Ocean Way® Microphone Collection
Ocean Way® Microphone Collection
Amazing as expected
I really wanted to get the emulation of the AKG C12 and Neumann M249 and I am super impressed with the quality of the emulations. If you have the Sphere L22 mic, from all the uad emulation, I really recommend this one.
I really wasn’t aware you had a buy a $1500 Mic plus the software
I’m blown away by how great these sound.
I also own the Putnam Collection and the main Sphere collection, this one is so wonderful and I’m glad I bought it.
You know you want to buy that Townsend Labs Sphere mic
If you have a Sphere mic, you want this. Easy as that.
Amazing mic model
Sweet Mic Models but some redundancy with other UAD Mic Collections
Was hesitant on purchasing this collection because some of the mics offered are also available in the Townsend and Putnam collections. But I had a coupon and opted for the purchase.
The mic models in this collection that don't exist in neither the Townsend or Putnam collection are really excellent but having models that exist in the other 2 collections (if you own them) kind of makes this purchase a little less of a bargain.
5 stars for great models but I'm giving 4 stars because I didn't get much over what I already had for the money.
Excellent, but overlaps other similar plugins
At the time of this review, there are 3 UAD plugins that are designed for use with the Townsend L22 (Sphere) microphone. In addition to Ocean Way's plugin, the Putnam and the Townsend plugins control the sound of the modeling mic. So, caveat emptor...there is some redundancy here. On its own merits, the Ocean Way is the one I have started using the most. So if the Townsend plugin is not quite in agreement with your ears, I would recommend the Ocean Way over the Putnam plugin.
Grande emulazione di fantastici mics
Ho apprezzato l’emulazione dei 47. Buone anche le altre
Warm tone especially the 47’s
A stunning addition to the Sphere universe. Absolute magic.
Make sure to grab!
I have to say that I do use the default mic emulation very often, especially the ribbons and AKG models. However, this particular collection of Large Diaphragm mics is extraordinary and worth adding to your collection.
One of my biggest concerns with LD mics is capturing a detailed sound, but avoid having a harsh top end. I don't know how and what sort of magic is happening here...but the 47, 49 and 12s do exactly what I described by default as soon as you bring the plug-in up.
Dull sounds back to life!
This is a great plugin to revive dull sounds!
As with the Townsend Plugin.
These sound great.
that's it. the best mics on the planet.
Tecnología Townsend, cambio de juego!!
Tengo toda la colección de Townsend y es una gozada disponer de esta colección de micrófonos de ensueño, con una gama tonal de lujo.
No te arrepentirás, seguro!!
Perfect Imaginings ...
Paired with the L22 mic, Ocean Way Studios reverb plus various other UAD console emulations you can conceive of and then realize a fantasy recording experience in your DAW. The Neumanns are my favorites.
I was happy with the stock Townsend models and really didn't want to have to buy this...but had no choice. Even with the same mic (M49, C12) there's an extra bit of richness and depth to the Ocean way versions. The C800 is killer, the KU-3A ribbon has a great midrange character, and KM-54 is a useful addition. I have even more tonal options now.
The one to get.
To me, this has the most crucial vocal tones that I need: more modern and bright. But I also have the Bill Putnum ones, which I consider more for vibey songs, I guess.
The Townsend system really is incredible, and while there are others out there (notably, the Slate), the Townsend has the most control and lowest latency due to using the Apollo in tandem with the DAW as well as how smart the dual capsule system was designed in tandem with the modeling software.
It's just a no brainer.
The ONE thing I've found to be a "downside" on this system is the self noise of the Townsend L22 itself. It is SO QUIET that it apparently doesn't mask other noises in my room, which my previous tube LDC's apparently were! Haha. But the upside is that you get a MUCH cleaner recording, you can't clip the circuitry of the mic, and you can capture delicate sounds with more subtlety and ZERO concern about the noise floor. *The self noise is rated a 7db A weighted. There are very few microphones able to achieve even DOUBLE this noise floor. Neumann KM-184's are around 13, and that is already very quiet compared to most mics.
Anyway! Can't go wrong!
These emulations are great - the diffrences between the models seem to be sometimes quite subtile but than suddenly you find the Sound you were aiming for. It is so cool to have the opportunity to choose the mic in the mixing stage... and it's great to have all the three collections. Yesterday I was soloing lead vocals - my favorite was the BP 47 - but in the mix the OW 47 worked even better - amazing!
This is the future....
This plug in with L22 is all what I need. Recording acc. Guitar, Vocal, Sax etc.... Work for everything. I do not know how to sound the original C 12, ore some expenisve Nemann, but these emulations sit in every mix!