Flagship UA Audio Conversion with Classic Analog Sound.
Apollo 16 is the flagship of Universal Audio’s acclaimed Apollo recording interface range for Mac and Windows — giving professional and commercial studios UA’s finest A/D and D/A conversion with the tone, feel, and realtime workflow of classic analog recording.
Built upon UA’s 60-year heritage of audio craftsmanship, Apollo 16 distinguishes itself with 16 x 16 analog I/O, onboard UAD-2 QUAD Core processing, and an included bundle of award-winning UAD plug-ins — which you can track through with near-zero latency, shaping sounds like a classic analog studio — without taxing your host Mac or PC.
Record with world-class Apollo A/D and D/A conversion — as heard on hundreds of hit records
Track through UAD plug-ins like the included Teletronix® LA-2A, 1176, and Fairchild® compressors, Pultec® EQs, and 610-B Preamp
Pair with mixing consoles and other outboard gear via 16 x 16 analog I/O on DB-25 connections
Cascade up to 4 Apollo interfaces and 6 UAD-2 devices over Thunderbolt, adding DSP and I/O as needed
Next-Generation A/D and D/A Conversion
The original Apollo interface quickly became a gold standard among modern music producers and engineers, tracking literally hundreds of hit records. Apollo 16 improves upon this studio standard with completely redesigned, class-leading A/D and D/A conversion — offering 2 dB better A/D and 8 dB better D/A dynamic range versus the original Apollo. Tuned through an obsessive auditioning of converters and double-blind listening tests, Apollo 16’s sound quality is extremely open and natural, rivaling or exceeding dedicated mastering-grade converters costing thousands more.
A Full Suite of Classic
Analog Processing Onboard
Right out of the box, Apollo 16 provides a suite of incredible analog emulation plug-ins including the world’s only authentic Teletronix LA-2A, 1176LN, and Fairchild compressors, the legendary Pultec EQs, and the UA 610-B Tube Preamp. Developed by UA’s world-renowned team of algorithm engineers, these Realtime Analog Classics plug-ins set the standard by which all other hardware emulation plug-ins are judged.
From the tube warmth of the Pultec EQ on guitars, to the gentle limiting of the LA-2A on vocals, or the pump of a genuine Fairchild 670 compressor on drums, your recordings will take a giant leap forward in rich, sonically complex analog sound.
See Included Plug-Ins >
Access the World of UAD Powered Plug-Ins
Beyond the included Realtime Analog Classics plug-ins, you can tap into the full library award-winning UAD Powered Plug-Ins — including vintage EQs, Compressors, Reverbs, Tape Machines and more — at near-zero latency, regardless of your audio software’s buffer size and without taxing your computer’s CPU.
With exclusive emulations from Neve, Studer, Manley, API, Ampex, Lexicon, Fender, and more,† it’s like having an endless analog studio, in a single rack space. And unlike competing interfaces, these DSP-powered plug-ins are also available in your DAW for mixing.
A Scalable 64 x 64 Thunderbolt System for Professional Studios
Apollo 16 is the ideal interface for professional studios, offering 16 x 16 analog I/O on DB-25 connections — twice the analog connectivity of the Apollo 8/8p models — plus L/R monitor outputs and AES/EBU digital I/O. This makes it perfect for pairing with mixing consoles or other outboard processors at the center of a modern studio.
When it’s time to expand, Apollo 16’s dual built-in Thunderbolt ports allow you to add up to three additional Apollos and six total UAD-2 devices — for a networked system with 64 x 64 simultaneous analog I/O and 32 cores of UAD plug-in processing. Apollo 16 also provides seamless integration with previous generation Apollos over Thunderbolt.
The Apollo Story
Watch UA’s Lev Perrey explain the innovative thinking behind the next-generations Apollos.
A Sleek, Low-latency App
With Apollo 16’s Console 2.0 application — a complete re-imagining of Apollo’s original Console software — you can take advantage of over 25 new user-requested features such as Channel Strip presets, Drag & Drop functionality, dynamically resizable windows, and more.
