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Overview

Trident® A-Range Classic Console EQ Plug-In

Legendary Console EQ with Unique Band Interactions & Distinct Cut-Filter Combinations

The original Trident A-Range desk holds near-mythic status in the professional recording industry, and is arguably the best loved of the classic Trident console designs. Particularly noted for its fantastic preamps and the unique band interactions of its colorful EQ section, the Malcolm Toft / Trident-designed A-Range console has made an indelible impact on the sound of record making. During the “Golden Years” of rock, the A-Range was employed to record some truly great records — David Bowie’s The Rise and Fall of Ziggy Stardust, Lou Reed’s Transformer and Queen’s Sheer Heart Attack, to name a few — helping to solidify this console’s reputation forever. And now, this sound comes to the UAD Powered Plug-Ins platform, courtesy of the Trident A-Range Classic Console EQ plug-in.

Working in partnership with Trident Audio Developments, UA scrupulously analyzed and faithfully reproduced the EQ section from the specific Trident A-Range console used to record classic albums by both The Police and Rush. One of only 13 A-Range consoles ever built, this desk was hand-picked by Elliott Smith for his private studio, and now resides at New Monkey Studio in Van Nuys, CA.

The unique EQ section of the board is what the Trident A-Range sound is all about. A series of three high pass filters at 18 dB per octave and three low pass filters at 12 dB per octave are arranged at the ends of the EQ section. They are unique, in that the switches can be pushed in simultaneously; offering distinct cut filter combinations with unusual filter curves. The rest of the EQ section allows four frequencies at any one time, switchable to one of four frequencies. Low Shelf: 50, 80, 100, 150 Hz; Low-Mid Bell: 250, 500 1k, 2k Hz; High-Mid Bell: 3k, 5k, 7k, 9k Hz; High Shelf: 8k, 10k, 12k, 15k Hz. With a unique tactile experience, linear faders control the gains, with around +/- 15 dB of boost/cut. Remember, these were the good old days before sweepable frequencies and Q controls. But the results are wonderfully warm and musical.

$249.00

Features & Specs

Trident® A-Range Classic Console EQ Plug-In

Features:

  • 4-band active EQ modeled from one of only 13 original Trident A-Range desks
  • Licensed and endorsed by Trident Audio Developments, created by Universal Audio
  • Unique filter response curves modeled to exacting detail
  • Inductor-based EQ design yields band interaction between bell and shelving filters
  • Unique ability to combine cut filters for unusual filtering responses
  • Cosmetics match the original module’s “aubergine” (eggplant) finish
  • Requires a UAD-1 or UAD-2 DSP Accelerator Card available from authorized dealers worldwide.

See the UAD Instance Chart here

Parameters:

  • High Shelf Filter: +/-15dB gain with switchable freq (15k, 12k, 10k, 8k)
  • High-Mid Bell Filter: +/-15dB gain with switchable freq (9k, 7k, 5k, 3k)
  • Low-Mid Bell Filter: +/-15dB gain with switchable freq (2k, 1k, 500, 250Hz)
  • Low Shelf Filter, +/-15dB gain with switchable freq (150, 100, 80, 50 Hz)
  • Low Pass Filters: independently switchable and combinable (15k, 12k, and 9kHz) 12dB/Octave
  • High Pass Filters: independently switchable and combinable (25, 50, and 100 Hz), 18dB/Octave
  • “Output” Gain with -24 to +12dB range
  • 180º Phase Reverse
  • EQ In/Out bypasses plug-in
Reviews / Ratings

Reviews

1 of 3
  • Hans Zimmer

    (The Dark Knight, Gladiator)

    "[For lots of color] there's the Trident A-Range EQ plug-in, which is great on snare drums & things like that."

    Review
    05/2010

    Reviewer

    EQ

    "[The Trident A-Range EQ] is all about character. It emulates the original, including the quirky ability to create really unusual curves."

    02/2010

    Reviewer

    EQ

    "[With the Trident A-Range EQ], in typical UA fashion, they've brought that analog quality to the digital world."

    02/2010

    Reviewer

    EQ

    "You can't go wrong with UA's plugs, and these three [EMT 250, FATSO and Trident A-Range EQ] are no exception."

