Elite Audio Conversion and Four Unison Preamps, All on your Desktop.
Apollo x4 allows musicians and producers to easily track, overdub, and mix larger projects with elite-class A/D and D/A conversion, four Unison-enabled preamps, and QUAD Core realtime UAD plug-in processing — all in a desktop Thunderbolt 3 audio interface for Mac and Windows.
Built upon UA’s 60-year heritage of audio craftsmanship, Apollo x4 confidently outperforms everything in its class with 127 dB D/A dynamic range, along with an included bundle of UAD analog emulation plug-ins and LUNA Recording System, giving you a fully-stocked analog studio, right on your desktop.
Record and mix with elite-class A/D and D/A conversion — with the widest dynamic range and lowest noise of any desktop interface
Four Unison-enabled preamps — track larger projects with near-zero latency through preamp emulations from Helios,® Neve,® API,® Manley,® and more*
Onboard UAD QUAD Core processing lets you track and mix with the included Teletronix LA‑2A and 1176 compressors, Pultec EQs, and 610‑B Tube Preamp & EQ plug-ins
Includes LUNA Recording System — a fully-integrated and inspiring music production application
Four Unison Preamps: Get the Genuine Sound of Neve, Helios, API & More
Apollo x4 features four Unison-enabled mic preamps, letting you track through exacting mic preamp emulations from Neve, Helios, API, Manley, Avalon, Universal Audio and many more. Exclusive to UA Audio Interfaces, Unison technology nails the tone of these sought-after tube and solid state mic pres — including their input impedance, gain stage “sweet spots,” and the component-level circuit behaviors of the original hardware.
The secret to Unison is its hardware-software integration between Apollo’s mic preamps and its onboard UAD QUAD Core DSP Acceleration. Simply place a Unison preamp plug-in on your mic input in Apollo Console software, and it physically reconfigures the Apollo interface's impedance — so you can tap into the classic sounds of the world’s most recorded mic preamps.
Watch the Unison Shoot Out (hardware vs. software) video
Elite-Class A/D and D/A Conversion
With thousands of hit songs and hundreds of Grammy-winning albums under their belt, Apollo interfaces are used to track exceptional-sounding records every day. To improve on the previous generation of desktop Apollo interfaces’ class-leading audio conversion, UA engineers redesigned the x4’s audio conversion to deliver a striking 127 dB dynamic range and -117 dB THD+N, giving Apollo x4 a spacious, organic sound that easily rivals dedicated high-end converters.
Apollo: The Choice of New-School Professionals
Apollo is the confirmed choice of hit-making professionals, used to record landmark albums by Kendrick Lamar (DAMN.), Chris Stapleton (From A Room: Volume 1), Arcade Fire (Everything Now), Post Malone (Beerbongs & Bentleys), and many more. The Apollo range of interfaces has earned numerous industry awards from Sound on Sound, Future Music, and Electronic Musician — as well as the prestigious TEC Award for computer audio hardware five years running.
A Full Suite of Classic
Analog Processing Onboard
Right out of the box, Apollo x4 offers a suite of incredible analog emulation plug-ins including the world’s only authentic Teletronix LA-2A, 1176LN, Fairchild 670, Pultec EQs, and the UA 610-B Tube Preamp & EQ. Developed by UA’s world-renowned team of algorithm engineers, these Realtime Analog Classics Plus plug-ins set the standard by which all other hardware emulation plug-ins are judged.
From the tube warmth of the Pultec EQ on guitars, to the gentle limiting of the LA-2A on vocals, your recordings will take a giant leap forward in rich, sonically complex analog sound.
See Included Plug-Ins | Watch the live tracking video
Access the World of UAD Powered Plug-Ins
Beyond the included Realtime Analog Classics Plus plug-ins, Apollo x4 lets you tap into the full library award-winning UAD Powered Plug-Ins — including vintage EQs, Compressors, Reverbs, Tape Machines and more — at near-zero latency, regardless of your audio software’s buffer size and without taxing your computer’s CPU.
With exclusive emulations from Neve, Lexicon, Capitol Studios, API, Manley, Ampex, Fender, and more,* it’s like having an endless analog studio, right on your desktop. And unlike competing interfaces, these DSP-powered plug-ins are also available in your DAW for mixing.
