Apollo Twin USB
Superior Desktop Audio Conversion with
Classic Analog Sound for Windows.
With its class-leading resolution and Realtime UAD Processing, Apollo Twin USB sets a new standard for desktop music production.
This 2x6 USB 3 interface for Windows allows you to record with near-zero latency through the full range of UAD Powered Plug-Ins — ingeniously merging classic analog tones with cutting-edge features.
Record with world-class Apollo A/D and D/A conversion — as heard on hundreds of hit records
Use alongside UAD-2 PCIe DSP Accelerator cards, UAD-2 Satellite FireWire, and UAD-2 Satellite USB for truly scalable mixing power
Mix with UAD plug-ins like the included Teletronix® LA-2A and 1176 compressors, Pultec® EQs, and 610-B Preamp
Track with near-zero latency through preamp emulations from Neve,® API,® Manley® and more using Unison™ technology†
Unison Technology: The Genuine Sound of Neve, SSL, API & Manley Preamps
Apollo Twin features two Unison-enabled mic preamps, letting you track through exacting mic preamp emulations from Neve, SSL, API, Manley, and Universal Audio. An Apollo exclusive, Unison technology nails the tone of these sought-after tube and solid state mic pres — including their input impedance, gain stage “sweet spots,” and the component-level circuit behaviors of the original hardware.
The secret to Unison is its hardware-software integration between Apollo’s mic preamps and its onboard UAD-2 DUO Core DSP Acceleration. Simply place a Unison preamp plug-in on your mic input in Apollo Console software, and it physically reconfigures the Apollo interface's impedance — so you can tap into the classic sounds of the world’s most recorded mic preamps.
Watch the Unison Shoot Out (hardware vs. software) video
A Full Suite of Classic
Analog Processing Onboard
Right out of the box, Apollo Twin USB provides a suite of incredible analog emulation plug-ins including the world’s only authentic Teletronix LA-2A, 1176LN, Pultec EQs, and the Unison-enabled UA 610-B Tube Preamp. Developed by UA’s world-renowned team of algorithm engineers, these Realtime Analog Classic plug-ins set the standard by which all other hardware emulation plug-ins are judged.
From the tube warmth of the Pultec EQ on guitars, to the gentle limiting of the LA-2A on vocals, your recordings will take a giant leap forward in rich, sonically complex analog sound.
See Included Plug-Ins | Watch the live tracking video
Access the World of UAD Powered Plug-Ins
Beyond the included Realtime Analog Classics plug-ins, Apollo Twin USB lets you tap into the full library award-winning UAD Powered Plug-Ins — including vintage EQs, Compressors, Reverbs, Tape Machines and more — at near-zero latency, regardless of your audio software’s buffer size and without taxing your computer’s CPU.
With exclusive emulations from Neve, Studer, Manley, API, Ampex, Lexicon, Fender, and more,† it’s like having an endless analog studio, right on your desktop. And unlike competing interfaces, these DSP-powered plug-ins are also available in your DAW for mixing.
Next-Generation A/D and D/A Conversion
Of course, the heart of any audio interface is the quality of its conversion. In designing the next-generation Apollo range, UA engineers started with an obsessive auditioning of the latest A/D and D/A converters, ultimately pairing the selected 24-bit/192kHz converters with all-new analog circuitry for the optimal signal path. Apollo Twin provides increased dynamic range and lower THD versus other interfaces — rivaling dedicated converters costing thousands more.
Apollo: The Choice of New-School Professionals
Apollo is the confirmed choice of hit-making professionals, used to record landmark albums by Kendrick Lamar (DAMN.), Chris Stapleton (From A Room: Volume 1), Arcade Fire (Everything Now), Post Malone (Beerbongs & Bentleys), and many more. The Apollo range of interfaces has earned numerous industry awards from Sound on Sound, Future Music, and Electronic Musician — as well as the prestigious TEC Award for computer audio hardware five years running.
“Everyone assumes I use a lot of outboard gear, but with Apollo Twin and UAD plug-ins, I get incredible sounds on the go, anywhere.”
– Louis Bell (Post Malone, DJ Snake, Cardi B)
“The Apollo has some of the better preamps I've ever heard – lots of headroom, quiet at high-gains, and the converters are really sweet sounding.”
