Apollo Twin USB
Superior Desktop Audio Conversion with
Classic Analog Sound for Windows.
With its class-leading resolution and Realtime UAD Processing, Apollo Twin USB sets a new standard for desktop music production.
This 2x6 USB 3 interface for Windows allows you to record with near-zero latency through the full range of UAD Powered Plug-Ins — ingeniously merging classic analog tones with cutting-edge features.
Record with world-class Apollo A/D and D/A conversion — as heard on hundreds of hit records
Use alongside UAD-2 PCIe DSP Accelerator cards, UAD-2 Satellite FireWire, and UAD-2 Satellite USB for truly scalable mixing power
Mix with UAD plug-ins like the included Teletronix® LA-2A and 1176 compressors, Pultec® EQs, and 610-B Preamp
Track with near-zero latency through preamp emulations from Neve,® API,® Manley® and more using Unison™ technology†
Unison Technology: The Genuine Sound of Neve, SSL, API & Manley Preamps
Apollo Twin features two Unison-enabled mic preamps, letting you track through exacting mic preamp emulations from Neve, SSL, API, Manley, and Universal Audio. An Apollo exclusive, Unison technology nails the tone of these sought-after tube and solid state mic pres — including their input impedance, gain stage “sweet spots,” and the component-level circuit behaviors of the original hardware.
The secret to Unison is its hardware-software integration between Apollo’s mic preamps and its onboard UAD-2 DUO Core DSP Acceleration. Simply place a Unison preamp plug-in on your mic input in Apollo Console software, and it physically reconfigures the Apollo interface's impedance — so you can tap into the classic sounds of the world’s most recorded mic preamps.
Watch the Unison Shoot Out (hardware vs. software) video
A Full Suite of Classic
Analog Processing Onboard
Right out of the box, Apollo Twin USB provides a suite of incredible analog emulation plug-ins including the world’s only authentic Teletronix LA-2A, 1176LN, Pultec EQs, and the Unison-enabled UA 610-B Tube Preamp. Developed by UA’s world-renowned team of algorithm engineers, these Realtime Analog Classic plug-ins set the standard by which all other hardware emulation plug-ins are judged.
From the tube warmth of the Pultec EQ on guitars, to the gentle limiting of the LA-2A on vocals, your recordings will take a giant leap forward in rich, sonically complex analog sound.
See Included Plug-Ins | Watch the live tracking video
Access the World of UAD Powered Plug-Ins
Beyond the included Realtime Analog Classics plug-ins, Apollo Twin USB lets you tap into the full library award-winning UAD Powered Plug-Ins — including vintage EQs, Compressors, Reverbs, Tape Machines and more — at near-zero latency, regardless of your audio software’s buffer size and without taxing your computer’s CPU.
With exclusive emulations from Neve, Studer, Manley, API, Ampex, Lexicon, Fender, and more,† it’s like having an endless analog studio, right on your desktop. And unlike competing interfaces, these DSP-powered plug-ins are also available in your DAW for mixing.
Next-Generation A/D and D/A Conversion
Of course, the heart of any audio interface is the quality of its conversion. In designing the next-generation Apollo range, UA engineers started with an obsessive auditioning of the latest A/D and D/A converters, ultimately pairing the selected 24-bit/192kHz converters with all-new analog circuitry for the optimal signal path. Apollo Twin provides increased dynamic range and lower THD versus other interfaces — rivaling dedicated converters costing thousands more.
Apollo: The Choice of New-School Professionals
Apollo is the confirmed choice of hit-making professionals, used to record landmark albums by Kendrick Lamar (DAMN.), Chris Stapleton (From A Room: Volume 1), Arcade Fire (Everything Now), Post Malone (Beerbongs & Bentleys), and many more. The Apollo range of interfaces has earned numerous industry awards from Sound on Sound, Future Music, and Electronic Musician — as well as the prestigious TEC Award for computer audio hardware five years running.
“Everyone assumes I use a lot of outboard gear, but with Apollo Twin and UAD plug-ins, I get incredible sounds on the go, anywhere.”
– Louis Bell (Post Malone, DJ Snake, Cardi B)
“The Apollo has some of the better preamps I've ever heard – lots of headroom, quiet at high-gains, and the converters are really sweet sounding.”
