Sound Machine Wood Works®
Sound Machine Wood Works
Worked perfectly for me
I'm left wondering what all the people who posted 1 star ratings on the wood works were listening to or what they were using as their source material .....
It worked perfectly for me .
I have a godin A6 and a Taylor 710 cc both of which I prefer to record DI'd in simply because of how I work . The sound difference was like chalk and cheese and too be honest I'm probably unlikely to bother re recording the guitar tracks once I've finished writing a song. Very happy and impressed .
Don't be put off my the negative reviews . Obviously this is something people of love or hate . I love it .
You Say You Want A Revelation
I have been a UAD 2 customer for 9 years and this is my first review. Sounds fishy, doesn't it? I love every UAD plug-in I own but felt it redundant to join in with all the over-the-top 5 star assessments. 4 days ago, I decided to demo the Sound Machine Wood Works. I plugged in my handcrafted Yamaha LLX26C with its and I quote,
" A.R.T (Acoustic Resonance Tranducer) three-way pickup system that allows you to control the level of each pickup individually and is structured in such a way that it dampens excessive vibration from the topboard while picking up small resonances to achieve ideal sensitivity and outstanding dynamic balance. It truly delivers a special result that was immediately clear from the moment I plugged it in."
The Sound MAchine plug-in sounded terrible no matter what preset or setting I attempted. This morning, I tried it again with a Guild True American which has nothing more than a simple piezo pick-up. The results were stunning!!! A little 1073, some Ocean Way room B, the Studer A800 and three tracks of my ham-fisted playing sounds like CSN&Y. Be sure to start with stereo tracks and dial in your own settings. Oh look! It's on sale! Merry Christmas to me.
Not impressive as I expected, but usable
I used this plugin on an acoustic live session and it brought better sounding acoustic guitars, as they were line recorded to avoid the bleeding of the percussion and vocals. But afterwords I tried it in several ways on a more standard studio sessions and it never bettered the sound. Need improvements for more usability in general. I´ll be waiting for a V2 version
Was hoping for more
I found this plugin to have some interesting features, but found that it was difficult to sound good. My direct preamp alone with Ocean Way sounded better than most of the sounds. Setting this up on an aux channel gave a little width, but still didn't meet my expectations. I am hoping that someone revisits this plugin. I would definitely purchase it if I could find a way to make it more useable. It would be great to have while tracking live. But for now, I'm sticking with the direct out of my Adamas mixed with a mic.
Sound Machine Wood Works Review
I find I can make a DI acoustic track usable with this plugin... lots of times I have a singer/guitarist cutting vocal and acoustic tracks live with a band and can use this plugin to achieve a much more desirable track in the mix.
Frustrating but worth it
Firstly, insert this, and it will sound awful. Treat it like a reverb or exciter, as a subtle send, and excellent results can be achieved (with a lot of practice). Listen to your DI track and hear what's missing, usually body and resonance. Then you have a few choices, go through the presets and find the best sounding option, blend to taste, or, and I've got the best results this way, find the option that best fills the hole, even if it sounds wrong on it's own, switch to manual, tweak, and then blend. It takes a bit of getting used to, but for guitars recorded straight to the desk, especially live, this can make an ok track just that bit more special. I'd always record with mics at home or in the studio, but sometimes it just isn't possible. Put this with the Ocean Way in remic mode, blend all three tracks, and you'll get as close to real, as a DI'd guitar is going to get.
Still learning my way around the Plugin
Adding this with the Ocean Way Room type plugins is my starting point...I'm also adding a Live Mic Blend with this....I'm looking for Possibilities as well as putting Air & Resonance in a track
Mic'd a $1400 Taylor and ran it's pick ups through a Neve RNDI (excellent DI) into my Apollo Quad and thought I'd give the plug a demo run. The results were simply awful...in fact, the DI sound on it's own was way better than the plug! Sure maybe this plug will help some but I'm just glad I was able to demo this because I would have been ticked if I spent money on this one!!
Let`s be fair...Beautiful sound..."Unique" Tool!
I not yet bought this plugin, just used the demo, but for those who do jingles and tracks for advertisements will be a very practical tool!! The sound is beautiful for solos!Certainly on my list!
I just have to say congratulations!
I used it on recent live recordings of Oud and Qanun in a small but loud 8 piece ensemble with choir. Both instruments were DI'd and mic'd in a live concert scenario at the Sydney Opera House..Simple as it is, it does work..just put the effort in.
