Sphere LX Modeling Microphone
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Record through 20 of the greatest mics ever made.
Sphere LX is built upon the same powerful mic modeling technology found in our flagship DLX model, giving you the sound of classic mics used by everyone from The Beatles to Beyoncé in a smaller, more affordable package.
Explore 20 Classic ModelsWith the included Sphere Mic Collection software — allowing you to instantly pull up legendary mic models from Neumann, Telefunken, AKG, Sony, and more — Sphere LX puts the sound of 20 classic microphones at the ready.* See included mic models ›
Already own Sphere LX? Download the UA Connect app to get your free Sphere Mic Collection plug-in today.See it in Action
Find Your Perfect Sound in RealtimeSphere LX lets you audition classic mics before, during, and after recording. You can do this with any audio interface in any DAW. But with an Apollo, you unlock realtime workflows so it all happens with immediacy and precision, and doesn’t affect your performance.
Combine Two Mics Like Never BeforeIn Dual Mode, the Sphere mic modeling system allows you to blend any two mics, perfectly in-phase. This means you can start with a classic-sounding mic combination, then tailor it to find sounds that have never been heard before, all while only setting up a single microphone.
Remove the Room for Clear RecordingsWith Sphere LX’s Off-Axis Correction and IsoSphereTM technology, you can easily tame room sounds and reflections for cleaner, more professional recordings. With its expert presets tailored for the toughest acoustic spaces like bedrooms or project studios, Sphere LX comes ready to use alongside popular iso filters from sE Reflexion Filters, Aston Halo, Kaotica Eyeball, and more.*
Get Ready to RecordSphere LX includes a mic standmount, 25' dual-output XLR cable, and carrying case — so you'll be ready to create with the sound of legendary mics the minute you unpack the box.
LD-47K
The classic 47-style mic is the ultimate studio workhorse. Its thick “sit in the mix” sound has been used by everyone from The Beatles and Frank Sinatra to countless modern artists. A go-to choice for vocals, this mic sounds equally amazing on acoustic guitars, bass, and drums.**
LD-67 NOS
This coveted mic was famously used for lead vocals on classics like “Hey Jude” and "Sympathy for the Devil” along with Nirvana’s Nevermind album. Our model is based on a custom 67 mic using new-old-stock parts offering a smooth and musical sound, useful on almost anything.**
LD-87 Vintage
A mid-'70s solid-state mic that would come to define the midrange-forward sound of 80’s pop vocals. We modeled the low-cut and pad, giving you the ability to tailor the mic’s response to your source and environment.
LD-251
Built upon the coveted CK12 brass capsule and 6072 tube, the 251 is widely considered one of the greatest mics ever made. Its huge, smooth sound has allowed artists from Dolly Parton to Celine Dion to capture incredible vocal recordings for decades.**
LD-414 US
This nylon capsule condenser delivers clear, transparent sound. One of the greatest “all around” mics ever made, it excels at everything from intimate vocals and voice overs to high-impact toms and percussion.
DN-7
Renowned for its use on high-profile records by everyone from Michael Jackson to Metallica, this ubiquitous cardioid dynamic mic can also be found in radio and broadcasting studios around the world. By adjusting the AXIS control, you can get the sound of the mic without a windscreen — a “studio secret” favored by pro engineers.**
DN-20
This industry-standard broadcasting mic has applications ranging from vocals to kick drums. Its presence boost and high frequency dip minimize sibilance, and with the filter switch you can get additional tone shaping by cutting below 400 Hz.
RB-121
The R-121 set the standard for modern ribbon mics, and has become a classic in its own right. Featuring a figure-8 pattern, this mic is unique in that the rear side is brighter than the front. Thus, our RB-121 model is a good option for A/B’ing on sources that you’re not sure about — using the Axis control to quickly hear a brighter or darker sound.
SD-416
The SD-416 is based on an industry standard shotgun microphone, commonly used in voice-over studios — it’s a go-to for that big Hollywood sound. Our SD-416 model has a super-cardioid pattern, which is less directional at higher frequencies, meaning it’s more forgiving when the talent moves off-axis.
All included models
Large Diaphragm Condensers
LD-47K
LD-67 NOS
LD-87 Vintage
LD-87 Modern
LD-103
LD-12
LD-251
LD-800
LD-414 Brass
LD-414 US
Dynamics
DN-57
DN-7
DN-20
DN-409U
DN-421B
DN-12A
Ribbons
RB-121
Small Diaphragm Condensers
SD-451
SD-416
Custom Mics
Sphere Linear
Sphere Diffuse
Sphere Direct
Specifications
Microphone Type Condenser Polar Pattern Variable Dual Output Frequency Range 20Hz — 20kHz Sensitivity -39 dB (11 mV/Pa) Output Impedance 200 Ω Recommended Load Impedance > 1000 Ω Power Source 48V Phantom Power Adjustable Controls Pad Switch (20dB) Connector 5-Pin XLRM Included Accessories 25' dual-output XLR cable, Shockmount, Mic Stand Mount, Carrying Case Dimensions 7.7" (195 mm) length, 2" (50 mm) diameter Weight 1.2 lb (545 g)
*All trademarks are property of their respective owners and used only to represent the microphones modeled as part of the Sphere microphone software.
