Apollo Solo
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Shape your recordings into records.
Apollo Solo is the world’s finest Thunderbolt 3-powered desktop recording audio interface for Mac and Windows, giving you class-leading audio conversion, two mic preamps — so you can record through preamps from Neve, API, SSL, and more — and a suite of included UAD plug-ins for recording album-quality results, with near-zero latency.
Experience class-leading Apollo sound — as heard on hundreds of hit records
Record your vocals and synths in realtime through classic mic preamp emulations from Neve, API, Manley, Avalon, and more
Enjoy clear, detailed monitoring with the best-sounding headphone amplifier in its class
Create on-the-go using a sonically superior bus-powered interface with rugged all-metal construction
Record Synths and Vocals through Iconic Preamps
With its two Unison™ preamps and front panel Hi‑Z instrument input, Apollo Solo lets you track in realtime through preamp and channel strip plug‑ins from Neve, Manley, API, and dozens more, giving you the same rich analog texture as the hardware used on decades of iconic music.*
Get the Pro Sounds of Analog Hardware, Right on your Desktop
Out of the box, Apollo Solo's included plug-ins give you album-ready tones in realtime with professional tools like the UA 610-B Tube Preamp & EQ, Teletronix LA-2A tube compressor, amps from Marshall and Ampeg, and more. Plus, Apollo Solo lets you tap into the entire UAD plug-in library, giving you the proven hit-making sounds of Ocean Way Studios, Capitol Chambers, and hundreds more.
See Included Plug-Ins ›
Learn about Heritage Edition Plug‑Ins ›Best-in-Class Headphone Amplifier
Apollo Solo's onboard headphone output is louder and punchier, with lower noise and flatter frequency response versus any interface in its class. This means you can confidently track and mix using headphones, knowing you're hearing every sonic detail.
Record with a Fast, Natural Workflow using LUNA
Apollo Solo works with all major DAWs, but only LUNA Recording System gives you seamless integration with Apollo, for big analog studio sound — in realtime — using a host of built-in features and extensions from API console modeling to genuine Neve summing and integrated Studer tape.
Learn more about LUNA ›Ready to Go
With its robust all-metal construction and bus-powered Thunderbolt 3 operation, Apollo Solo is the only "clutter-free" portable audio interface that truly delivers album-quality results. It’s like having a virtual analog studio that fits onto any desktop, and easily travels in your laptop bag.
UAD Plug-Ins vs. Analog Hardware
Watch Grammy-award winning producer Jacquire King (Tom Waits, Kings of Leon) put UAD plug‑ins to the test in a live session featuring electronic-soul artist Jamie Lidell.
“Apollo Solo is an incredible, compact unit with UA’s legendary fidelity and best-of-the-best plug‑ins in a bus powered, totally portable rig.”
– Jonathan Wilson (Father John Misty, Dawes, Roger Waters)
“Apollo Solo has become our go‑to audio interface. Since it’s bus powered, it has found its way from the green room, to the tour bus, and back to the studio. It’s the interface we rely on for practically everything we do.”
– The Glitch Mob
“Apollo Solo is my go‑to travel interface. It sounds good and it’s easy to use with any recording software, especially LUNA.”
– Terry Lewis (Janet Jackson, Mary J. Blige, Prince)
“Apollo Solo has become the hub of my new ‘kitchen studio.’ It’s easy to use, portable, and I get to use my favourite Unison preamp plug‑ins.”
– Rik Simpson (Coldplay, Portishead, Jay Z)
“The Apollo Solo is the most powerful, portable interface I have ever owned.”
– Fab Dupont (Jennifer Lopez, David Crosby, Shakira)
“When I was on the road playing guitar with Chris Stapleton, I used Apollo Solo a ton as a remote setup on the tour bus. Very inspiring!”
