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Record through 20 of the greatest mics ever made.

Sphere LX is built upon the same powerful mic modeling technology found in our flagship DLX model, giving you the sound of classic mics used by everyone from The Beatles to Beyoncé in a smaller, more affordable package.



Explore 20 Classic Models

With the included Sphere Mic Collection software — allowing you to instantly pull up legendary mic models from Neumann, Telefunken, AKG, Sony, and more — Sphere LX puts the sound of 20 classic microphones at the ready.* See included mic models ›

Already own Sphere LX? Download the UA Connect app to get your free Sphere Mic Collection plug-in today.



See it in Action



      Find Your Perfect Sound in Realtime

      Sphere LX lets you audition classic mics before, during, and after recording. You can do this with any audio interface in any DAW. But with an Apollo, you unlock realtime workflows so it all happens with immediacy and precision, and doesn’t affect your performance.





      Combine Two Mics Like Never Before

      In Dual Mode, the Sphere mic modeling system allows you to blend any two mics, perfectly in-phase. This means you can start with a classic-sounding mic combination, then tailor it to find sounds that have never been heard before, all while only setting up a single microphone.





      Remove the Room for Clear Recordings

      With Sphere LX’s Off-Axis Correction and IsoSphere™ technology, you can easily tame room sounds and reflections for cleaner, more professional recordings. With its expert presets tailored for the toughest acoustic spaces like bedrooms or project studios, Sphere LX comes ready to use alongside popular iso filters from sE Reflexion Filters, Aston Halo, Kaotica Eyeball, and more.*





      Get Ready to Record

      Sphere LX includes a mic standmount, 25' dual-output XLR cable, and carrying case — so you'll be ready to create with the sound of legendary mics the minute you unpack the box.

      Featured Mic Models

      LD-47K

      LD-47K

      The classic 47-style mic is the ultimate studio workhorse. Its thick “sit in the mix” sound has been used by everyone from The Beatles and Frank Sinatra to countless modern artists. A go-to choice for vocals, this mic sounds equally amazing on acoustic guitars, bass, and drums.**

      LD-67 NOS

      LD-67 NOS

      This coveted mic was famously used for lead vocals on classics like “Hey Jude” and "Sympathy for the Devil” along with Nirvana’s Nevermind album. Our model is based on a custom 67 mic using new-old-stock parts offering a smooth and musical sound, useful on almost anything.**

      LD-87 Vintage

      LD-87 Vintage

      A mid-'70s solid-state mic that would come to define the midrange-forward sound of 80’s pop vocals. We modeled the low-cut and pad, giving you the ability to tailor the mic’s response to your source and environment.

      LD-251

      LD-251

      Built upon the coveted CK12 brass capsule and 6072 tube, the 251 is widely considered one of the greatest mics ever made. Its huge, smooth sound has allowed artists from Dolly Parton to Celine Dion to capture incredible vocal recordings for decades.**

      LD-414 US

      LD-414 US

      This nylon capsule condenser delivers clear, transparent sound. One of the greatest “all around” mics ever made, it excels at everything from intimate vocals and voice overs to high-impact toms and percussion.

      DN-7

      DN-7

      Renowned for its use on high-profile records by everyone from Michael Jackson to Metallica, this ubiquitous cardioid dynamic mic can also be found in radio and broadcasting studios around the world. By adjusting the AXIS control, you can get the sound of the mic without a windscreen — a “studio secret” favored by pro engineers.**

      DN-20

      DN-20

      This industry-standard broadcasting mic has applications ranging from vocals to kick drums. Its presence boost and high frequency dip minimize sibilance, and with the filter switch you can get additional tone shaping by cutting below 400 Hz.

      RB-121

      RB-121

      The R-121 set the standard for modern ribbon mics, and has become a classic in its own right. Featuring a figure-8 pattern, this mic is unique in that the rear side is brighter than the front. Thus, our RB-121 model is a good option for A/B’ing on sources that you’re not sure about — using the Axis control to quickly hear a brighter or darker sound.

      SD-416

      SD-416

      The SD-416 is based on an industry standard shotgun microphone, commonly used in voice-over studios — it’s a go-to for that big Hollywood sound. Our SD-416 model has a super-cardioid pattern, which is less directional at higher frequencies, meaning it’s more forgiving when the talent moves off-axis.



