1176 Classic Limiter Collection
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The definitive collection of the world’s most famous compressors.
The original Universal Audio 1176 was designed by UA founder M.T. “Bill” Putnam, and represented a major breakthrough in limiter technology. The first true peak limiter to feature all-transistor circuitry and ultra-fast FET gain reduction, the 1176 has lent its character and punch to some of the greatest recordings in history.
Universal Audio released its first 1176 plug-in emulation in 2001. This plug-in single-handedly launched the UAD platform, and inspired a decade of analog emulation software. Today, we’ve circled back to the 1176, and modeled its entire electronic path from stem to stern — including its transformers and FET and transistor amplifiers, resulting in unrivaled emulations of three distinct 1176 units.Now You Can:
Track and mix with painstaking emulations of the legendary 1176, the most popular compressor ever made
Choose from three famous versions: Rev A, Rev E, and AE — each with their own sonic attributes
Harness the 1176’s entire electronic path including transformers and FET and transistor amplifiers for colorful distortion
Add color to signals with “No Ratio” or Attack “Off” yielding 1176 distortion without compression
Use the infamous “All-Button” mode for colorful overdriven textures
Mix with presets from legendary 1176 users such as Andy Johns, Andrew Scheps, Ed Cherney, and Joe Chiccarelli
5-Minute UAD Tips
Featuring the 1176 Classic Limiter Plug-In Collection.
A Triple Threat
The 1176 Classic Limiter Plug-In Collection provides three distinct 1176 revisions, representing over 40 years of design iterations to the original 1176. The Rev A “Bluestripe” represents the original Putnam FET limiter design, complete with its higher distortion and unique FET gain amplifier characteristics. The Rev E “Blackface” covers the early '70s Brad Plunkett “LN” (Low Noise) era, with variations including a more linear compression response, transistor gain amplification, and a change to the program dependence. The 1176AE provides UA’s rare 1176 40th Anniversary Edition, complete with exclusive mods — including its lower 2:1 compression ratio.
Classic Compression, Quickly
Using an 1176 is a study in simplicity. Input simultaneously sets compression threshold and the level of the signal entering the 1176; Output sets the final signal level. Attack sets the time it takes the 1176 to respond to incoming signal, while Release sets the time it takes the 1176 to return to its initial level. The VU meter displays the amount of gain reduction (GR) or output level (+4/+8).
Ratio Buttons for Iconic Color
The four Ratio buttons determine the degree of compression — lower ratios for compression, higher ratios for limiting. Disengaging all Ratio buttons disables compression, while continuing to pass signal through the 1176 circuitry, adding unmistakable color. At the request of users, “Multi-Button” combinations possible with the hardware are now attainable in the plug-in — including the famous “All Button” sound.
“The new 1176s are better for vocals because the old ones are grittier. The new ones are cleaner and just sweeter on tape.”
– Joe Chiccarelli (Jason Mraz, Beck, The Strokes, Morrissey)
“ I use the 1176 on everything: vocals, guitars, bass, drums, overheads, and percussion… It’s just such a great workhorse.”
– Darrell Thorp (Beck, Radiohead, Charlotte Gainsbourg)
“I always use an 1176 on the insert. It tickles but doesn’t take over... and puts the vocals right up front.”
– Jimmy Douglass (Pharrell, Timbaland, John Legend)
“Just when you thought you had all the 1176s you need… The Bluestripe is the perfect aggressive compressor and the 1176AE 2:1 ratio adds a new option for softer smoother compression.”
– Joe Chiccarelli (Jason Mraz, Beck, The Strokes, Morrissey)
“As technology marches on, it's great that UA realizes it is possible to revisit some of their classic plug-ins and make them even better than before.”
– Carl Glanville (U2, Billy Joel, Counting Crows)
“The 1176 Plug-in Collection excites me the same way the hardware versions did when I started in the biz.”
– David Isaac (Marcus Miller, Luther Vandross, Eric Clapton)
“My vocal chain is an LA-2A, SSL E Series Channel Strip, an 1176LN, and a Precision De-Esser. They're amazing plug-ins.”
– Hector Delgado (A$AP Rocky, Selena Gomez, Jay-Z)
“I'm so impressed with the new 1176 emulation... this plug-in is now equal to its hardware equivalent. Having this many Bluestripes available at once is sick.”
– Jacquire King (James Bay, Kings of Leon, Tom Waits)
“The UAD 1176 plug-ins go one step further than other emulations in capturing all the crazy things 1176s do — they absolutely remind me of the hardware.”
– Andrew Scheps (Adele, Red Hot Chili Peppers, The Duke Spirit)
“The UAD 1176LN is my go-to compressor for bass. It really helps achieve that in-your-face sound!”
– Ariel Borujow (Chromeo, Mac Miller, Madonna)
“The UAD 1176 Classic Limiter Collection are definitely go‑to plug‑ins for me.”
– Glenn Rosenstein (Ziggy Marley, U2)Customer Reviews
P. Mata Rodriguez
February 18, 2020
Great sound
I don't own the original hardware so I cannot compare, but the results on my guitar and Superior Drummer are great. Great piece of software!!!