– Mick Guzauski (Daft Punk, Mariah Carey, Eric Clapton)
“Apollo is a platform that grows more powerful with every innovation – the UAD plug-in processing onboard has changed the way I work forever.”
– Tony Platt (AC/DC, Bob Marley, Buddy Guy)
“The Apollo is the best I/O we've ever used, and we've tried them all. It has an incredibly clean, transparent, and accurate sound.”
– The Glitch Mob
“Having the Apollo with UAD plug-ins at my disposal is like carrying a giant studio with outboard racks at all times. Minus the tech fees, down time, and electricity bill!”
– Andrew Dawson (Kanye West, Jay-Z, Fun.)
“The Apollo's ability to do low latency – I mean that's the whole ballgame right there.”
– Joey Waronker (Atoms for Peace, Beck, Other Lives)
“My Apollos are my sound.
Where I go, they go.”
– Trevor Lawrence Jr. (Dr. Dre, Herbie Hancock, Eminem)
“Using my Apollos and Console 2.0, I'm able to front a live mix, create a monitor mix, and record, all at the same time. That’s pretty awesome.”
– Chris Dugan (Green Day, Iggy Pop, U2)
“With the Apollo 8 in the studio and an Apollo Twin on the go, I know I've got the best sound quality and an incredible arsenal of plug-ins — wherever I'm working.”
– Jeremy Ruzumna (Fitz And The Tantrums)
“I knew about the ingredients of Apollo, but this is truly a special dish. The Apollo just set a new standard of excellence for audio interfaces, in terms of both its sound and its feature set.”
– Fab Dupont (Shakira, Santigold, Jennifer Lopez)
“UAD plug-ins are amazing...
I’ve used them on all my projects
for the last few years.”
– Dan Auerbach The Black Keys
Now with Vintage Amps
New for Apollo Twin USB is Unison technology on the front panel instrument input, giving you dead-on, impedance-matched emulations of guitar and bass amps like the Fender '55 Tweed Deluxe, Marshall Plexi Super Lead 1959, and the Ampeg B-15N Bass Amplifier.
A Sleek, Low-latency App
With Apollo Twin’s Console 2.0 application — a complete re-imagining of Apollo’s original Console software — you can take advantage of over 25 new user-requested features such as Channel Strip presets, Drag & Drop functionality, dynamically resizable windows, and more.
Apollo Twin Setup
Learn to use Apollo Twin as producer/engineer Fab Dupont (Jennifer Lopez, Mark Ronson) demonstrates basic setup, routing, and recording with UAD plug‑ins.
Apollo Artist Sessions
Watch producer/engineer Fab Dupont (Jennifer Lopez, David Crosby) record Latin superstars Monsieur Periné live in Colombia with Apollo X audio interfaces.
View All Apollo Artist Sessions
J. Sánchez Sánchez
April 28, 2022
little piece of heaven
Universal Audio...I send you my congratulations...you manage to know how to make people happy...by offering products of such a high level...please...don't change:) Happy with my Apollo...Read More
J. ter Borg
April 11, 2022
Happy with my Twin!
Had a MOTU ultralite for 10+ years, it was time for something new! Superhappy with my Twin, makes recording vocals more fun, for both the engineer and vocalist. With this hardware, a...Read More
April 8, 2022
An interface that dreams are made of!
I did many many hours of research in to interfaces before this purchase. The deal winner for me was having the ability to record and monitor my vocal performance whilst using realtime...Read More
March 24, 2022
I love this product. The best I’ve had.Read More
March 13, 2022
Quería mejorar la calidad de sonido en mis proyectos y sin dudas alguna el apollo twin usb lo ha hecho.Read More
March 11, 2022
Upgraded my mixing gsme to a whole new level!Read More
Realtime Analog Classics Bundle
With the Realtime Analog Classics plug-in bundle, you get legendary compressors like the Teletronix® LA-2A and EQs like the Pultec® EQP-1A, stunning guitar and bass amp emulations from Softube, as well as UA’s landmark 610-B Tube Preamp and EQ plug-in.
