Experience the gold-standard in pro audio recording.
Our flagship Apollo x16 gives professional studios and music producers the same iconic analog tones heard on your favorite records. With 16 channels of elite-class A/D and D/A conversion — featuring the widest dynamic range of any integrated audio interface on the market — Apollo x16 seamlessly connects to your outboard analog gear or mixing console, giving your studio the perfect centerpiece in a sleek rackmount Thunderbolt 3 audio interface.
Get professional sound with the widest dynamic range and lowest noise available
Mix with powerful HEXA Core processing for running more UAD Powered Plug-Ins with near-zero latency
Link up to four Apollos for 156 channels of premium I/O and control it from Apollo Twin or x4
Easily connect to professional studio gear with 16 x 16 analog I/O via DB-25 connections, plus switchable +24 dBu headroom settings
Hear Every Detail in your Recordings
Add Analog Color in Realtime
Apollo x16 features HEXA Core processing, so you can record in realtime through a pro studio signal chain featuring included plug-ins like the Teletronix LA-2A, 1176, and Fairchild compressors, Pultec tube EQs, and more. But only Apollo lets you tap into the entire UAD plug-in library, giving you the proven hit-making sounds of Ocean Way Studios, Capitol Chambers, and over 100 more.
See Included Plug-Ins ›
Learn about Heritage Edition Plug‑Ins ›
Easily Connect your Analog Studio
Record with a Fast, Natural Workflow using LUNA
Apollo works with all major DAWs, but only LUNA Recording System gives you seamless integration with Apollo, for big analog studio sound — in realtime — using a host of built-in features and extensions from API console modeling to genuine Neve summing and integrated Studer tape.
Learn more about LUNA ›
Your New Analog Studio, Expanded
Link up to four Apollos and add 156 channels of premium I/O as your studio grows, and control it all from your desktop using Apollo Twin or x4.
Create Professional Immersive Audio Mixes
UAD Plug-Ins vs. Analog Hardware
Watch Grammy-award winning producer Jacquire King (Tom Waits, Kings of Leon) put UAD plug‑ins to the test in a live session featuring electronic-soul artist Jamie Lidell.
“I love my new Apollo x8p! I can mix without worrying about the amount of plug-ins I use, and the new converters reveal the most subtle details when I record. One of the best upgrades that I’ve added in a long time.”
– Derek ‘MixedByAli’ Ali (Kendrick Lamar, SZA, Childish Gambino)
“I'm really impressed with the Apollo X8. I hear more detail in the several sets of monitors I use, and I'm getting that little bit extra out of the Unison mic pre emulations – and they were already extremely close.”
– Jacquire King (James Bay, Kings of Leon, Tom Waits)
“This is the best-sounding Universal Audio D/A ever. By far. It has an extra octave of clear bottom, but it's not hyped. It's just very solid and full. It's like there’s no converter generated signature at all. It’s completely open and natural.”
– Fab Dupont (David Crosby, Shakira, Santigold)
“My Apollos are my sound.
Where I go, they go.”
– Trevor Lawrence Jr. (Dr. Dre, Herbie Hancock, Eminem)
“Apollo is a platform that grows more powerful with every innovation – the UAD plug-in processing onboard has changed the way I work forever.”
– Tony Platt (AC/DC, Bob Marley, Buddy Guy)
“The Apollo is the best I/O we've ever used, and we've tried them all. It has an incredibly clean, transparent, and accurate sound.”
– The Glitch Mob
“I’m totally blown away by the stunning sound quality of the Apollo. The ability to use UAD plug-ins in real-time is pure genius. It’s the centerpiece of my new studio.”
– Richard Devine
“The Apollo's ability to do low latency – I mean that's the whole ballgame right there.”
– Joey Waronker (Atoms for Peace, Beck, Other Lives)
“The Apollo is a powerhouse and a game changer for my studio.”
“Using my Apollos and Console 2.0, I'm able to front a live mix, create a monitor mix, and record, all at the same time. That’s pretty awesome.”