– Dave Cobb (Rival Sons, Chris Stapleton, Sturgill Simpson)Compare Apollo Models
Desktop 2 x 4 Thunderbolt 3-powered audio interface with class-leading 24-bit/192 kHz audio conversion (backwards compatible with Thunderbolt 1 & 2 on Mac)
Unison mic preamp and guitar amp emulations from Neve,® API,® Manley,® Marshall,® Fender,® and more*
Realtime UAD Processing for tracking through UAD plug-ins at near-zero latency, regardless of audio buffer size
Runs UAD Powered Plug-Ins via VST, Audio Units, and AAX in all major DAWs
Includes studio compressors, EQs, reverbs, and guitar amp emulations, and more as part of “Realtime Analog Classics” bundle
Best-in-class headphone amplifier for loud, detailed, low-noise monitoring
Bus-powered connection to Mac and Windows Thunderbolt 3 systems for easy portability and reduced cable clutter
Thunderbolt 3 cable sold separately
Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers
User Manual
For system requirements, go here.
Apollo Solo includes the “Realtime Analog Classics” UAD plug-in bundle. Other UAD plug-ins sold separately.Customer Reviews
S. Chorley
February 21, 2025
Works as it should.
Very little problems with this device. And very helpful to have it bus powered
Read MoreB. Allen
February 2, 2025
Perfect portable interface
Simple, bus powered, portable. Could do with more dsp capabilities but overall very happy.
Read MoreR. Reinsch
November 28, 2024
UAD Apollo Solo
After a long journey thru so many interfaces i join UAD. Best choice i've made, a little late for sure . Best soundquality ,lowest latency and killler support.
Read MoreD. Russell
October 15, 2024
Fantastic interface.
A truly amazing piece of technology for anyone looking to take music more seriously on a budget. Pro-level equipment for sure with a great preamp to capture sound nicely. The plug-ins...
Read MoreH. Poth
October 4, 2024
Apollo Solo Heritage Edition
I was looking for a portable interface for mobile recording with zero latency DSP powered monitoring. The Solo fits my needs perfectly, it is bus powered, and offers zero latency monitoring...
Read More -
Realtime Analog Classics Bundle
With the Realtime Analog Classics plug-in bundle, you get legendary compressors like the Teletronix® LA-2A and EQs like the Pultec® EQP-1A, stunning guitar and bass amp emulations from Softube, as well as UA’s landmark 610-B Tube Preamp and EQ plug-in.
- UA 610‐B
- Marshall Plexi Classic Amplifier
- Teletronix LA‐2A Legacy
- UA 1176LN Legacy
- UA 1176SE Legacy
- Pultec EQP‐1A Legacy
- Pultec Pro Legacy
- Ampeg® SVT-VR Classic Bass Amp
- Precision Channel Strip
- Precision Reflection Engine
- Precision Delay Modulation
- Precision Delay Modulation L
- Raw Distortion
- RealVerb‐Pro
UA 610-B Tube Preamp and EQ
Impart your tracks with the iconic warmth and character of the classic hardware used to track everyone from Duke Ellington to Coldplay. By emulating the entire signal path, including tube amplifiers, transformers, and circuit nonlinearities, the 610-B Tube Preamp and EQ plug-in injects organic detail and saturation to any signal — whether you’re re-amping or tracking through the 610-B via Universal Audio’s Unison™ technology.
Marshall® Plexi Classic Amplifier
The undisputed alpha dog of rock and roll guitar amps, the Marshall “plexi” amplifier is as legendary as the music it helped create. From Jimi Hendrix to Jimmy Page, Duane Allman to Eric Clapton, the Plexi’s punishing melange of snarl, sustain, smoothness, and raunch defined the sound of rock. Developed by Softube, the Marshall Plexi Classic Amp plug-in gives you the sound of this iconic amp with a perfectly placed microphone from engineer Tony Platt who recorded AC/DC’s Back in Black and Highway to Hell.
Teletronix® LA-2A Classic Leveling Amplifier (Legacy)
With its gentle, program dependent optical compression and meticulously designed tube amplifier, the LA-2A is the go-to compressor for professional mixers around the world — especially for vocals. Incredibly easy-to-use Peak Reduction and Gain controls gives you the ideal optical compression sound for guitar, bass, drums, and more.
