Apollo x8
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Elite Audio Conversion with Four Unison Mic Preamps, HEXA Core Processing, and Surround Sound.
Apollo x8 allows music producers, project, and post-production studios to track, overdub, and mix with elite-class A/D and D/A conversion, HEXA Core UAD plug-in processing, Dual-Crystal clocking, and 7.1 surround sound monitoring — all in a sleek rackmount Thunderbolt 3 audio interface for Mac or Windows.
Built upon UA’s 60-year heritage of audio craftsmanship, this 18 x 24 interface distinguishes itself with four Unison™-enabled mic preamps, all-new HEXA Core processing — yielding 50% more DSP for running UAD Powered Plug-Ins in real time — plus it includes LUNA Recording System, giving you a fully-integrated music production application.Record with elite-class A/D and D/A conversion — nearing the widest dynamic range and lowest noise available, at any price
Mix with powerful HEXA Core processing, featuring 6 UAD DSP chips for running more UAD Powered Plug-Ins in real time
Track with near-zero latency through Unison™ preamp emulations from Neve,® API, ® Manley, ® Helios, ® Fender,® and more†
Includes LUNA Recording System — a fully-integrated and inspiring music production application
Elite-Class A/D and D/A Conversion
With thousands of chart-topping songs and hundreds of Grammy-winning albums under their belt, Apollo interfaces are no strangers to tracking stellar-sounding records. To improve on the previous generation Apollo interface’s class-leading audio conversion, UA engineers obsessively auditioned the latest A/D and D/A converters — ultimately pairing elite-class 24-bit/192 kHz converters with all-new analog circuitry for an ultra-pristine signal path.
The Apollo X series also introduces new Dual-Crystal clocking — featuring dedicated crystals for 44.1/88.2/176.4k and 48/96/192k sample rates — resulting in stunningly low jitter, measured at less than 10 picoseconds. This translates into pure, artifact-free recordings and solid stereo imaging you can trust.
With 129 dB dynamic range and -119 dB THD+N, Apollo x8’s open, natural sound quality rivals any dedicated high-end converter on the market — regardless of price — and is the perfect starting point for applying UAD processing.
Realtime UAD HEXA Core Processing
Apollo x8 features new HEXA Core processing, with six DSP chips and 50% more UAD plug-in processing power than previous Apollos. This lets you run more UAD plug-ins, whether you’re tracking in real time with channel strips from Neve, Manley, or API, or running high UAD plug-in counts when mixing in your DAW.
From the tube warmth of Pultec EQs on guitars to the musical tube limiting of the LA-2A on vocals, or the pump of a genuine 1176 or Fairchild 670 tube compressor on drums, your recordings will take a giant leap forward with a rich, three-dimensional analog sound that UAD plug‑ins provide.
Unison Technology: The Genuine Sound of Neve, API & Manley Preamps
Perfect for musicians, engineers, producers, and sound designers, Apollo x8 features four Unison-enabled mic preamps, letting you track through exacting mic preamp emulations from Neve, API, Manley, Helios, SSL, and Universal Audio. A Universal Audio exclusive, Unison technology nails the tone of these sought-after tube and solid state mic pres — including their input impedance, gain stage “sweet spots,” and the component-level circuit behaviors of the original hardware.
The secret to Unison is its hardware-software integration between Apollo’s mic preamps and its onboard HEXA Core DSP Acceleration. Simply place a Unison preamp plug-in on your mic input in Apollo Console software, and it physically reconfigures the Apollo interface's impedance — so you can tap into the classic sounds of the world’s most recorded mic preamps.
Watch the Unison Shoot Out
What happens when you put Apollo’s Unison preamp models up against their vintage analog counterparts? Producer Jacquire King (Tom Waits, Kings of Leon) finds out at the legendary Blackbird Studios in Nashville.
A Full Suite of Classic
Analog Processing OnboardOf course, a hallmark feature of Apollo is its Realtime UAD Processing, letting you run the full library of UAD plug-ins with near-zero latency. Apollo x8 includes the Realtime Analog Classics Plus plug-in bundle, so you can record and mix with the world’s only authentic Teletronix LA-2A, 1176LN, and Fairchild compressors, the Unison-enabled UA 610-B Tube Preamp & EQ, and iconic guitar and bass amps from Marshall and Ampeg.