– Chris Dugan (Green Day, Iggy Pop, U2)
“Having the Apollo with UAD plug-ins at my disposal is like carrying a giant studio with outboard racks at all times. Minus the tech fees, down time, and electricity bill!”
– Andrew Dawson (Jay-Z, Fun.)
“Apollo's A/D and D/A conversion sounds incredibly detailed, with great clarity and a tight, punchy low end. And with the Console 2.0 app, I have all of the routing and monitoring options I need.”
– Dave Pensado (Justin Timberlake, Beyoncé, Maroon 5)
“The Apollo x8p is the workhorse for the majority of our mobile sessions. The flexibility is crucial to our workflow and once you’re familiar with the front panel controls and Console software, it becomes a seamless experience that allows you to truly craft your sound.”
– Mike Larson (Pharrell, Ariana Grande, Migos)
Compare Apollo Models
18 x 20 Thunderbolt 3 audio interface with class-leading 24-bit/192 KHz conversion (backwards compatible with Thunderbolt 1 & 2 on Mac)
HEXA Core Realtime UAD Processing for tracking through UAD plug-ins at near-zero latency, regardless of audio buffer size
Selectable +24 dBu operation for easy compatibility with professional mixing consoles and tape machines
Produce with LUNA Recording System — a fully-integrated recording application for Apollo (Mac/Thunderbolt)
Create 16-channel immersive audio mixes for Dolby Atmos, Auro-3D, Sony 360 Reality Audio, and others.
Combine up to 4 Thunderbolt-equipped Apollos and 6 total UAD devices
Includes the "Realtime Analog Classics Plus" UAD plug-in bundle. Other UAD plug-ins sold separately.
Runs UAD Powered Plug-Ins via VST, Audio Units, and AAX in all major DAWs
Convenient front panel monitoring functions including Alt Speakers, Talkback mic, and assignable Dim or Mono
Uncompromising UA analog design, superior components, and premium build quality
Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers
For system requirements, go here.*Apollo x16 includes the “Realtime Analog Classics Plus” UAD plug-in bundle. Other UAD plug-ins sold separately at www.uaudio.com. All trademarks are property of their respective owners.
February 9, 2024
Ultra clean. Flawless design.Read More
December 28, 2023
Cách tay đắc lực giúp tôi làm việc tốt hơn :)Read More
December 28, 2023
Cách tay đắc lực giúp tôi làm việc tốt hơn :)Read More
December 25, 2023
sound super, very precise and clean interface for recording ,Dolby Atmos superRead More
October 12, 2023
October 9, 2023
Apollo x16 Will be legend..
It has fairly clean sound, solid bass, and punchy power. This product will be a great help in my music work.Read More
Realtime Analog Classics Plus Bundle
With the Realtime Analog Classics Plus plug-in bundle, you not only get legendary compressors such as the Fairchild® 670 and EQs like the Pultec® EQP-1A, but also stunning guitar and bass amp emulations from Softube, and UA’s landmark 610-B Tube Preamp and EQ plug-in.
- UA 610‐B
- Marshall Plexi Classic Amplifier
- Fairchild 670 Legacy
- Teletronix LA‐2A Legacy
- UA 1176LN Legacy
- UA 1176SE Legacy
- Pultec EQP‐1A Legacy
- Pultec Pro Legacy
- Ampeg® SVT-VR Classic Bass Amp
- Precision Channel Strip
- Precision Reflection Engine
- Precision Delay Modulation
- Precision Delay Modulation L
- UA Precision Enhancer Hz
- Raw Distortion
UA 610-B Tube Preamp and EQ
Impart your tracks with the iconic warmth and character of the classic hardware used to track everyone from Duke Ellington to Coldplay. By emulating the entire signal path, including tube amplifiers, transformers, and circuit nonlinearities, the 610-B Tube Preamp and EQ plug-in injects organic detail and saturation to any signal — whether you’re re-amping or tracking through the 610-B via Universal Audio’s Unison™ technology.
