Frederick Norén

"The EMT 140 [plug-in] is held by many — including me — to be the best-sounding digital plate reverb on the market."

Jacquire King

"EMT 250 is amazing. It’s all over Norah's [Jones] record, on all of the songs, I used the EMT 250 reverb plug."

Just Blaze

"The modeling [was] done so faithfully to the original unit ... I’m a really big fan of that [EMT 250] plug-in."

Joe Chiccarelli

"The [UAD] EMT 140 is classic. It can be perfect to add some warmth and size to a lead vocal. I will set up a subgroup as if I were using it on an analog console with an echo send."

Christopher "Stone" Garrett

“The EMT® 140 Classic Plate Reverberator Plug-In is incredible. I don't even know what to say about it, it sounds so good it makes you almost want to cry."

Andrew Scheps

"I use the UAD EMT® 250 Classic Electronic Reverb Plug-In reverb because it's such a specific sound, and that plug-in really does capture it."

Joe Chiccarelli

"The [UAD] EMT 250 works great for snare drum. I sometimes use it very short and tight to give some dimension, or for more ballad-type songs in the four-second range with full pre-roll."

Darrell Thorp

"Having the EMT 140 plug-in, it’s beautiful, I don’t have to commit to printing the plate."

Fab Dupont

“The [UAD] Pultec Pro, along with the Plate 140, are the two main reasons why I can't work without a UAD-2 card in my system.”

Vaughan Merrick

"The [UAD] EMT 140 has that classic smooth character of the real thing but with added conveniences like predelay and mod to give the plate a little 'shimmy, shimmy'."

Rik Simpson

"Forget any other plate emulation, the [UAD EMT 250] could actually be the real thing. Deep, wide, and full of personality."

Garrett "Jacknife" Lee

"Wow! How did i do without it [UAD-2]? The 1073 EQ! 1176LN! Dimension D! The EMT reverbs! Fairchild 670!"

Ryan Hewitt

"The EMT 250 and EMT140 emulations [for UAD] are stunning. They're just absolutely phenomenal."

Hank Shocklee

"I need the EMT 140 Classic Plate Reverberator for creating bigger-than-life snare and clap sounds."

Jeff Russo

"The EMT 250 [plug-in] is the perfect reverb for vocals. Warm and perfect tails."

Glenn Rosenstein

"One plug-in I’m particularly happy with is the EMT 250 reverb ... And UA got it right. I mean spot on."

Frank Filipetti

"The EMT 140 Classic Plate Reverberator plug-in — not a mix goes by without it."

Frank Filipetti

"Neve 1073, Fairchild 670, & EMT 140 — I don't think I'd even consider mixing in the box without them."

Hans Zimmer

"The EMT 140 Plate Reverb plugs are on everything ... It's great, that feeling of not having to run out of plates."

Reviewer

"You can't go wrong with UA's plugs, and these three [EMT 250, FATSO and Trident A-Range EQ] are no exception."

Reviewer

"When I first called this [EMT 250 plug-in] up, waves of nostalgia kicked in ... the EMT 250 does an outstanding job."

Reviewer

"To take your reverb to the next level, [the EMT 250's] full, spacious sound adds an overlay of reality that many digital reverbs lack."

Jacquire King

"[The EMT 250] just puts this beautiful halo of space and sound around the voice"

Vance Powell

"[The EMT 140 plug-in is] Unbelievable. Love it. Use it all the time."

Dweezil Zappa

"The [UAD] EMT 140 reverb I use on everything. It's my favorite reverb of anything I have."

John Cuniberti

"UA successfully modeled our three EMTs so well that in a blindfold test we could not tell the difference!"

David Issac

"When I heard the [UAD] EMT 140 ... I instantly remembered standing in a chamber in Detroit. It was that close."

Ryan Hewitt

"So now I have my UAD on everything, and I'm using the EMT 140 and the EMT 250 as effects. It's so much easier."

Ed MacFarlane

"We record toms separately, and to get that big washy Serge Gainsbourg sound we've used the UAD EMT 140 reverb on them."

Paul White

"To my ears it [EMT 250] has a plate-like character but with noticeably less density ... very flattering to vocals ..."

Paul White

"[Cooper Time Cube, EMT 250, or FATSO] ... for the real vintage character, I don't think UA have any rivals at the moment."

"When mixing, the EMT 250 provides a most pleasing 'cushion' of reverb... enhancing source sounds, rather than getting in their way."

"[The EMT 250 is] easy to mix with & sounds 'right' on a variety of material — we tried drums, percussion, vocals, synths & guitars."

"The [EMT 250's] sound is very lush, with some pleasant modulation going on and a dark tonality."

"When you factor in the EMT 250's five funky extra effects, it all adds up to one outstanding plug-in. Great Work, UA!"

"[The EMT 250] only really has one sound. But what a fabulous sound it is! It has a 'magic' to it that few others can touch"

Charlie Clouser

"The EMT reverb [plug-in] instantly took me back 20 years. I'm so glad to have such musical-sounding tools."

Eli Crews

"The [UAD] EMT 140 blew the plate presets of my standard reverb plug-in out of the water."

Jonathan Wilson

"[The EMT 140 is] possibly the world’s finest software plate reverb emulation."

John Baccigaluppi

"Well, consider me won over… The EMT 140 [plug-in] was used extensively on a record I recently mixed."

Paul White

"You owe it to yourself to check this [EMT 140 plug-in] out, even if you're not a vintage gear freak."

Jason Scott Alexander

"The [UAD] EMT 140 added unmistakable character to everything I threw at it ... it consistently tickled the ear."

Paul White

"The [UAD] EMT 140 is the nearest thing I've heard yet to a real plate reverb."

Gavin Monaghan

"The [UAD] EMT 140 is pure Motown, better than my real one! Stunning!"

Jeff Balding

"[The EMT 140 plug-in] is great on snare to put a little space around it, I use it as a general plate."