1176SE/LN® Classic Limiting Amplifiers (Legacy)
Get classic, ultra-fast FET compression from the world’s most recognized compressor. The 1176 will impart punch, presence, and character as well as its signature distortion overtones on drums, vocals, guitars, and bass. The 1176LN has graced countless recordings, from Led Zeppelin, to the White Stripes and Michael Jackson.
Pultec® Pro Equalizers (Legacy)
Mix with two of the most sought-after hardware EQs ever made — the MEQ-5 Midrange Equalizer and the EQP-1A Program Equalizer. Both of these tube-based icons deliver smooth and silky EQ curves with an abundance of warm analog character.
Ampeg® SVT-VR Classic Bass Amp
Introduced in 1969, the Ampeg SVT bass amp is still the reigning king of high-powered tube bass tone. Developed by Brainworx, the Ampeg SVT-VR Classic Bass Amp plug-in perfectly captures the raw power and punch that has made this the go-to amp for rock, funk, and soul players. Track in real time using Unison™ preamp technology for the tone, touch, and feel of a real SVT bass amp, or transform bland DI tracks with the thunderous roar of a stone cold classic.
Precision Mix Rack Collection
Featuring the Precision Channel Strip, Precision Reflection Engine, and Precision Delay Modulation plug-ins, the Precision Mix Rack Collection offers four modern, high-fidelity plug-ins for recording and mixing. Powerful and intuitive, Precision Mix Rack Collection gives you an impressive tool set — perfect for beginners and seasoned professionals alike.
Raw Distortion
Modeled from a vintage early-’80s Pro Co Rat, Raw Distortion delivers all the gritty dynamic raunch of the legendary stompbox. And with Unison™ technology, you can plug in to Apollo Twin, 8, or 8p’s front-panel Hi-Z instrument jack and experience the same circuit interaction, gain range, and clip points for the true tone, feel, and response of the original hardware.
RealVerb Pro
RealVerb Pro is a flexible, natural sounding reverb based on UA’s own unique set of algorithms. Allowing you to design the room just as you hear it, the RealVerb Pro goes beyond simply big/small or dark/bright, giving your sources distortion-free, smoothing diffusion control and ultra-long reverb tail.
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Customer Reviews
Apollo Solo
E. Mottas
Come not close to my Apollo Twin in my Studio
Sound 3 Points, but minus 10 Points, cause there is no on of switch!! ???????
D. Carls
Very disappointed in an almost $1,000 interface
Owned the unit for 3 weeks until the entire thing went haywire. Can not use any of the inputs as suddenly they all make an insane hissing noise, and the high z give 9dBs of feed back before even plugging an instrument in. When it decides it want to work fine, it is an alright unit. It also has caused my computer to crash constantly if I leave my DAW and attempt to reopen it. I have reached out to customer service and have basically been given the run around with no response now for a week.
If I could give this thing 0 stars I would give it negative 2. These new units are absolute bait-and-switch garbage that UA is passing off as the same quality of old and they are not. This is the biggest garbage interface I’ve ever used and now it sits on my desk bricked out while I use my 15 year old Focusrite Saffire that still works flawlessly. I bought this because I truly believed that my life and studio would be better with UA hardware in it, it is not.
UA is now a plugin company, period. They do not care about these units quality, they care about their plugin sales and ways to exploit that. The plugins are great, just stick with native plugins and DO NOT convince yourself that you need a IA hardware unit.B. Fontez
UNIT NO LONGER FUNCTIONS ON MAC
I'll be honest... When the unit was working properly for the first year or so I'd have given it 4 stars. It's a nice little unit with great sound and features. My biggest gripe with it early on was it's dependence on MacBooks only. The unit powers and runs my entire monitor rig and sound system so the fact that my wife and I can't just switch offices so she can plug her PC into the unit and use the speakers/mic for meetings etc is really god dam annoying, especially for the price.
