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Customer Reviews 229 Reviews

4.84 out of 5 stars

by T. Cosentino (1/21/2014):

Not to violate any confidentiality agreement between me and Apple corp, I believe my audio drop ... Read more

207 Reviews
15 Reviews
3 Reviews
0 Reviews
4 Reviews
Overview

Studer® A800 Multichannel Tape Recorder Plug-In

The Rich Analog Sound of the World’s Most Popular Multichannel Tape Machine and Four Tape Formulas in a Single Plug-In.

For more than 30 years, artists and engineers alike have been drawn to the warm analog sound, solid low-end, and overall presence of the Studer® A800 Multichannel Tape Recorder. The sheer number of albums recorded on this legendary 2” analog tape machine — including classics from Metallica, Stevie Wonder, Tom Petty, A Tribe Called Quest, and Jeff Buckley — serve as shining examples of the musicality of analog tape.

Features

Authenticated by Studer, and modeled by UA’s world-renowned team of DSP engineers and AES magnetic recording expert Jay McKnight over a 12-month period, the Studer A800 Multichannel Tape Recorder plug-in for UAD-2 is the first product of its kind. This plug-in faithfully models the entire multitrack tape circuit path and electronics of a popular A800 machine from Allen Sides' collection at Ocean Way Studios — plus the distinct sounds of multiple tape formulas. Put simply, it's the world’s most accurate representation of professional multitrack analog tape recording, now available on Mac and PC.

Studer A800 Hardware Transport Controls

History
As the first microprocessor-controlled tape machine, the Studer A800 marked a new generation of professional multitrack recorders when it was introduced in 1978. Years ahead of its time, the A800 remains a sonic benchmark, and can still be found in studios all over the planet. However, with their massive steel frame and meter bridge, twin half-horsepower motors and cast alloy deck plates, original A800 units tip the scales at a backbreaking 900 pounds. The UAD-2 plug-in version poses none of the hardware hassles of manual calibration and maintenance, nor the potential for tape degradation — while retaining all the beautiful sonic qualities that make tape such a beloved recording medium. Just drop the A800 in your first insert on every track desired, and enjoy the benefits of having recorded to tape.

Parameters
The Studer A800 for UAD-2 provides all of the original unit’s desirable analog sweetness; like magnetic tape, users can dial in a clean sound, or just the right amount of harmonic saturation using the Input and Output controls. The reel deck IPS control steps through tape speed choices (7.5, 15, or 30 IPS), each with distinct frequency shift, head bump and distortion characteristics. The tape Type control lets users choose from four of the most popular magnetic tape formulas — each with their own subtle sonic variation. The Cal control allows the user to choose between +3dB, +6dB, +7.5dB, or +9dB calibration levels.

Secondary controls are hidden behind the reel deck, and can be exposed by clicking on the Studer badge or the Open label. These controls include an Auto Cal feature, plus separate tape Hiss and Hum, with a global noise bypass. Finally, a Gang Controls feature allows you to simultaneously adjust and sync parameter settings on all Studer A800 plug-in instances in your session.

In Use
The Studer A800 plug-in's primary recommended use, and the proper way to "demo" this processor, is as the first insert on every track where you want the sound of tape. This way, you can hear the cumulative "cohesive" effect of recording to magnetic tape as you build up your mix. (Of course, it can sound incredible on mix busses as well.) Be sure to strip away all other plug-ins at first; you may find, for example, that you end up needing far less compression and EQ, and that your mixes "glue together" more easily. See the Tips and Tricks blog entry below for more details.

$349.00

Reviews

Reviews

1 of 6
  • Ed Cherney

    (Rolling Stones, Eric Clapton)

    “I came of age with the Studer A800 tape machine. I've recorded hundreds of tracks through that machine with every type of tape, speed, alignment, and bias. I just upgraded to a UAD-2 card and stumbled in to the UAD A-800. Holy s**t!”

    Darrell Thorp

    (Beck, Radiohead, Charlotte Gainsbourg)

    "The Studer A800 plug-in is tape in a box. Tracks that are thin and dull become full of life and tone... so creative, and musical."

    Vance Powell

    (The Dead Weather, The Raconteurs)

    "No tape emulation has ever achieved this level of... completeness? I expect to smell the tape when I hit play!"