Record with Vintage Amps
Apollo x4 also includes Unison technology on its front panel instrument inputs, giving you access to dead-on emulations of guitar and bass amps like the Fender '55 Tweed Deluxe, Marshall Plexi Super Lead 1959, and the Ampeg B-15N Bass Amplifier.
LUNA Recording System
Deep Apollo Integration with a Fast, Natural Workflow
Apollo X series interfaces work with all major DAWs. But they become a fully integrated recording system with LUNA, Universal Audio’s groundbreaking music production application for Mac. Harness LUNA’s Accelerated Realtime Monitoring™ and power your workflow with a host of built-in features and optional extensions — from genuine Neve summing and integrated Studer tape, to inspiring LUNA instruments, and more.
Expanded I/O and Built-in Talkback Mic
In addition to its four onboard Unison-equipped preamps, Apollo x4 offers two headphone outs and two Hi-Z instrument inputs — greatly enhancing your collaborative process. Plus, with a total of four line outs, optical ADAT/SPDIF input and output, plus dedicated monitor remote controls and a built-in Talkback mic, the 12 x 18 Apollo x4 can serve as the powerful centerpiece of your professional desktop studio.
Build a Networked Studio
Users of any Thunderbolt-equipped Apollo interface can combine up to four Apollos and six total UAD-2 devices — adding I/O and DSP as your studio grows. Once you expand your studio with an Apollo x6, x8, x8p, or x16 rackmount unit, you can use Apollo x4 as a desktop monitor control while still tapping its additional I/O and DSP power.
“Everyone assumes I use a lot of outboard gear, but with Apollo Twin and UAD plug-ins, I get incredible sounds on the go, anywhere.”
– Louis Bell (Post Malone, DJ Snake, Cardi B)
“Having the Apollo with UAD plug-ins at my disposal is like carrying a giant studio with outboard racks at all times. Minus the tech fees, down time, and electricity bill!”
– Andrew Dawson (Kanye West, Jay-Z, Fun.)
“With the Apollo 8 in the studio and an Apollo Twin on the go, I know I've got the best sound quality and an incredible arsenal of plug-ins — wherever I'm working.”
– Jeremy Ruzumna (Fitz And The Tantrums)
“My Apollos are my sound.
Where I go, they go.”
– Trevor Lawrence Jr. (Dr. Dre, Herbie Hancock, Eminem)
“I knew about the ingredients of Apollo, but this is truly a special dish. The Apollo just set a new standard of excellence for audio interfaces, in terms of both its sound and its feature set.”
– Fab Dupont (Shakira, Santigold, Jennifer Lopez)
“Apollo is a platform that grows more powerful with every innovation – the UAD plug-in processing onboard has changed the way I work forever.”
– Tony Platt (AC/DC, Bob Marley, Buddy Guy)
“Using my Apollos and Console 2.0, I was able to front a live mix, create a monitor mix, and record to Pro Tools, all at the same time. That’s pretty awesome.”
– Chris Dugan (Green Day, Iggy Pop, U2)
“The Apollo's ability to do low latency – I mean that's the whole ballgame right there.”
– Joey Waronker (Atoms for Peace, Beck, Other Lives)
“The Apollo is the best I/O we've ever used, and we've tried them all. It has an incredibly clean, transparent, and accurate sound.”
– The Glitch Mob
“I’m totally blown away by the stunning sound quality of the Apollo. The ability to use UAD plug-ins in real-time is pure genius. It’s going to be the centerpiece of my new studio.”
– Richard Devine
“The Apollo has some of the better preamps I've ever heard – lots of headroom, quiet at high-gains, and the converters are really sweet sounding.”
– Mick Guzauski (Daft Punk, Mariah Carey, Eric Clapton)
“The Apollo is a powerhouse and a game changer for my studio.”
– Grieves*Apollo x4 includes the “Realtime Analog Classics Plus” UAD plug-in bundle. Other UAD plug-ins sold separately at www.uaudio.com.
May 29, 2020
Best desktop interface on the market.