Marshall® Plexi Classic Amplifier
The undisputed alpha dog of rock and roll guitar amps, the Marshall “plexi” amplifier is as legendary as the music it helped create. From Jimi Hendrix to Jimmy Page, Duane Allman to Eric Clapton, the Plexi’s punishing melange of snarl, sustain, smoothness, and raunch defined the sound of rock. Developed by Softube, the Marshall Plexi Classic Amp plug-in gives you the sound of this iconic amp with a perfectly placed microphone from engineer Tony Platt who recorded AC/DC’s Back in Black and Highway to Hell.
Fairchild® 670 (Legacy)
The world’s most coveted compressor, the classic Fairchild 670 tube limiter will give your tracks and mixes unmistakable tube warmth and character. Whether you’re looking for subtle compression on a lead vocal, or grittier textures that can work on guitars, bass, or a drum bus, the Fairchild 670 plug-in adds a classic “glow” to anything you run through it.
Teletronix® LA-2A Classic Leveling Amplifier (Legacy)
With its gentle, program dependent optical compression and meticulously designed tube amplifier, the LA-2A is the go-to compressor for professional mixers around the world — especially for vocals. Incredibly easy-to-use Peak Reduction and Gain controls gives you the ideal optical compression sound for guitar, bass, drums, and more.
1176SE/LN® Classic Limiting Amplifiers (Legacy)
Get classic, ultra-fast FET compression from the world’s most recognized compressor. The 1176 will impart punch, presence, and character as well as its signature distortion overtones on drums, vocals, guitars, and bass. The 1176LN has graced countless recordings, from Led Zeppelin, to the White Stripes and Michael Jackson.
Pultec® Pro Equalizers (Legacy)
Mix with two of the most sought-after hardware EQs ever made — the MEQ-5 Midrange Equalizer and the EQP-1A Program Equalizer. Both of these tube-based icons deliver smooth and silky EQ curves with an abundance of warm analog character.
Ampeg® SVT-VR Classic Bass Amp
Introduced in 1969, the Ampeg SVT bass amp is still the reigning king of high-powered tube bass tone. Developed by Brainworx, the Ampeg SVT-VR Classic Bass Amp plug-in perfectly captures the raw power and punch that has made this the go-to amp for rock, funk, and soul players. Track in real time using Unison™ preamp technology for the tone, touch, and feel of a real SVT bass amp, or transform bland DI tracks with the thunderous roar of a stone cold classic.
Precision Mix Rack Collection
Featuring the Precision Channel Strip, Precision Reflection Engine, and Precision Delay Modulation plug-ins, the Precision Mix Rack Collection offers four modern, high-fidelity plug-ins for recording and mixing. Powerful and intuitive, Precision Mix Rack Collection gives you an impressive tool set — perfect for beginners and seasoned professionals alike.
UA Precision Enhancer Hz
Expertly dial-in your music’s low-end frequencies with the Precision Enhancer Hz plug-in. Able to yield exacting results with minimal adjustment, the Precision Enhancer Hz can add weight to kick drum samples, fatten up a synth bass, or simply make the low-end of your tracks more audible on smaller speakers.
Modeled from a vintage early-’80s Pro Co Rat, Raw Distortion delivers all the gritty dynamic raunch of the legendary stompbox. And with Unison™ technology, you can plug in to Apollo Twin, 8, or 8p’s front-panel Hi-Z instrument jack and experience the same circuit interaction, gain range, and clip points for the true tone, feel, and response of the original hardware.
RealVerb Pro is a flexible, natural sounding reverb based on UA’s own unique set of algorithms. Allowing you to design the room just as you hear it, the RealVerb Pro goes beyond simply big/small or dark/bright, giving your sources distortion-free, smoothing diffusion control and ultra-long reverb tail.
Ultra clean. Flawless design.
