Vintage Reverb Effects Beyond Any Other Stompbox.
Harnessing more than 20 years of reverb modeling expertise, UAFX Golden Reverberator puts a trio of iconic reverbs right at your feet. The tube-driven spring reverb of classic ’60s guitar amps. The dense and haunting sound of ’50s studio plate reverbs. The endless algorithmic wonder of early digital reverb hardware.
Built upon powerful UAFX dual‑engine processing and unprecedented levels of sonic authenticity, Golden Reverberator is a flagship, no‑compromise reverb unit, built to inspire you for decades.
Now You Can:
Get the unmistakable drip of three "golden unit" spring reverb tanks, pulled from classic '60's American guitar amps
Explore the dense, haunting sound of three German studio plate reverbs sourced from The Plant studio
Sculpt huge, three-dimensional tones with exact, bit‑for‑bit vintage digital reverb algorithms
Quickly access sounds with Live/Preset modes, and play with silent switching, and true or trails bypass with spillover*
Download additional vintage digital Chamber & Plate effect at product registration
Build your pedalboard around timeless UA design and robust craftsmanship, built to last decades
TAKE A LISTEN
Spring 65: A Trio of Authentic Vintage Amp Reverbs
The tube-driven spring reverb from classic '60s American guitar amps is a heavenly sound like no other. But no two spring reverb tanks sound alike. So we auditioned over two dozen tanks, ultimately handpicking and modeling three tanks from a trio of vintage amps. Unlike other spring reverb emulations, UA's "whole amp" approach faithfully captures each reverb circuit's unique tube clipping character. The end result is all the drip, clang, whistles, and overtones of real tube‑driven spring reverb.
Plate 140: A Classic Palette of Rich Studio Plates
The dense, haunting sound of late-1950s studio plate reverb is integral to more than 60 years of classic recorded guitar tones. Golden Reverberator's three uniquely voiced plates — sourced from The Plant recording studio in Sausalito, California — frame your tones in hazy ambience as warm as the midday sun. Plus, you can easily add ripples of rich analog modulation to add texture.
Hall 224: A World of Late-'70s Vintage Digital Ambience
Introduced in the late 1970s, digital studio reverb allowed progressive guitarists to venture further into atmospheric exploration — fueling the platinum pop and alt‑rock guitar tones of the ‘80s, ‘90s, and beyond. Golden Reverberator's Hall 224 effect gives you the exact, bit-for-bit algorithms of a studio staple, with all of their lush, grainy trails and mesmerizing modulation textures.
Dual Stereo Reverb Engines for Endless Creativity
Built from the ground up for UAFX, Golden Reverberator's powerful engine runs separate stereo instances of each reverb effect, thanks to its unique dual‑engine processing — giving you uncanny three‑dimensional, immersive soundscapes. This results in a stereo spread of complex, awe‑inspiring spatial textures, and seamless effect transitions with trails.
A State-of-the-Art Stompbox
With modern, high-powered features like studio‑grade conversion, dual‑processing engines, additional downloadable effects, Live/Preset modes, true/buffered bypass with silent switching, effect trails, and analog dry through, Golden Reverberator radiates pure reverb perfection — in a beautiful stompbox that's built to last decades.
Watch the Reviews
“UAFX pedals' build quality and sonic goodness are simply incredible, and their vintage outboard tones are a game changer for modern-day creatives.”
– Justus West (John Legend, Alicia Keys, Ty Dolla $ign)
“The sound quality of UAFX is on a level I've never experienced before. They’re on all the time.”
– Tim Pierce (Michael Jackson, Bruce Springsteen)
“The rich sound quality of UAFX pedals inspire you to play guitar.”
– Chris Traynor (Bush, Helmet)
“New sounds inspire new songs. UAFX pedals give you new sonic landscapes to play in.”
– Tyler Bryant (Tyler Bryant & the Shakedown)
“UAFX pedals sound amazing. They're instant inspiration with the right amount of tweakability.”
