Elite Audio Conversion with New HEXA Core Processing and Surround Sound.
Apollo x6 allows music producers and post-production studios to track, overdub, and mix with elite-class A/D and D/A conversion, HEXA Core UAD plug-in processing, Dual-Crystal clocking, and 5.1 surround sound monitoring — all in a sleek rackmount Thunderbolt 3 audio interface for Mac or Windows.
Built upon UA’s 60-year heritage of audio craftsmanship, this 16 x 22 interface easily outperforms everything in its class with two Unison™-enabled mic preamps, all-new HEXA Core processing — yielding 50% more DSP for running UAD Powered Plug-Ins in real time — plus it includes LUNA Recording System, giving you a fully-integrated music production application.
Record with elite-class A/D and D/A conversion — nearing the widest dynamic range and lowest noise available, at any price
Mix with powerful HEXA Core processing, featuring 6 UAD DSP chips for running more UAD Powered Plug-Ins in real time
Track with near-zero latency through Unison™ preamp emulations from Neve,® API,® Manley,® Helios,® Fender,® and more†
Includes LUNA Recording System — a fully-integrated and inspiring music production application
Elite-Class A/D and D/A Conversion
With thousands of hit songs and hundreds of Grammy-winning albums under their belt, Apollo interfaces are no strangers to tracking stellar-sounding records. To improve on the previous generation Apollo interfaces’ class-leading audio conversion, UA engineers obsessively auditioned the latest A/D and D/A converters — ultimately pairing elite-class 24-bit/192 kHz converters with all-new analog circuitry for an ultra-pristine signal path.
The Apollo X series also introduces new Dual-Crystal clocking — featuring dedicated crystals for 44.1/88.2/176.4k and 48/96/192k sample rates — resulting in stunningly low jitter, measured at less than 10 picoseconds. This translates into pure, artifact-free recordings and solid stereo imaging you can trust.
With 129 dB dynamic range and -119 dB THD+N, Apollo x6’s open, natural sound rivals any dedicated high-end converter on the market — regardless of price — and is the perfect starting point for applying UAD processing.
Realtime UAD HEXA Core Processing
Apollo x6 features HEXA Core processing, with six DSP chips and 50% more UAD plug-in processing power than previous Apollos. This lets you run more UAD plug-ins, whether you’re tracking in real time with channel strips from Neve, Manley, or API, or running high UAD plug-in counts when mixing in your DAW.
From the tube warmth of Pultec EQs on guitars to the musical tube limiting of the LA-2A on vocals, or the pump of a genuine 1176 or Fairchild 670 tube compressor on drums, your recordings will take a giant leap forward with a rich, three-dimensional analog sound that UAD plug‑ins provide.
Unison Technology: The Genuine Sound of Neve, API & Manley Preamps
Perfect for electronic musicians and post production professionals who don’t require tons of mic inputs, Apollo x6 features two Unison-enabled mic preamps, letting you track through exacting mic preamp emulations from Neve, API, Manley, Helios, SSL, and Universal Audio. A Universal Audio exclusive, Unison technology nails the tone of these sought-after tube and solid state mic pres — including their input impedance, gain stage “sweet spots,” and the component-level circuit behaviors of the original hardware.
The secret to Unison is its hardware-software integration between Apollo’s mic preamps and its onboard HEXA Core DSP Acceleration. Simply place a Unison preamp plug-in on your mic input in Apollo Console software, and it physically reconfigures the Apollo interface's impedance — so you can tap into the classic sounds of the world’s most recorded mic preamps.
Watch the Unison Shoot Out
What happens when you put Apollo’s Unison preamp models up against their vintage analog counterparts? Producer Jacquire King (Tom Waits, Kings of Leon) finds out at the legendary Blackbird Studios in Nashville.
A Full Suite of Classic
Analog Processing Onboard
A hallmark feature of Apollo is its Realtime UAD Processing, letting you run the full library of UAD plug-ins with near-zero latency. Apollo x6 includes the Realtime Analog Classics Plus plug-in bundle, so you can record and mix with the world’s only authentic Teletronix LA-2A, 1176LN, and Fairchild compressors, the Unison-enabled UA 610-B Tube Preamp & EQ, and iconic guitar and bass amps from Marshall and Ampeg.
See Included Plug-Ins | Watch the live tracking video
Access the World of UAD Powered Plug-Ins
Going beyond the included Realtime Analog Classics Plus plug-ins, Apollo x6 lets you tap into the full UAD Powered Plug-In library of legendary vintage EQs, compressors, reverbs, tape machines, channel strips, and more — at near-zero latency, regardless of your audio software’s buffer size and without taxing your computer’s CPU.
