Produce album-ready sounds in realtime.
Apollo x8 gives creators running bigger project and bedroom studios the same professional analog tones heard on your favorite records. With elite‑class conversion and HEXA Core UAD plug-in processing, Apollo x8 is the only interface that lets you record through preamps from Neve, API, Manley, and more — with near‑zero latency — giving you professional sound in a sleek rackmount Thunderbolt 3 audio interface.
Get professional sound with the widest dynamic range and lowest noise available
Record your vocals and synths in realtime through classic mic preamp emulations from Neve, API, Manley, Avalon, and more
Link up to four Apollos for 160 channels of premium I/O and control it from Apollo Twin
Create with seamless hardware-software integration and analog console modeling in LUNA Recording System
Hear Every Detail in your Recordings
Record Synths and Vocals through Iconic Preamps
With its four onboard Unison™ preamps, Apollo x8 is the only interface that lets you track in realtime through preamps and channel strips from Neve, Manley, API, and dozens more, giving you the same rich analog texture as the hardware used on decades of iconic music.*
Get the Pro Sounds of Analog Hardware, in a Single Rack Space
Right out of the box, Apollo's included plug-ins give you album-ready tones in realtime with professional tools like the UA 610-B Tube Preamp & EQ, Fairchild compressors, amps from Marshall and Ampeg, and more. Plus, Apollo lets you tap into the entire UAD plug-in library, giving you the proven hit-making sounds of Ocean Way Studios, Capitol Chambers, and hundreds more.
See Included Plug-Ins ›
Learn about Heritage Edition Plug‑Ins ›
Record with a Fast, Natural Workflow using LUNA
Apollo works with all major DAWs, but only LUNA Recording System gives you seamless integration with Apollo, for big analog studio sound — in realtime — using a host of built-in features and extensions from API console modeling to genuine Neve summing and integrated Studer tape.
Learn more about LUNA ›
Your New Analog Studio, Expanded
Link up to four Apollos for 156 channels of premium I/O as your studio grows,and control it all from your desktop using Apollo Twin or x4.
UAD Plug-Ins vs. Analog Hardware
Watch Grammy-award winning producer Jacquire King (Tom Waits, Kings of Leon) put UAD plug‑ins to the test in a live session featuring electronic-soul artist Jamie Lidell.
“I love my new Apollo x8p! I can mix without worrying about the amount of plug-ins I use, and the new converters reveal the most subtle details when I record. One of the best upgrades that I’ve added in a long time.”
– Derek ‘MixedByAli’ Ali (Kendrick Lamar, SZA, Childish Gambino)
“I'm really impressed with the Apollo X8. I hear more detail in the several sets of monitors I use, and I'm getting that little bit extra out of the Unison mic pre emulations – and they were already extremely close.”
– Jacquire King (James Bay, Kings of Leon, Tom Waits)
“This is the best-sounding Universal Audio D/A ever. By far. It has an extra octave of clear bottom, but it's not hyped. It's just very solid and full. It's like there’s no converter generated signature at all. It’s completely open and natural.”
– Fab Dupont (David Crosby, Shakira, Santigold)
“My Apollos are my sound.
Where I go, they go.”
– Trevor Lawrence Jr. (Dr. Dre, Herbie Hancock, Eminem)
“Apollo is a platform that grows more powerful with every innovation – the UAD plug-in processing onboard has changed the way I work forever.”
– Tony Platt (AC/DC, Bob Marley, Buddy Guy)
“The Apollo is the best I/O we've ever used, and we've tried them all. It has an incredibly clean, transparent, and accurate sound.”
– The Glitch Mob
“I’m totally blown away by the stunning sound quality of the Apollo. The ability to use UAD plug-ins in real-time is pure genius. It’s the centerpiece of my new studio.”
– Richard Devine
“The Apollo's ability to do low latency – I mean that's the whole ballgame right there.”
– Joey Waronker (Atoms for Peace, Beck, Other Lives)
“The Apollo is a powerhouse and a game changer for my studio.”
