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Customer Reviews 39 Reviews

4.77 out of 5 stars

by R. Birch (10/4/2015):

Sounds nice. It has a different character than my other pre amps. The compressor works… Read more

34 Reviews
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6176 Vintage Channel Strip
A classic tube microphone preamp and 1176LN compressor in a single unit.

The 6176 Vintage Channel Strip combines the alluring, all-tube sounds of the legendary Bill Putnam-designed 610 microphone preamp, with the signature FET compression of our 1176LN, to create the ultimate recording channel strip.

The warm, smooth tones of this mic preamp design — employed to record everyone from Frank Sinatra to Van Halen — and the unique characteristics of the compressor, are two major reasons why the 6176 is found in studios around the world.

Now You Can:
  • Record through the all-tube mic preamp derived from legendary Bill Putnam-designed 610 modular console
  • Compress signals with the 1176LN Class A FET compressor section — heard on countless hit records for more than 40 years
  • Use the "Split" or "Join" switch for separate or series operation of the preamp and compressor
  • Shape your tracks through vintage UA, "handmade in the USA," circuits
Two Classics in One
Thanks to its straightforward controls and hallmark sound, the 6176 is the signal path of choice for engineering heavyweights like Vance Powell and Joe Chiccarelli, plus artists including Chris Martin of Coldplay, Norah Jones, Wyclef Jean, and James Mercer of The Shins. The ability to “Split” or “Join” the preamp and the compressor sections via a simple switch gives the 6176 added flexibility. This is truly UA’s premier channel strip, and among the world’s finest.

The 610B — A World Renowned Mic Preamp
The 2-610 microphone and instrument preamplifier has received praise from many corners. Michael Cooper, in his review for Mix Magazine, called it "hands-down, the most dimensional mic preamp I've ever heard". Peter Wade, engineer/producer who has worked with acts ranging from Wyclef Jean to Jennifer Lopez, said simply, "This box rocks." The 6176 mic preamp sections maintains the quality and character of the 2-610 while adding high-tension power regulation for improved bass response and a front-panel 15db pad switch.
The 1176LN — A Compressor with Tone
As legendary engineer/producer Andy Johns put it, "The 1176LN is the workhorse compressor." In fact, the 1176LN may well be the most loved compressor in history. Its trademark lightning-quick attack and release times and the tone of it's Class A output amplifier have enhanced countless recordings over the last thirty-five years. We've recreated the 1176LN for the compressor section of the 6176 with the same exacting, attention to detail and tradition we use on our 1176LN. The resulting character, heritage and tone simply cannot be found on other channel strips.



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  • Paul Epworth

    (Adele, Cee Lo Green, Foster the People)

    “All the vocals on the Adele tracks I produced were recorded through the Universal Audio 6176, so you can credit Adele’s bright and crystal-clear, dulcet tones to the UA preamp and compressor. "

    Charlie Clouser

    (NIN, "Saw" Soundtracks)

    "The 6176 is my favorite for getting big warm tones from bowed cello and bass, as well as clean guitar textures."

    Matt Appleton

    (Foxy Shazam)

    "If I could only have one piece of gear, I would choose the 6176 hands down. I NEED it."

    Corey Rooney

    (Destiny's Child)

    "Breathy voice sounds particularly amazing through the 6176; it is fat and soft like a ball of cotton"

    James Mercer

    (The Shins)

    "I love that thing [the 6176]. I mean everything that I record goes through that."

  • Rik Simpson


    "Chris' [Martin of Coldplay] vocals always go through a 6176."

    Gareth Jones

    (Erasure, Mogwai)

    "As soon as we started with the 6176 there were smiles all around, so it stayed on the session. Thanks UA!"

    Gary Paczosa

    (Allison Krauss)

    “I bought two of the 6176s because we just loved the sound of them."

    C.J. Vanston

    (Prince, Tina Turner, Joe Cocker)

    "I have used the [6176 Vintage Channel Strip] on basically everything I've recorded since 2004. [The] artists want to know what I used to get their vocal sound (Cocker, Bolton, Spinal Tap)."

    Gareth Jones

    (Grizzly Bear, Depeche Mode)

    "I love my 6176 which gets used all the time wherever I am tracking. A practical & great sounding workhorse."

  • Ed MacFarlane

    (Friendly Fires)

    "[I use] the 6176 as my preamp & compressor, and I've been using the UAD plug-ins once the track's in the computer."

    Dave Martin

    (Audio Media)

    "The real strength of the 6176 is simply that it delivers that sound we all know from a lifetime of listening to records."

    Barry Rudolph

    (Mix Magazine)

    "The 6176 is a true original with deep retro roots in an updated and modern form and capable of a huge, impressive sound."

    George Shilling

    (Resolution Magazine)

    "Overall this [6176] is a terrific Unit"

    Brian Ahern


    “The 6176 has a powerful and articulate midrange lens, and the compression has always been one of my favorites.”

  • Larry Crane

    (TapeOp Magazine)

    "I almost don’t see this so much as a 'Channel Strip', but as a couple of really great pieces of gear in one box."


