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Overview

EMT® Classic Reverb Plug-Ins Bundle

A Dynamic Duo of Classic EMT® Reverbs Combine Forces for the UAD-2.

The EMT® Reverb Bundle is a considerable compliment to any Mac- or PC-based recording system, and a powerful, “go to” combo in any UAD Powered Plug-Ins collection. This remarkable bundle combines stellar emulations of two of the most sought-after and difficult to attain EMT® reverb units ever created into one conveniently packaged and price-reduced bundle; you’ll save 20% compared with buying the plug-ins solo. Whether you’re enveloping a vocal track, or adding elegant ambience, these EMT® reverbs will always help your tracks fit perfectly in the mix.

EMT® 140 Classic Plate Reverb Plug-In

Universal Audio “steps up to the plate,” rendering another classic tool for your DAW: Introducing the EMT 140 Plug-In. German company EMT made a breakthrough in 1957 with the release of the EMT 140, which utilized a resonating metal plate to create ambience. Nothing is quite like the wonderfully lush and distinctive tone of plate reverb, which still endures as part of the fabric of modern music. Endorsed by EMT Studiotechnik GmbH, and painstakingly modeled by Universal Audio, this plug-in replicates the sonic signature of three uniquely different EMT 140s installed at The Plant Studios in Sausalito, CA. Impractical or impossible in the past, UA again brings classic analog tools within the reach of everyone.

EMT® 250 Classic Electronic Reverberator Plug-In

Introduced in 1976, the EMT 250 is still regarded as one of the best-sounding hardware reverb units ever made. Its fan-base includes studio legends like George Massenburg, Bruce Swedien, Daniel Lanois, Brian Eno, and Allen Sides. Its distinctive clear and open reverb sound has appeared on countless records, including Prince & The Revolution’s Purple Rain, Elvis Costello’s Spike, and The Red Hot Chili Pepper’s Stadium Arcadium. Re-engineered by UA alongside original creator Dr. Barry Blesser, the EMT 250 plug-in goes far beyond emulation by using the very same algorithm found in these extremely rare hardware units.

Requires a UAD-2 DSP Accelerator Package available from authorized dealers worldwide and the latest version of the UAD Powered Plug-In Software (available here).

“UA successfully modeled our three EMTs so well that in a blindfold test we could not tell the difference! Our 500-pound classic plate reverbs are now available to anyone in a…dare I say, plug-in.”
      -John Cuniberti, Engineer (The Plant Recording Studios)

“The EMT 250 is amazing. That’s one of my favorite digital reverbs. It’s all over Norah’s [Jones] record, on all the songs.”
      -Jacquire King, Producer/Engineer (Norah Jones, Modest Mouse, Tom Waits) 

"The EMT 140 [plug-in] is pure Motown, better than my real one. Stunning!”
      -Gavin Monaghan, Producer/Engineer (Joe Strummer, Elvis Costello, Fugees)

“The EMT 250 reverb [plug-in] instantly took me back 20 years. I’m so glad to have such musical-sounding tools.”
      -Charlie Clouser, Engineer (NIN, Saw Soundtracks)

"The EMT 140 [plug-in] blew the plate presets of my standard reverb plug-in out of the water." 
      -Eli Crews, EMT 140 plug-in Review (Electronic Musician)

$359.00

Reviews

Reviews

1 of 8
  • Frederick Norén

    Sound On Sound

    "The EMT 140 [plug-in] is held by many — including me — to be the best-sounding digital plate reverb on the market."

    07/2010

    Garrett "Jacknife" Lee

    (R.E.M., The Cars)

    "Wow! How did i do without it [UAD-2]? The 1073 EQ! 1176LN! Dimension D! The EMT reverbs! Fairchild 670!"

    08/2010

    Ryan Hewitt

    (Red Hot Chili Peppers)

    "The EMT 250 and EMT140 emulations [for UAD] are stunning. They're just absolutely phenomenal."

    Review
    07/2010

    Hank Shocklee

    (Public Enemy)

    "I need the EMT 140 Classic Plate Reverberator for creating bigger-than-life snare and clap sounds."