- UA 610‐B
- Marshall Plexi Classic Amplifier
- Teletronix LA‐2A Legacy
- UA 1176LN Legacy
- UA 1176SE Legacy
- Pultec EQP‐1A Legacy
- Pultec Pro Legacy
- Ampeg® SVT-VR Classic Bass Amp
- Precision Channel Strip
- Precision Reflection Engine
- Precision Delay Modulation
- Precision Delay Modulation L
- Raw Distortion
UA 610-B Tube Preamp and EQ
Impart your tracks with the iconic warmth and character of the classic hardware used to track everyone from Duke Ellington to Coldplay. By emulating the entire signal path, including tube amplifiers, transformers, and circuit nonlinearities, the 610-B Tube Preamp and EQ plug-in injects organic detail and saturation to any signal — whether you’re re-amping or tracking through the 610-B via Universal Audio’s Unison™ technology.
Marshall® Plexi Classic Amplifier
The undisputed alpha dog of rock and roll guitar amps, the Marshall “plexi” amplifier is as legendary as the music it helped create. From Jimi Hendrix to Jimmy Page, Duane Allman to Eric Clapton, the Plexi’s punishing melange of snarl, sustain, smoothness, and raunch defined the sound of rock. Developed by Softube, the Marshall Plexi Classic Amp plug-in gives you the sound of this iconic amp with a perfectly placed microphone from engineer Tony Platt who recorded AC/DC’s Back in Black and Highway to Hell.
Teletronix® LA-2A Classic Leveling Amplifier (Legacy)
With its gentle, program dependent optical compression and meticulously designed tube amplifier, the LA-2A is the go-to compressor for professional mixers around the world — especially for vocals. Incredibly easy-to-use Peak Reduction and Gain controls gives you the ideal optical compression sound for guitar, bass, drums, and more.
1176SE/LN® Classic Limiting Amplifiers (Legacy)
Get classic, ultra-fast FET compression from the world’s most recognized compressor. The 1176 will impart punch, presence, and character as well as its signature distortion overtones on drums, vocals, guitars, and bass. The 1176LN has graced countless recordings, from Led Zeppelin, to the White Stripes and Michael Jackson.
Pultec® Pro Equalizers (Legacy)
Mix with two of the most sought-after hardware EQs ever made — the MEQ-5 Midrange Equalizer and the EQP-1A Program Equalizer. Both of these tube-based icons deliver smooth and silky EQ curves with an abundance of warm analog character.
Ampeg® SVT-VR Classic Bass Amp
Introduced in 1969, the Ampeg SVT bass amp is still the reigning king of high-powered tube bass tone. Developed by Brainworx, the Ampeg SVT-VR Classic Bass Amp plug-in perfectly captures the raw power and punch that has made this the go-to amp for rock, funk, and soul players. Track in real time using Unison™ preamp technology for the tone, touch, and feel of a real SVT bass amp, or transform bland DI tracks with the thunderous roar of a stone cold classic.
Precision Mix Rack Collection
Featuring the Precision Channel Strip, Precision Reflection Engine, and Precision Delay Modulation plug-ins, the Precision Mix Rack Collection offers four modern, high-fidelity plug-ins for recording and mixing. Powerful and intuitive, Precision Mix Rack Collection gives you an impressive tool set — perfect for beginners and seasoned professionals alike.
Modeled from a vintage early-’80s Pro Co Rat, Raw Distortion delivers all the gritty dynamic raunch of the legendary stompbox. And with Unison™ technology, you can plug in to Apollo Twin, 8, or 8p’s front-panel Hi-Z instrument jack and experience the same circuit interaction, gain range, and clip points for the true tone, feel, and response of the original hardware.
RealVerb Pro is a flexible, natural sounding reverb based on UA’s own unique set of algorithms. Allowing you to design the room just as you hear it, the RealVerb Pro goes beyond simply big/small or dark/bright, giving your sources distortion-free, smoothing diffusion control and ultra-long reverb tail.
Desktop 2x6 USB 3 audio interface for Windows with world-class 24-bit/192 kHz audio conversion
Realtime UAD Processing for tracking through vintage Compressors, EQs, Tape Machines, Mic Preamps, and Guitar Amp plug-ins with near-zero (sub-2ms) latency
Includes the "Realtime Analog Classics" UAD plug-in bundle. Other UAD plug-ins sold separately.