“Using my Apollos and Console 2.0, I'm able to front a live mix, create a monitor mix, and record, all at the same time. That’s pretty awesome.”
– Chris Dugan (Green Day, Iggy Pop, U2)
“Having the Apollo with UAD plug-ins at my disposal is like carrying a giant studio with outboard racks at all times. Minus the tech fees, down time, and electricity bill!”
– Andrew Dawson (Jay-Z, Fun.)
“Apollo's A/D and D/A conversion sounds incredibly detailed, with great clarity and a tight, punchy low end. And with the Console 2.0 app, I have all of the routing and monitoring options I need.”
– Dave Pensado (Justin Timberlake, Beyoncé, Maroon 5)
“The Apollo x8p is the workhorse for the majority of our mobile sessions. The flexibility is crucial to our workflow and once you’re familiar with the front panel controls and Console software, it becomes a seamless experience that allows you to truly craft your sound.”
– Mike Larson (Pharrell, Ariana Grande, Migos)
18 x 24 Thunderbolt 3 audio interface with class-leading 24-bit/192 KHz conversion (backwards compatible with Thunderbolt 1 & 2 on Mac)
4 Unison-enabled mic/line preamps — giving you fully authentic preamp emulations from Neve, API, Manley, Avalon, and more*
Produce with LUNA Recording System — a fully-integrated recording application for Apollo (Mac/Thunderbolt)
Combine up to 4 Thunderbolt-equipped Apollos and 6 total UAD devices
Realtime UAD HEXA Core Processing for tracking through UAD plug-ins at near-zero latency, regardless of audio buffer size
Surround monitor controller up to 7.1 format
Includes “Realtime Analog Classics Plus” UAD plug-in bundle featuring UA 610-B Tube Preamp; Legacy Pultec EQ, LA-2A, and 1176 compressors; Marshall Plexi Classic; Ampeg SVT-VR Classic and more
Runs UAD Powered Plug-Ins via VST, Audio Units, and AAX in all major DAWs
Selectable +24 dBu operation for easy compatibility with professional mixing consoles and tape machines
Convenient front panel monitoring functions including Alt Speakers, Talkback mic, and assignable Dim or Mono
Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers
Apollo x8 User Manual*Apollo x8 includes the “Realtime Analog Classics Plus” UAD plug-in bundle. Other UAD plug-ins sold separately at www.uaudio.com. All trademarks are property of their respective owners.
November 26, 2022
Amazing sound quality and ease of use
As a long-time user of UAD Apollo Twin, the change to Apollo X8 brought not just much more features but also an enhancement in audio quality. Also, the more amount of DSP pays in the...Read More
November 23, 2022
Amazing piece of gear
I had an Apollo twin for many years, did wonderful things with it, but always had the limitation with the I/O and the DSP. Now that I am finding my mixing and recording flow I couldn’t...Read More
October 31, 2022
Nice sound Solid Hardware
i am very satisfied about this audio card . Could be a bit less expensive, but it’s great hardware and flexible usage. I...Read More
October 28, 2022
EVERYTHINGS is PERFECT! I can't immagine nothing more than this!Read More
October 28, 2022
Now I Know Why
Now I know why so many people love UA interfaces (and UA plugins). It’s because of their phenomenal sound. I used to think UA is just a hype, so I stick with RME for so long. As a Windows...Read More
S. van Servellen
October 7, 2022
Pricey but top quality integrated hardware/software
TOP quality hardware / software integration that now sits at heart of my workflows,Read More
Realtime Analog Classics Plus Bundle
With the Realtime Analog Classics Plus plug-in bundle, you not only get legendary compressors such as the Fairchild® 670 and EQs like the Pultec® EQP-1A, but also stunning guitar and bass amp emulations from Softube, and UA’s landmark 610-B Tube Preamp and EQ plug-in.