But that's all irrelevant because of the last 6 months or so I've been having severe connection issues with the Solo, everything from absolutely no sound outputting to not being recognized by my mac to crunched/digitized/distorted audio. I also bought a really nice camera recently which has also been hijacking the audio input and doesn't allow my apollo to reconnect so they literally don't work at the same time. And now my apollo isn't outputting any sound whatsoever and I've uninstalled and reinstalled everything and started from scratch while trying every single solution I can find online. This unit is basically useless garbage to me now. I can't get it to function at all and I've given up entirely on fixing it.
I also never really took advantage of the included DSP features and plugins as I have an MacBook M1 that's fast enough to handle everything in logic so really outside of that feature I don't use the unit has no appeal and provides no advantages for me.
At this point I'm far more interested in going with something like an Audient or SSL unit that's compatible with multiple OS'/hardware and isn't finicky or problematic while being half the price for all the same features and then some minus the DSP/plugin features.
I really liked the unit at first and wanted to think better of UAD but this was such a disappointment.S. Chorley
Works as it should.
Very little problems with this device. And very helpful to have it bus powered
B. Allen
Perfect portable interface
Simple, bus powered, portable. Could do with more dsp capabilities but overall very happy.
H. Hohoho58
5
5
R. Reinsch
UAD Apollo Solo
After a long journey thru so many interfaces i join UAD. Best choice i've made, a little late for sure .
Best soundquality ,lowest latency and killler support.
D. Russell
Fantastic interface.
A truly amazing piece of technology for anyone looking to take music more seriously on a budget. Pro-level equipment for sure with a great preamp to capture sound nicely. The plug-ins that it comes with anre icing on the cake. I really do love this interface and my experience has been overly positive so far. When buying this interface I would be cautious about how much DSP you are going to be using. Remember that you’re not able to mix large projects with UAD plug-ins as it will take up too much DSP with the Apollo solo. If you’re looking to mix bigger projects Definitely look into the Apollo twin or further.
H. Poth
Apollo Solo Heritage Edition
I was looking for a portable interface for mobile recording with zero latency DSP powered monitoring. The Solo fits my needs perfectly, it is bus powered, and offers zero latency monitoring with the UA plugins, which are great. I got the Heritage Edition, and the native versions of the included plugins get a lot of use. The Solo DSP power is not enough to use the DSP powered plugins in a mix, but I would not want to do that anyway since my "stationary" studio setup is without UA hardware. Anyway, it is enough for recording and monitoring with a Unison pre, an 1176 and a Pultec, and a PurePlate on send. Converter quality and headphones amp are great, hardly heard anything as good in that price range. Preamps with the Unison plugins (I got the UA 610 collection, V76, API, Helios and Century) enable excellent recordings with a broad colour palette. Very happy with my purchade.
C. Espinosa
Best investemt to record with no latency in a portable way.
I own an Apollo X4 and I felt it was too bulky to take on the road. The Solo provides what I need in a portable and affordable way.
j. white
Doesn’t work with adapter
Universal Audio promotes the solo to be backwards compatible but doesn’t let you know that you need more than an adapter to power the device .
M. Goldberg
Very Happy with this Purchase!
I wish I had made the move to my Apollo Solo a long time ago. It does everything I need and I am more than satisfied with my purchase. Thanks, Universal Audio, for a great product.
B. ŠURGOT
Unstable installation
The advantage is quality A/D converters, thunderbolt connection with MacOs - very fast communication and power supply.
The disadvantage is the relatively complex installation in MacOS vz.Sonoma 14.5, I was bothered by the need to change the system security and also the need to install all UAD plugins, when the volume of downloaded data, including the operating system, reached almost 10 Gb. After putting my MacBook Pro M2 Max to sleep, the Apollo solo stops recording, input doesn't work, only output, so I have to restart the Mac. So far, I'm solving it by disconnecting the thunderbolt cable before waking up the Mac, then reconnecting it after waking up the Mac. It heats up very quickly.