See Included Plug-Ins | Watch the live tracking videoAccess the World of UAD Powered Plug-Ins
Going beyond the included Realtime Analog Classics Plus plug-ins, Apollo x8 lets you tap into the full UAD Powered Plug-In library of legendary vintage EQs, compressors, reverbs, tape machines, channel strips, and more — at near-zero latency, regardless of your audio software’s buffer size and without taxing your computer’s CPU.
With exclusive emulations from SSL, Neve, Studer, Manley, Helios, API, Ampex, Lexicon, Fender, and more,† it’s like having a studio full of iconic analog gear, in a single rack space. And unlike competing interfaces, these award-winning DSP-powered plug-ins are also available in your DAW for mixing.
†Apollo x8 includes the “Realtime Analog Classics Plus” UAD plug-in bundle. Other UAD plug-ins sold separately at www.uaudio.com.
LUNA Recording System
Deep Apollo Integration with a Fast, Natural WorkflowApollo X series interfaces work with all major DAWs. But they become a fully integrated recording system with LUNA, Universal Audio’s groundbreaking music production application for Mac. Harness LUNA’s Accelerated Realtime Monitoring™ and power your workflow with a host of built-in features and optional extensions — from genuine Neve summing and integrated Studer tape, to inspiring LUNA instruments, and more.
Surround Sound, Talkback, and More
The Apollo x8 features built-in front-panel monitoring functions including a Talkback mic, Alt Speakers, and assignable Dim or Mono control. Plus, with its comprehensive 7.1 surround monitoring support, Apollo x8 is a boon for engineers and producers working on audio and music for video games, television, and the web. In addition, Apollo x8 offers selectable +24 dBu operation for out-of-the-box compatibility with professional mixing consoles and other high-end pro audio equipment.
Build an Expanded Studio System Over Thunderbolt
Apollo x8 offers 18 x 24 simultaneous inputs/outputs (8 x 8 analog I/O) and two built-in Thunderbolt 3 ports. This allows users of any Thunderbolt-equipped Apollo Twin or Apollo rackmount audio interfaces to easily combine up to four Apollos and six total UAD-2 devices — adding fast, high-bandwidth I/O and DSP as your studio grows.
Available as Apollo Heritage Edition
Featuring 10 premium UAD titles — including complete plug‑in Collections of our award-winning Teletronix,® UA 1176, and Fairchild® compressors, Helios® Type 69 and UA 610 mic preamps, Pultec® EQs, and more.
Learn More ›
Apollo X Tech Talk
Universal Audio’s Senior Product Manager, Gannon Kashiwa dives deep into the key features, specs, and development behind the latest generation of Apollo audio interfaces.
“I'm really impressed with the Apollo X8. I hear more detail in the several sets of monitors I use, and I'm getting that little bit extra out of the Unison mic pre emulations – and they were already extremely close.”
– Jacquire King (James Bay, Kings of Leon, Tom Waits)
“I love my new Apollo x8p! I can mix without worrying about the amount of plug-ins I use, and the new converters reveal the most subtle details when I record. One of the best upgrades that I’ve added in a long time.”
– Derek ‘MixedByAli’ Ali (Kendrick Lamar, SZA, Childish Gambino)
“This is the best-sounding Universal Audio D/A ever. By far. It has an extra octave of clear bottom, but it's not hyped. It's just very solid and full. It's like there’s no converter generated signature at all. It’s completely open and natural.”
– Fab Dupont (David Crosby, Shakira, Santigold)
“My Apollos are my sound.
Where I go, they go.”
– Trevor Lawrence Jr. (Dr. Dre, Herbie Hancock, Eminem)
“Apollo is a platform that grows more powerful with every innovation – the UAD plug-in processing onboard has changed the way I work forever.”
– Tony Platt (AC/DC, Bob Marley, Buddy Guy)
“The Apollo is the best I/O we've ever used, and we've tried them all. It has an incredibly clean, transparent, and accurate sound.”
