Teletronix® LA-2A Classic Leveler Collection
-
The ultimate collection of the most
revered optical compressor ever.
With its gentle, program dependent optical compression, and meticulously designed tube amplifier, the LA-2A is the go-to compressor for professional mixers around the world. In 2001, Universal Audio set the standard in analog emulation with the original UAD LA-2A plug-in.
Today, UA’s engineers have redesigned the LA-2A plug-in with more obsessive detail. The LA-2A Classic Leveler Plug-In Collection for UAD-2 hardware and Apollo interfaces features immaculate models of three highly sought-after LA-2A units, giving you the most authentic emulations ever of this iconic compressor.Now You Can:
Track and mix with three historic versions of revered Teletronix LA-2A Leveling Amplifiers, each with its own distinctive sonic attributes
Record through a Teletronix LA-2A/LA-2 in real time with Apollo interfaces
Dial-in ideal optical compression textures for vocals, bass, drums, and more
Harness presets from LA-2A users Ross Hogarth, Darrell Thorp, and Vance Powell
Take A Listen
The Teletronix Story
Teletronix founder Jim Lawrence first used photocells for controlling audio gain in the early 1960s. His ingenious optical compression design was a technological breakthrough, far surpassing the stability and transparency of earlier circuits. Universal Audio founder M.T. ”Bill” Putnam later purchased this patented technology, continuing to manufacture the LA-2A for years to come.
Three Historical Units
The Teletronix LA-2A Leveler Collection puts three of the most coveted incarnations of the iconic Teletronix processor at your fingertips. Like the hardware, the LA-2A Silver, LA-2A Gray, and LA-2 models offer distinct variations in time constants, compression knee, headroom, distortion, program and frequency dependence, and more.
LA-2A Silver & Gray
With a brushed aluminum panel and original T4B gain reduction module, this cherished late-1960s “Silver” version of the LA-2A, manufactured by Bill Putnam, is perhaps the most flexible of the three plug-ins in the collection. Its fast time constant makes it suitable for the widest variety of program material, including transient-rich sources like drums and percussion. Jim Lawrence’s original mid-1960s “Gray” version the LA-2A maintains a more average time constant, providing a range of “medium-speed” compression.
The Original LA-2
The exceptionally rare, early 1960s LA-2 unit preceded the LA-2A by several years. It provides the slowest response and a unique “mellowed” sound due to 50 years of luminescent panel aging inside the T4 module. Use the LA-2 with legato tempos and vocal sources for a transparency and sublime mood unlike any other compressor.
“This sounds exactly like I hoped it would — real, warm, and 100% fantastic.”
– Vance Powell (Jack White, The Dead Weather, The Raconteurs)
“Turn up the input gain on the new UAD LA-2 plug-in and listen to the life it brings to your track. One word. Wow.”
– Darrell Thorp (Beck, Radiohead, Charlotte Gainsbourg)
“The LA-2A Classic Leveler Collection opens up a wonderful sonic palette that's rich and a pleasure to use.”
– Carl Glanville (U2, Billy Joel, Counting Crows)
“The UAD LA-2A Collection has the best models of the real hardware I've ever heard. It's like owning the real deal, that will never require a tech guy.”
– Jeff Juliano (John Mayer, Shinedown, Train)
“The UAD LA-2A is the first thing in my vocal chain. It brings unmatched attitude to lead vocals and sets the tone for songs.”
– Ivan Barias (Musiq Soulchild, Jill Scott, Estelle)
“I'm flipping out with the new UAD LA-2A Collection! Having the tonal and response variations between the different versions gives me more brushes to paint with, especially on bass guitar and vocals.”
– Ryan Hewitt (Red Hot Chili Peppers, The Avett Brothers)
“The LA-2A plug-in is the closest thing to my analog version that I have found.”
– Ross Hogarth (Van Halen, Ziggy Marley, Motley Crue)
“My vocal chain is an LA-2A, SSL E Series Channel Strip, an 1176LN, and a Precision De-Esser. They're amazing plug-ins.”
– Hector Delgado (A$AP Rocky, Selena Gomez, Jay-Z)
“The UAD LA-2A plug-in has become my go-to compressor for lead vocals and acoustic guitars. ”
– Ariel Borujow (Chromeo, Mac Miller, Madonna)
“To put it simply, the UAD LA-2A emulations sound more like a physical box with tubes and transformers. It’s the real thing.”