- UA 610‐B
- Marshall Plexi Classic Amplifier
- Fairchild 670 Legacy
- Teletronix LA‐2A Legacy
- UA 1176LN Legacy
- UA 1176SE Legacy
- Pultec EQP‐1A Legacy
- Pultec Pro Legacy
- Ampeg® SVT-VR Classic Bass Amp
- Precision Channel Strip
- Precision Reflection Engine
- Precision Delay Modulation
- Precision Delay Modulation L
- UA Precision Enhancer Hz
- Raw Distortion
UA 610-B Tube Preamp and EQ
Impart your tracks with the iconic warmth and character of the classic hardware used to track everyone from Duke Ellington to Coldplay. By emulating the entire signal path, including tube amplifiers, transformers, and circuit nonlinearities, the 610-B Tube Preamp and EQ plug-in injects organic detail and saturation to any signal — whether you’re re-amping or tracking through the 610-B via Universal Audio’s Unison™ technology.
Marshall® Plexi Classic Amplifier
The undisputed alpha dog of rock and roll guitar amps, the Marshall “plexi” amplifier is as legendary as the music it helped create. From Jimi Hendrix to Jimmy Page, Duane Allman to Eric Clapton, the Plexi’s punishing melange of snarl, sustain, smoothness, and raunch defined the sound of rock. Developed by Softube, the Marshall Plexi Classic Amp plug-in gives you the sound of this iconic amp with a perfectly placed microphone from engineer Tony Platt who recorded AC/DC’s Back in Black and Highway to Hell.
Fairchild® 670 (Legacy)
The world’s most coveted compressor, the classic Fairchild 670 tube limiter will give your tracks and mixes unmistakable tube warmth and character. Whether you’re looking for subtle compression on a lead vocal, or grittier textures that can work on guitars, bass, or a drum bus, the Fairchild 670 plug-in adds a classic “glow” to anything you run through it.
Teletronix® LA-2A Classic Leveling Amplifier (Legacy)
With its gentle, program dependent optical compression and meticulously designed tube amplifier, the LA-2A is the go-to compressor for professional mixers around the world — especially for vocals. Incredibly easy-to-use Peak Reduction and Gain controls gives you the ideal optical compression sound for guitar, bass, drums, and more.
1176SE/LN® Classic Limiting Amplifiers (Legacy)
Get classic, ultra-fast FET compression from the world’s most recognized compressor. The 1176 will impart punch, presence, and character as well as its signature distortion overtones on drums, vocals, guitars, and bass. The 1176LN has graced countless recordings, from Led Zeppelin, to the White Stripes and Michael Jackson.
Pultec® Pro Equalizers (Legacy)
Mix with two of the most sought-after hardware EQs ever made — the MEQ-5 Midrange Equalizer and the EQP-1A Program Equalizer. Both of these tube-based icons deliver smooth and silky EQ curves with an abundance of warm analog character.
Ampeg® SVT-VR Classic Bass Amp
Introduced in 1969, the Ampeg SVT bass amp is still the reigning king of high-powered tube bass tone. Developed by Brainworx, the Ampeg SVT-VR Classic Bass Amp plug-in perfectly captures the raw power and punch that has made this the go-to amp for rock, funk, and soul players. Track in real time using Unison™ preamp technology for the tone, touch, and feel of a real SVT bass amp, or transform bland DI tracks with the thunderous roar of a stone cold classic.
Precision Mix Rack Collection
Featuring the Precision Channel Strip, Precision Reflection Engine, and Precision Delay Modulation plug-ins, the Precision Mix Rack Collection offers four modern, high-fidelity plug-ins for recording and mixing. Powerful and intuitive, Precision Mix Rack Collection gives you an impressive tool set — perfect for beginners and seasoned professionals alike.
UA Precision Enhancer Hz
Expertly dial-in your music’s low-end frequencies with the Precision Enhancer Hz plug-in. Able to yield exacting results with minimal adjustment, the Precision Enhancer Hz can add weight to kick drum samples, fatten up a synth bass, or simply make the low-end of your tracks more audible on smaller speakers.