– The Glitch Mob
“I’m totally blown away by the stunning sound quality of the Apollo. The ability to use UAD plug-ins in real-time is pure genius. It’s the centerpiece of my new studio.”
– Richard Devine
“The Apollo's ability to do low latency – I mean that's the whole ballgame right there.”
– Joey Waronker (Atoms for Peace, Beck, Other Lives)
“The Apollo is a powerhouse and a game changer for my studio.”
– Grieves
“Using my Apollos and Console 2.0, I'm able to front a live mix, create a monitor mix, and record, all at the same time. That’s pretty awesome.”
– Chris Dugan (Green Day, Iggy Pop, U2)
“Having the Apollo with UAD plug-ins at my disposal is like carrying a giant studio with outboard racks at all times. Minus the tech fees, down time, and electricity bill!”
– Andrew Dawson (Kanye West, Jay-Z, Fun.)
“Apollo's A/D and D/A conversion sounds incredibly detailed, with great clarity and a tight, punchy low end. And with the Console 2.0 app, I have all of the routing and monitoring options I need.”
– Dave Pensado (Justin Timberlake, Beyoncé, Maroon 5)
“With the Apollo 8 in the studio and an Apollo Twin on the go, I know I've got the best sound quality and an incredible arsenal of plug-ins — wherever I'm working.”
– Jeremy Ruzumna (Fitz And The Tantrums)
“The Apollo x8p is the workhorse for the majority of our mobile sessions. The flexibility is crucial to our workflow and once you’re familiar with the front panel controls and Console software, it becomes a seamless experience that allows you to truly craft your sound.”
– Mike Larson (Pharrell, Ariana Grande, Migos)
Apollo: The Choice of New-School Professionals
Apollo is the confirmed choice of hit-making professionals, used to record landmark albums by Kendrick Lamar (DAMN.), Chris Stapleton (From A Room: Volume 1), Arcade Fire (Everything Now), Post Malone (Beerbongs & Bentleys), and many more. The Apollo range of interfaces has earned numerous industry awards from Sound on Sound, Future Music, and Electronic Musician — as well as the prestigious TEC Award for computer audio hardware five years running.
Apollo Artist Sessions
Watch producer/engineer Fab Dupont (Jennifer Lopez, David Crosby) record Latin superstars Monsieur Periné live in Colombia with Apollo X audio interfaces.
View All Apollo Artist SessionsCustomer Reviews
J. G.
February 20, 2021
Excellent converters with the additional power of the DSP
Being a UAD 2 Satellite user and RME since so many years ago and I've decided to upgrade and it's been a succesful upgrade thanks to the incredible converters...
Read MoreA. Kehler
February 20, 2021
Apollo x compatibility
I recently purchased the Apollo 8x to upgrade from the twin x I already had because I wanted more DSP and more preamps than the twin offered. I thought I'd sell the twin but when I...
Read MoreR. Ewen
February 7, 2021
Apollo x8
I have to say the Apollo X8 is the best Interface that I have ever owned. it’s powerful and sound is great. And I would definitely recommend any of their products to either a beginner...
Read MoreF. Neese
January 28, 2021
Reference class
I have to say upfront that I am not a professional audio engineer but a hobby musician with some aspiration regarding the quality of my recordings (guitars, vocals, bass, synth). I bought...
Read MoreJ. Bac
January 22, 2021
x8 is xGreat
I had no AI at the beginning of this pandemic. I bought an Arrow cuz I needed a simple way to interface with my computer and...
Read MoreR. Vickers
January 20, 2021
excellent device!
This is the best sounding recording device I have ever owned. I have used a lot of analog gear and I am amazed at the depth and clarity of these converters. The plugins that emulate the...
Read More -
Realtime Analog Classics Plus Bundle
With the Realtime Analog Classics Plus plug-in bundle, you not only get legendary compressors such as the Fairchild® 670 and EQs like the Pultec® EQP-1A, but also stunning guitar and bass amp emulations from Softube, and UA’s landmark 610-B Tube Preamp and EQ plug-in.