Apollo X is hands down the best desktop interface on the market. X converters take the Apollo to a new level. 4 inputs is great for mobile singer songwriter recording because I’ve always...Read More
May 28, 2020
I've worked exclusively with a Motu Ultralite until I got an Apollo last week. It has completely changed my work flow and creativity for the better. Entering the UAD Plug-In Universe has...Read More
May 23, 2020
I freekin love this device
This interface rocks-the build quality is amazing, flexible size, amazing plugins included! Links perfectly to my live rigg (Apollo 8) to add extra inputs and sends to drummer...Read More
May 22, 2020
This is the ultimate unit for a musician to work at home. Enough inputs to do tracking at home, super powerful DSP with low delay monitoring, and a great physical interface to work with. I...Read More
May 20, 2020
Best addition to my home studioRead More
May 20, 2020
The X4 changed my way of recording
The X4 is a very nice design with all in- and outputs on the right side: guitar and headphones on the front and mics and line out...Read More
Realtime Analog Classics Plus Bundle
With the Realtime Analog Classics Plus plug-in bundle, you not only get legendary compressors such as the Fairchild® 670 and EQs like the Pultec® EQP-1A, but also stunning guitar and bass amp emulations from Softube, and UA’s landmark 610-B Tube Preamp and EQ plug-in.
- UA 610‐B
- Marshall Plexi Classic Amplifier
- Fairchild 670 Legacy
- Teletronix LA‐2A Legacy
- UA 1176LN Legacy
- UA 1176SE Legacy
- Pultec EQP‐1A Legacy
- Pultec Pro Legacy
- Ampeg® SVT-VR Classic Bass Amp
- Precision Channel Strip
- Precision Reflection Engine
- Precision Delay Modulation
- Precision Delay Modulation L
- UA Precision Enhancer Hz
- Raw Distortion
UA 610-B Tube Preamp and EQ
Impart your tracks with the iconic warmth and character of the classic hardware used to track everyone from Duke Ellington to Coldplay. By emulating the entire signal path, including tube amplifiers, transformers, and circuit nonlinearities, the 610-B Tube Preamp and EQ plug-in injects organic detail and saturation to any signal — whether you’re re-amping or tracking through the 610-B via Universal Audio’s Unison™ technology.
Marshall® Plexi Classic Amplifier
The undisputed alpha dog of rock and roll guitar amps, the Marshall “plexi” amplifier is as legendary as the music it helped create. From Jimi Hendrix to Jimmy Page, Duane Allman to Eric Clapton, the Plexi’s punishing melange of snarl, sustain, smoothness, and raunch defined the sound of rock. Developed by Softube, the Marshall Plexi Classic Amp plug-in gives you the sound of this iconic amp with a perfectly placed microphone from engineer Tony Platt who recorded AC/DC’s Back in Black and Highway to Hell.
Fairchild® 670 (Legacy)
The world’s most coveted compressor, the classic Fairchild 670 tube limiter will give your tracks and mixes unmistakable tube warmth and character. Whether you’re looking for subtle compression on a lead vocal, or grittier textures that can work on guitars, bass, or a drum bus, the Fairchild 670 plug-in adds a classic “glow” to anything you run through it.
Teletronix® LA-2A Classic Leveling Amplifier (Legacy)
With its gentle, program dependent optical compression and meticulously designed tube amplifier, the LA-2A is the go-to compressor for professional mixers around the world — especially for vocals. Incredibly easy-to-use Peak Reduction and Gain controls gives you the ideal optical compression sound for guitar, bass, drums, and more.
1176SE/LN® Classic Limiting Amplifiers (Legacy)
Get classic, ultra-fast FET compression from the world’s most recognized compressor. The 1176 will impart punch, presence, and character as well as its signature distortion overtones on drums, vocals, guitars, and bass. The 1176LN has graced countless recordings, from Led Zeppelin, to the White Stripes and Michael Jackson.
Pultec® Pro Equalizers (Legacy)
Mix with two of the most sought-after hardware EQs ever made — the MEQ-5 Midrange Equalizer and the EQP-1A Program Equalizer. Both of these tube-based icons deliver smooth and silky EQ curves with an abundance of warm analog character.
Ampeg® SVT-VR Classic Bass Amp
Introduced in 1969, the Ampeg SVT bass amp is still the reigning king of high-powered tube bass tone. Developed by Brainworx, the Ampeg SVT-VR Classic Bass Amp plug-in perfectly captures the raw power and punch that has made this the go-to amp for rock, funk, and soul players. Track in real time using Unison™ preamp technology for the tone, touch, and feel of a real SVT bass amp, or transform bland DI tracks with the thunderous roar of a stone cold classic.