With exclusive emulations from Neve, Studer, Manley, Helios, API, Ampex, SSL, Lexicon, Fender, and more,† it’s like having a studio full of iconic analog gear, in a single rack space. And unlike competing interfaces, these award-winning DSP-powered plug-ins are also available in your DAW for mixing.
†Apollo x6 includes the “Realtime Analog Classics Plus” UAD plug-in bundle. Other UAD plug-ins sold separately at www.uaudio.com.
LUNA Recording System
Deep Apollo Integration with a Fast, Natural Workflow
Apollo X series interfaces work with all major DAWs. But they become a fully integrated recording system with LUNA, Universal Audio’s groundbreaking music production application for Mac. Harness LUNA’s Accelerated Realtime Monitoring™ and power your workflow with a host of built-in features and optional extensions — from genuine Neve summing and integrated Studer tape, to inspiring LUNA instruments, and more.
Surround Sound, Talkback, and More
The Apollo x6 features built-in front-panel monitoring functions including a Talkback mic, Alt Speakers, and assignable Dim or Mono control. Plus, with its comprehensive 5.1 surround monitoring support, Apollo x6 is a boon for engineers and producers working on audio and music for video games, television, and the web. In addition, Apollo x6 offers selectable +24 dBu operation for out-of-the-box compatibility with professional mixing consoles and other high-end pro audio equipment.
Build an Expanded Studio System Over Thunderbolt
Apollo x6 offers 16 x 22 simultaneous inputs/outputs (6 x 6 analog I/O) and two built-in Thunderbolt 3 ports. This allows users of any Thunderbolt-equipped Apollo Twin or Apollo rackmount audio interfaces to easily combine up to four Apollos and six total UAD-2 devices — adding fast, high-bandwidth I/O and DSP as your studio grows.
Apollo X Tech Talk
Universal Audio’s Senior Product Manager, Gannon Kashiwa dives deep into the key features, specs, and development behind the latest generation of Apollo audio interfaces.
“I love my new Apollo x8p! I can mix without worrying about the amount of plug-ins I use, and the new converters reveal the most subtle details when I record. One of the best upgrades that I’ve added in a long time.”
– Derek ‘MixedByAli’ Ali (Kendrick Lamar, SZA, Childish Gambino)
“WOW! I thought the second-generation Apollos were great, but these new Apollo X models sound so good, they will redefine the way records are made.”
– Jacquire King (James Bay, Kings of Leon, Tom Waits)
“This is the best-sounding Universal Audio D/A ever. By far. It has an extra octave of clear bottom, but it's not hyped. It's just very solid and full. It's like there’s no converter generated signature at all. It’s completely open and natural.”
– Fab Dupont (David Crosby, Shakira, Santigold)
Apollo: The Choice of New-School Professionals
Apollo is the confirmed choice of hit-making professionals, used to record landmark albums by Kendrick Lamar (DAMN.), Chris Stapleton (From A Room: Volume 1), Arcade Fire (Everything Now), Post Malone (Beerbongs & Bentleys), and many more. The Apollo range of interfaces has earned numerous industry awards from Sound on Sound, Future Music, and Electronic Musician — as well as the prestigious TEC Award for computer audio hardware five years running.
Apollo Artist Sessions
Watch producer/engineer Fab Dupont (Jennifer Lopez, David Crosby) record Latin superstars Monsieur Periné live in Colombia with Apollo X audio interfaces.
View All Apollo Artist Sessions
August 7, 2020
Best interface i ever bought!
Love my x6, great sounding interface well worth the price tag. Its worth it for the plugins alone.Read More
July 26, 2020
I changed from ID44 and was amazing upgrade for every aspect. highly recommend itRead More
July 25, 2020
I run it on a pc and it flows like water. Plugins are worth every penny you pay for them. When I pulled it out tha box it was like getting a new car. That's what a quality...Read More
July 23, 2020
Over 30 years I have purchased equipment in the thousands Apollo x6 Is the best musical piece of gear I have ever purchased it...Read More
July 17, 2020
I'm loving my x6, the sound that comes out of this box is stunning and the integration with Luna is priceless.Read More
July 15, 2020
The Difference is Palpable
This is my second interface from UA (upgraded from Apollo Twin X, but still have it). Clean sound, great processing power for...Read More
Realtime Analog Classics Plus Bundle
With the Realtime Analog Classics Plus plug-in bundle, you not only get legendary compressors such as the Fairchild® 670 and EQs like the Pultec® EQP-1A, but also stunning guitar and bass amp emulations from Softube, and UA’s landmark 610-B Tube Preamp and EQ plug-in.