    Jeff Balding

    (LeAnn Rimes, Faith Hill)

    “I love having the personality of the [UAD] Studer A800 in a plug-in. [It adds] a great personality to drums, bass, guitar and vocals.”

    Garrett "Jacknife" Lee

    (R.E.M., The Cars)

    “The Studer A800 Multichannel Tape Recorder, I’m just using all the time. I don’t know how it A/B’s with tape, I just like the way it sounds.”

  • Tony Maserati

    (Beyonce, Jason Mraz)

    “I wanted the [Jason Mraz] record to have an analog sound to it, but since it wasn’t recorded on analog tape, my approach was to explore the…[UAD] Studer A800 plug-in itself and go deep into it to get the sound I was looking for.”

    Paul Epworth

    (Adele, Cee Lo Green, Foster the People)

    “The Studer A800 and Ampex ATR-102 tape plug-ins let you really bring out the warmth and positive tonalities in a track.”

    Billy Bush

    (Garbage)

    “Pretty much all of the songs on the [Garbage] record were mixed with the Studer A800 Plug-In on all the drum channels...We used the Ampex ATR-102 Plug-In on the final mix.”

    Michael Brauer

    (Rolling Stones, Coldplay)

    “I tried the Studer A800 plug-in on drums, guitar and overhead to get a saturated, punchy sound. It sounded great, and it works for me.”

    Electronic Musician

    "I was curious if UA 'got it right.' Simply stated, they did. Bull's-eye."

  • Nathaniel Kunkel

    (Lyle Lovett, Nirvana)

    "The idea of a tape machine plug-in resonated with the skeptic in me. But I'm a believer now. This [Studer A800] plug-in is nothing short of amazing. Bravo, fine work UA!"

    JR Hutson

    (Jill Scott, Musiq Soulchild)

    "The Studer A800 is the plug-in I've been waiting for! I've been searching for ways to get that warn saturated analog sound from a totally digital setup, and this is it. This has revolutionized my process."

    Fab Dupont

    (Jennifer Lopez, Santigold, Mark Ronson)

    "The Studer A800 plug-in creeped its way onto mix after mix, to the point where it's taken over by now. Definitely the closest thing to a real tape machine that I have heard."

    J.J. Blair

    (Rod Stewart, George Benson)

    "This [Studer A800] plug-in gives me that little "X" factor... a very subtle, yet noticeable character that cannot be achieved simply with EQ or other plug-ins."

    Gareth Jones

    (Depeche Mode, Erasure, Grizzly Bear)

    "I enjoyed hearing the wonderful [Studer A800] plug-in. I was a huge A800 user in the 80s, and it was great to be sonically back there again."

  • Frederick Norén

    (Sound On Sound)

    "There’s no question about the authentic sound produced by the UAD Studer A800 plug-in. This tape plug-in makes everything more coherent."

    Vance Powell

    (The Dead Weather, The Raconteurs)

    "With the [Studer A800's] fine adjustments, different tape formulations and operating levels, UA has given us the best type of tape for every different type of track..."

    Ryan West

    (Jay-Z, Kid Cudi, Kanye West)

    "The Studer A800 plugin is the missing link for in-the-box mixing, but I'm also using it when mixing with Protools and an SSL or summing mixer."

    Ryan West

    (Jay-Z, Kid Cudi, Kanye West)

    "All the gooey and gluey loveliness of the Studer A800 anywhere I want to apply it in my DAW mixes sounds like an unreasonable request, but UA has delivered once again."

    Ryan West

    (Jay-Z, Kid Cudi, Kanye West)

    "I never thought I'd say this about anything in my studio, but the reality is that it [Studer A800 plug-in] works on everything."

  • Dean Coleman

    “The [UAD] Studer A800 plug-in is my favorite on a drum buss to give everything raw hard tone with a little distortion, while still keeping the sound together.”

    Travis Wyrick

    (P.O.D., Dolly Parton, Charlie Daniels)

    “Within minutes of using the [UAD] Shadow Hills compressor plug-in, I found myself inserting it on a multitude of instruments and busses. This is definitely a compressor I will be using and abusing.”

    Matt Knobel

    (Lenny Kravitz, Mary J. Blige)

    "The Studer A800 plug-in brings me back to a time long ago. The only thing missing is the smell of new tape."