Precision Mix Rack Collection
Featuring the Precision Channel Strip, Precision Reflection Engine, and Precision Delay Modulation plug-ins, the Precision Mix Rack Collection offers four modern, high-fidelity plug-ins for recording and mixing. Powerful and intuitive, Precision Mix Rack Collection gives you an impressive tool set — perfect for beginners and seasoned professionals alike.
UA Precision Enhancer Hz
Expertly dial-in your music’s low-end frequencies with the Precision Enhancer Hz plug-in. Able to yield exacting results with minimal adjustment, the Precision Enhancer Hz can add weight to kick drum samples, fatten up a synth bass, or simply make the low-end of your tracks more audible on smaller speakers.
Modeled from a vintage early-’80s Pro Co Rat, Raw Distortion delivers all the gritty dynamic raunch of the legendary stompbox. And with Unison™ technology, you can plug in to Apollo Twin, 8, or 8p’s front-panel Hi-Z instrument jack and experience the same circuit interaction, gain range, and clip points for the true tone, feel, and response of the original hardware.
RealVerb Pro is a flexible, natural sounding reverb based on UA’s own unique set of algorithms. Allowing you to design the room just as you hear it, the RealVerb Pro goes beyond simply big/small or dark/bright, giving your sources distortion-free, smoothing diffusion control and ultra-long reverb tail.
Desktop 12 x 18 Thunderbolt 3 audio interface for Mac and Windows with elite A/D and D/A conversion inherited directly from the acclaimed Apollo X rackmount interfaces
4 Unison mic preamps offer stunning models of classic tube and transformer-based mic preamps and guitar amps
UAD-2 QUAD Core Processing for tracking through vintage compressors, EQs, tape machines, mic preamps, and guitar amp plug-ins with near-zero latency
Produce with LUNA Recording System — a fully-integrated recording application made for Apollo (Mac/Thunderbolt)
2 Unison-enabled Hi-Z instrument inputs
2 independent headphone outputs
Built-in Talkback mic for communication with studio talent and recording slate cues
Includes monitor remote functions and Mono, Mute, DIM, and ALT monitor controls
Up to 8 channels of additional digital input via Optical ADAT/SPDIF input
Optical ADAT/SPDIF output for connecting to additional studio equipment
Includes the "Realtime Analog Classics Plus" UAD plug-in bundle featuring the Teletronix LA-2A 1176, and Fairchild 670 compressors, Pultec EQs, UA 610-B Tube Preamp & EQ, and more. Other UAD plug-ins sold separately.
Runs UAD Powered Plug-Ins via VST, RTAS, and AAX 64 in all major DAWs
Uncompromising analog design, superior components, and premium build quality
Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers
Apollo X Series System Requirements
- Thunderbolt 3 cable (not included)
- Internet connection to download software and authorize UAD plug-ins
- 6 gigabytes available storage
- Quad Core i7 or better processor recommended
- For additional compatibility information, visit help.uaudio.com
- Available Thunderbolt 1, 2, or 3 port
- Thunderbolt 1 and 2 connections require an Apple Thunderbolt 3 to Thunderbolt 2 Adapter (not included)
- macOS 10.12 Sierra, 10.13 High Sierra, 10.14 Mojave, or 10.15 Catalina
- Available Thunderbolt 3 port
- Windows 10 (64-Bit Edition)
Best desktop interface on the market.
Apollo X is hands down the best desktop interface on the market. X converters take the Apollo to a new level. 4 inputs is great for mobile singer songwriter recording because I’ve always liked a stereo mic pair on acoustic guitars and pianos while recording vocalists.
If this is your first UAD device I recommend purchasing the following for vocals:
Neve 1073 preamp
CL1B Compressor (1176 -> LA2A works too)
Studer Tape (makes everything mesh like butter)
Capital Chambers Reverb
You’ll thank me later
I've worked exclusively with a Motu Ultralite until I got an Apollo last week. It has completely changed my work flow and creativity for the better. Entering the UAD Plug-In Universe has given me so much to work with. I don't think that I'll ever go to a proper studio again. I feel re-inspired and so excited about what this will do to my music.
Technically, I am so blown away by the quality of the pre-amps and power of the apollo. I'm even more blown away with how much BETTER my work flow has gotten once I paired this bad boy with a Octo Core Satellite. This has been a complete game changer for me!
I freekin love this device
This interface rocks-the build quality is amazing, flexible size, amazing plugins included! Links perfectly to my live rigg (Apollo 8) to add extra inputs and sends to drummer (click and stereo keys) as well as to my personal QSC speakers for self control of my stage monitoring volume.