- UA 610‐B
- Marshall Plexi Classic Amplifier
- Fairchild 670 Legacy
- Teletronix LA‐2A Legacy
- UA 1176LN Legacy
- UA 1176SE Legacy
- Pultec EQP‐1A Legacy
- Pultec Pro Legacy
- Ampeg® SVT-VR Classic Bass Amp
- Precision Channel Strip
- Precision Reflection Engine
- Precision Delay Modulation
- Precision Delay Modulation L
- UA Precision Enhancer Hz
- Raw Distortion
- RealVerb‐Pro
UA 610-B Tube Preamp and EQ
Impart your tracks with the iconic warmth and character of the classic hardware used to track everyone from Duke Ellington to Coldplay. By emulating the entire signal path, including tube amplifiers, transformers, and circuit nonlinearities, the 610-B Tube Preamp and EQ plug-in injects organic detail and saturation to any signal — whether you’re re-amping or tracking through the 610-B via Universal Audio’s Unison™ technology.
Marshall® Plexi Classic Amplifier
The undisputed alpha dog of rock and roll guitar amps, the Marshall “plexi” amplifier is as legendary as the music it helped create. From Jimi Hendrix to Jimmy Page, Duane Allman to Eric Clapton, the Plexi’s punishing melange of snarl, sustain, smoothness, and raunch defined the sound of rock. Developed by Softube, the Marshall Plexi Classic Amp plug-in gives you the sound of this iconic amp with a perfectly placed microphone from engineer Tony Platt who recorded AC/DC’s Back in Black and Highway to Hell.
Fairchild® 670 (Legacy)
The world’s most coveted compressor, the classic Fairchild 670 tube limiter will give your tracks and mixes unmistakable tube warmth and character. Whether you’re looking for subtle compression on a lead vocal, or grittier textures that can work on guitars, bass, or a drum bus, the Fairchild 670 plug-in adds a classic “glow” to anything you run through it.
Teletronix® LA-2A Classic Leveling Amplifier (Legacy)
With its gentle, program dependent optical compression and meticulously designed tube amplifier, the LA-2A is the go-to compressor for professional mixers around the world — especially for vocals. Incredibly easy-to-use Peak Reduction and Gain controls gives you the ideal optical compression sound for guitar, bass, drums, and more.
1176SE/LN® Classic Limiting Amplifiers (Legacy)
Get classic, ultra-fast FET compression from the world’s most recognized compressor. The 1176 will impart punch, presence, and character as well as its signature distortion overtones on drums, vocals, guitars, and bass. The 1176LN has graced countless recordings, from Led Zeppelin, to the White Stripes and Michael Jackson.
Pultec® Pro Equalizers (Legacy)
Mix with two of the most sought-after hardware EQs ever made — the MEQ-5 Midrange Equalizer and the EQP-1A Program Equalizer. Both of these tube-based icons deliver smooth and silky EQ curves with an abundance of warm analog character.
Ampeg® SVT-VR Classic Bass Amp
Introduced in 1969, the Ampeg SVT bass amp is still the reigning king of high-powered tube bass tone. Developed by Brainworx, the Ampeg SVT-VR Classic Bass Amp plug-in perfectly captures the raw power and punch that has made this the go-to amp for rock, funk, and soul players. Track in real time using Unison™ preamp technology for the tone, touch, and feel of a real SVT bass amp, or transform bland DI tracks with the thunderous roar of a stone cold classic.
Precision Mix Rack Collection
Featuring the Precision Channel Strip, Precision Reflection Engine, and Precision Delay Modulation plug-ins, the Precision Mix Rack Collection offers four modern, high-fidelity plug-ins for recording and mixing. Powerful and intuitive, Precision Mix Rack Collection gives you an impressive tool set — perfect for beginners and seasoned professionals alike.
UA Precision Enhancer Hz
Expertly dial-in your music’s low-end frequencies with the Precision Enhancer Hz plug-in. Able to yield exacting results with minimal adjustment, the Precision Enhancer Hz can add weight to kick drum samples, fatten up a synth bass, or simply make the low-end of your tracks more audible on smaller speakers.
Raw Distortion
Modeled from a vintage early-’80s Pro Co Rat, Raw Distortion delivers all the gritty dynamic raunch of the legendary stompbox. And with Unison™ technology, you can plug in to Apollo Twin, 8, or 8p’s front-panel Hi-Z instrument jack and experience the same circuit interaction, gain range, and clip points for the true tone, feel, and response of the original hardware.