– Mick Guzauski (Daft Punk, Mariah Carey, Eric Clapton)
“Apollo is a platform that grows more powerful with every innovation – the UAD plug-in processing onboard has changed the way I work forever.”
– Tony Platt (AC/DC, Bob Marley, Buddy Guy)
“The Apollo is the best I/O we've ever used, and we've tried them all. It has an incredibly clean, transparent, and accurate sound.”
– The Glitch Mob
“Having the Apollo with UAD plug-ins at my disposal is like carrying a giant studio with outboard racks at all times. Minus the tech fees, down time, and electricity bill!”
– Andrew Dawson (Kanye West, Jay-Z, Fun.)
“The Apollo's ability to do low latency – I mean that's the whole ballgame right there.”
– Joey Waronker (Atoms for Peace, Beck, Other Lives)
“My Apollos are my sound.
Where I go, they go.”
– Trevor Lawrence Jr. (Dr. Dre, Herbie Hancock, Eminem)
“Using my Apollos and Console 2.0, I was able to front a live mix, create a monitor mix, and record to Pro Tools, all at the same time. That’s pretty awesome.”
– Chris Dugan (Green Day, Iggy Pop, U2)
“With the Apollo 8 in the studio and an Apollo Twin on the go, I know I've got the best sound quality and an incredible arsenal of plug-ins — wherever I'm working.”
– Jeremy Ruzumna (Fitz And The Tantrums)
“I knew about the ingredients of Apollo, but this is truly a special dish. The Apollo just set a new standard of excellence for audio interfaces, in terms of both its sound and its feature set.”
– Fab Dupont (Shakira, Santigold, Jennifer Lopez)
“UAD plug-ins are amazing...
I’ve used them on all my projects
for the last few years.”
– Dan Auerbach The Black Keys
Now with Vintage Amps
New for Apollo Twin USB is Unison technology on the front panel instrument input, giving you dead-on, impedance-matched emulations of guitar and bass amps like the Fender '55 Tweed Deluxe, Marshall Plexi Super Lead 1959, and the Ampeg B-15N Bass Amplifier.
A Sleek, Low-latency App
With Apollo Twin’s Console 2.0 application — a complete re-imagining of Apollo’s original Console software — you can take advantage of over 25 new user-requested features such as Channel Strip presets, Drag & Drop functionality, dynamically resizable windows, and more.
Apollo Twin Setup
Learn to use Apollo Twin as producer/engineer Fab Dupont (Jennifer Lopez, Mark Ronson) demonstrates basic setup, routing, and recording with UAD plug‑ins.
Apollo Artist Sessions
Watch producer/engineer Fab Dupont (Jennifer Lopez, David Crosby) record Latin superstars Monsieur Periné live in Colombia with Apollo X audio interfaces.
View All Apollo Artist Sessions
September 15, 2020
Simple quick operation and very good sound
I use Apollo Twin for mixing and mastering. Excellent sound, great integration of UAD plugins and a good opportunity to use "virtual" UAD preamps (via Unison technology) when...Read More
September 13, 2020
By far the best audio interface that I have ever owned
This is a great piece of gear that I would recommend to anyone. It definitely helps push your recordings from the ammeter level to...Read More
September 3, 2020
Before this I questioned my front-end constantly...now I live in Unison World and I have dsp power! I'm blessed to know and be able to buy the greatest invention thus far, for...Read More
August 29, 2020
Mientras pasan los días trato de encontrarle alguna falla y la verdad que sólo sigo descubriendo un montón de maravillas con todas las funciones DSP y la amplia biblioteca de plugins que...Read More
August 18, 2020
when you have had it with wasting money, and the kind of latency that drives you to near suicide, on cheep 2.0 interfaces; you will eventually wind up with UA...and when you do, you will...Read More
August 6, 2020
When I bought this I thought I was buying into a high quality product line but it's brought a fair amount of disappointment. Terrible USB3 compatibility, not so low latency, DSP usage maxes...Read More
Realtime Analog Classics Bundle
With the Realtime Analog Classics plug-in bundle, you get legendary compressors like the Teletronix® LA-2A and EQs like the Pultec® EQP-1A, stunning guitar and bass amp emulations from Softube, as well as UA’s landmark 610-B Tube Preamp and EQ plug-in.