Modeled from a vintage early-’80s Pro Co Rat, Raw Distortion delivers all the gritty dynamic raunch of the legendary stompbox. And with Unison™ technology, you can plug in to Apollo Twin, 8, or 8p’s front-panel Hi-Z instrument jack and experience the same circuit interaction, gain range, and clip points for the true tone, feel, and response of the original hardware.
RealVerb Pro is a flexible, natural sounding reverb based on UA’s own unique set of algorithms. Allowing you to design the room just as you hear it, the RealVerb Pro goes beyond simply big/small or dark/bright, giving your sources distortion-free, smoothing diffusion control and ultra-long reverb tail.
Amazing sound quality and ease of use
As a long-time user of UAD Apollo Twin, the change to Apollo X8 brought not just much more features but also an enhancement in audio quality. Also, the more amount of DSP pays in the everyday work.
Amazing piece of gear
I had an Apollo twin for many years, did wonderful things with it, but always had the limitation with the I/O and the DSP.
Now that I am finding my mixing and recording flow I couldn’t be more happier with the decision of getting an X8. Initially was going to get the X6 but I guess I was very lucky when one of the local dealers went on a frenzy sale and set the price of the X8 even below the X6.
No long ago I got the Craneborne 500 ADAT and it was so easy to connect both devices via ADAT I can’t wait to utilise all the X8 features
Best Piece of Rental Property You'll Never Own!
I own two UA Apollo x8s. I really enjoyed the initial experience & product and realized buying a second ( to cascade) was a better option to add more channels—than dealing with ADAT pre/converters.
When I purchased my second Apollo, I received some extra UAD plugins, which really made me happy about my purchase. Two weeks later, UA sent me a short email stating that I received free plug-ins in error and they would be removing them, since I received a free Townsend mic. Two days later they removed activation for 8 plugins form my account without any record of what was added or removed.
A few days after that, I reluctantly purchased six more UADs via third-party. What dawned on me is that with all of the UADs I have purchased there is no static, detailed log of what I actually own. All I can see, is what UA says I own under the "My Plug-in Library." This dynamically updates on your machine as your UAD drivers update.
So please be aware that when you commit to UA's ecosystem, they have free rein over the "My Plug-in Library" section of your account (the only documentation of what you own). The invoices in your account also lack details (e.g. it says bundle, but no details of the UADs you picked). I do believe that one of the UADs they took back was in error, but I have no way to prove it. I tried to route this overall complaint through their customer service—which I believe was met with a somewhat condescending response. "We have logged your request as a complaint regarding your experience." Then wished me the best, and said "hope you and your family are safe and healthy."
Yes, I get it—there are bigger things to worry about, but this is acting like I am making a petty complaint, instead of acknowledging that I am not happy with their service.
So keep in mind that before you set forth on a very expensive journey. Their product is as good as the person responding to your issue.
Nice sound Solid Hardware
i am very satisfied about this audio card . Could be a bit less expensive, but it’s great hardware and flexible usage. I don’t use Luna though
EVERYTHINGS is PERFECT!
I can't immagine nothing more than this!
Now I Know Why
Now I know why so many people love UA interfaces (and UA plugins). It’s because of their phenomenal sound. I used to think UA is just a hype, so I stick with RME for so long. As a Windows user, I also hesitate when I thought UA is made for Mac. But everything started when Sphere L22 is on sale. I got the mic and tried with my RME. It was a huge disappointment for me because it sounds awful. But I still believed in the mic and wanted to give it another try. When UA has the promotion of getting the L22 with any rackmount UA interface, I went ahead and bought the x8. At the same time, UA also has the promotion of Ultimate Bundle 10. So I bought that, too. And it did not disappoint me. Sphere L22 is made for Apollo. When I connect these two devices together and insert UA plugins on the track, it sounds beyond my expectation and imagination. The warmness of the sound is so pleasing to the ears. Though you may think it adds color to the sound because of Sphere and UA plugins, it is in fact very natural sound. The warmness is just like it is from the hardware. For my voice, I like the combination of the 800 mic in Sphere, routing through Neve 1073 preamp and eq and ending up with Avalon compressor. I put UA plugins on the DSP console and Sphere on the track in Pro Tools. Next time I’ll try to put everything on the track in Pro Tools and see if it makes a difference. The super low latency makes tracking so comfortable. This product will not disappoint you. In fact, I’m buying the second Apollo soon after trying it. The product is also a solid build. In short, I really love it and am very happy with my purchase.