Unison™ technology offers stunning models of classic tube and transformer-based mic preamps
USB 3 connection for easy connectivity on Windows-based recording systems
Two premium mic/line preamps; Two line outputs; front-panel Hi-Z instrument input and headphones output
Two digitally controlled analog monitor outputs for full resolution at all listening levels
Up to eight channels of additional digital input via Optical connection
Uncompromising analog design, superior components, and premium build quality
Runs UAD Powered Plug-Ins via Audio Units, VST, RTAS & AAX64 in all major DAWs
USB System Requirements
- Windows 10 64-Bit Edition
- Available built-in USB 3 SuperSpeed port*
- Intel Core i3, Core i5, Core i7, or Xeon processor*
- 6 gigabytes available storage
- USB 3.0 SuperSpeed cable (included)
- Internet connection to download software and authorize UAD plug-ins
- Compatible VST, RTAS, or AAX 64 plug-in host DAW software
- For additional compatibility information, visit help.uaudio.com
- Quad Core i7 or better recommended
- 2-in-1 systems (notebook/tablet) are not recommended
- USB 3 adapters (such as PCIe-to-USB 3 expansion cards) are not tested for Apollo Twin USB or UAD-2 Satellite USB connections
Apollo Twin USB
J. Sánchez Sánchez
little piece of heaven
Universal Audio...I send you my congratulations...you manage to know how to make people happy...by offering products of such a high level...please...don't change:)
Happy with my Apollo Twin Duo USB....I will dedicate my best effort....simply...to enjoy and achieve great goals and musical purposes.
If you are thinking of acquiring one...I can confirm that you will be able to find the highest quality in sound...the highest quality in its accessories and if we add that they are a family/team that is only interested in obtaining quality/reliability/ professional service...well...a little piece of heaven:)
You can say louder...but not clearer...simply...spectacular...no...the following :)
J. ter Borg
Happy with my Twin!
Had a MOTU ultralite for 10+ years, it was time for something new! Superhappy with my Twin, makes recording vocals more fun, for both the engineer and vocalist. With this hardware, a vocalist can hear himself/herself in a way that is more close to what it will eventually sound like in the mix. This increases immersion and allows a singer to adjust color, tone and intention to the sound of the final vocal chain, rather than the raw input. Awesome.
An interface that dreams are made of!
I did many many hours of research in to interfaces before this purchase. The deal winner for me was having the ability to record and monitor my vocal performance whilst using realtime plugins at basically zero latency. After ordering, recieving and registering I honestly couldn't be happier with its performance! It is out of this world!!!. It's given me an instant confidence boost in the studio and my workflow has hit an instant all time high. The addition of the UAD system console makes it extremely simple to use, plus the twin duos almost unlimited upgradability with plugins means l will be using this on all my recordings for a very very long time!!
After a few weeks of use I can honestly say that this is the best studio equipment purchase I have ever made by far.
Thanks UA for your genius! I'm one mega happy customer.
I love this product. The best I’ve had.
Quería mejorar la calidad de sonido en mis proyectos y sin dudas alguna el apollo twin usb lo ha hecho.
Upgraded my mixing gsme to a whole new level!
El Equipo de los Profesionales
La Compre sin duda, me encanta la calidad de sonido que aporta a mis proyectos.
Wonderful, on all counts!
I recently upgraded my home studio to an Apollo Twin. I couldn't be happier with my choice. My audio is now dependable and stable, and the USB plugins were an immediate improvement to my overall recording.
So clean, so classic
I sold my babyface pro fs and bought an apollo twin.
Working with unison completely changes the rules of the game!
Hopefully an update to vst3 will come out...
Lovely sound quality from cards and plugs. Missing one thing only; if I was buying a Mac and wanted to use this, it´s not posible...
UAD TWIN A REALLY A GREAT PRODUCT AND FULFILL ALL NEEDS AN MIX ENGINEER REQUIRED.