Apollo: The Choice of New-School Professionals
Apollo is the confirmed choice of hit-making professionals, used to record records by Kendrick Lamar (To Pimp A Butterfly), Coldplay (A Head Full of Dreams), Dr. Dre (Compton), Brad Paisley (Wheelhouse), and many more. The Apollo range of interfaces has earned numerous industry awards from Sound on Sound, Future Music and Electronic Musician — as well as the prestigious 2016 TEC Award for computer audio hardware.
“The Apollo 16 is the most stable, sonically accurate addition to my studio by far. Its incredible metering, monitor control, and the Realtime UAD Processing make it a game-changing interface.”
– Darrell Thorp (Beck, Radiohead, Charlotte Gainsbourg)
“Apollo's next-gen A/D and D/A conversion sounds incredibly detailed, with great clarity and tighter, punchier low end. And with the Console 2.0 app, I have all of the routing and monitoring options I need.”
– Dave Pensado (Justin Timberlake, Beyoncé, Maroon 5)
“I'm really impressed with the new Apollos. I hear more detail in the several sets of monitors I use, and I'm getting that little bit extra out of the Unison mic pre emulations – and they were already extremely close.”
– Jacquire King (James Bay, Kings of Leon, Tom Waits)
“The Apollo is the best I/O we've ever used, and we've tried them all. It has an incredibly clean, transparent, and accurate sound.”
– The Glitch Mob
“Having the Apollo with UAD plug-ins at my disposal is like carrying a giant studio with outboard racks at all times. Minus the tech fees, down time, and electricity bill!”
– Andrew Dawson (Kanye West, Jay-Z, Fun.)
“Apollo is a platform that grows more powerful with every innovation – the UAD plug-in processing onboard has changed the way I work forever.”
– Tony Platt (AC/DC, Bob Marley, Buddy Guy)
“The Apollo's ability to do low latency – I mean that's the whole ballgame right there.”
– Joey Waronker (Atoms for Peace, Beck, Other Lives)
“The Apollo has some of the better preamps I've ever heard – lots of headroom, quiet at high-gains, and the converters are really sweet sounding.”
– Mick Guzauski (Daft Punk, Mariah Carey, Eric Clapton)
“UAD plug-ins are amazing...
I’ve used them on all my projects for the last few years.”
– Dan Auerbach The Black Keys
“My Apollos are my sound.
Where I go, they go.”
– Trevor Lawrence Jr. (Dr. Dre, Herbie Hancock, Eminem)
“I knew about the ingredients of Apollo, but this is truly a special dish. The Apollo just set a new standard of excellence for audio interfaces, in terms of both its sound and its feature set.”
– Fab Dupont (Shakira, Santigold, Jennifer Lopez)
“Using my Apollos and Console 2.0, I was able to front a live mix, create a monitor mix, and record to Pro Tools, all at the same time. That’s pretty awesome.”
– Chris Dugan (Green Day, Iggy Pop, U2)
“The Apollo is a powerhouse and a game changer for my studio.”
Creating a Multi-Unit Apollo Setup
Watch producer/engineer Fab Dupont (Jennifer Lopez, Mark Ronson) install a powerful studio system by combining multiple Apollo interfaces over Thunderbolt.
Apollo Artist Sessions
Just Blaze & Phony Ppl "Why iii Love the Moon"
View All Apollo Artist Sessions†Apollo includes the “Realtime Analog Classics Plus” UAD plug-in bundle. Other UAD plug-ins sold separately.
January 19, 2017
The stereo field is way more alive, the over all sound makes mixing and tracking more of a joy then ever before... and the decision making in mixing is that much quicker! It's a great piece...Read More
January 17, 2017
After 17 years of using Digidesign IOs and wishing to upgrade from PT 9 to PT 12 I'm completely sold on the Apollo Console interface. It took a few sessions to get used to the new workflow...Read More
January 10, 2017
I just got my Apollo 16 and couldn't be happier. A joy to setup and everything works great right from the start. Sturdy construction and looks beautiful in my studio. Simple piece of gear...Read More
January 6, 2017
Amazing sounding interface!