RealVerb Pro
RealVerb Pro is a flexible, natural sounding reverb based on UA’s own unique set of algorithms. Allowing you to design the room just as you hear it, the RealVerb Pro goes beyond simply big/small or dark/bright, giving your sources distortion-free, smoothing diffusion control and ultra-long reverb tail.
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Apollo x8 Features & Specs
- 18 x 24 Thunderbolt 3 audio interface with class-leading 24-bit/192 KHz conversion (backwards compatible with Thunderbolt 1 & 2 on Mac)
- Realtime UAD HEXA Core Processing for tracking through UAD plug-ins at near-zero latency, regardless of audio buffer size
- Record through 4 Unison-enabled mic/line preamps — giving you fully authentic preamp emulations from Neve, API, Manley, SSL, and more†
- Includes access to LUNA Recording System for a fully-integrated, analog inspired Apollo workflow
- Surround monitor controller up to 7.1 format
- Includes the "Realtime Analog Classics Plus" UAD plug-in bundle. Other UAD plug-ins sold separately.
- UAD HEXA Core processing onboard for additional mixing horsepower for Pro Tools, Logic, Cubase, Ableton, and other major DAWs
- Combine up to 4 Thunderbolt-equipped Apollos and 6 total UAD devices
- Selectable +24 dBu operation for easy compatibility with professional mixing consoles and tape machines
- Convenient front panel monitoring functions including Alt Speakers, Talkback mic, and assignable Dim or Mono
- Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers
Interface Specifications
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Inputs Line Inputs 8 Balanced ¼" TRS Microphone Inputs 4 Balanced XLR Instrument (Hi-Z) Inputs 2 Unbalanced ¼" TS Digital Inputs (Optical TOSLINK) ADAT: 8 channels @ 44.1 – 96 kHz
ADAT: 4 channels @ 176.4 – 192 kHzDigital Inputs (RCA) S/PDIF: 2 channels @ 44.1 – 192 kHz A to D Conversion Mic Preamps Dynamic Range: 122 dB (A-weighted)
THD+N: -115 dB (0.00019%)
Frequency Response: 20 Hz – 20 kHz, ±0.05 dBLine Inputs Dynamic Range: 123 dB (A-weighted)
THD+N: -113 dB (0.00022%)
Frequency Response: 20 Hz – 20 kHz, ±0.04 dBOutputs Line Outputs 8 Balanced ¼" TRS Monitor Outputs 2 Balanced ¼" TRS Headphone Outputs 2 Stereo ¼" TRS Digital Outputs (Optical TOSLINK) ADAT: 8 channels @ 44.1 – 96 kHz
ADAT: 4 channels @ 176.4 – 192 kHzDigital Outputs (RCA) S/PDIF: 2 channels @ 44.1 to 192 kHz D to A Conversion Line Outputs Dynamic Range: 127 dB (A-weighted)
THD+N: -118 dB (0.00011%)
Frequency Response: 20 Hz – 20 kHz, ±0.07 dBMonitor Outputs Dynamic Range: 129 dB (A-weighted)
THD+N: -118 dB (0.00012%)
Frequency Response: 20 Hz – 20 kHz, ±0.06 dBHeadphone Outputs Dynamic Range: 125 dB (A-weighted)
THD+N: -102 dB (0.00080%)
Frequency Response: 20 Hz – 20 kHz, ±0.05 dB
Apollo X Series System Requirements
ALL:
- Thunderbolt 3 cable (not included)
- Internet connection to download software and authorize UAD plug-ins
- 6 gigabytes available storage
- Quad Core i7 or better processor recommended
- For additional compatibility information, visit help.uaudio.com
MAC:
- Available Thunderbolt 1, 2, or 3 port
- Thunderbolt 1 and 2 connections require an Apple Thunderbolt 3 to Thunderbolt 2 Adapter (not included)
- macOS 10.12 Sierra, 10.13 High Sierra, 10.14 Mojave, 10.15 Catalina, or 11 Big Sur
PC:
- Available Thunderbolt 3 port
- Windows 10 (64-Bit Edition)
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Customer Reviews
Apollo x8
J. G.
Excellent converters with the additional power of the DSP
Being a UAD 2 Satellite user and RME since so many years ago and I've decided to upgrade and it's been a succesful upgrade thanks to the incredible converters and also the combination to the DSP. If there is something I miss from my old equipment is some kind of Spectrum analizer standalone for my Apollo.