    Glenn Rosenstein

    (Ziggy Marley, U2)

    "The [Studer A800] gives me all the analog goodness without any of the cross-talk, shedding, head-wear, maintenance issues, alcohol swabs, tape alignment."

    Ross Hogarth

    (R.E.M, Keb' Mo, Ziggy Marley)

    "I've been really loving the Studer A800 on bass, kick, overheads, horns and strings. It adds a tonal color that is very musical. Killer job!"

  • C.J. Vanston

    (Prince, Tina Turner, Joe Cocker)

    "Wow. The Studer A800 is big and beautiful, just like I remembered... What blew me away was the depth that I perceived."

    Mick Glossup

    (Frank Zappa, Van Morrison, UFO)

    "The Studer A800 plug-in, like all the other UA plug-ins, does a great job of simulating the analogue experience, which in this case is supplying the 'glue' to blend components together during the mix."

    Vance Powell

    (The Dead Weather, The Raconteurs)

    "I can't tell you how happy I am that UA has made this [Studer A800] plug-in... Yes I can, Thank You UA!"

    Travis Wyrick

    (P.O.D., Dolly Parton, Charlie Daniels)

    “Living in a digital world, it is fantastic to hear true emulation of analog tape! I specifically used GP-9 at + 9 for years for drums and bass and I am very impressed at how UA has captured the “glue” that tape adds to the tracks."

User Ratings

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Average Rating (229 Reviews)
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    finally
    by T. Cosentino (Tuesday 21 January, 2014)

    Not to violate any confidentiality agreement between me and Apple corp, I believe my audio drop out problem (re: my last post) is finally solved so.....I will give this plug a hearty 5 stars! … Read More

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    A Must Have!!!
    by J. Cabrera (Friday 8 November, 2013)

    The Studer A800 is the first plugin I place across my mixes. This helps me get a good sound right off the bat. Once I dial it in, I proceed by placing the SSL G Buss Compressor on the Master Bus and start mixing from there. Do this and not only will you end up using less EQ and Compression, but your … Read More

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    Sweet and creamy
    by J. Baumet (Saturday 14 September, 2013)

    Playing a mix through Studer (and Ampex) creates the same improvement one might find between icemilk and icecream! Not sure if any of you guys were ever poor enough that your parents bought you icemilk but believe me... Its night and day!!! … Read More

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    Studer A800 2 Inch Plugin
    by B. Tochilin (Wednesday 7 August, 2013)

    I purchased this plugin when it came out over a year ago. Right after I purchased it they came out with the Ampex plugin. That was the one I really wanted to run on the 2 track bus. After using this plugin (Studer 800) on the 2 track bus and also after I started the Ampeq 14 day demo I was a little … Read More

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    No track without, EVER
    by D. Colombo (Saturday 20 July, 2013)

    I use this plugin everywhere, loving the 15 ips speed, it smooths everything and gives body to any material. On the Apollo channel strip and in my daw, it is always there to imprint that nice smooth tape sound to all my material. Cannot recommend this enough … Read More

$349.00

Artists
  • Mixing The Pierces’ “Believe in Me” with UAD Plug-

    Christian "Leggy" Langdon is a producer, songwriter, multi-instrumentalist, and engineer. His credits include the Skins, UK singer/songwriter Charlotte OC, Swedish Grammy winner Laleh, and more. Read More

    Buddy Miller

    Grammy-award winning producer, player, and artist Buddy Miller details his workflow with Apollo and UAD-2 plug-ins. Read More

    The Black Keys

    The Black Keys' Dan Auerbach and Patrick Carney detail their recording process and how UAD Powered Plug-Ins are essential to their careful balance of raunch and refinement. Read More

  • Diplo on crafting mega-hits with UAD plug-ins.