**Use of artist names does not constitute an official endorsement of Sphere LX Modeling Microphone.
“I've been lucky enough to sing through vintage Neumanns, and the Sphere LX delivers those flavors realistically and delightfully. I run it through the Hitsville EQ and a UA 175B compressor in UAD Console for gigantic sounding vocals that make me see ghosts!”
– Jim James My Morning Jacket
“I've always been a bit of a classic mic purist, but the UA Sphere DLX lives on a mic stand at my console and gets used on every record I make. It sounds great.”
– Butch Walker (Fall Out Boy, Panic At The Disco, Pink)
“I work fast and write while I record, so being able to delve deeper and choose the best sounding mic for the song after I've recorded is invaluable. That's why Sphere DLX is my main vocal mic.”
– SOHNCustomer Reviews
A. Frederic
February 10, 2024
C'est génial et impressionnant !
Reçu en cadeau après l'achat d'une Apollo x4 le micro est génial ! Cette technologie marche hyper bien bravo.
Read MoreJ. Heidecke
February 2, 2024
Good Mic
It is interesting playing around with the mic-collection-software, but mostly, I end up using the mic "pure", often switching the phase of the rear-side and...
Read MoreZ. Music
January 4, 2024
Amazing Mic!
I am very happy with this guy! There is nothing in this price point that can compete with this mic and I would dare to say this mic can compete with mics 3 x its price. It sounds soooo...
Read MoreD. Noca
October 17, 2023
Game Changer
All I can say is that paired with an Apollo Solo and the LUNA recording system my vocal recordings have elevated by leaps and...
Read MoreD. Claypack
June 29, 2023
The "End All' and "Be All" of Microphones
Never knew much about mics in general. Always wanted a condenser mic and almost pulled the trigger on a Mojave. Fortunately, and just in time, I saw the LX and watched all the videos and...
Read MoreS. E.
March 2, 2023
WOW..
This already made a huge difference in recording my vocals!!! They sound so much clearer and crisper right out the box. The...
Read More -
Customer Reviews
UA Sphere LX Modeling Microphone
A. Frederic
C'est génial et impressionnant !
Reçu en cadeau après l'achat d'une Apollo x4 le micro est génial !
Cette technologie marche hyper bien bravo.J. Heidecke
Good Mic
It is interesting playing around with the mic-collection-software, but mostly, I end up using the mic "pure", often switching the phase of the rear-side and summerize rear and front more or less, a very good microphone! To be honest: I haven`t expecting this, when I get it in the course of a promation. I own some of the "originals", like sm69, U47, 421 etc., but the sphere is a very usable tool, I won`t miss it anymore!
Z. Music
Amazing Mic!
I am very happy with this guy! There is nothing in this price point that can compete with this mic and I would dare to say this mic can compete with mics 3 x its price. It sounds soooo good! I would also like to add that the build quality is second to none. It is built to last. Well done UA and Townsend Labs!
D. Noca
Game Changer
All I can say is that paired with an Apollo Solo and the LUNA recording system my vocal recordings have elevated by leaps and bounds. I upgraded from a focusrite scarlet 2i2 3rd gen and Aston Microphones Origin recording in Cubase and mixing in Studio One. I’m new to mixing and the old set up produced okay enough sound quality I’m sure if I was more experienced would probably have produced even better results. But once I saved up and got The Apollo Solo and Sphere microphone there is a noticeable difference in sound quality. I don’t have to do as much processing to get a great sound. I cut Cubase out of my process and only use Studio One to strip silence, align vocals, automation, and trackspacer for Luna doesn’t have these functions and trackspacer can only side chain one track at a time.
I blended an 800-G with a 251, 12, and 103 mic (3 different presets) and use the API vision channel strip because the expander on it cuts all background noise and gives me cleaner recordings. The Sphere LX is worth the money especially with a good interface. If you have a decent setup this mic will definitely elevate your gameD. Claypack
The "End All' and "Be All" of Microphones
Never knew much about mics in general. Always wanted a condenser mic and almost pulled the trigger on a Mojave. Fortunately, and just in time, I saw the LX and watched all the videos and was immediately sold. Recently UA had these discounted and I knew it was time. As it happened, the plugins went on sale a couple of weeks later. With all the coupons UA was emailing me, I ended up getting the Bill Putman collection. That means LX users get ALL the mic models included with the DLX. Turns out, more discount coupons arrived in my inbox and I purchased the Ocean Ways as well. With 58 mic models now in hand, I have hundreds of thousands of dollars in vintage microphones all in one place for less than $1000. This is a total game changer! Buy it and don't look elsewhere... you won't regret it! Wish we could use dual mode blending BP with OW, but beggars can't be choosers!
S. E.
WOW..
This already made a huge difference in recording my vocals!!! They sound so much clearer and crisper right out the box. The isoSphere software is so easy and intuitive to use. Still haven't tried out all the different presets yet but i definitely plan to. Thanks so much UA!