A. Kehler
Apollo x compatibility
I recently purchased the Apollo 8x to upgrade from the twin x I already had because I wanted more DSP and more preamps than the twin offered. I thought I'd sell the twin but when I daisy-chained them I was amazed at how fluid the work flow is between them and I figure it's only a matter of time before I'll want more inputs ;) I'm just starting to scratch the surface of the console software and all it's parameters for (headphone) cue mixes and adding effects for tracking without recording them. So with a total of 6 unison enabled preamps, 4 analogue inputs and an 8 core DSP processing environment for the UAD plugins, it's a powerful rig! I also love the compact and modular aspect of the twin that sits on the desktop with better controls than the rack mount 8x. Not to mention that if I want to travel I can easily bring my laptop and the twin. Definitely a solid investment.
R. Ewen
Apollo x8
I have to say the Apollo X8 is the best Interface that I have ever owned. it’s powerful and sound is great.
And I would definitely recommend any of their products to either a beginner or professional. Best in the business in my humble opinionF. Neese
Reference class
I have to say upfront that I am not a professional audio engineer but a hobby musician with some aspiration regarding the quality of my recordings (guitars, vocals, bass, synth).
I bought the Apollo X8 because I found a good deal on one and I knew that I would get a top notch product. Indeed, it worked out of the box and in 5 minutes I was up and running.
I am using the HiZ input for guitar/bass DI signals (or acoustics), two inputs for stereo mic inputs from mic'ed amps and the fourth for vocals, the SPDIF to do amping an reamping with the Kemper and line in/line out for DI/reamping with real amps. Everything works flawlessly and I get crystal clear, low noise recordings.
I have to confess that I haven't fully warmed up to the UA plugin universe. I fiddled around with the Marshall sim and some of the preamps, compressors, EQ's etc. They are all very good and that the input changes according to what I have attached is really cool. But I doubt that I feel the need to buy another dozen compressors or preamps anytime soon. What is there out of the box is certainly enough for me for some time to come.
I like the amp simulation quite a bit but did not feel that the amp sims were head and shoulders better than what I already have. Hence, I also don't see the need to pay another 100+ bucks for another amp sim. The main advantage over other plugins is the no latency feature which is great. But I don't really need it that badly. I can always send a DI signal to the computer and play my real amp with actually no latency and then fiddle with the plugins later when I mix in case I am not happy with the recording from the real amp.
I have played my pedalboard into the Unison Marshall and simultaneously into my real Marshall. I could get them to sound quite close, but in terms of reacting to pedals, I will give a nod to the real thing over the simulation.
My DAW is Logic Pro, and the interaction between Console and Logic has been flawless and easy.
In summary - so far so good - I have entered the UA universe, have taken a few first steps and look forward to learn so much more about recording. The hardware is not a limitation anymore. How much I will fall for the software is an open question at the moment.J. Bac
x8 is xGreat
I had no AI at the beginning of this pandemic. I bought an Arrow cuz I needed a simple way to interface with my computer and decided it would be better than the $200 units. It was for sure. But then I graduated to the Apollo Twix X Quad. It was a leap forward. But then as I got more into needing additional inputs plus ADAT and SPDIF, the x8 got the call. While I would like the 8 xlr ins of the x8p, it doesn't have the ability to have both spdif and adat at the same time. So x8 is the solution. I do get the 4 XLR ins, and I have an ADAT 8 XLR unit so I get 12 XLRs. Plus the spdif for my UA OX puts me in fat city. UA gear is awesome.
R. Vickers
excellent device!
This is the best sounding recording device I have ever owned. I have used a lot of analog gear and I am amazed at the depth and clarity of these converters. The plugins that emulate the outboard gear that I have do it really well. For instance, I forget if I tracked with my actual LA2A or if I tracked with the Unison plugin. The mixes I have been doing come together more quickly and I get to spend more time on aesthetics than problem solving. I give this unit an A+. Thanks UAD!