- UA 610‐B
- Marshall Plexi Classic Amplifier
- Teletronix LA‐2A Legacy
- UA 1176LN Legacy
- UA 1176SE Legacy
- Pultec EQP‐1A Legacy
- Pultec Pro Legacy
- Ampeg® SVT-VR Classic Bass Amp
- Precision Channel Strip
- Precision Reflection Engine
- Precision Delay Modulation
- Precision Delay Modulation L
- Raw Distortion
UA 610-B Tube Preamp and EQ
Impart your tracks with the iconic warmth and character of the classic hardware used to track everyone from Duke Ellington to Coldplay. By emulating the entire signal path, including tube amplifiers, transformers, and circuit nonlinearities, the 610-B Tube Preamp and EQ plug-in injects organic detail and saturation to any signal — whether you’re re-amping or tracking through the 610-B via Universal Audio’s Unison™ technology.
Marshall® Plexi Classic Amplifier
The undisputed alpha dog of rock and roll guitar amps, the Marshall “plexi” amplifier is as legendary as the music it helped create. From Jimi Hendrix to Jimmy Page, Duane Allman to Eric Clapton, the Plexi’s punishing melange of snarl, sustain, smoothness, and raunch defined the sound of rock. Developed by Softube, the Marshall Plexi Classic Amp plug-in gives you the sound of this iconic amp with a perfectly placed microphone from engineer Tony Platt who recorded AC/DC’s Back in Black and Highway to Hell.
Teletronix® LA-2A Classic Leveling Amplifier (Legacy)
With its gentle, program dependent optical compression and meticulously designed tube amplifier, the LA-2A is the go-to compressor for professional mixers around the world — especially for vocals. Incredibly easy-to-use Peak Reduction and Gain controls gives you the ideal optical compression sound for guitar, bass, drums, and more.
1176SE/LN® Classic Limiting Amplifiers (Legacy)
Get classic, ultra-fast FET compression from the world’s most recognized compressor. The 1176 will impart punch, presence, and character as well as its signature distortion overtones on drums, vocals, guitars, and bass. The 1176LN has graced countless recordings, from Led Zeppelin, to the White Stripes and Michael Jackson.
Pultec® Pro Equalizers (Legacy)
Mix with two of the most sought-after hardware EQs ever made — the MEQ-5 Midrange Equalizer and the EQP-1A Program Equalizer. Both of these tube-based icons deliver smooth and silky EQ curves with an abundance of warm analog character.
Ampeg® SVT-VR Classic Bass Amp
Introduced in 1969, the Ampeg SVT bass amp is still the reigning king of high-powered tube bass tone. Developed by Brainworx, the Ampeg SVT-VR Classic Bass Amp plug-in perfectly captures the raw power and punch that has made this the go-to amp for rock, funk, and soul players. Track in real time using Unison™ preamp technology for the tone, touch, and feel of a real SVT bass amp, or transform bland DI tracks with the thunderous roar of a stone cold classic.
Precision Mix Rack Collection
Featuring the Precision Channel Strip, Precision Reflection Engine, and Precision Delay Modulation plug-ins, the Precision Mix Rack Collection offers four modern, high-fidelity plug-ins for recording and mixing. Powerful and intuitive, Precision Mix Rack Collection gives you an impressive tool set — perfect for beginners and seasoned professionals alike.
Modeled from a vintage early-’80s Pro Co Rat, Raw Distortion delivers all the gritty dynamic raunch of the legendary stompbox. And with Unison™ technology, you can plug in to Apollo Twin, 8, or 8p’s front-panel Hi-Z instrument jack and experience the same circuit interaction, gain range, and clip points for the true tone, feel, and response of the original hardware.
RealVerb Pro is a flexible, natural sounding reverb based on UA’s own unique set of algorithms. Allowing you to design the room just as you hear it, the RealVerb Pro goes beyond simply big/small or dark/bright, giving your sources distortion-free, smoothing diffusion control and ultra-long reverb tail.