Love love love the X-4 !!
Thanks Rachel Z @OzmosysBand
This is the ultimate unit for a musician to work at home. Enough inputs to do tracking at home, super powerful DSP with low delay monitoring, and a great physical interface to work with. I have been tracking at home, completing recordings that were started at a top-of-the-line studio here in Greece, and it has been wonderful. We recorded vocals, bouzouki, baglama, accordion, all with superb clarity. Luna has a also proven to be a great tool. I only missed a couple of functions, like moving the playhead with cursor keys, or being able to find the date on specific takes (audio files). I switched from another Thunderbolt unit from a competing vendor, and I very happy that I did. Great work guys.
Best addition to my home studio
The X4 changed my way of recording
The X4 is a very nice design with all in- and outputs on the right side: guitar and headphones on the front and mics and line out on the backside. The interface is very versatile, so many possibilities for routing and using pre-amps and plugins without latency. Having 4 (or 12) inputs is great for recording vocals, guitars etc. The overall quality is very good. It is not the cheapest interface but it dramatically changes the way that I'm recording now.
J. Van Diest&Duchesne
This desktop interface has it all ! Digital i/o Rules ! The processing Rocks as expected .. I thought I was Lucky to own A Twin mk ll but was able to update at a good price and the resale of My Twin brought me Top Dollar .. Everyone is Happy .. Get Tracking !!! Oh Keep Up The Good Work UA PPLS !!
Great, great, great!
Great, great, great!
This interface Is very good sound
I am using this for a podcast studio. It hass everything needed all in one box. I cant believe I lived without it for so long. It is easily portable and can handle all the processing in real time so I can take a direct out to a recorder and use it, not just as a backup, without needing to render. The expandability with ADAT is also a huge plus although I mostly use 2-4 mics.
Great sound. Didn’t miss a trick
There is literally nothing bad I can say about this set up. The sound difference in switching from brand “A” was immediate and very pleasing. The options, sound / build quality, documentation, tutorial videos...the whole package is flawless.
Has inspired my playing, sounds brilliant
I had been eyeing the Apollo audio interfaces for a while after a friend demonstrated the versatility of the plugins. I wanted something small and portable to take to rehearsal sessions, but with more than two 1/4" inputs (without chaining) for guitar, a mic, some synths. When the Apollo X4 was announced, I knew that this device fit the bill. What I hadn't expected was how the X4 would drastically improve my tone and encourage me to play. My old interface sounded thin by comparison.
The only thing I wish the Apollo X4 had is a physical button to mute any of the input channels -- I have to do that from the Console app or dial down each channel individually.
The rumours are true - the sound is absolutely excellent
Although that's not what I'm most impressed about. The attention to detail is what impresses me. For example all other sound cards I've used have had a monitor destroying click each time I've changed the sample rate. Apollo doesn't do that; only silence. Only that is worth the upgrade!
Great desktop interface!!
Love the Apollo X4, super versatile interface with lot of i/o!
It’s great it has 2 hp out and optical out!
Good construction quality too!
Never heard better really professional, but expensive do something about it please
Never heard better really professional, but expensive do something about it please
Simply the best interface out there
I had countless interfaces during the last two decades, my last one was a top end Rme model, but the X4 offers way more !
Earring the unisson preamps was like a revelation to me, and the addition of the 4 DSP and the incredible Analog classic bundle pushed my music and my mixes to a whole new level.
Incredible user friendly Uad console is a time saver and once you taste Uad stuff you realize that there will be a before and after !
Thanks UA guys
Living up to the hype
I'm just blown away. I bought the x4 after using a Zoom U-22 for some years. My Apollo lived up to every expectation I had - and more. The zero latency, the plug-ins, the work flow improve. incredible.
I bought an Arrow unit, I brought it on a trip and I really love it, I wanted some more power though and the Apollo X4 is perfect.
With the Arrow unit and the Twin you only have one headphone out. So I was splitting a headphone jack between two different types of headphones and it just wasn’t quite right.
I knew I wanted to use a portable unit for collaborating, so this truly was perfect for me. It has plenty of inputs, two headphone jacks, and it’s so simple to use.
I had an Apollo 8p and I got the X4 and I’m glad I did. I know I’ll eventually get an X8p in conjunction with the X4, but for now this is all I need and it’s perfect.