E. Vivante
I love Apollo but...
I just upgraded my Apollo silver TB3 to the new 8x Heritage edition.
In got only 5 old plugins while I own most of the Heritage edition.
And worst than that 1 of the headphones output is not function well.
The reseller already bought me a new 1 but I was very disappointed to be in that situation.
In that price I except to perfect condition Apollo and more plugins for those who already own most of the heritage bundle .
A. Gurulawela
Apollo x8
Added Such a great feel for my all recordings using UAD
Preamps with Unison. I highly recommend all UAD sections instead of Realtime Plugins, Routing, Summing. Thank You UAD for Make My Journey More Easier.F. Lamarre
The new deal
Recording through unison preamps, everything comes to life as soon as you hit the rec button. Every sound blend so easily.
F. Lamarre
A game changer
I've been using RME and Waves pluging for about 15 years.
Switching to Apollo and UAD plugins is a real game changer for me. I'm thinking about selling half of my analog recording equipment.
Ok, it's expensive but it's worth every dime I spent !C. Ramirez
Yeap
Pretty happy overall, I'm still learning to use it though. I do believe there's an improvement in sound quality from the focusrite clarett I was using . I wish they give us a promo code for plugins considering all the money it costs, but I'm still happy.
T. Andersson
Apollo X8
I exchanged Apollo 8 to Apollo X8.
I have had my old unit for 5 years without any troubles.
I used my old unit a as digital mixer for my hardware and software synths and for my guitars and I thought this should be the ultimate tool for creating music.
I was able to test Apollo x8 and I was surprised that the soundquality was so much better than the old unit. I decided to get Apollo X8. I was lucky to get a good price for the old unit .
I Have had Apollo X8 for three weeks now and I am still surprised of the soundquality. The build quality is exellent, it will last for many years.R. Pelletier
Love my Apollo X8
La meilleur interface audio que j'ai eu depuis le début de mon studio.
The best audio interface I have had since starting my studio.T. Gol
Perfect for anything
It’s not my first Apollo. I’m very happy with my purchase. It’s very flexible interface. Also with 6 sharc chips it’s very powerful. I also combined it with a Satellite. Dynamic range and coverter quality is really good. If you have a budget don’t waste your time by overthinking about pulling the trigger :)
R. Vallenari
The best interface I know for serious production
Title says it all, extremely well thought and incredible sounding piece of goodness
P. Duville
Universal audio get 3000 dls and dont give a free plugin
I cant believe
I buy the new x8 and no free plugin?
Just a shitty attitudeP. Chatchaturian
Cool but there is something MISSING
Cool interface, cool sound! But to me it is far away of understanding why it can handle only 8 channels of ADAT at 44,1 kHz. This is quite an show stopper to me.
Let's say you own some other interfaces you still want to use. In order to use the console features (e.g. using the inserts only for tracking but not for writing) of the UAD you have to have to choose the UAD as the asio driver in your DAW. I now expect an interface at this cost with two ADAT IN/''OUTs to provide me 16 channels at 44,1 kHz for connecting my mic ins of two ohter interfaces for recording.
Another thing making my head shaking: when using this interface along with other interfaces (one of them is the clock master) and setting the UADs clock source to ADAT (because it is connected via ADAT to the clock master), you still have to set the right sampling frequency MANUALLY at the UAD device.
Both, lack of ADAT-IO and sampling frequenz syncing seems to be very old fashioned. Please give me 16 44,1 kHz ADATA IN/OUTs! I do not need to treat them with UAD-plugins, so no horse power is needed here.D. Arroyo
so glad
I'm so glad I purchased I purchased this... the best interface I have worked with. The plugins are superior to any other.
M. Apata
Fantastic Interface
Absolutely fantastic interface with great plugins attached!
J. Delgado
Awesome sound and quality
Universal Audio Apollo it's a game changer, being able to use de Unison technology and the analog sound of UAD plugins it's amazing. This is my second Apollo, I have never had any type of problem with he interface or the software.