Desktop 2x6 USB 3 audio interface for Windows with world-class 24-bit/192 kHz audio conversion
Realtime UAD Processing for tracking through vintage Compressors, EQs, Tape Machines, Mic Preamps, and Guitar Amp plug-ins with near-zero (sub-2ms) latency
Includes the "Realtime Analog Classics" UAD plug-in bundle. Other UAD plug-ins sold separately.
Unison™ technology offers stunning models of classic tube and transformer-based mic preamps
USB 3 connection for easy connectivity on Windows-based recording systems
Two premium mic/line preamps; Two line outputs; front-panel Hi-Z instrument input and headphones output
Two digitally controlled analog monitor outputs for full resolution at all listening levels
Up to eight channels of additional digital input via Optical connection
Uncompromising analog design, superior components, and premium build quality
Runs UAD Powered Plug-Ins via Audio Units, VST, RTAS & AAX64 in all major DAWs
USB System Requirements
- Windows 7, 8.1, or 10 (64-Bit Editions)
- Available built-in USB 3 SuperSpeed port*
- Intel Core i3, Core i5, Core i7, or Xeon processor*
- 6 gigabytes available storage
- USB 3.0 SuperSpeed cable (included)
- Internet connection to download software and authorize UAD plug-ins
- Compatible VST, RTAS, or AAX 64 plug-in host DAW software
- For additional compatibility information, visit help.uaudio.com
- Quad Core i7 or better recommended
- 2-in-1 systems (notebook/tablet) are not recommended
- USB 3 adapters (such as PCIe-to-USB 3 expansion cards) are not tested for Apollo Twin USB or UAD-2 Satellite USB connections
Apollo Twin USB
Simple quick operation and very good sound
I use Apollo Twin for mixing and mastering. Excellent sound, great integration of UAD plugins and a good opportunity to use "virtual" UAD preamps (via Unison technology) when recording. I am a very satisfied customer! Good job.
By far the best audio interface that I have ever owned
This is a great piece of gear that I would recommend to anyone. It definitely helps push your recordings from the ammeter level to the pro level. I only have two issues with the unit. I wish UAD made a USB QUAD version with ADAT inputs and (outputs) *imagine*.I know... lol But really those issues don't qualify as an issue with the unit... lol just dreaming.... Great work...
Before this I questioned my front-end constantly...now I live in Unison World and I have dsp power! I'm blessed to know and be able to buy the greatest invention thus far, for home studios!
Mientras pasan los días trato de encontrarle alguna falla y la verdad que sólo sigo descubriendo un montón de maravillas con todas las funciones DSP y la amplia biblioteca de plugins que ofrece UA, cómoda de usar, increíble el pre, versatil, profesional, una interfaz bastante completa.
Product was broken after 1 week of use
I was in first place very happy about this product and it's possibilities, quality and the plug-ins. I use this product for professional purposes (I do voice over). After a week of use suddenly in the mid of a recording I heard a click and there was no sound anymore.
I brought the product back to the shop and in first place they wanted to give me a new one but that seemed not possible because the product was registered with UA. They took contact with UA but there was no possibility to switch the registration from the broken one to a new one. To make a long story short, the shop had to send the product back to UA and I have to wait until it is repaired which could take month or longer. Do you understand that I was very upset about this, especially because I had bought some extra plug-ins and was trying out some plug ins which were only available for 9 days. I had to reconnect all my analogue stuff again to do recordings now. A real pity for such a company that was recommended to me by friends.
when you have had it with wasting money, and the kind of latency that drives you to near suicide, on cheep 2.0 interfaces; you will eventually wind up with UA...and when you do, you will realize these interfaces were not as overpriced as you had originally thought; and as the pain melts away, you will realize it was the cheep interfaces that cost you more than they were worth, and that the UA Apollo Twin is worth every penny..
when you first get it running, you will get bubbly inside, to the verge of hyperventilating...so have a brown paper lunch sack on hand....once you get used to it, it will become more and more an everyday thing, and you will be just fine..
Great sound, disappointing software
I'm really happy with the sound the device produces. The software with Windows is frankly a bit frustrating. Nowhere is it obviously written that the I/O matrix does not work or even exist with USB3/Windows. For me, the I/O matrix was one of the reasons for the purchase decision. This is an impudence for all the money and must be improved urgently!
