Teletronix® LA-2A Classic Leveler Collection
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The ultimate collection of the most
revered optical compressor ever.
With its gentle, program dependent optical compression, and meticulously designed tube amplifier, the LA-2A is the go-to compressor for professional mixers around the world. In 2001, Universal Audio set the standard in analog emulation with the original UAD LA-2A plug-in.
Today, UA’s engineers have redesigned the LA-2A plug-in with more obsessive detail. The LA-2A Classic Leveler Plug-In Collection for UAD-2 hardware and Apollo interfaces features immaculate models of three highly sought-after LA-2A units, giving you the most authentic emulations ever of this iconic compressor.Now You Can:
Track and mix with three historic versions of revered Teletronix LA-2A Leveling Amplifiers, each with its own distinctive sonic attributes
Record through a Teletronix LA-2A/LA-2 in real time with Apollo interfaces
Dial-in ideal optical compression textures for vocals, bass, drums, and more
Harness presets from LA-2A users Ross Hogarth, Darrell Thorp, and Vance Powell
Take A Listen
The Teletronix Story
Teletronix founder Jim Lawrence first used photocells for controlling audio gain in the early 1960s. His ingenious optical compression design was a technological breakthrough, far surpassing the stability and transparency of earlier circuits. Universal Audio founder M.T. ”Bill” Putnam later purchased this patented technology, continuing to manufacture the LA-2A for years to come.
Three Historical Units
The Teletronix LA-2A Leveler Collection puts three of the most coveted incarnations of the iconic Teletronix processor at your fingertips. Like the hardware, the LA-2A Silver, LA-2A Gray, and LA-2 models offer distinct variations in time constants, compression knee, headroom, distortion, program and frequency dependence, and more.
LA-2A Silver & Gray
With a brushed aluminum panel and original T4B gain reduction module, this cherished late-1960s “Silver” version of the LA-2A, manufactured by Bill Putnam, is perhaps the most flexible of the three plug-ins in the collection. Its fast time constant makes it suitable for the widest variety of program material, including transient-rich sources like drums and percussion. Jim Lawrence’s original mid-1960s “Gray” version the LA-2A maintains a more average time constant, providing a range of “medium-speed” compression.
The Original LA-2
The exceptionally rare, early 1960s LA-2 unit preceded the LA-2A by several years. It provides the slowest response and a unique “mellowed” sound due to 50 years of luminescent panel aging inside the T4 module. Use the LA-2 with legato tempos and vocal sources for a transparency and sublime mood unlike any other compressor.
“This sounds exactly like I hoped it would — real, warm, and 100% fantastic.”
– Vance Powell (Jack White, The Dead Weather, The Raconteurs)
“Turn up the input gain on the new UAD LA-2 plug-in and listen to the life it brings to your track. One word. Wow.”
– Darrell Thorp (Beck, Radiohead, Charlotte Gainsbourg)
“The LA-2A Classic Leveler Collection opens up a wonderful sonic palette that's rich and a pleasure to use.”
– Carl Glanville (U2, Billy Joel, Counting Crows)
“The UAD LA-2A Collection has the best models of the real hardware I've ever heard. It's like owning the real deal, that will never require a tech guy.”
– Jeff Juliano (John Mayer, Shinedown, Train)
“The UAD LA-2A is the first thing in my vocal chain. It brings unmatched attitude to lead vocals and sets the tone for songs.”
– Ivan Barias (Musiq Soulchild, Jill Scott, Estelle)
“I'm flipping out with the new UAD LA-2A Collection! Having the tonal and response variations between the different versions gives me more brushes to paint with, especially on bass guitar and vocals.”
– Ryan Hewitt (Red Hot Chili Peppers, The Avett Brothers)
“The LA-2A plug-in is the closest thing to my analog version that I have found.”
– Ross Hogarth (Van Halen, Ziggy Marley, Motley Crue)
“My vocal chain is an LA-2A, SSL E Series Channel Strip, an 1176LN, and a Precision De-Esser. They're amazing plug-ins.”
– Hector Delgado (A$AP Rocky, Selena Gomez, Jay-Z)
“The UAD LA-2A plug-in has become my go-to compressor for lead vocals and acoustic guitars. ”
– Ariel Borujow (Chromeo, Mac Miller, Madonna)
“To put it simply, the UAD LA-2A emulations sound more like a physical box with tubes and transformers. It’s the real thing.”
– Peter Katis (The National, Interpol, Jónsi)
“The UAD LA-2A and API Series plug-ins not only feel and sound like my hardware, they react the same when I push them hard. ”
– Mark Needham (The Killers, Neon Trees, P!nk)Customer Reviews
j. mathew
August 11, 2020
Amazing
I loved this compressor soo much . Amazing control on Vocals.
Read MoreC. Martin
August 6, 2020
The best La-2a plugin!!!
Love it on vocals and acoustic instruments. Thanks UA :)
Read MoreN. Wearne
July 27, 2020
Bloody terrific!