      All included models


      Large Diaphragm Condensers
      LD-47K
      LD-67 NOS
      LD-87 Vintage
      LD-87 Modern
      LD-103
      LD-12
      LD-251
      LD-800
      LD-414 Brass
      LD-414 US

      Dynamics
      DN-57
      DN-7
      DN-20
      DN-409U
      DN-421B
      DN-12A

      Ribbons
      RB-121

      Small Diaphragm Condensers
      SD-451
      SD-416

      Custom Mics
      Sphere Linear
      Sphere Diffuse
      Sphere Direct

      Specifications

      Microphone Type Condenser
      Polar Pattern Variable Dual Output
      Frequency Range 20Hz — 20kHz
      Sensitivity -39 dB (11 mV/Pa)
      Output Impedance 200 Ω
      Recommended Load Impedance > 1000 Ω
      Power Source 48V Phantom Power
      Adjustable Controls Pad Switch (20dB)
      Connector 5-Pin XLRM
      Included Accessories 25' dual-output XLR cable, Shockmount, Mic Stand Mount, Carrying Case
      Dimensions 7.7" (195 mm) length, 2" (50 mm) diameter
      Weight 1.2 lb (545 g)


      FAQ User Guide



      *All trademarks are property of their respective owners and used only to represent the microphones modeled as part of the Sphere microphone software.

      **Use of artist names does not constitute an official endorsement of Sphere LX Modeling Microphone.

      Customer Reviews

      UA Sphere LX Modeling Microphone

      Overall Rating

      5/5
      (6)

      A. Frederic

      February 10, 2024

      C'est génial et impressionnant !

      Reçu en cadeau après l'achat d'une Apollo x4 le micro est génial !
      Cette technologie marche hyper bien bravo.

      J. Heidecke

      February 2, 2024

      Good Mic

      It is interesting playing around with the mic-collection-software, but mostly, I end up using the mic "pure", often switching the phase of the rear-side and summerize rear and front more or less, a very good microphone! To be honest: I haven`t expecting this, when I get it in the course of a promation. I own some of the "originals", like sm69, U47, 421 etc., but the sphere is a very usable tool, I won`t miss it anymore!

      Z. Music

      January 4, 2024

      Amazing Mic!

      I am very happy with this guy! There is nothing in this price point that can compete with this mic and I would dare to say this mic can compete with mics 3 x its price. It sounds soooo good! I would also like to add that the build quality is second to none. It is built to last. Well done UA and Townsend Labs!

      D. Noca

      October 17, 2023

      Game Changer

      All I can say is that paired with an Apollo Solo and the LUNA recording system my vocal recordings have elevated by leaps and bounds. I upgraded from a focusrite scarlet 2i2 3rd gen and Aston Microphones Origin recording in Cubase and mixing in Studio One. I’m new to mixing and the old set up produced okay enough sound quality I’m sure if I was more experienced would probably have produced even better results. But once I saved up and got The Apollo Solo and Sphere microphone there is a noticeable difference in sound quality. I don’t have to do as much processing to get a great sound. I cut Cubase out of my process and only use Studio One to strip silence, align vocals, automation, and trackspacer for Luna doesn’t have these functions and trackspacer can only side chain one track at a time.

      I blended an 800-G with a 251, 12, and 103 mic (3 different presets) and use the API vision channel strip because the expander on it cuts all background noise and gives me cleaner recordings. The Sphere LX is worth the money especially with a good interface. If you have a decent setup this mic will definitely elevate your game

      D. Claypack

      June 29, 2023

      The "End All' and "Be All" of Microphones

      Never knew much about mics in general. Always wanted a condenser mic and almost pulled the trigger on a Mojave. Fortunately, and just in time, I saw the LX and watched all the videos and was immediately sold. Recently UA had these discounted and I knew it was time. As it happened, the plugins went on sale a couple of weeks later. With all the coupons UA was emailing me, I ended up getting the Bill Putman collection. That means LX users get ALL the mic models included with the DLX. Turns out, more discount coupons arrived in my inbox and I purchased the Ocean Ways as well. With 58 mic models now in hand, I have hundreds of thousands of dollars in vintage microphones all in one place for less than $1000. This is a total game changer! Buy it and don't look elsewhere... you won't regret it! Wish we could use dual mode blending BP with OW, but beggars can't be choosers!

      S. E.

      March 2, 2023

      WOW..

      This already made a huge difference in recording my vocals!!! They sound so much clearer and crisper right out the box. The isoSphere software is so easy and intuitive to use. Still haven't tried out all the different presets yet but i definitely plan to. Thanks so much UA!