You MUST FIX DRIVER ISSUE
I'm happy about the sound quality, really good I have to say!But YOU MUST FIX THIS DRIVER ISSUE! is not a cheap audio interface and you need to listen to us CUSTOMERS. If we are happy we spend more but if we are not we switch to other brand. I hope you understand our frustration
Great Soundcard, USB Catastrophe
Not being able to assign internal system audio to the card if you do have the Firewire version is simply at this pricepoint.
When I bought this I thought I was buying into a high quality product line but it's brought a fair amount of disappointment. Terrible USB3 compatibility, not so low latency, DSP usage maxes out really quickly, interface software crashing/unreliable.
I love it
Best Sound Card the world!
Exceeded my expectations
For a start, and most importantly the conversion is incredible. I was using an Eleven Rack for about 10 years which worked really well with my monitors, but it wasn't until I got the Apollo that I realized how much the Eleven Rack was coloring the sound, adding lows, and just wasn't as clear. The clarity is insane, my monitors (MR5's) and headphones (KRK's) sound so super flat. Music doesn't 'sound as good' through them but in a TRUE way. I'm hearing much more of the real thing, I bounced a couple mixes after adjusting them to what I was hearing through the Apollo and they just exploded in such a good way on a proper sound system. The sound is crystal clear, I've been hearing details I haven't heard in some music before. Next up is the monitoring control, being able to click the button in to mute the monitors, and easily switch between monitor and headphone volume control is nothing short of fantastic. This brings me to the SIZE, this thing is so small and portable, this, with my laptop, and a 500 series set up, and a fold out desk, I'm editing and mixing everywhere. I haven't even got near using the console yet and I'm blown away. Very happy. I don't usually take the time to write reviews as I'm busy, but this couldn't be helped. Get one!
Muito feliz com a aquisição.
Incontestáveis as qualidades desse produto, os prés amplificadores, os plugins, só acho que poderia ter mais acessibilidade pra quem usa windows, outra coisa que não entendi, e que antes de cadastrar eu tinha 24 plugins disponíveis, após me cadastrar me limitaram a 12.
I found it little bit hard to handle the software since I couldn’t found how to run the UAD application for the recording because I didn’t find a way to run it manually and it didn’t run by it self automatically (I don’t know what the name of it .. but it’s the application from UAD ) so I tried the pro tools and it’s worked with it . but I still want to try your application
Expensive but worth it.
Yes, the initial cost is high but you get a nice bundle of plugins which equates to the cost of the hardware. Other than cost, my only criticism is that the plugins are proprietary and can only be used with the Apollo hardware. Here’s the positives: low latency and excellent quality plugins. With my existing windows desktop there was no way I could record live without extreme latency. The Apollo has effectively eliminated all latency - this is huge! I’m only beginning to scratch the surface with the plugins but it is clear that they are among the best I have ever worked with. If you can afford it, the Apollo is well worth the investment.
Great interface, especially love the plugins.
Not compatible with anything but Mac
Yall should do better for your prices i expect better support but im not buying into mac just to get a decent version of your products returned quick
Expensive for what you get and technical issues
When I bought this I thought I was buying into a high quality product line but it's brought a fair amount of disappointment. Terrible USB3 compatibility, not so low latency, DSP usage maxes out really quickly, interface software crashing/unreliable. I also encounter way more random clicks and pops in the DAW than I have with other reputable brands devices, especially using lower buffer sizes. For the price, I highly recommend another brand with more inputs and reliable connectivity (RME are rock solid, Focusrite have been amazing in my experience).
If you're buying into UAD plugins and this is your first interface then this is fine - if not, it's a terrible use of money.
굉장히 훌륭한 선택입니다
아날로그 장비들의 특징들을 익히는데 정말 큰 도움이 됩니다. 물론 복각 퀄리티도 상당히 뛰어나고 유니즌프리로 다양한 색채를 선택하고 인풋단에 다양한 이펙트를 걸 수 있다는 것도 매력적입니다. 동가격대 인터페이스 중에서 이만한 올인원 기기가 없습니다.
Sadly my computer did not like the device. Blue screen of death appeared in every few hours. Had to return the device. Now i have all these plug ins, but no device. Maybe next time i choose thunderbolt version, because this usb version is pretty old. (2015 said the box).