This is a great plugin collection and I'm finding it very hard to go past the original LA-2a. Particularly for vocals and acoustic instruments. I'm also finding that I'm not using EQ as...
Read MoreD. Lee
July 24, 2020
such an amazing plug-in!
so far so great! It gives more sweetness to the sound.
Read MoreY. Alatrash
July 20, 2020
Super Amazing
its one of the most important Plugins that you must have Super Amazing
Read Morec. glakas
July 17, 2020
LA-2A makes the difference
If you're just making the jump to UAD, be sure to get the LA-2A collection right from the start. Just turn it on and find your in and out levels, and your track will instantly be better....
Read More -
Key Features
Superior plug-in emulations of revered Teletronix LA-2A Leveling Amplifiers.
Includes three historic versions — LA-2A Silver, LA-2A Gray, and original LA-2 — each with their own distinctive sonic attributes.
Models entire electronic path — including transformers, tube amplifiers, and T4 optical cell distortions — for unmistakable analog color and character.
Incredibly easy-to-use Peak Reduction and Gain controls.
Offers the ideal optical compression sound for vocals, bass, drums and more.
Includes plug-in presets from famous LA-2A users Ross Hogarth, Jeff Juliano, Carl Glanville, Darrell Thorp, and Vance Powell.
Requires a UAD-2 DSP Accelerator or Apollo Interface available from authorized dealers worldwide
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Customer Reviews
Teletronix® LA-2A Leveler Collection
j. mathew
Amazing
I loved this compressor soo much . Amazing control on Vocals.
C. Martin
The best La-2a plugin!!!
Love it on vocals and acoustic instruments. Thanks UA :)
N. Wearne
Bloody terrific!
This is a great plugin collection and I'm finding it very hard to go past the original LA-2a. Particularly for vocals and acoustic instruments. I'm also finding that I'm not using EQ as much or at all. Just tweaking the emphasis seems to do the trick at times. Well worth it...
D. Lee
such an amazing plug-in!
so far so great! It gives more sweetness to the sound.
Y. Alatrash
Super Amazing
its one of the most important Plugins that you must have Super Amazing
c. glakas
LA-2A makes the difference
If you're just making the jump to UAD, be sure to get the LA-2A collection right from the start. Just turn it on and find your in and out levels, and your track will instantly be better. The legacy versions are DSP-light so you can load 'em up on every track in the mix.
S. Shin
LA-2A is the best comp!
It is so nice!! Especially, Gray is so good!
P. Rackley
Killer Classic and new flavors of Grey
These classic plugins are here to stay and you need it if you’re doing vocal and bass!! That’s just the beginning. I don’t know why I waited so long to upgrade!!
A. Hayman
Night and day from the legacy version
Massive improvement from the legacy version which I thought was already the best LA2A emulation around.
J. Loosemore
Sounds like an optical compressor should!!
All three of these have become my go-to compressors. The grey is especially good for my desired applications!!!
D. Dolan
The best plugin EVER
Seriously, there is something about this plugin unlike anything I have heard anywhere else. Immediate vocal presence. Just amazing!
R. Bernatchez
A avoir dans ça librairie
Le meilleur compresseur !!T. suassuna
Instant Analog Vibe
I’ve been using the legacy version since i got my Apollo Twin, and always loved what it did to my tracks, but the now with the collection it’s really another world, full of body and analog vibe, thanks uad for another masterpiece, wish i had this before!
p. jalowiecki
Amazing Sound
absolutely top class
K. CHO
AWSOME!!!!!!!!!!!!!!!!!!!
i love this Plugin . it's just like Magic
M. O
Bring Some Analog Sound Into This Digital World!
I’ve been using the Apollo Twin for a while now and I never upgraded from the LA-2 Legacy version.. Idk what I was thinking! This collection is an essential compressor that blends well with other compressors and takes my 1073 to the next level. I love to record/mix with it and watch my tracks come to life. It adds color and body that these other companies’ plugins just can’t compete with. Thank you UA for giving us access to all this analog gear for a fraction of the price! I’ve never been disappointed in any purchase I’ve made here. This really should’ve been one of my first.. don’t make the same mistake as me!
J. Davis
Best Emulation
Put simply, this is the best version of the LA-2A that I’ve used.
J. Leonardini
scratched faceplate?
I got this plug in set on sale and it works just great. One thing, though, is when I pull up the interface on the "Grey" the paint is scratched on the faceplate. Is that why it was on sale? Is this like a "B-stock" plugin or a demo unit? It looks tacky as I keep all my other plugins pristine with zero scratches. I tried touching up the paint but now my computer has grey spots on the screen.
Sounds awesome for vocals, though.J. Leonardini
scratched faceplate?
I got this plug in set on sale and it works just great. One thing, though, is when I pull up the interface on the "Grey" the paint is scratched on the faceplate. Is that why it was on sale? Is this like a "B-stock" plugin or a demo unit? It looks tacky as I keep all my other plugins pristine with zero scratches. I tried touching up the paint but now my computer has grey spots on the screen.
Sounds awesome for vocals, though.N. Pinto
A true classic.
Highly recommended