S. van Servellen
Pricey but top quality integrated hardware/software
TOP quality hardware / software integration that now sits at heart of my workflows,
Low Mic Input levels
Very Solid build, but a bit concerned with the very low mic in put level I am getting from the preamps. I usually have to turn up the gain almost 2 thirds. And with that it still peaks at about -18db. In addition I get a lot of ambient noise. This is the same situation when I use the unison preamps. Getting a bit frustrated more so that I saved up to get my dream interface.
What's there to say? It's simply the best.
I've wanted one for years and now I have it. Best thing I ever did for my music was get into the Apollo UAD ecosystem. That and my Focal monitors but this isn't the forum for that ;-) Get an x8. You need it. Even if you don't need it you totally need it. It's simple science.
I had the first version of the Apollo racks and then got two Apollo desktops. This is a world of difference sonically. The first thing I noticed was the clarity and detail. I thought about the X6 but this gave me more ins and outs and really made my setup more flexible. I send my tracks to external hardware and the console makes things so much easier. I also like that I can now work in standalone mode without having to do anything extra. When I'm ready to switch to the computer to track out it does so seamlessly. I have had a chance to run my bass through the Hi-Z inputs without any issues at all. It is really a great all-around interface.
MY BEST BEASY GEAR
Incredible! I’m loving my new Apollo X! Thanks UAD
Pro quality interface.
With all the features and options available, the x8 has integrated well in my home studio. Blends well with Pro Tools and the tutorial videos are a real help. I hope to add more UA products in the coming months....
Sounds great. Luna has not been released for Windows. (2022) The Thunderbolt drivers work for the DAW, but you have to switch sample rates when using other Windows programs. The USB Apollo had a sample rate for the DAW and switched automatically to 44.1 when you went to windows. Still, it sounds great and works well enough.
x8 game changer
I went from "consumer level" pro-audio to "pro-level " in deciding to upgrade into the Apollo series with the x8. I was not prepared for how noticeable the difference is. I have been chasing this sound for a long time, "Houston, we have landed"....
I’ve had, and still have an Apollo twin MKII since 2018 and it did me justice. I didn’t really think the new converters would be THAT much of a difference, but they really do! Super clean, and the build is solid! If I had to do it all over again when upgrading the studio, I would have bought this first. Also, I love the fact that the MKII can be used as a controller AND control a third set of monitors if you have them.
Sounds great and plays well with my other Apollos! A TB cable would be nice for the price.
Very good audio interface but sonically not at the top
A universally good and professional audio interface when it comes to having everything in one box. The Apollo x8 is professional through and through. In direct comparison to a Lynx Aurora or Metric Halo LIO / ULN, the x8 is - purely in terms of sound - a league below. However, I would also say that the Apollo x8 interface in combination with UA´s Console or also the LUNA DAW offers the best and also the most straightforward, overall musical recording package on the market.
Superb for tracking.
In 2022 we'd expect AD/DA conversion and playback to be of high quality and preamps to be detailed and sound good. The Apollo x8 does not disappoint.
Where the unit becomes incredible is for tracking, with the Unison Preamps and in line UAD effects, whether for monitoring or printing or any combination.
I did not think there was a serious contender to HDX but UA have built one. Latency is (very) low enough to not matter even to vocal performers and multiple headphone mixes, monitoring with multiple FX in the chain. Baking in the sound you want to hear with the excellent UAD plugs has never been easier.
I had incredibly high expectations when I bought the Apollo X8. It has exceeded every expcatiation that I had. Amazing Interface!
Exactly what was expected
I had a lot of others audio interfaces but this one is the most precise and clear in the all spectrum of frequencies. Unison is a real game changer, I like much Helios & Neve premps.