In my opinion, the audio interface should work immediately after plugging in - plug and play and downloading related/accompanying software/plugins should be left to the user's choice. I prefer hardware over software plugins for recording and I'm used to working in Logic Pro. So I don't need the installed software, including the UAD plugins, it takes up space on the HDD unnecessarily.M. Sengelman
I really like it.
I've been using Solo for a couple of weeks now. Great for vocal tracking. I really like it.
R. Butler
Blown Away
I got reeled into UA via a free native Teletronix plugin. After a few hoops, I installed in on an old laptop that had an old session and plugged it in... and wow! The bass guitar track exploded. I was immediately hooked. Without doing any research and not knowing much about UA at this point, I proceeded to buy a UAD plugins bundle and not native. Then I realized I needed to buy the hardware to run the plugins, after shopping around I bought the Apollo Solo. I downloaded LUNA and put together my first microphone recordings with the UNISON option using CONSOLE and my microphones have never sounded so good. The preamps are stunning. And many unique ones to choose from. I am really satisfied but the UA stuff is addicting. I recently purchased a UAD-2 QUAD for an older computer that I use for multitrack recordings and I'm amazed with the workload that it can handle. I've got my eyes on some APOLLO 8 devices but resisting is difficult. To have these UA UNISON preamps on 4 or 8 input channels would be mind blowing.
M. Santos
Game Changer For Me
I was looking for an upgrade in my home studio that brings more joy and fun on my productions. The Apollo Solo interface with all it's universe of plugins it's bringing me that joy again to make music, it's a new world with new colors to me.
Z. Peschos
Good enough for amateurs
Nice interface and very user friendly but a bit temperamental with startup - especially coming back from sleep mode will not always fire up. Gets pretty hot too.
J. Marroquin
Sounds great
I use this as my travel interface. I love that it’s bus powered but it has some issues connecting at first so I have to reboot my MacBook Pro M1 Max a lot sometimes. It’s a pain when I’m doing sessions with clients because it wastes a lot of time just trying to turn on. But once it’s on it’s pretty solid and sounds great. Converters are decent too. It does get pretty hot after about 15 mins of use tho. Doesn’t come with a cable either which is disappointing.
B. Crowley
Exactly what I wanted, but make sure you know what you're buying
I recently purchased the Sphere DLX modeling microphone from UA, and it blew my mind so much I had to buy an Apollo Solo when I found out about all the preamp models that work with their Unison preamps in the Apollo Solo. I have also just plain been wanting a bus-powered interface with amazing preamp emulation forever, and I am more than thrilled that the Apollo Solo both exists and has a reasonable enough price to justify upgrading to it. The sound quality is next level, and from what I understand you won't get better sound quality in the higher end units, just more IO and more powerful DSP chips built-in. The headphone amp is particularly good, which is nice since some of my headphones are very low volume on other audio interfaces I own. The plug-ins that come with this thing, especially during promos, are very plentiful and absolutely top notch. I have yet to use a Universal Audio product that doesn't feel like it's been as perfected as possible.
The main downside and thing to know is that since this is a single core model, you're not going to be able to load many plugins (like 2-3 max, depending on the plugins). Luckily this is all you need to record tracks and flatten them using the analogue preamp running on the DSP chip. The only problem with this approach is that you will pretty much NEED to flatten every track before moving onto the next, since you can't run many preamp emulations at the same time. In most cases this is totally fine, but since I also use a Sphere DLX microphone, I need to flatten the track early with the Sphere plugin first and the preamp/console plugin second, which means I can't change the microphone model later on. This isn't the case if there's a native version of the preamp/console you want to use, but many are not native yet. In any case, this is a very minor complaint for such a great audio interface, but it's definitely worth knowing before purchasing. There is a page on UA's site that lists the CPU usage for every plugin they offer, so it's worth referencing that prior to purchase to see if it will work for you.R. Chiga
Super portable DSP
I bought this to work at home, super usefull, nice and portable. :-)