Read MoreR. Maynard
January 24, 2020
Fantastic Stuff
Having never used UA's plugins before I came in with a little doubt they would be as good as the "real thing" (you know rack mount). But after pulling them up, all I can say is,...
Read MoreA. Phillips
January 23, 2020
What Hardware?
In this day and age I am not sure why you would want a rack full of equipment sucking up precious resources. I can get what I need out of these plug-ins and then some. Great Job!
Read More直. 石川
January 12, 2020
faburas!
1176 REV A bass sound is very good. I love this sound ! Needless to say guitar soud. I will try to 1176 AE for vocal recording. I can`t wait to hear my faburas vocal truck by 1176 AE!
Read MoreK. Kessler
January 9, 2020
Fenomen!
All of UAD 1176 sound just incredible. No need for words. Amazing for both tracking and mixing. Even for Mastering sometimes - compression, just color!
Read More -
Key Features
Painstaking new emulations of legendary M.T. “Bill” Putnam-designed 1176, the most popular compressor ever made
Includes three famous versions: Rev A, Rev E, and AE — each with their own sonic attributes
Models entire electronic path, including transformers, FET and bipolar transistor amplifiers, for colorful input / output distortion
Accurately models ultra-fast hardware attack time: 20 microseconds to 800 microseconds
New “No Ratio” or Attack “Off” provides popular amplifier-only mode, adding 1176 distortion without compression
All multi-button ratio combinations now available — including “All-Buttons”
Includes Artist Presets from Andy Johns, Andrew Scheps, Carl Glanville, David Isaac, Ed Cherney, Hugo Nicolson, Jacquire King, Joe Chiccarelli, and Vance Powell
Requires a UAD-2 DSP Accelerator or Apollo Interface available from authorized dealers worldwide
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Customer Reviews
1176 Classic Limiter Collection
P. Mata Rodriguez
Great sound
I don't own the original hardware so I cannot compare, but the results on my guitar and Superior Drummer are great. Great piece of software!!!
R. Maynard
Fantastic Stuff
Having never used UA's plugins before I came in with a little doubt they would be as good as the "real thing" (you know rack mount). But after pulling them up, all I can say is, Blowin Away. You guys are awesome.
A. Phillips
What Hardware?
In this day and age I am not sure why you would want a rack full of equipment sucking up precious resources. I can get what I need out of these plug-ins and then some. Great Job!
A. Tock
Fantastic
It sounds better than I imagined !!!
直. 石川
faburas!
1176 REV A bass sound is very good. I love this sound ! Needless to say guitar soud. I will try to 1176 AE for vocal recording. I can`t wait to hear my faburas vocal truck by 1176 AE!
K. Kessler
Fenomen!
All of UAD 1176 sound just incredible. No need for words. Amazing for both tracking and mixing. Even for Mastering sometimes - compression, just color!
P. Miller
Huge difference
I love these on just about everything I put them on.. a big difference over legacy units which I liked a lot. Glad I did the upgrade!
P. Miller
Huge difference
I love these on just about everything I put them on.. a big difference over legacy units which I liked a lot. Glad I did the upgrade!
t. billonare
good but
actually i didn't yet use this on my music
but i think its goodA. Bertók
Brilliant
Makes a brilliant JOB!
It sounds and behaves much like its analogue counterpart.P. Sviyazov
Go to on vocals
Had couple different 1176 before try UAD. These surprised me, not a lot, but they are really do what I want. Very nice to use in record chain.
T. Roberts
Incredibly powerful
I’ve compared the plugin to my analog unit and the difference is nearly unnoticeable. I can’t imagine recording/mixing without this collection.
A. Heller
1176
I own multiple other 1176 plugs and these are my favorite by far
R. Melvin
This is why ITB is possible.
There are many third party hardware versions of this classic that fit every budget. For even less money, this knocks it out of the park and it’s not limited to one channel! If you have the money, buy a rack full of the originals. If you have brains and less than the fortune required, get this.
R. Melvin
Worthy upgrade
I managed to get by with the legacy version and was pleased with it for quite a while but upgrading to the collection was a huge step up. There is much more dimension to sounds processed with the same reliable function you’d expect. The character of each model comes through even if just used for coloration. Love it!
A. Bertók
Brilliant
The UAD 1176 simple makes a brilliant job. I love this plug in!!
h. adomako
Maybe it’s me
I’ll give this the benefit of the doubt and say i don’t know how to use it right
h. adomako
I don’t know...
I’m gonna go ahead and say i probably don’t know how to use this bundle because I don’t like the way it sounds when i use it on a sound.
N. Sirotti
1176
Amazing, all sounds rly good
P. FRATTINI
Impressive. A true all-timer.
So easy to use, so versatile and yet so unique.
Its use knows no limit, and this software emulation is a thing on its own.
Try on bass, it brings body to the performance. Try on vocals, just to make ´em shine. Try it on guitars, whether it’s clean, drenched in FXs or distorted to the roof, it will bring harmonics to the recording. Try it on drums, it glues any kit, any part. Heck, on full mixes, all the way to the mastering stage, this little gem will change your dynamic approach.
I love it. I use it. I can’t help it, it’s an all-time fave of mine...and countless others.