I HAVE ONE COMPLAINT WITH TEAM UAD WHEN I HAVE REGISTERED MY UAD HARDWARE I WAS COMPLIMENTEDRY OFFERED A PLUGIN NAMED ' BRIDGE CHORUS' AS A FREE PLUGIN... TILL DATE I HAVENOT RECEIVED MY FREE PLUGIN .
PLS CHECK AND GIVE ME MY FREE PLUGIN ' BRIDGE CHORUS'
It is an amazing gear for a start off with the vocals cant wait to upgrade and get more gears i hope uad make the apollo x6 and x8 x16 into usb ugh might not happen so i am going to have to build another pc with built in thunderbolt
Great concept and professional quality, beautiful Sound.
Great interface for Windows users
This is my third Apollo Twins that I've purchased. Used to own the Twin Duo, sold it and bought the Twin MKII Quad. Excellent interface, but I hate using Apple products. Thought it would work with my Windows rig, but to no avail. Went with another company's high end interface (Antelope Discrete 4 Synergy Core), and it works great. But I had an opportunity to get the Twin USB and I couldn't pass it up. Works like a charm. The simplicity is second to none. Set your preamp, compressor and EQ and you're good to go! I'd tell you what my vocal chain is, but nah, find it just like I did!
My only drawback on the interface is that they only come with 2 SHARC chips. Coming from a Twin Quad and from the Antelope Discrete 4 Synergy Core, the two chips are a bit of a limiter. But there's always a workaround to everything.
Who can help me ?
As we all know, in the apollo twin x duo HE version, the dynamic range is 127db, however, in this apollo twin usb duo version, the manufacturer does not have that parameter? Can anyone give me those numbers?
I really like Twin x duo HE, but having a computer that supports the thunderbolt 3 standard is still an obstacle for me (at least until 2021).
I had to think of twin USB HE
Just perfect the best that's it
Just perfect the best that's it
My new Favorite interface
I bought an Apollo Duo and an Octo USB and just couldn't be happier with them. Loads of DSP power and plugins that are so close to the hardware, its exciting. Ahh the 480L, just like I remember it in the real hardware and I can run loads of them :) Just fantastic. The preamps in the Duo are a good step up from my previous preamps and unison plugins are life like and work incredibly well.
Thank you for all the hard work UAD.
Best Interface for the Price
The quality on this thing is impeccable! Easy controls, slick design, and great plugins to go with it. I had a Scarlett 2i4 3rd Gen. before I got the Apollo and the difference is incredibly noticeable; sounds more open and clean than the Scarlett does.
Couple things I am not too fond of with the Apollo that even my Scarlett did well.
1. The main issue I have is the gain control/allowance. If you choose the wrong input on a channel, you might seriously burst an eardrum no joke. Why is there no limiter of some sort to prevent this from happening? Also the "playback cap," if you will, aka the loudness of immediate playback, is too loud. Again, there should be some sort of resilant limiter on the Apollo and/or software with a high attack and fast release so that the level right after clicking play is not so sudden and loud. Lastly, underruns from overloading are louder and more obnoxious-sounding than they should be. None of these issues were a problem on the Scarlett.
2. Gain knob appears to have an exponential rate of adjustment, meaning as you turn the knob, the more % of an increase there is. This is in contrast to a linear rate of adjustment which keeps level adjustment at a consistent 1:1 rate.
3. Hasn't helped my CPU. I'm on an i7 processor and 16gb of RAM and was hoping this Apollo would help at least some with overruns and glitches, but it almost seems to have gotten a little worse. Not a whole lot but it definitely hasn't helped any.
4. Haven't figured out adjusting delay compensation when using UAD plugins in DAW. It sounds normal during playback, but after export there is a very noticeable delay in whatever track the plugin was placed. This is prevented me from even using any of the plugins yet. I will say, however, this could be due to ignorance and I just haven't found the answer yet. Nonetheless, more support/easier means of finding a solution to this issue should be more readily accessable.
Even with these pretty hefty issues I have with the Apollo, it's still the best of the best in terms of quality for the money. I wouldn't even think about taking it back. It just seems that the options are lacking with regards to obtaining a more individualized experience. All this being said, you still won't regret the purchase. It's becoming an industry standard!