The Oud DI was a Barcus Berry contact mic (used for pianos normally) to cut thru the live mix.
In mixing the show to prepare a CD of the concert, SM Woodworks proved perfect in getting rid of the qwak,allowed the performance to sound more realistic, however it brought into focus the room sounds that were feeding into the Oud.
I ended up combining the Di + SM Woodworks processed DI and a hint of the mic as well to create its final sound
Verry good with ocean way studio !
Gives life to a flat piezo guitar
I tried this one with a Godin LGX SA which is a three-voice guitar featuring electric and acoustic guitar sounds. Actually it was the first time the guitar with a solid body sounded really like a acoustic guitar should sound. So this makes up another cool use case, you can use a solid electric guitar and have a sound of a real acoustic guitar and also not only one, but multiple, regarding the different settings of the plug. The only downside is the price. Actually you can gat a good acoustic guitar for 300 bugs so, well guess i have to wait for a real good discount.
This sounds really nice on an acoustic guitar plugged directly into the DAW when mixing, and that's what it's meant to do. Quite a bit of tonal variation offered. Would be nice to be able to move it forward in the mix if needed though (like moving the mics closer or further away). But very impressed.
Great tool for reworking older recordings
I've used this to enhance older recordings that were less than professionally recorded.... I've never failed to get improved quality over the source material. the level of improved... of course depends greatly on the actual quality of the source.
this adds back some of the natural sounds that you lose when you have tracks that were recorded direct to tape/disk.
most unique plug-in UAD-2
Plug-in, which has been concerned about from the front.It is under purchase consideration. The sound of the acoustic guitar me exquisitely varied, I can UP the presence in the track. Presets rich and intuitive operable. It is be easy to use to be a little more light. I think that it is the most unique plug-in UAD-2.
Doing most recordings via a different venue (AURA) that process was sometimes too tedious for old tracks. When Woodworks came on sale I retried it and my first evaluation still holds BUT : i now mix the Woodworks sound together with the original and found a MAAG EQ setting that eliminates the harshness of most presets. I would LOVE an update with at least a bit of EQ . For many of the old tracks there are just too many RESONANCES inside the captured guitars. A way to do Effect-Mix would put this plugin back on many people's list imho. With a coupon and on sale I decided to give it another try. Oh and Ocean Way helps too ;-) I'll give it 4 stars when EFFECT mix ever gets integrated and one parametric for resonances.
It is just awesome
A Friend of Mine came over with his drummer and we wanted to Record a Little piece of him as a Trio .. I gave it a Shot miked his Voice and a crappy sm57 for the cajon and i Played Guitar through my di Input. Well the cajon and the Voice sounded good.. Well like i thought Guitar sounded like crap..therefore i wanted to find something whitch solves the Problem. I tried out the Demo of the Plugin .. The drummer asked me how did you achive that sound do you habe some Nsa invisible microphones whitch recorded as well... Long Story it Sounds just awesome and right afterwards i spent my Rent Money on that Plugin
.. By the way it Sounds awesome when you Record with 2 small condensors Stereo and mix it with the di woodworks plugin
Sound Machine Wood Works
I like this plug in from a creative point of view. If you play through the presets listening in conjunction with your mix it will find a place to sit well in your mix. Listen to it all on its own.. not so impressive for me it is definitely a mix tool and I even put other string instruments through it like violins, cellos etc ... very unique and cool and there is no other plug in like it.
Was a little dubious at 1st... but
This plugin is worth the purchase, but as many others have said, it takes a little time to play around with the settings. It also does in fact sound pretty nice when you find the settings (which you save).
My only gripe is it takes a while to find the right setting, and the price, it is not worth that. I think UAD could come up with a much better solution.
But I'm giving this 4 stars as it actually works and does produce a nice sound for your acoustic guitar when DI'd
This is a mix tool, not recording.
This is an amazing tool like most things UA produces. Take a recording of a acoustic guitar or really any wooden acoustic instrument. Buss it too an aux track with this plugin on the insert and mix it in. I usually have it about 6-8db lower than the dry track. It adds realism and attack. You might need to eq to fit your mix. It's not meant to record threw...and yea it does sound really bad when you throw it on the insert of the track. But the lack of wet/dry mix in the plugin should be a red flag that it needs to be auxed and mixed in.