Manley® Complete Bundle
Manley Complete Bundle
I never worked with hardware and I don’t know what actually it does aside from compression and deessing, but It gives me good results almost on anything. I love this kind of tools
Respect the other companies but the UAD plugins are different, I'm getting closer to the jobs of the mixer engineers that I follow, I'm selling my beats not because I'm famous but they are recognizing the quality in my tracks!!
Dieses Plugin ist der Hammer
Haben erst ein paar Testaufnahmen damit gemacht , und müssen sagen, die Ergebnisse ist Klasse. Kaufempfehlung
Rich in power
Its just one of does plugins that can make a recording goo to the next level
Belle les voix
Vraiment bien pour les voix, je l’utilse Tout le temps
Great tool for the master-buss. Natural uncoloured sound, perfect for a gentle 3dB squeeze.
Expensive but very useful for cutting or boosting frequencies. Easy to handle. One of my favorite plugins.
sounds good , warmth feel
I love it on the 2Bus. I always end up shaping my mixes with touches here and there on some frequencies, being cuts or boosts. This is when I know my mix is sort of ready.
Manley VOXBOX Channel Strip
Superb, Does Just the Job!!
Great mix tool!
I love this plugin. I know the hardware as I used to work with it... Now I have it back!
I always put it at the end of the mix bus chain of inserts. I am kind of using a 670 to a EQP1 (hardware or plugin) to the ATR-102 and then to the Manley Vari Mu...
... then I have this cohesive thing off the speakers. I think this is when it shines going for 1,5 reduction, give or take. I love that popping sound while transients get tamed and enhanced.
Great Channel Strip!
It is not surprise to me that Manley Channel Strip processes the sound the way it does! All Manley plugin emulations are amazing! Again, I haven't used the hardware but I use Voxbox in every project, from vocals to variety of instruments! I enjoy using it and I think it sound great!
Amazing mastering EQ!
I have used hardware few times and I must say I think the plugin emulation is pretty tip top! I like this emulation and I use it on master bus in nearly every arrangement! It uses a lot of dsp and that is the only one downside of this plugin. Great for mixing, amazing for mastering! Love it!
The Manley EQ
I was never able to use Manley hardware so my rating is based purely on utilisation of the plug-in. Since I bought it, it is a constant member of a master chain. Recommending without any hesitatation!
absolutely fantastic. its a must for me
Love the Vari-Mu
This plugin was recommended to me by the great Ken Lewis himself. Now I won't finish any mix without it! The way this glues a mix is AMAZING. It has one of the most transparent, most polishing sounds I've found in a plugin.
Best EQ I own, but eats up power like a hog. I primarily use this on the master buss.
New Go-To for Mid/Side
I'm still new to the Universal Audio world, but I've played enough now with UAD's Manley V-Mu emu, the Waves Puigchild 670 emu, the UAD demo for their Fairchild emu, UAD's K-Stereo Ambience Recovery demo, and the Left-Only/Right-Only/Mid/Side options in Logic's stock Channel and Linear Phase EQ's. To be completely honest, I couldn't hear much difference between Waves' Puigchild and UAD's Manley V-Mu at comparable settings (and perhaps only heard a transparency difference between the Puigchild and UAD's 670). But after playing with the Manley's Attack and Release controls, Dual Input and Headroom controls, L-R linking, and side-chain filtering, oh my goodness -- I instantly knew the Manley would become my go-to. As a producer and engineer constantly moving between different genres and styles, having this much control serves me greatly and UAD has modeled a powerful unit that can provide that control.
Also, UAD's Manley V-Mu gave me better review of the Fairchild emu plugs I'd been toying with prior (i.e. Waves Puigchild, UAD Fairchild 670): the Fairchild is without a doubt a masterpiece of a classic compressor, and like the old saying goes there's creativity in limits. That is, the Fairchild's six-option time constant system is an extremely useful set of presets if you're trying to get in the ballpark of mix-sound, if not just to "feel" the variable-mu compression behavior along its elastic range from "punchy" to "buttery." But if you want to explore the V-Mu flavor more deeply, you need more than time constants. That's where the Manley gives you more levers to pull. And while I don't have any experience with the hardware unit, I know the UAD model is incredibly transparent and solders Mid and Side channels into a beautiful, sheeny composite that feels good on individual busses and whole mixes. 5 out of 5.
Applications-wise, I feel like UAD's Manley put my mixes in the same vein as Afta-1's "Quest," Nujabes' "Peaceland," Nicolay's "Tight Eyes," Little Dragon's "Cat Rider," Bonobo's "Cirrus." I also think there are some beautiful applications for this kind of compressor as far as jazz and soundtrack music, as well as less traditional hip-hop and R&B tracks. For pop, funk, folk, and more traditional hip-hop and retro, I might either combine the Manley V-Mu with a tape emu (e.g. UAD Ampex ATR-102, UAD Studer A800, Softube Tape) or saturation emu (e.g. UAD Fatso Jr./Sr., UAD Culture Vulture, Soundtoys Decapitator or Echoboy, Sonnox Oxford Inflator, anything UAD with a Neve preamp stage). If trial and error yields nothing, I'll reach for UAD's Fairchild, UAD's Shadow Hills, and the SSL G Buss emus from Waves or UAD. In the latter case, I'm definitely using the UAD Manley V-Mu as my point A.
Clean, yet bold.
This is my new baseline for reductive EQ on vocals