
Learn More ›
Apollo X Tech Talk
Universal Audio’s Senior Product Manager, Gannon Kashiwa dives deep into the key features, specs, and development behind the latest generation of Apollo audio interfaces.
“Apollo is a platform that grows more powerful with every innovation – the UAD plug-in processing onboard has changed the way I work forever.”
– Tony Platt (AC/DC, Bob Marley, Buddy Guy)
“I'm really impressed with the Apollo X8. I hear more detail in the several sets of monitors I use, and I'm getting that little bit extra out of the Unison mic pre emulations – and they were already extremely close.”
– Jacquire King (James Bay, Kings of Leon, Tom Waits)
“The Apollo 16 is the most stable, sonically accurate addition to my studio by far. Its incredible metering, monitor control, and the Realtime UAD Processing make it a game-changing interface.”
– Darrell Thorp (Beck, Radiohead, Charlotte Gainsbourg)
“This is the best-sounding Universal Audio D/A ever. By far. It has an extra octave of clear bottom, but it's not hyped. It's just very solid and full. It's like there’s no converter generated signature at all. It’s completely open and natural.”
– Fab Dupont (David Crosby, Shakira, Santigold)
“I love my new Apollo x8p! I can mix without worrying about the amount of plug-ins I use, and the new converters reveal the most subtle details when I record. One of the best upgrades that I’ve added in a long time.”
– Derek ‘MixedByAli’ Ali (Kendrick Lamar, SZA, Childish Gambino)
“My Apollos are my sound.
Where I go, they go.”
– Trevor Lawrence Jr. (Dr. Dre, Herbie Hancock, Eminem)
“The Apollo is the best I/O we've ever used, and we've tried them all. It has an incredibly clean, transparent, and accurate sound.”
– The Glitch Mob
“I’m totally blown away by the stunning sound quality of the Apollo. The ability to use UAD plug-ins in real-time is pure genius. It’s the centerpiece of my new studio.”
– Richard Devine
“The Apollo's ability to do low latency – I mean that's the whole ballgame right there.”
– Joey Waronker (Atoms for Peace, Beck, Other Lives)
“The Apollo is a powerhouse and a game changer for my studio.”
“Using my Apollos and Console 2.0, I'm able to front a live mix, create a monitor mix, and record, all at the same time. That’s pretty awesome.”
– Chris Dugan (Green Day, Iggy Pop, U2)
“Having the Apollo with UAD plug-ins at my disposal is like carrying a giant studio with outboard racks at all times. Minus the tech fees, down time, and electricity bill!”
– Andrew Dawson (Kanye West, Jay-Z, Fun.)
“Apollo's A/D and D/A conversion sounds incredibly detailed, with great clarity and a tight, punchy low end. And with the Console 2.0 app, I have all of the routing and monitoring options I need.”
– Dave Pensado (Justin Timberlake, Beyoncé, Maroon 5)
“The Apollo 16 is the most versatile and reliable interface we’ve ever worked with, both in the studio and on stage.”
Apollo: The Choice of New-School Professionals
Apollo is the confirmed choice of hit-making professionals, used to record landmark albums by Kendrick Lamar (DAMN.), Chris Stapleton (From A Room: Volume 1), Arcade Fire (Everything Now), Post Malone (Beerbongs & Bentleys), and many more. The Apollo range of interfaces has earned numerous industry awards from Sound on Sound, Future Music, and Electronic Musician — as well as the prestigious TEC Award for computer audio hardware five years running.
Apollo Artist Sessions
Watch producer/engineer Fab Dupont (Jennifer Lopez, David Crosby) record Latin superstars Monsieur Periné live in Colombia with Apollo X audio interfaces.
View All Apollo Artist Sessions
December 28, 2021
Really great upgrade after using a MK1 Apollo Twin for several years. The integration is great with my Twin and the improvement in conversion is quite noticeable, thanks UA!...Read More
November 14, 2021
I love uadRead More
November 13, 2021
The X16 Gear
Without a doubt a top device, but I would like more connections and Dolby Atmos compatibility. Therefore a star deduction.Read More
October 20, 2021
Excellent converters great InterfaceRead More
October 20, 2021
Excellent convertors Sounds GreatRead More
September 29, 2021
for me!-)Read More
Realtime Analog Classics Plus Bundle
With the Realtime Analog Classics Plus plug-in bundle, you not only get legendary compressors such as the Fairchild® 670 and EQs like the Pultec® EQP-1A, but also stunning guitar and bass amp emulations from Softube, and UA’s landmark 610-B Tube Preamp and EQ plug-in.