    One of the most in-demand producers in music, Diplo has crafted hits for M.I.A., Snoop Lion, and Beyoncé. Read More

    Nashville Producer Jay Joyce Brings the Rock Edge

    Producer, engineer, and musician Jay Joyce has developed a thriving career in both the rock and country recording scenes. Read More

    Damian Taylor Brings "The Weirdness"

    The Grammy-nominated producer explains how he got Battle Born, The Killers' latest album, battle-ready with Universal Audio. Read More

  • Top Engineers Top "Desert Island" Plug-Ins

    If you were stuck on a desert island with your recording studio, what UAD plug-ins could you not live without?… Read More

    Capturing '60s Soul with UAD Plug-Ins

    Learn how Culture Club producer Steve Levine used UAD Powered Plug-ins to recreate the classic sound of 1960s soul. Read More

    Producer/Engineer Billy Bush Mixes Garbage

    Bush uses UA tools extensively while sculpting the band’s edgy guitars, driving percussion grooves, and glistening electronics. Read More

  • Tony Maserati

    Tony Maserati’s renowned chops has had him mixing everyone from Lady Gaga, Sting, and Mariah Carey, to The Notorious B.I.G. and Alicia Keys… Read More

    Andrew Scheps on Engineering the Chili Peppers

    Andrew Scheps’ engineering and mixing credits read like a who’s who of popular music. Read More

    Paul Epworth

    Epworth on producing Adele's Grammy-winning album, her all-UA vocal chain, and his unique production aesthetic. Read More

$349.00

Features & Specs

Studer® A800 Multichannel Tape Recorder Plug-In

Features:

  • Studer-endorsed, UA modeled emulation of legendary A800 Multitrack Tape Machine
  • Provides the warm, natural sound and punchy low-end response of 2” analog tape — on Mac and PC
  • Models complete A800 electronic signal paths, including Input, Sync and Repro paths
  • Features four of the most popular Tape Formulas and Calibration Levels
  • Tape saturation and overdrive via easy-to-use Input / Output controls
  • Provides dead-on magnetic tape sound without the hassles of calibration, maintenance, tape degradation, etc.
  • IPS Speed/Emphasis Curve chooses between 7.5 NAB, 7.5 CCIR, 15 NAB, 15 CCIR, 30 AES
  • Gang Controls allows for fast global adjustment of all instances
  • Run 24+ tracks with a single UAD-2 QUAD DSP Accelerator Package
  • Requires a UAD-2 DSP Accelerator Card or Apollo Interface available from authorized dealers worldwide

See the UAD Instance Chart here

Parameters:

  • Input provides -12 to +24 dB gain
  • Output provides -24 to +12 dB gain
  • Signal Path selection
    • Thru provides plug-in bypass
    • Input provides machine electronics-only path without tape
    • Sync provides path of audio being recorded to tape via record head and playing back via record head, plus machine electronics
    • Repro provides path of audio being recorded to tape via record head and playing back via repro head, plus machine electronics
  • IPS Tape Speed provides selection between 7.5, 15 and 30 IPS (inches per second) operation
  • Tape Type provides selection between 250, 456, 900 and GP9 formulas
  • Calibration provides +3, +6, +7.5 and +9 dB operating levels
  • Emphasis Equaliser selects between NAB or CCIR curves at 7.5 and 15 IPS (AES at 30 IPS)
  • Auto Cal Off/On provides automatic calibration for Record EQ, Bias, Playback EQs when switching IPS Tape Speed, Tape Type or Emphasis Equaliser
    • Record EQ / HF Driver provides a continuous “boost filter” gain
    • Bias / HF Driver provides a continuous recording head oscillator voltage from 0 to 15.5 volts
    • LF / Sync Playback EQ provides a continuous low frequency filtering gain
    • HF / Sync Playback EQ provides a continuous high frequency filtering gain
    • LF / Repro Playback EQ provides a continuous low frequency filtering gain
    • HF / Repro Playback EQ provides a continuous high frequency filtering gain
  • Noise Off/On provides global enabling and disabling of noise components
  • Hiss provides independent control for the noise floor component of the tape system ±25 dB
  • Hum provides independent control for the 60 cycle (NAB/AES) or 50 cycle (CCIR) AC component of the Studer A800 system  ±25 dB
  • Gang Controls Off/On provides temporary global access to all Studer A800 instantiations from one Studer A800 GUI window for all plug-in parameters
  • Show/Hide button reveals/hides the calibration and setup controls by clicking the Studer Badge Open/Close label
  • VU meter displays post input, pre-output signal
$349.00

Docs

UAD Plug-Ins Manual

UAD System Manual

Apollo Software Manual

UA Product Catalog.pdf

$349.00