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Customer Reviews 83 Reviews

4.78 out of 5 stars

by D. Pratt (6/20/2014):

This is still my favorite UA delay. It just sounds awesome. The end. ... Read more

69 Reviews
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4 Reviews
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Overview

Roland® RE-201 Space Echo Tape Delay Plug-In

Warm, Highly Adjustable, Multi-Head Tape Delay Captured From the Best of the Space Echo Line

Created by Roland in 1973, the Space Echo has been adding wonderful tape character and chaos to performances and recordings since its inception. Pink Floyd and David Bowie, countless reggae and dub albums, to more recent bands like Portishead and Radiohead, all offer examples of the warm, highly adjustable tape delays that the Space Echo affords. UA spent over a year developing our RE-201 Space Echo — considered the best of the Space Echo line — to capture the physical behavior of this complex device, “warts and all.” The resulting RE-201 Space Echo plug-in is truly a unique instrument unto itself.

UA’s RE-201 Space Echo faithfully retains all the controls and features of the original, such as the Mode Selector for various head combinations, Repeat Rate for fine timing control, and Intensity which sets repeat count and allows the unit to achieve self-oscillation. The all-important Echo/Normal “Dub” switch is retained for muting, as well as the simple tone controls. Last but certainly not least, the atmospheric shimmer of the Space Echo’s spring reverb is faithfully captured, putting this fantastic plug-in on par with the original unit as a tool of infinite creativity.

Our emulation also adds substantial “digital only” features like host Tempo Sync, Output Volume, Echo and Reverb Pan. Finally, a Tape Select is present allowing the user to select between three distinct grades of tape loop quality, new, used and old—plus the clever “Splice” switch allowing the user to trigger the chaos-inducing tape splice at will.

$249.00

Reviews

Reviews

1 of 3
  • Vance Powell

    (The Raconteurs)

    "Every time I hook up my real 201 [Space Echo] to use in a mix, I end up going back to the UAD [RE-201]. It's so good"

    Joe Chiccarelli

    (The White Stripes, My Morning Jacket, The Killers

    “As a vocal delay, the [UAD Roland RE-201] Space Echo is perfect. I like driving the input hard to get a bit of crunch. Mixed behind a lead vocal, it can add some additional excitement."

    The Crystal Method

    “The [UAD] Roland RE-201 plug-in is truly a phenomenal representation of the unique design and sound of the original.”

    Adam Blake

    Zoot Woman

    "The Dimension D is perfect for adding stereo width and the RE-201 Space Echo always seems to come in handy."

    Hans Zimmer

    (The Dark Knight, Gladiator)

    "That used to be my bread and butter. Fling it through the Space Echo and it would instantly sound fantastic."

  • Henry Jackman

    (The Da Vinci Code)

    "The [UAD] Roland RE-201 Space Echo sounds as fantastic as the original. All the joy, without the hassle."

    Mike Shipley

    (Allison Kraus, Maroon 5)

    "We’ve been using the [UAD emulation of the Roland] Space Echo on the new Maroon 5 single, 'Misery'."

    Jacquire King

    (Norah Jones, Tom Waits)

    "All the [Roland] plugs...I've used the hardware...I'm just using the plug-ins now, because they sound so good."

    Vance Powell

    (The Raconteurs)

    "If you take UA's RE-201 and Dimension D plug-ins, you can kind of get a [RE-]301. Both of those plug-ins are brilliant."

    Vance Powell

    (The Raconteurs)

    "The 1073, 1176, LA-2A, LA-3A, 33609, the RE-201, the Dimension D, and the CE-1 [plug-ins]. I couldn't live without 'em"

  • Paul Vnuk, Jr.

    (Recording Magazine)

    "Once again UA has come as close to modeling the real thing [with Roland/BOSS Plug-Ins] as you are going to get ..."

    Jonathan Wilson

    (Future Music UK)

    "The star of the Roland plug-ins is the Space Echo … but both chorus plug-ins are also excellent in their own right."