    (Recording Musicien)

    "Quality de fabrication dans le respect de la tradition"

    Mitch Gallagher

    (EQ Magazine)

    "With the 6176, Universal Audio has created a box where the whole is greater than the sum of its parts."

    Mitch Gallagher


    “The [6176's] preamp sounds awesome ... the 1176 section provides sought-after compression & limiting characteristics."

    Mitch Gallagher

    (EQ Magazine)

    "The [6176] unit is tremendously flexible, both functionally and tonally."

  • Alan Moon


    "The 6176 is a piece of gear that I never want to record without again."

User Ratings

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Average Rating (39 Reviews)
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    Nice sound
    by R. Birch(Sunday 4 October, 2015)

    Sounds nice. It has a different character than my other pre amps. The compressor works very well. I wish there were switchable dual outputs on the comp. It would make it more flexible in my setup with a console and patch bay. Sounds terrific. Read More

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    My 6176
    by C. Stratton(Tuesday 1 September, 2015)

    What can I say? My life savings! I was so afraid to spend the money, but wow how I've been blown away. Ps, still waiting on that free gift UAD! Your loyal customer Billy Lines. Read More

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    I needed two after have one
    by A. Moore(Wednesday 19 August, 2015)

    i love my M610 and now love my 6170. I was building and and wanted the LA compressor so I won won 6170 and got plugin interface thunderbolt unit for free plus a demo unit . I won Read More

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    Apollo 8 Thunderbolt
    by A. Cannon(Friday 14 August, 2015)

    Not a bad unit especially if you know what you are doing and know the sound your looking for. Read More

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    This thing just rocks!
    by D. Wincott(Friday 3 July, 2015)

    I can honestly say this is the best £1800 I have ever spent on a channel strip. You can get so many tones from it and the compression is second to none. The build quality is rugged and when you play with the dials it feels solid. I use it on everything. Only down side is I wish I… Read More

  • Diplo on crafting mega-hits with UAD plug-ins.

    One of the most in-demand producers in music, Diplo has crafted hits for M.I.A., Snoop Lion, and Beyoncé. Read More

    Paul Epworth

    Epworth on producing Adele's Grammy-winning album, her all-UA vocal chain, and his unique production aesthetic. Read More

    Rik Simpson

    Simpson has worked on three of Coldplay's albums, including Mylo Xyloto, which he co-produced, engineered, and helped mix. Read More

  • Jacknife Lee

    An Irish musician, remixer, producer, and engineer, Jacknife Lee has worked with legendary rock bands... Read More

    Rik Simpson

    It was a great treat to interview UK producer/engineer Rik Simpson on his use of UA gear with the band Coldplay. Read More

Features & Specs
6176 Vintage Channel Strip
Features & Specs.
Key Features
  • All-tube mic preamp section derived from legendary Bill Putnam-designed 610 modular console
  • Signature 1176LN Class A FET compressor section — heard on countless hit records for more than 40 years
  • "Split" or "Join" switch allows separate or series operation of the preamp and compressor
  • High and Low frequency shelving EQ
  • Variable impedance Input, Gain, and Output levels
  • Mic, balanced Line, and Hi-Z inputs
  • Ultra-quiet operation
  • Stereo interconnection via 1176-SA
  • Hand-built in USA; backed by 1-Year limited warranty


  • Microphone Input Impedance: Selectable, 500 Ω(ohms) or 2k
  • Balanced Line Input Impedance: 20k Ω
  • Hi-Z Input Impedance: Selectable between 2.2 M Ω or 47 k Ω
  • Maximum Microphone Input Level: +18 dBu (2k input impedance and 15 dB Pad in)
  • Maximum Output Level: +20 dBm
  • Internal Output Impedance: 80 Ω
  • Recommended Minimum Load: 600 Ω
  • Frequency Response: 20 Hz to 20 kHz +0, -1 dB
  • Maximum Gain: 65 dB (500 Ω input impedance)
  • Signal-to-Noise Ratio > 90 dB (@ maximum gain)

Limiting Amplifier:

  • Input Impedance: Selectable, 15k Ω (ohms) or 600 Ω
  • Output Load: Impedance 600 Ω (floating)
  • Frequency Response: 20 Hz to 20 kHz ± 1 dB
  • Gain: 40 dB, ± 1 dB
  • Distortion: > 0.5% T.H.D. from 50 Hz – 15 kHz with limiting, at 1.1 seconds release setting. Output of +22 dBm with no greater than 0.5% T.H.D.
  • Signal-to-Noise Ratio: > 75 dB
  • Attack Time: Adjustable, from 20 to 800 microseconds
  • Release Time: Adjustable, from 50 milliseconds to 1.1 seconds
  • Stereo Interconnection: Optional, using 1176SA stereo interconnect accessory


  • Tube Complement: (1) 12AX7A, (1) 12AT7A
  • Power Requirements: 115V/230V
  • Power Connector: Detachable IEC power cable.
  • Fuse: 400 mA time delay (slow blow) / 115 V200 mA time delay (slow blow) / 230 V
  • Power Indicator Light: 28 V bulb (type 1819)
  • Dimensions 1: 9" W x 3.5" H x 12.25" D (two rack unit)
  • Weight: 12 lb.


UA 2011 Product Catalog.pdf

6176 Manual.pdf