- UA 610‐B
- Marshall Plexi Classic Amplifier
- Fairchild 670 Legacy
- Teletronix LA‐2A Legacy
- UA 1176LN Legacy
- UA 1176SE Legacy
- Pultec EQP‐1A Legacy
- Pultec Pro Legacy
- Ampeg® SVT-VR Classic Bass Amp
- Precision Channel Strip
- Precision Reflection Engine
- Precision Delay Modulation
- Precision Delay Modulation L
- UA Precision Enhancer Hz
- Raw Distortion
UA 610-B Tube Preamp and EQ
Impart your tracks with the iconic warmth and character of the classic hardware used to track everyone from Duke Ellington to Coldplay. By emulating the entire signal path, including tube amplifiers, transformers, and circuit nonlinearities, the 610-B Tube Preamp and EQ plug-in injects organic detail and saturation to any signal — whether you’re re-amping or tracking through the 610-B via Universal Audio’s Unison™ technology.
Marshall® Plexi Classic Amplifier
The undisputed alpha dog of rock and roll guitar amps, the Marshall “plexi” amplifier is as legendary as the music it helped create. From Jimi Hendrix to Jimmy Page, Duane Allman to Eric Clapton, the Plexi’s punishing melange of snarl, sustain, smoothness, and raunch defined the sound of rock. Developed by Softube, the Marshall Plexi Classic Amp plug-in gives you the sound of this iconic amp with a perfectly placed microphone from engineer Tony Platt who recorded AC/DC’s Back in Black and Highway to Hell.
Fairchild® 670 (Legacy)
The world’s most coveted compressor, the classic Fairchild 670 tube limiter will give your tracks and mixes unmistakable tube warmth and character. Whether you’re looking for subtle compression on a lead vocal, or grittier textures that can work on guitars, bass, or a drum bus, the Fairchild 670 plug-in adds a classic “glow” to anything you run through it.
Teletronix® LA-2A Classic Leveling Amplifier (Legacy)
With its gentle, program dependent optical compression and meticulously designed tube amplifier, the LA-2A is the go-to compressor for professional mixers around the world — especially for vocals. Incredibly easy-to-use Peak Reduction and Gain controls gives you the ideal optical compression sound for guitar, bass, drums, and more.
1176SE/LN® Classic Limiting Amplifiers (Legacy)
Get classic, ultra-fast FET compression from the world’s most recognized compressor. The 1176 will impart punch, presence, and character as well as its signature distortion overtones on drums, vocals, guitars, and bass. The 1176LN has graced countless recordings, from Led Zeppelin, to the White Stripes and Michael Jackson.
Pultec® Pro Equalizers (Legacy)
Mix with two of the most sought-after hardware EQs ever made — the MEQ-5 Midrange Equalizer and the EQP-1A Program Equalizer. Both of these tube-based icons deliver smooth and silky EQ curves with an abundance of warm analog character.
Ampeg® SVT-VR Classic Bass Amp
Introduced in 1969, the Ampeg SVT bass amp is still the reigning king of high-powered tube bass tone. Developed by Brainworx, the Ampeg SVT-VR Classic Bass Amp plug-in perfectly captures the raw power and punch that has made this the go-to amp for rock, funk, and soul players. Track in real time using Unison™ preamp technology for the tone, touch, and feel of a real SVT bass amp, or transform bland DI tracks with the thunderous roar of a stone cold classic.
Precision Mix Rack Collection
Featuring the Precision Channel Strip, Precision Reflection Engine, and Precision Delay Modulation plug-ins, the Precision Mix Rack Collection offers four modern, high-fidelity plug-ins for recording and mixing. Powerful and intuitive, Precision Mix Rack Collection gives you an impressive tool set — perfect for beginners and seasoned professionals alike.
UA Precision Enhancer Hz
Expertly dial-in your music’s low-end frequencies with the Precision Enhancer Hz plug-in. Able to yield exacting results with minimal adjustment, the Precision Enhancer Hz can add weight to kick drum samples, fatten up a synth bass, or simply make the low-end of your tracks more audible on smaller speakers.
Modeled from a vintage early-’80s Pro Co Rat, Raw Distortion delivers all the gritty dynamic raunch of the legendary stompbox. And with Unison™ technology, you can plug in to Apollo Twin, 8, or 8p’s front-panel Hi-Z instrument jack and experience the same circuit interaction, gain range, and clip points for the true tone, feel, and response of the original hardware.
RealVerb Pro is a flexible, natural sounding reverb based on UA’s own unique set of algorithms. Allowing you to design the room just as you hear it, the RealVerb Pro goes beyond simply big/small or dark/bright, giving your sources distortion-free, smoothing diffusion control and ultra-long reverb tail.