User Ratings

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Average Rating (83 Reviews)
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    by D. Pratt (Friday 17 June, 2011)

    This is still my favorite UA delay. It just sounds awesome. The end. … Read More

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    by D. Wool (Monday 18 June, 2007)

    Sounds great! Best tape delay emulation I've heard. But it is a huge, HUGE power HOG. … Read More

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    by D. Hrivnak (Tuesday 13 September, 2011)

    I own an original RE-201, and I love Universal Audio's plug-in emulations of classic gear, so I was really looking forward to getting this plug-in to make things like BPM matching much easier. However, after doing some comparison tests, I ended up not buying it because I really preferred the sound o … Read More

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    Rock / Metal / Guitar / Space Delay
    by C. Huseyin (Wednesday 19 March, 2014)

    The units attitude and sonic texture all points to one fundamental thing: Guitars Sure, any delay can be used on any potential material, but the question often is - which delay really captures the source? The unit can also be used to give any material a 'tough' or "Spaced" feel. This should be … Read More

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    Endless Poissibilites
    by M. Sonier (Friday 28 February, 2014)

    Love the Roland RE-201 Space Echo... this plugin adds a really cool flavour to my work when I am looking for a more colourful and fresh delay or reverb. … Read More

$249.00

Artists
  • Rich Chycki on mixing Rush and Dream Theater with

    Rock veteran Rich Chycki has crafted mixes for Rush, Dream Theater, and Aerosmith. Read More

    Diplo on crafting mega-hits with UAD plug-ins.

    One of the most in-demand producers in music, Diplo has crafted hits for M.I.A., Snoop Lion, and Beyoncé. Read More

    Joe Zook Mixes OneRepublic and Serena Ryder

    WIth multiple platinum-selling records under his belt, Zook is one of the industry's most sought-after mix engineers. Read More

  • Noel Hogan's Production Renaissance

    Noel Hogan shares his Cranberries history and his current recording and production methods. Read More

    Damian Taylor Brings "The Weirdness"

    The Grammy-nominated producer explains how he got Battle Born, The Killers' latest album, battle-ready with Universal Audio. Read More

    Audio Legend Joe Chiccarelli

    The Grammy-winning producer, mixer, and engineer is responsible for capturing some of modern times’ most beloved sounds. Read More

  • Tony Maserati

    Tony Maserati’s renowned chops has had him mixing everyone from Lady Gaga, Sting, and Mariah Carey, to The Notorious B.I.G. and Alicia Keys… Read More

    Paul Epworth

    Epworth on producing Adele's Grammy-winning album, her all-UA vocal chain, and his unique production aesthetic. Read More

    Rik Simpson

    Simpson has worked on three of Coldplay's albums, including Mylo Xyloto, which he co-produced, engineered, and helped mix. Read More

  • Phil Tan

    With more than 24 #1 Billboard Hot 100 hits, 3 Grammys®, and nearly 300 album credits, there are few engineers that can touch Phil Tan’s recent track record. Read More

    Jacknife Lee

    An Irish musician, remixer, producer, and engineer, Jacknife Lee has worked with legendary rock bands... Read More

    Miles Walker

    Jay Sean’s “Hit the Lights,” Mixed by Miles Walker… Read More

$249.00

Features & Specs

Roland® RE-201 Space Echo Tape Delay & Spring Reverb Plug-In

Features:

  • Meticulous model of original Roland RE-201 Space Echo
  • Tape oscillation effects and spring reverb emulation
  • Entrusted by Roland for accurate analog modeling
  • Original features: Mode Selector, Intensity and “Dub”
  • New features: tempo sync, effects pan, tape select
  • Requires a UAD DSP Accelerator Card or Apollo Interface available from authorized dealers worldwide.

See the UAD Instance Chart here

$249.00

Docs

UAD Plug-Ins Manual

UAD System Manual

UA Product Catalog.pdf

$249.00