– Peter Katis (The National, Interpol, Jónsi)
“The UAD LA-2A and API Series plug-ins not only feel and sound like my hardware, they react the same when I push them hard. ”
– Mark Needham (The Killers, Neon Trees, P!nk)Customer Reviews
A. Di Donato
June 17, 2021
Teletronix LA2A
They are really good plugins. They have good musical tolerance
Read MoreD. Long
June 11, 2021
True to form
I have checked the shoot outs with the other emulations out there and the UA plugin versions sounds more authentic. A cut above the rest. Now that I've purchased it I have not gone back to...
Read MoreT. Simpson
May 21, 2021
Treat it Like Franks Red Hot!
Put it on Everything! Compared to other digital emulations of the LA-2A, the UA version is in a league of its own. The price is a bit higher but the difference in sound quality is...
Read More -
Key Features
Superior plug-in emulations of revered Teletronix LA-2A Leveling Amplifiers.
Includes three historic versions — LA-2A Silver, LA-2A Gray, and original LA-2 — each with their own distinctive sonic attributes.
Models entire electronic path — including transformers, tube amplifiers, and T4 optical cell distortions — for unmistakable analog color and character.
Incredibly easy-to-use Peak Reduction and Gain controls.
Offers the ideal optical compression sound for vocals, bass, drums and more.
Includes plug-in presets from famous LA-2A users Ross Hogarth, Jeff Juliano, Carl Glanville, Darrell Thorp, and Vance Powell.
Requires a UAD-2 DSP Accelerator or Apollo Interface available from authorized dealers worldwide
-
Customer Reviews
Teletronix® LA-2A Leveler Collection
A. Di Donato
Teletronix LA2A
They are really good plugins. They have good musical tolerance
h. kim
Good!!!
Good!!!
D. Long
True to form
I have checked the shoot outs with the other emulations out there and the UA plugin versions sounds more authentic. A cut above the rest. Now that I've purchased it I have not gone back to the other versions that I possess.
L. Tian Siung
Best for almost everything
love all the LA-2A
T. Simpson
Treat it Like Franks Red Hot!
Put it on Everything! Compared to other digital emulations of the LA-2A, the UA version is in a league of its own. The price is a bit higher but the difference in sound quality is extremely noticeable.
o. martinez lopez
Best dynamics
Incredible sound!!, love them!!
M. Hautala
Perfect for vocals
The LA-2A is a classic compressor on vocals. It really makes the vocals even without crushing it. My to-go-to vocal compressor.
H. Warmels
Great for guitar bass and drums.
Very nice to experiment with the different variants on all my tracks (drum, guitar and bass)
Great to have this. Got it with my Apollo Twin XA. Parvanta
Teletronix leveler collection
It is an absolutely must have. This is by far one of the best plug ins that I have in my collection. Universal rocks.
T. Gregoire
Nice compressor
Very nice comp, only need a mix nob...
C. Gramaglia
Best comp in the Apollo x bundle
This comp is just great. Put it on everything
J. Kent
Amazing
Amazing sound from this plugin. Gives a great replicated analog touch to everything, especially on vocals
B. Wisda
WOW. Best LA-2A emulation yet.
I've used the hardware version of the LA-2A and love it. This is damn close, if not perfect.
B. Wisda
WOW. Best LA-2A emulation yet.
I've used the hardware version of the LA-2A and love it. This is damn close, if not perfect.
A. Wadkar
One Of The Best Compression Plugin Ever
Adding A Analog Warmth That Audio Quality More Improve
M. Ramos Jiménez
The best compressor for vocals.
Add that analog warmth that all producers look for.
A. Hanley
At least it sounds good...
This collection would be so much better with just a little extra work on the usability side of things - copying the hardware 100% is not always the best plan for a software interface. The main problem for me is that this is 3 plug-ins when it could be one. It would be great to be able to quickly switch between models with a menu rather than loading multiple plug-ins. You also need to reference the manual in order to know the differences in sound between the units and the manual covers all UAD plug-ins so it's not the easiest to digest. The UI design has a dated look (and not just because it's copying the old hardware).
My UA PCIe card recently died after less than 6 months of use, so I can't use these plug-ins anymore, but I liked their sound while I could run them.
So overall not the best user experience, but at least they sound good.N. Gonzalez Cabrera
The Standar for All
These are the best compressors emulation ever , vocals instruments , all cool emulation ever
I. Sumenkov
Please add a Mix Knob!!!
Please add a Mix Knob!!!
I. Sumenkov
Please add a mix knob
Please add a mix knob!!!