Cách tay đắc lực giúp tôi làm việc tốt hơn :)
Cách tay đắc lực giúp tôi làm việc tốt hơn :)
sound super, very precise and clean interface for recording ,Dolby Atmos super
Apollo x16 Will be legend..
It has fairly clean sound, solid bass, and punchy power.
This product will be a great help in my music work.
The quirks of the Apollo X16
After four days and an inability to properly assign DOLBY ATMOS speakers or in fact get all lines in an ATMOS 7.1.4 configuration functioning, I gave up and reassigned all channels in 10 minutes to my SSL alpha link via a madi usb. The internet responses from UAD were referrals to member chat sites with no real ATMOS information or speaker config information from the company. The manual is useless in the ATMOS linkage department. I have been a fan of UAD for years but believe you have dropped the ball in customer service in a possible exchange for higher profit margins - a current world business model. Good luck with that. I took my X16 back for a full refund. Very disappointed. I am not sure if you jumped the gun in promoting the X16 Thunderbolt as a brilliant and cheap DOLBY ATMOS interface with LOGIC DOLBY ATMOS.
Amazing gear for Atmos
I haven’t been able to take full advantage of this yet, but, it’s one of the cheapest interfaces out there right now to get into Atmos. Being a UA customer anyway, made total sense to make the jump to the X16. The only drawback is I owned all but one of the plugins. So paying the price was not entirely great value as if it would have been my first UA unit. I still think it’s good value for the equipment, specially cause I got it on special.
Plugin “deal” is a joke
The Apollo x16 is great, but you overpay on the promise that you’ll get 10 free “premium” plugins. That’s a lie. Basically all I’m being offered is to own what I already have, but in native. Why would I want to own the same thing twice after being told I have to buy all the processing power? I have an Octo satellite, an X8 and a X16 and this has left a seriously bad taste, I want to bin it all. Even if they let you swap all 10 plugins “precision Eq, precision comp” etc for an actual interesting plugin, that would be better. Unfortunately it seems like universal audio are going the way of apple and pretending to give you stuff while actually withholding anything useful. Seriously unimpressed.
excellent and functional
I have been using Apollo X16 for half a year and I have been very satisfied with my purchase. I use the Apollo mainly together with the Neven 1073 Opx and I couldn't be happier.
I got this to expand my capabilities as I already purchase the Apollo x and was very happy with it. Now it’s like having a recording studio in 1 rack unit
So good I need 2.
I came here from a Gen-1 Orion32 (9+ years), and I miss the simple i/o and the extra 16 channels. However, once I wrapped my head around Apollo's mixer and figured out the messed up way Pro Tools needs to be routed, something is just working for me. Not only can I route out to my hardware with just as much ease, but the latency is reduced and the converters feel like a bit of a step up. What else can I say, really. For the price I'd prefer more bells and whistles, but it's an investment I REALLY am satisfied with. I trust it top to bottom, which is not something I've ever been able to say before.
Tremendous piece of gear
Paired this with two additional Apollos with ADAT functionality so plenty of options to work with, but the x16 is a beast. Crystal clear, tons of DSP for both recording and mixing, 5 stars for sure.
Running this through my Neve 5059 and a stereo back into my X8, and it sounds amazing. To not be able to get a credit on some plugs when you have the legacy is a major minus when you buy at this price range.
What else can you dream of…
No Immersive Audio Support
We did a demo with an x16. Great sounding unit. We currently own multiple Apollo's and external dsp satellite units. You have to spend an additional 3k minimum for 7.1.4 monitoring. It should be easy to add that capability to this unit. We requested it at AES in 2019. With Logic, Nuendo and PT all featuring Dolby Atomos, the x16 would be a natural.
Great product but it would be great if this product has madi or adat conection
It is great but it is sad that this product has no Madi or Adat connection. (like Apollo 16)
This piece of equipment has given me an ultra clean recording experience. I can hear exactly what i am playing going through the X16 sounds the same when its played back.
E. LOPES DE OLIVEIRA
Great! Saved me a lot of time. I have taken my projects to another level. Might buy another one.