Apollo
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4.8 (1148)

Neve 1073 Preamp & EQ Collection

Get authentic Neve punch on everything.

  • Get the world’s only authentic and licensed plug-in emulation of the classic Neve 1073 Channel Amplifier
  • Color and EQ your mix with Neve tone, including all 10 distinct clipping points from the vintage 70’s hardware
  • Record in realtime “through” a vintage Neve 1073 preamp with Apollo and Unison™ technology
  • Start with presets from the producers of The Strokes, Red Hot Chili Peppers, Kings of Leon, Luther Vandross, and many more

Runs on macOS or Windows. Requires an Apollo audio interface or UAD Accelerator. View full system requirements.

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Get Authentic Neve Punch on Everything

The Neve 1073 Channel Amplifier is easily the most revered preamp and EQ circuit ever designed. Introduced in 1970, this hallowed class-A, transistor mic/line amp with EQ epitomizes the beautiful "Neve sound," with unparalleled clarity, sheen, and bite. Now you can track through the only authentic end-to-end circuit emulation of this legendary piece of audio history, with the Neve 1073 Preamp & EQ Collection.

What They Say

I've worked with all the UAD Neve plug-ins and they sound exceptionally good. They do exactly what I had hoped they would do.

Ryan West

Eminem, Kid Cudi, Jay-Z

The new Neve 1073 plug-in is a bigger-sounding, punchier version of the original. The addition of the fader and impedance switch offers more possibilities and an even more accurate representation of the original console.

Joe Chiccarelli

Jason Mraz, Beck, The Strokes, Morrissey

Frequently Asked Questions

The Neve 1073 Preamp & EQ Collection is worth it if you want authentic Neve tone without renting or owning the hardware. It's the only plug-in that carries a direct license from AMS Neve, meaning the circuit emulation is built on the actual hardware design rather than reverse-engineering from the sound alone. For anyone who tracks or mixes with an Apollo interface, Unison™ technology lets the front end respond to the real impedance and gain staging of the original hardware, and that difference is audible.
The Neve 1073 Preamp & EQ Collection is the only officially licensed emulation of the original 1073 Channel Amplifier circuit. Where other preamp plug-ins approximate the sound of British console hardware, the UAD plug-in version captures all 10 distinct clipping points of the vintage 1970s hardware, along with the dual-stage Red Knob preamp, three-band EQ, and post-fader output amplifier. The combination of an authentic license, an end-to-end circuit emulation, and Unison integration makes it a fundamentally different tool from unlicensed alternatives.
Unison technology physically reconfigures the input stage of your Apollo interface to match the impedance, gain structure, and circuit behavior of the Neve 1073 hardware. When you load the plug-in in the Unison slot of UAD Console, the Apollo mic preamp responds the way the original hardware would, including the way tonal character shifts as you push the gain. The result is that your microphone interacts with Apollo the same way it would interact with a vintage Neve 1073 unit, not just a digital approximation applied after the signal comes in clean.
The Neve 1073 Preamp & EQ Collection includes both the preamp and EQ emulation together. If you want a broader set of Neve tools in one purchase, Universal Audio also offers the Neve Complete Bundle, which adds the 1081, 1084, 88RS Channel Strip, and other Neve titles alongside the 1073. For most users focused on tracking and mixing with classic preamp and EQ tone, the 1073 Collection covers what you need.
The Neve 1073 Preamp & EQ Collection produces a different kind of sound quality than a neutral EQ, not just a louder or brighter one. The original 1073 is famous for adding harmonic richness, warmth, and a kind of three-dimensional presence that clean digital EQs don’t produce. The UAD emulation captures that same class-A transformer saturation and harmonic character, so when you push the preamp gain, you get the coloration that has made the 1073 a constant on hit records since the 1970s. It isn't meant to be transparent, and it delivers exactly the character it promises.
The Neve 1073 Preamp & EQ Collection runs on Universal Audio's onboard DSP inside Apollo audio interfaces and UAD-2 Accelerator devices. This means processing happens on the hardware, not your computer's CPU, which allows for realtime tracking through the plug-in with near-zero latency. The Neve 1073 is also available as a UAD native plug-in through UAD Spark, which runs on macOS or Windows without any Apollo or UAD-2 hardware required.
The Neve 1073 Preamp & EQ Collection works with all major DAWs on macOS or Windows that support AU, VST3, or AAX plug-in formats. That includes Pro Tools, Logic Pro, Ableton Live, Cubase, Studio One, FL Studio, and others. When used with an Apollo interface, it integrates into your existing session regardless of which DAW you prefer. LUNA, Universal Audio's own DAW, also supports the 1073 with additional integration features for tracking and session management.
The Neve 1073 Preamp & EQ Collection runs on macOS and Windows. It requires an Apollo audio interface or a UAD-2 Satellite or PCIe Accelerator to operate in DSP mode. Apple Silicon Macs are supported. For native operation via UAD Spark, the same macOS and Windows compatibility applies without any UA hardware requirement. Full system requirements are available on Universal Audio's support site.
The most common use cases are vocal tracking through Unison, adding preamp color and EQ shaping to mix bus channels, and tone-sculpting individual instruments like guitars, drums, and keys. The three-band EQ is designed for broad musical frequency shaping rather than surgical correction, which makes it especially good for adding air to vocals, weight to kick or bass, and presence to mid-range sources. Because the plug-in captures the saturation behavior at different gain levels, running it subtly in the background adds density even without obvious EQ moves.
The Neve 1073 Preamp & EQ Collection works equally well for mixing and tracking. During tracking with Apollo, Unison lets you capture the preamp character directly to tape. During mixing, you can load the 1073 as a standard plug-in on any channel, bus, or the mix bus to add warmth, push the 10 kHz high shelf for air, or let the preamp gain stage add subtle harmonic density without obviously coloring the sound. Artist-designed presets give you useful starting points for both contexts.
DSP-based processing remains valuable for one specific reason: realtime tracking with near-zero latency. Running a UAD plug-in through Apollo's onboard DSP during recording means you can hear and commit to the Neve 1073 tone in the moment, without the buffer latency that comes with CPU-based monitoring. For mixing, the distinction matters less since latency compensation handles timing in the mix either way. If you track with headphones or need to hear the processed signal in your ears while you perform, DSP still has a clear practical edge.
No, a Spark subscription isn't required. The Neve 1073 Preamp & EQ Collection is available as a standalone purchase and runs on your Apollo or UAD-2 hardware using DSP. UAD Spark is a separate subscription that includes the 1073 as a UAD native plug-in alongside 60+ other UAD titles, and it runs on your CPU without hardware. If you already own an Apollo and want the 1073 as a permanent add-on, buying the individual plug-in is the straightforward path.
The Universal Audio Neve 1073 Preamp & EQ Collection is considered the reference standard for Neve 1073 emulation on macOS and Windows. It's the only option with a direct AMS Neve license and end-to-end circuit authentication. It runs in DSP mode on Apollo and UAD-2 hardware, and natively on both platforms via UAD Spark.
The Neve 1073 preamp became the standard for professional vocal and instrument tracking because of its ability to add what engineers describe as the three-dimensional quality — a combination of harmonic richness, warm midrange, and smooth top end — that makes recorded sources sound finished rather than raw. It's been used on an enormous body of commercially released music since the 1970s, and its character is familiar enough that it translates well across genres and production styles. The UAD emulation captures those same qualities, which is why it remains a go-to across professional studios and home setups alike.

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