    Review
    07/2010

    Ryan Hewitt

    (Red Hot Chili Peppers)

    "The EMT 250 and EMT140 emulations [for UAD] are stunning. They're just absolutely phenomenal."

    Review
    07/2010
  • Ryan Hewitt

    (Red Hot Chili Peppers)

    "So now I have my UAD on everything, and I'm using the EMT 140 and the EMT 250 as effects. It's so much easier."

    Review
    07/2010

    Jeff Russo

    (Tonic)

    "The EMT 250 [plug-in] is the perfect reverb for vocals. Warm and perfect tails."

    Review
    06/2010

    Glenn Rosenstein

    (Ziggy Marley, U2)

    "One plug-in I’m particularly happy with is the EMT 250 reverb ... And UA got it right. I mean spot on."

    Review
    06/2010

    Frank Filipetti

    (James Taylor, Rod Stewart)

    "Neve 1073, Fairchild 670, & EMT 140 — I don't think I'd even consider mixing in the box without them."

    Review
    05/2010

    Hans Zimmer

    (Dark Knight, Gladiator)

    "The EMT 140 Plate Reverb plugs are on everything ... It's great, that feeling of not having to run out of plates."

    Review
    05/2010
  • Frank Filipetti

    (James Taylor, Rod Stewart)

    "The EMT 140 Classic Plate Reverberator plug-in — not a mix goes by without it."

    Review
    05/2010

    Reviewer

    EQ

    "You can't go wrong with UA's plugs, and these three [EMT 250, FATSO and Trident A-Range EQ] are no exception."

    02/2010

    Reviewer

    EQ

    "When I first called this [EMT 250 plug-in] up, waves of nostalgia kicked in ... the EMT 250 does an outstanding job."

    02/2010

    Reviewer

    EQ

    "To take your reverb to the next level, [the EMT 250's] full, spacious sound adds an overlay of reality that many digital reverbs lack."

    02/2010

    Jacquire King

    (Norah Jones, Tom Waits)

    "EMT 250 is amazing. It’s all over Norah's [Jones] record, on all of the songs, I used the EMT 250 reverb plug."

    11/2009
  • Jacquire King

    (Norah Jones, Tom Waits)

    "[The EMT 250] just puts this beautiful halo of space and sound around the voice"

    11/2009

    Vance Powell

    (The Raconteurs)

    "[The EMT 140 plug-in is] Unbelievable. Love it. Use it all the time."

    03/2009

    Just Blaze

    (Jay-Z, Saigon, Kanye West)

    "The modeling [was] done so faithfully to the original unit ... I’m a really big fan of that [EMT 250] plug-in."

    Dweezil Zappa

    (Zappa Plays Zappa)

    "The [UAD] EMT 140 reverb I use on everything. It's my favorite reverb of anything I have."

    John Cuniberti

    (Joe Satriani, The Meters)

    "UA successfully modeled our three EMTs so well that in a blindfold test we could not tell the difference!"

  • David Issac

    (Marcus Miller)

    "When I heard the [UAD] EMT 140 ... I instantly remembered standing in a chamber in Detroit. It was that close."

    Ed MacFarlane

    (Friendly Fires)

    "We record toms separately, and to get that big washy Serge Gainsbourg sound we've used the UAD EMT 140 reverb on them."

    Review
    10/2009

    Paul White

    (Sound On Sound)

    "To my ears it [EMT 250] has a plate-like character but with noticeably less density ... very flattering to vocals ..."

    10/2009

    Paul White

    (Sound On Sound)

    "[Cooper Time Cube, EMT 250, or FATSO] ... for the real vintage character, I don't think UA have any rivals at the moment."

    10/2009

    (Computer Music)

    "[The EMT 250 is] easy to mix with & sounds 'right' on a variety of material — we tried drums, percussion, vocals, synths & guitars."

    Review
    09/2009
  • (Computer Music)

    "The [EMT 250's] sound is very lush, with some pleasant modulation going on and a dark tonality."

    Review
    09/2009

    (Computer Music)

    "When you factor in the EMT 250's five funky extra effects, it all adds up to one outstanding plug-in. Great Work, UA!"

