Legendary Producer/DJ Armin van Buuren on the Power of UAD Plug-Ins
In the world of dance music, few have amassed as stellar a resume as Armin van Buuren. Here, he details how UAD plug-ins help him to entrance audiences.
Mixing Cold War Kids’ “First” with UAD Plug-Ins
Recorded and mixed at the Cold War Kids’ studio in San Pedro, California, Lars Stalfors (The Mars Volta, Marnie Stern) breaks down how he and Dann Gallucci (TV On The Radio, Tim Curran) used UAD Powered Plug-Ins on the track “First” from the Cold War Kids’ album, Hold My Home.
Green Day Engineer Chris Dugan on Tracking for Film with Apollo and UAD Plug-Ins
Grammy-winning producer/engineer Chris Dugan (Green Day, NOFX) reveals how he used a mobile Apollo rig to capture two demanding live performances.
Charlie Andrew Mixes Alt-J With UAD Plug-Ins
As the artful studio helmsman behind British folk-hop sensations Alt- J — and their 2012 Mercury Prize-winning album, An Awesome Wave — producer Charlie Andrew found himself the recipient of Britain’s Breakthrough Producer of the Year Award for 2013. Here, Andrew details how UAD Powered Plug-Ins helped shape Alt-J's latest album, This Is All Yours.
Nashville’s Lean, Mean, Session Machine
Grammy-winning producer, player, and artist with Robert Plant, Shawn Colvin, Steve Earle, & Emmylou Harris, Buddy Miller shares how he uses Apollo and UAD-2 Powered Plug-Ins to craft his transcendent tracks.
The Black Keys on Creating Hits with UAD Plug-Ins
The Black Keys' Dan Auerbach and Patrick Carney detail their recording process and how UAD Powered Plug-Ins are essential to their careful balance of raunch and refinement.
Stuart Price on Creating Hits for the Killers and Pet Shop Boys with Apollo & UAD Plug-Ins
With credits that include Madonna, Scissor Sisters, Pet Shop Boys, and the Killers, as well as albums with his own groups, Zoot Woman and Les Rythmes Digitales, Stuart Price has been an artistic force for over 18 years.
Joel Hamilton on Mixing Pretty Lights’ "A Color Map of the Sun" with UAD Plug-Ins
By any measure, 2013 was a banner year for Derek Vincent Smith, better known by his stage moniker as Pretty Lights. A Color Map of the Sun, Pretty Lights’ fourth release, was nominated for a Grammy in the Best Dance/Electronica Album category and grabbed listeners’ attention with its ambitious textural grooves and soundscapes.