- UA 610‐B
- Marshall Plexi Classic Amplifier
- Fairchild 670 Legacy
- Teletronix LA‐2A Legacy
- UA 1176LN Legacy
- UA 1176SE Legacy
- Pultec EQP‐1A Legacy
- Pultec Pro Legacy
- Ampeg® SVT-VR Classic Bass Amp
- Precision Channel Strip
- Precision Reflection Engine
- Precision Delay Modulation
- Precision Delay Modulation L
- UA Precision Enhancer Hz
- Raw Distortion
UA 610-B Tube Preamp and EQ
Impart your tracks with the iconic warmth and character of the classic hardware used to track everyone from Duke Ellington to Coldplay. By emulating the entire signal path, including tube amplifiers, transformers, and circuit nonlinearities, the 610-B Tube Preamp and EQ plug-in injects organic detail and saturation to any signal — whether you’re re-amping or tracking through the 610-B via Universal Audio’s Unison™ technology.
Marshall® Plexi Classic Amplifier
The undisputed alpha dog of rock and roll guitar amps, the Marshall “plexi” amplifier is as legendary as the music it helped create. From Jimi Hendrix to Jimmy Page, Duane Allman to Eric Clapton, the Plexi’s punishing melange of snarl, sustain, smoothness, and raunch defined the sound of rock. Developed by Softube, the Marshall Plexi Classic Amp plug-in gives you the sound of this iconic amp with a perfectly placed microphone from engineer Tony Platt who recorded AC/DC’s Back in Black and Highway to Hell.
Fairchild® 670 (Legacy)
The world’s most coveted compressor, the classic Fairchild 670 tube limiter will give your tracks and mixes unmistakable tube warmth and character. Whether you’re looking for subtle compression on a lead vocal, or grittier textures that can work on guitars, bass, or a drum bus, the Fairchild 670 plug-in adds a classic “glow” to anything you run through it.
Teletronix® LA-2A Classic Leveling Amplifier (Legacy)
With its gentle, program dependent optical compression and meticulously designed tube amplifier, the LA-2A is the go-to compressor for professional mixers around the world — especially for vocals. Incredibly easy-to-use Peak Reduction and Gain controls gives you the ideal optical compression sound for guitar, bass, drums, and more.
1176SE/LN® Classic Limiting Amplifiers (Legacy)
Get classic, ultra-fast FET compression from the world’s most recognized compressor. The 1176 will impart punch, presence, and character as well as its signature distortion overtones on drums, vocals, guitars, and bass. The 1176LN has graced countless recordings, from Led Zeppelin, to the White Stripes and Michael Jackson.
Pultec® Pro Equalizers (Legacy)
Mix with two of the most sought-after hardware EQs ever made — the MEQ-5 Midrange Equalizer and the EQP-1A Program Equalizer. Both of these tube-based icons deliver smooth and silky EQ curves with an abundance of warm analog character.
Ampeg® SVT-VR Classic Bass Amp
Introduced in 1969, the Ampeg SVT bass amp is still the reigning king of high-powered tube bass tone. Developed by Brainworx, the Ampeg SVT-VR Classic Bass Amp plug-in perfectly captures the raw power and punch that has made this the go-to amp for rock, funk, and soul players. Track in real time using Unison™ preamp technology for the tone, touch, and feel of a real SVT bass amp, or transform bland DI tracks with the thunderous roar of a stone cold classic.
Precision Mix Rack Collection
Featuring the Precision Channel Strip, Precision Reflection Engine, and Precision Delay Modulation plug-ins, the Precision Mix Rack Collection offers four modern, high-fidelity plug-ins for recording and mixing. Powerful and intuitive, Precision Mix Rack Collection gives you an impressive tool set — perfect for beginners and seasoned professionals alike.
UA Precision Enhancer Hz
Expertly dial-in your music’s low-end frequencies with the Precision Enhancer Hz plug-in. Able to yield exacting results with minimal adjustment, the Precision Enhancer Hz can add weight to kick drum samples, fatten up a synth bass, or simply make the low-end of your tracks more audible on smaller speakers.
Modeled from a vintage early-’80s Pro Co Rat, Raw Distortion delivers all the gritty dynamic raunch of the legendary stompbox. And with Unison™ technology, you can plug in to Apollo Twin, 8, or 8p’s front-panel Hi-Z instrument jack and experience the same circuit interaction, gain range, and clip points for the true tone, feel, and response of the original hardware.
RealVerb Pro is a flexible, natural sounding reverb based on UA’s own unique set of algorithms. Allowing you to design the room just as you hear it, the RealVerb Pro goes beyond simply big/small or dark/bright, giving your sources distortion-free, smoothing diffusion control and ultra-long reverb tail.