    Review
    09/2009

    (Computer Music)

    "[The EMT 250] only really has one sound. But what a fabulous sound it is! It has a 'magic' to it that few others can touch"

    Review
    09/2009

    (Computer Music)

    "When mixing, the EMT 250 provides a most pleasing 'cushion' of reverb... enhancing source sounds, rather than getting in their way."

    Review
    09/2009

    Charlie Clouser

    (NIN, "Saw" Soundtracks)

    "The EMT reverb [plug-in] instantly took me back 20 years. I'm so glad to have such musical-sounding tools."

    08/2009
  • Eli Crews

    (Electronic Musician)

    "The [UAD] EMT 140 blew the plate presets of my standard reverb plug-in out of the water."

    Review
    03/2006

    Jonathan Wilson

    (Future Music UK)

    "[The EMT 140 is] possibly the world’s finest software plate reverb emulation."

    Review
    07/2005

    John Baccigaluppi

    (TapeOp Magazine)

    "Well, consider me won over… The EMT 140 [plug-in] was used extensively on a record I recently mixed."

    05/2005

    Paul White

    (Sound On Sound)

    "You owe it to yourself to check this [EMT 140 plug-in] out, even if you're not a vintage gear freak."

    Review
    03/2005

    Jason Scott Alexander

    (Remix Magazine)

    "The [UAD] EMT 140 added unmistakable character to everything I threw at it ... it consistently tickled the ear."

    03/2005
  • Paul White

    (Sound on Sound)

    "The [UAD] EMT 140 is the nearest thing I've heard yet to a real plate reverb."

    03/2005

    Gavin Monaghan

    (The Twang)

    "The [UAD] EMT 140 is pure Motown, better than my real one! Stunning!"

    Jeff Balding

    (Amy Grant, Faith Hill)

    "[The EMT 140 plug-in] is great on snare to put a little space around it, I use it as a general plate."

User Ratings

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Average Rating (109 Reviews)
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    by A. Moschini (Thursday 17 May, 2012)

    this is my favourite reverb now! it sounds great!!! on everything! Thanks UA... … Read more

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    by A. Jannotti (Tuesday 8 May, 2012)

    The EMT 250 is warm and beautiful sounding. I had a client tell me what ever I just did made the lead vocal sound warmer. It was the UAD EMT 250 on chorus and reverb. In the sea of modern reverb plugins -there is nothing that sounds so big, wide and, warm. It is now at the top of my go to list. 1976 … Read more

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    by A. Jannotti (Tuesday 8 May, 2012)

    The EMT 250 is warm and beautiful sounding. I had a client tell me what ever I just did made the lead vocal sound warmer. It was the UAD EMT 250 on chorus and reverb. In the sea of modern reverb plugins -there is nothing that sounds so big, wide and, warm. It is now at the top of my go to list. 1976 … Read more

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    by A. Herrhausen (Sunday 15 April, 2012)

    Great product! You can already hear it on our new song "Deal no Deal" http://www.youtube.com/watch?v=Jr_wsEa6I0U&list=UUgKOaa8ej_pnhgzWaU930Fg&feature=plcp We hope you enjoy it :-) Thank you for your great work in designing all this awsome Plug-Ins! Julia and Alex CheeryCherrily … Read more

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    by P. Moshay (Wednesday 4 April, 2012)

    The most tasteful verb & plates ever! Its hard to believe what i'm hearing when i use these, they one up the real units 10x with all the control you get. I grew up using both of these units and i love the UA version much more since i can actually tweak it into my track like i was never able to do in … Read more

$359.00

Artists
  • UA NAMM 2011 Artists

    A short collection of interviews with various platinum-selling producers and engineers at UA's NAMM 2011 booth… Read more

    Jacquire King

    Jacquire (pronounced Ja-KEER) King has emerged as one of the most exciting engineer/producers of his generation. Read more

    Vance Powell

    Vance Powell accepted the GRAMMY® award for The Raconteurs album, Consolers of the Lonely. Read more

  • Matt Boudreau

    I know — we interviewed Matt Boudreau back in March about his racks of UA outboard gear and four UAD-1 cards... Read more

$359.00
Docs

UAD System Manual

UAD Plug-Ins Manual

UA 2011 Product Catalog.pdf

$359.00