– Lyle Workman (Beck, Sting)
“I have a lot of old pedals. UAFX pedals give me all those classic sounds, without the hassles.”
– Dave Cobb (Rival Sons, Chris Stapleton, Sturgill Simpson)
“UAFX pedals have truly recreated classic analog effects of the past, and made them better.”
– Butch Walker (Green Day, Weezer, Taylor Swift)*True/trails bypass selection available via UAFX Control software (coming Spring 2021).
Note that Golden Reverberator requires a modern 400 mA isolated power supply (sold separately). Go here for power supply recommendations.
May 6, 2021
Top Reverb pedal
I have used many reverbs and owned some of the best..... This is the BEST!Read More
April 27, 2021
Best reverb I’ve ever used. Sonically it’s perfect, really perfect. Lack of midi is a downside and I really don’t understand that omission, but regardless of that it’s a wonderful...Read More
April 13, 2021
224 on the floor
Very happy with this purchase. I always wished the UA 224 plug in could be a part of my live rig and now here it is, my own 224 on the floor! I would’ve been happy with just one simple...Read More
April 6, 2021
I have had mine for a week or so now and absolutely love it. Im not usually a reverb sorta guy when it comes to my live rig but this had me very interested straight away as the quality of...Read More
March 23, 2021
Best reverb pedal i've used, hands down... it sounds AMAZING (the spring 65 is my favorite so far). Also, it's super intuitive and you can just tell UA went all out on this.Read More
Flagship, no-compromise stompbox offering the most authentic tube-driven spring, plate, and vintage digital reverbs ever captured in an effects pedal
Three "golden unit" spring reverb tanks, pulled from classic '60's American guitar amps
Three vintage German studio plate reverbs sourced from The Plant (Sausalito, CA)
A trio of perfect, bit-for-bit vintage digital reverb algorithms from the late 1970s
Store and recall your favorite preset, silent switching, true/buffered bypass and spillover/trails*
Analog dry through, stereo/dual mono operation, and available modulation on each effect
Free Hall 224 Chamber & Plate vintage digital reverb effect, downloadable at registration
Cannot register this product to my account, even contacted support no reply poor.
S. Alcorn Lobato
I so much want to like this, but . . .
This pedal has some really nice sounding reverbs, but I have two problems with it, one a possible deal breaker. The first thing I noticed was the controls. I have not yet downloaded the Lexicon plate, but I hear very little difference in decay. It would be nice if, like other plugins, the Lexicon 200, PCN and MPX series, we can control the decay independent of the one of the three chosen reverbs.
The second issue I'm having with it, and the probable deal breaker is that it changes the tone of my instrument (the pedal steel guitar). The sound loses much of its warmth when the pedal is in the signal chain (mine consisting of only the reverb and an analog delay). I give it two stars instead of one because the reverbs themselves are luscious .
Top Reverb pedal
I have used many reverbs and owned some of the best..... This is the BEST!
Best reverb I’ve ever used. Sonically it’s perfect, really perfect. Lack of midi is a downside and I really don’t understand that omission, but regardless of that it’s a wonderful pedal.
224 on the floor
Very happy with this purchase.
I always wished the UA 224 plug in could be a part of my live rig and now here it is, my own 224 on the floor!
I would’ve been happy with just one simple 224 hall choice but the plate reverb is just delicious. To have these two at my command is worth every penny. Well done UA!
I have had mine for a week or so now and absolutely love it. Im not usually a reverb sorta guy when it comes to my live rig but this had me very interested straight away as the quality of what I heard was superb. No midi no problem, never cared for it. I like a more simple approach. With quality reverb like this you don't need a space station interface.
Cracking job chaps!
Best reverb pedal i've used, hands down... it sounds AMAZING (the spring 65 is my favorite so far). Also, it's super intuitive and you can just tell UA went all out on this.