    02/2010

    J.J. Blair

    (Rod Stewart, George Benson)

    "The Trident A-Range plug-in once again proves that UA is the preeminent emulation company for vintage hardware"

    10/2009
  • Glenn Rosenstein

    (Ziggy Marley, U2, Johnny Cooper)

    "All of the love of a vintage Trident A-Range, none of the maintenance ... It's a console-in-the-box"

    10/2009

    J.J. Blair

    (Rod Stewart, George Benson)

    "There is no better EQ [Trident A-Range] for electric guitars ... making that snarl cut right through the mix."

    10/2009

    Ariel Borujow

    (P-Diddy, TI, Black Eyed Peas)

    "I love the high end boost [of the Trident A-Range EQ plug-in]! Extremely musical all across the board."

    09/2010

    Arabian Prince

    (N.W.A, ProfessorX)

    "I mix through the Trident [A-Range plug-in], to get that sound that I had back in the day. It's damn accurate too."

    12/2009

    J.J. Blair

    (Rod Stewart, George Benson)

    "UA totally nailed it with their Trident A-Range EQ plug-in ... everything sounds so rich and airy."

    10/2009
  • Glenn Rosenstein

    (Ziggy Marley, U2)

    "Not sure how, but they did it. UA created an A-Range plug-in with the sonic integrity of the original hardware."

    10/2009

User Ratings

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Average Rating (8 Reviews)
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    by Tommy Liljegren(Friday 8 July, 2011)

    Sounds awesome in all situations. Unfortunately I have recieved a bug about this one and it occours on the big blank main volume. It always go back to the zero-position when I restart a project where this plug-in is used. Anyone else who's got the same problem? Got PC- windows XP and cubase 5,5. … Read more

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    by Billy Glew(Monday 27 June, 2011)

    The Trident A Range EQ strip is an excellent addition to any studio engineer's toolbox, providing a wide range of features within a clear, easy to use layout. It is possible to use the strip to focus audio, clearing up muddy or dull instruments. With practice the Trident strip can be used to add war … Read more

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    by Mustafa Alici(Friday 17 June, 2011)

    Simply loving this EQ, I often use it when I'm in a rush and need to cut some low end out of the mix or from individual tracks. Great sound and extremely easy to use:) … Read more

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    by Chris Papastephanou(Friday 17 June, 2011)

    Excellent plug-in. It is just fantastic and perfectly works on guitars and drums. I love this EQ but it can introduce a littlebit of unwanted distortion when pushed harder in very high frequency. … Read more

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    by Christopher Soulos(Sunday 29 May, 2011)

    Rock guitars and rock pianos. The other Helios. I like Elton John's 70s piano sound very much and it still works today. Presets are wonderful, right in the ballpark. Just a bloody mystery how this really works. Apparently it was a confusing concept for the makers and early users too. I can't te … Read more

Artists
  • Miles Walker

    Jay Sean’s “Hit the Lights,” Mixed by Miles Walker… Read more

    Michael Brauer

    Michael Brauer has enjoyed an illustrious 30-year music career, mixing chart-topping albums by artists including Aretha Franklin and The Rolling Stones. Read more

    Ryan Hewitt

    Few people are lucky enough to grow up in the music business. Ryan Hewitt had the fortune of being raised in and around recording studios. Read more

  • Glenn Rosenstein

    Glenn Rosenstein is one of those powerhouse engineer/producers who cut his teeth at NYC’s Sigma Sound in the ‘80s. Read more

    Hans Zimmer

    Hans Zimmer is one of the most prolific and compelling film composers in Hollywood, with more than 100 films and eight Academy Awards to his name. Read more

    Mike Shipley

    GRAMMY®-winner Mike Shipley is one of the music industry’s top mixers; his hit-making career spans over thirty years. Read more

  • Arabian Prince

    Veteran hip-hop/electronic producer Arabian Prince has enjoyed a steady career of hits spanning 25 years, and he’s not stopping now. Read more

    Malcolm Toft

    What is the secret behind the distinctive sound of British rock in the 1960s and ‘70s?… Read more

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