I love my new apollo 16 mkII! It sounds amazing, super flexible routing options, and tons of i/o channels for running my analog gear! The only thing that would make this even better would...Read More
January 3, 2017
FL2P Musique arrangement all systèmes Top !...
I`m back to the moonRead More
December 31, 2016
This unit is fantastic. The plugins are fantastic. The online support, not so much. They returned one email with a solution that didn't work and then ignored the second...and third,...Read More
Realtime Analog Classics Plus Bundle
With the Realtime Analog Classics Plus plug-in bundle, you not only get legendary compressors such as the Fairchild® 670 and EQs like the Pultec® EQP-1A, but also stunning guitar and bass amp emulations from Softube, and UA’s landmark 610-B Tube Preamp and EQ plug-in.
- UA 610‐B
- Fairchild 670 Legacy
- Teletronix LA‐2A Legacy
- UA 1176LN Legacy
- UA 1176SE Legacy
- Pultec EQP‐1A Legacy
- Pultec Pro Legacy
- CS-1 (Precision Channel)
- EX-1 (Precision Channel)
- DM-1 (Precision Channel)
- DM-1L (Precision Channel)
- RS-1 (Precision Channel)
- UA Precision Enhancer Hz
- Raw Distortion
- Softube Amp Room Half‐Stack
- Softube Bass Amp Room 8X10
UA 610-B Tube Preamp and EQ
Impart your tracks with the iconic warmth and character of the classic hardware used to track everyone from Duke Ellington to Coldplay. By emulating the entire signal path, including tube amplifiers, transformers, and circuit nonlinearities, the 610-B Tube Preamp and EQ plug-in injects organic detail and saturation to any signal — whether you’re re-amping or tracking through the 610-B via Universal Audio’s Unison™ technology.
Fairchild® 670 (Legacy)
The world’s most coveted compressor, the classic Fairchild 670 tube limiter will give your tracks and mixes unmistakable tube warmth and character. Whether you’re looking for subtle compression on a lead vocal, or grittier textures that can work on guitars, bass, or a drum bus, the Fairchild 670 plug-in adds a classic “glow” to anything you run through it.
Teletronix® LA-2A Classic Leveling Amplifier (Legacy)
With its gentle, program dependent optical compression and meticulously designed tube amplifier, the LA-2A is the go-to compressor for professional mixers around the world — especially for vocals. Incredibly easy-to-use Peak Reduction and Gain controls gives you the ideal optical compression sound for guitar, bass, drums, and more.
1176SE/LN® Classic Limiting Amplifiers (Legacy)
Get classic, ultra-fast FET compression from the world’s most recognized compressor. The 1176 will impart punch, presence, and character as well as its signature distortion overtones on drums, vocals, guitars, and bass. The 1176LN has graced countless recordings, from Led Zeppelin, to the White Stripes and Michael Jackson.
Pultec® Pro Equalizers (Legacy)
Mix with two of the most sought-after hardware EQs ever made — the MEQ-5 Midrange Equalizer and the EQP-1A Program Equalizer. Both of these tube-based icons deliver offer smooth and silky EQ curves with an abundance of warm analog character.
Precision Mix Rack Collection
Featuring the Precision Channel Strip, Precision Reflection Engine, and Precision Delay Modulation plug-ins, the Precision Mix Rack Collection offers four modern, high-fidelity plug-ins for recording and mixing. Powerful and intuitive, Precision Mix Rack Collection gives you an impressive tool set — perfect for beginners and seasoned professionals alike.
UA Precision Enhancer Hz
Expertly dial-in your music’s low-end frequencies with the Precision Enhancer Hz plug-in. Able to yield exacting results with minimal adjustment, the Precision Enhancer Hz can add weight to kick drum samples, fatten up a synth bass, or simply make the low-end of your tracks more audible on smaller speakers.