Apollo x16 Features & Specs
- 18 x 20 Thunderbolt 3 audio interface with class-leading 24-bit/192 KHz conversion (backwards compatible with Thunderbolt 1 & 2 on Mac)
- HEXA Core Realtime UAD Processing for tracking through UAD plug-ins at near-zero latency, regardless of audio buffer size
- Produce with LUNA Recording System — a fully-integrated recording application made for Apollo (Mac/Thunderbolt)
- Surround monitor controller up to 7.1 format
- Includes the "Realtime Analog Classics Plus" UAD plug-in bundle. Other UAD plug-ins sold separately.
- UAD-2 HEXA Core processing onboard for additional mixing horsepower for Pro Tools, Logic, Cubase, Ableton, and other major DAWs
- Combine up to 4 Thunderbolt-equipped Apollos and 6 total UAD devices
- Selectable +24 dBu operation for easy compatibility with professional mixing consoles and tape machines
- Convenient front panel monitoring functions including Alt Speakers, Talkback mic, and assignable Dim or Mono
- Uncompromising UA analog design, superior components, and premium build quality
- Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers
- To see full system requirements, click here.
Inputs Line Inputs (DB25) 16 Balanced via (2) 25-pin D-sub Digital Inputs (XLR) AES/EBU: 2 channels @ 44.1 – 192 kHz A to D Conversion Line Inputs Dynamic Range: 124 dB (A-weighted)
THD+N: -115 dB (0.00018%)
Frequency Response: 20 Hz – 20 kHz, ±0.05 dB
Outputs Line Outputs (DB25) 16 Balanced via (2) 25-pin D-sub Monitor Outputs (XLR) 2 Balanced (Left/Right) Digital Outputs (XLR) AES/EBU: 2 channels @ 44.1 – 192 kHz D to A Conversion Line Outputs Dynamic Range: 127 dB (A-weighted)
THD+N: -123 dB (0.00007%)
Frequency Response: 20 Hz – 20 kHz, ±0.02 dB
Monitor Outputs Dynamic Range: 133 dB
THD+N: -129 dB (0.00004%)
Frequency Response: 20 Hz – 20 kHz, ±0.02 dB
Really great upgrade after using a MK1 Apollo Twin for several years. The integration is great with my
Twin and the improvement in conversion is quite noticeable, thanks UA!
I love uad
The X16 Gear
Without a doubt a top device, but I would like more connections and Dolby Atmos compatibility. Therefore a star deduction.
Excellent converters great Interface
Excellent convertors Sounds Great
Best on the market for the price!
Absolutely fantastic! I use it every day. I have an API ACS Legacy console and I run it into two Apollo z 16s. Sounds incredible!
So glad I made the transition to the UAD / Apollo environment. Sounds great and the near zero latency when tracking is invaluable. Great clock and great sounding AD and DA conversion. Two thumbs up.
The best, that’s all
Middle of the road
This interface is expensive , I’d say the quality is what you would expect from China where these seem to be made at .
The best of the best!
Its sound is AMAZING..... EXCELLENT.... and the combination with the Dangerous 2 Bus Summing it is simply spectacular. The best upgrade to my studio. Making the connection between my apollos and the hardware was extremely simple and easy .... Thanks!
The best of the best!
Great unit. Will be more better when I will be able to connect my external hw compressor and etc. via insert in LUNA (I bought it for this aim)
Great interface, was using three 192’’s for years...what a difference! Wish I had done it years ago. All I can say is awesome.
A MUST!!! UA Mojo
Audio quality is amazing. Definitely worth investing!
Looking for top Quality?
Apollo x16 is the best audio interface ever.. no competitor at all
King of interfaces
It doesn't get much better than this. It sounds fantastic, and recording through realtime plugins is a fantastic workflow. Connected to my desk with my X8 I get 24 channels of analog summing on mixdown, with first class sonics. What's not to love!
UAD Apollo x 16
Does NOT Have 16 Out (Without Workaround)
I see another review saying this, and I've seen other people talking about it but seriously: What in god's name is the point of limiting the "flex routing" to 8 out channels? Why would anyone buy a 16x16 piece of gear... that can't use all 16 outputs without some weird workaround using the Cue busses? UAD's explanation is "latency" but that makes no sense considering you CAN assign the last 8 outputs with that workaround (and we're getting no latency doing so).
At least it works and we didn't waste time and money for nothing and the workaround exists, but this is some seriously false advertising. You should be able to freely route to all the channels if you need to do so from the Console, and if not there be a humongous asterisk up on this marketing material about this limitation, not something buried on page 92 of the manual.
A Great Step Up
Definite increase in converter quality since MKII model. Great being able to run at +24 as I can drive my preamps harder before clipping. Fantastic to have 50% more DSP.
Chains perfectly with x8p and x4 for a fully fledged system.
Flagship unit of the industry leader - you cannot go wrong.