I recently recorded, mixed and mastered a jazz album recording for some members of the San Francisco Symphony, using a mix of great mics and other hardware, plus man of the wonderful Universal Audio plugins.
But these band members couldn't agree on what the final mix balance and "sound" should be. You know the drill: one person wants to hear more reverb, another wants it to sound like it was recorded in 1953, etc. And to complicate matters everyone has their own sound system at home, from $50 headphones up to state of the art ribbon speakers, plus they are getting older so hearing loose plays a part, as does the room they listen to music in, especially if there "room" is a car! And no one is especially adept at communicating with recording engineers.
So when, kind of out of desperation, I inserted the UAD Ocean Way plugin, and started messing with different room sizes, mic types (dynamic, condenser), mic brands, and placement (far, mid, near)... WOW things started to improve in the mix to the point that now everyone seems like like, even "love", the mix.
Thanks, Universal Audio for the Ocean Way Studios magic!