Modeled from a vintage early-’80s Pro Co Rat, Raw Distortion delivers all the gritty dynamic raunch of the legendary stompbox. And with Unison™ technology, you can plug in to Apollo Twin, 8, or 8p’s front-panel Hi-Z instrument jack and experience the same circuit interaction, gain range, and clip points for the true tone, feel, and response of the original hardware.
Softube Amp Room Essentials
Featuring two plug-ins — the Amp Room Half-Stack and the Bass Amp Room 8x10 — Amp Room Essentials gives you guitar and bass tones that can deliver the goods in any genre. Amp Room Half-Stack yields slabs of molten British distortion, while Bass Amp Room sports powerful features like a blend-able DI. Both plug-ins tout adjustable mic placement for fine tuning.
RealVerb Pro is a flexible, natural sounding reverb based on UA’s own unique set of algorithms. Allowing you to design the room just as you hear it, the RealVerb Pro goes beyond simply big/small or dark/bright, giving your sources distortion-free, smoothing diffusion control and ultra-long reverb tail.
18 x 20 Thunderbolt audio interface for Mac and Windows* with powerful Console 2.0 software control
16 x 16 simultaneous analog I/O on DB-25 connections, plus L/R monitor outputs and AES/EBU digital I/O
Next-generation 24-bit/192 kHz Apollo A/D and D/A conversion as heard on hundreds of hit records
Built-in UAD-2 QUAD Core allows Realtime UAD Processing — tracking through DSP-assisted UAD plug-ins with near-zero latency, without draining CPU
Includes “Realtime Analog Classics Plus” UAD plug-in bundle featuring authentic LA-2A, 1176, and Fairchild® compressors, Pultec® EQs, UA 610 tube preamp, and more
Cascade up to 4 Apollo interfaces and 6 UAD devices total over Thunderbolt*
World-class UA analog design, superior components, and premium build quality
Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers
†Apollo includes the “Realtime Analog Classics Plus” UAD plug-in bundle. Other UAD plug-ins sold separately.
Thunderbolt System Requirements
UAD Powered Plug-Ins Version 9.2
- Apple Mac computer with available Thunderbolt port
- macOS 10.10 Yosemite, 10.11 El Capitan, or 10.12 Sierra
- PC computer with built-in Thunderbolt 3 via USB-C port
- Windows 10 w/Anniversary Update (64-Bit Edition)
- Qualified Thunderbolt 3 to Thunderbolt adapter (not included)
- Thunderbolt 2 cable (not included)
- 6 gigabytes available storage
- Internet connection to download software and authorize UAD plug-ins
- Compatible VST, Audio Units, RTAS, or AAX 64 plug-in host DAW software
- Quad Core i7 or better processor recommended
- For additional compatibility information, visit help.uaudio.com
The stereo field is way more alive, the over all sound makes mixing and tracking more of a joy then ever before... and the decision making in mixing is that much quicker! It's a great piece of gear!
After 17 years of using Digidesign IOs and wishing to upgrade from PT 9 to PT 12 I'm completely sold on the Apollo Console interface. It took a few sessions to get used to the new workflow but I'm sold on the efficiency at well under half the price. Once pne understands the Console software role it is actually great for selecting tones for overdubs, etc. BTW the UA version fo Oxford EQ is cleaner than Sonnox's. I'm simply impressed.
I just got my Apollo 16 and couldn't be happier. A joy to setup and everything works great right from the start. Sturdy construction and looks beautiful in my studio. Simple piece of gear which fits very well in into an analog setup. The converters sound like the real deal!
Also it's worth mentioning the wonderful little light-show upon turning the interface on. It's all about the little things.
Amazing sounding interface!
I love my new apollo 16 mkII! It sounds amazing, super flexible routing options, and tons of i/o channels for running my analog gear! The only thing that would make this even better would be a dedicated headphone out, but I know have an apollo twin controlling the master volume and acting as my headphone monitor so I'm all set! Definitely recommend this interface to anyone with tons of outboard gear!
FL2P Musique arrangement all systèmes Top !...
I`m back to the moon
This unit is fantastic. The plugins are fantastic. The online support, not so much. They returned one email with a solution that didn't work and then ignored the second...and third, leaving me to my own devices. Thankfully I am good with devices....and what lovely devices they make. 4 3/4 stars.
Again a Apollo
After having already a Twin and an Apollo 8, I decided to also have an Apollo 16. I love that kind of studio gear.
It's simply the best!
I think this THING is
F A N T A S T I C
I was a happy Apollo 16 silver face owner. I've just bought the Apollo 16 mk2 and I have to say I'm so happy! it sounds even better! absolutely recommended!
Not so much to say, convertors, plugins, interface... everything kicks ass
What a great product!! Magnificent sound quality.
They have also the best plugins.
I would recommend to buy this interface/server!!
I purchased this as an upgrade to my project studio, and because I like UAD plugs. The sound quality is very good - a little surprising even, as I had good conversion before this purchase. DSP is pretty good, but considering I'm running a brand new Mac Pro with 32g RAM then I'm smoking anyway. The thing that is frustrating (for me) with this unit is that routing is a bit odd. I use a Hearback monitor system, and the Cue mix in the Apollo platform is not user friendly for the way I like to route within Pro Tools. I've routed easily enough, but not to my preference. A talkback feature on this unit would be awesome. Overall, I'm happy with the sound & performance of this unit, and am considering an 8P to expand my track count and DSP.
I had a first generation 8 ch. Apollo and was able to get great results. As my synth collection has expanded I needed more inputs. I sold the MK1 8 ch. and took chances on another brand's 16 ch interface. It wasn't long after that I started missing the ease of routing capabilities and ability to use plugins in the recording chain without latency. Since replacing that gear with the new 16 ch MKII Apollo, I have been extremely happy with the workflow and sound quality it has to offer. The Apollo keeps it easy, sounding good, and I can stay creative and spend more time having fun making tunes. Good stuff. A definite recommendation.
I've been looking forward to this upgrade for quite sometime, and I must say, it did not disappoint. Not only does the conversion sound amazing, but the UAD plugins that are included are now Go-To plugins in the mix arsenal. This is a killer product all around. The sleek look is sexy in the rack, and it's easy to setup and install.
Apollo 16 - better than I imagined.
After my Apogee interfaces died, I needed a new solution. Apollo seemed like the right choice. And I was right. I must say, between the sound quality / the dsp / the software - this is better than I expected. Universal Audio really streamlined this process, and it's easy and intuitive to set up. I'm a few weeks in, and I love it. Only downside to the UAD solution, is the price of the plugins.
One of the greatest
This unit is hands down one of the greatest interfaces period. The Apollo 16 silver was great and UAD has raise the bar with the MK2 version. Love my unit it is the Heart of my Home Studio. Dsp is great very solid unit as well. Just buy it if thinking about it and you have out board mic pres already.
The conversion in this interface is the most natural I have heard. A big shock to me was the Console 2.0, I absolutely love it!! It makes me want to record all the time. I am glad I decided on UA!
Integral Piece of Gear
I immediately heard an improvement in audio quality when using this as my monitor source. It seems to have a little more depth and clarity than what I was using before. The ability to use the UAD plugins on the way in is an incredible feature (especially using the Studer). It saves me time and DSP being able to sculpt my sound on the way in.
Amazing product Possibly the best I've ever owned!
Pristine audio quality with the best plug-ins on the market today! Complete night and day compared to other interfaces, great customer service and also receiving the quad satellite along with this purchase!
Great product with room for improvement.
The UAD plugins were too compelling to not transition from my Apogee Symphony IO system of 3 years, conversion sounds great without a noticeable difference.
Feedback would be to incorporate 2 independent headphone outputs, simpler configuration of IO's with Pro Tools and automatic switching to the Mac's sound card when the Apollo 16 is switched off (Symphony did this).
Otherwise fantastic and well thought out product.