Apollo x6 Features & Specs
- 16 x 22 Thunderbolt 3 audio interface with class-leading 24-bit/192 KHz conversion (backwards compatible with Thunderbolt 1 & 2 on Mac)
- Realtime UAD HEXA Core Processing for tracking through UAD plug-ins at near-zero latency, regardless of audio buffer size
- Record through 2 Unison-enabled mic/line preamps — giving you fully authentic preamp emulations from Neve, API, Manley, SSL, and more†
- Produce with LUNA Recording System — a fully-integrated recording application made for Apollo (Mac/Thunderbolt)
- Surround monitor controller up to 5.1 format
- Includes the "Realtime Analog Classics Plus" UAD plug-in bundle. Other UAD plug-ins sold separately.
- UAD HEXA Core processing onboard for additional mixing horsepower for Pro Tools, Logic, Cubase, Ableton, and other major DAWs
- Combine up to 4 Thunderbolt-equipped Apollos and 6 total UAD devices
- Selectable +24 dBu operation for easy compatibility with professional mixing consoles and tape machines
- Convenient front panel monitoring functions including Alt Speakers, Talkback mic, and assignable Dim or Mono
- Free, industry-leading technical support — on the phone and online — from knowledgeable audio engineers
Inputs Line Inputs 6 Balanced ¼" TRS Microphone Inputs 2 Balanced XLR Instrument (Hi-Z) Inputs 2 Unbalanced ¼" TS Digital Inputs (Optical TOSLINK) ADAT: 8 channels @ 44.1 – 96 kHz
ADAT: 4 channels @ 176.4 – 192 kHz
Digital Inputs (RCA) S/PDIF: 2 channels @ 44.1 – 192 kHz A to D Conversion Mic Preamps Dynamic Range: 122 dB (A-weighted)
THD+N: -115 dB (0.00019%)
Frequency Response: 20 Hz – 20 kHz, ±0.05 dB
Line Inputs Dynamic Range: 123 dB (A-weighted)
THD+N: -113 dB (0.00022%)
Frequency Response: 20 Hz – 20 kHz, ±0.04 dB
Outputs Line Outputs 6 Balanced ¼" TRS Monitor Outputs 2 Balanced ¼" TRS Headphone Outputs 2 Stereo ¼" TRS Digital Outputs (Optical TOSLINK) ADAT: 8 channels @ 44.1 – 96 kHz
ADAT: 4 channels @ 176.4 – 192 kHz
Digital Outputs (RCA) S/PDIF: 2 channels @ 44.1 to 192 kHz D to A Conversion Line Outputs Dynamic Range: 127 dB (A-weighted)
THD+N: -118 dB (0.00011%)
Frequency Response: 20 Hz – 20 kHz, ±0.07 dB
Monitor Outputs Dynamic Range: 129 dB (A-weighted)
THD+N: -118 dB (0.00012%)
Frequency Response: 20 Hz – 20 kHz, ±0.06 dB
Headphone Outputs Dynamic Range: 125 dB (A-weighted)
THD+N: -102 dB (0.00080%)
Frequency Response: 20 Hz – 20 kHz, ±0.05 dB
Apollo X Series System Requirements
- Thunderbolt 3 cable (not included)
- Internet connection to download software and authorize UAD plug-ins
- 6 gigabytes available storage
- Quad Core i7 or better processor recommended
- For additional compatibility information, visit help.uaudio.com
- Available Thunderbolt 1, 2, or 3 port
- Thunderbolt 1 and 2 connections require an Apple Thunderbolt 3 to Thunderbolt 2 Adapter (not included)
- macOS 10.12 Sierra, 10.13 High Sierra, 10.14 Mojave, or 10.15 Catalina
- Available Thunderbolt 3 port
- Windows 10 (64-Bit Edition)
Best interface i ever bought!
Love my x6, great sounding interface well worth the price tag. Its worth it for the plugins alone.
I changed from ID44 and was amazing upgrade for every aspect. highly recommend it
I run it on a pc and it flows like water. Plugins are worth every penny you pay for them. When I pulled it out tha box it was like getting a new car. That's what a quality product supposed to look and feel like when u pay a grip for it. Keep up tha good work
Over 30 years I have purchased equipment in the thousands Apollo x6 Is the best musical piece of gear I have ever purchased it has changed the way I record track and mix music thank you UA
I'm loving my x6, the sound that comes out of this box is stunning and the integration with Luna is priceless.
The Difference is Palpable
This is my second interface from UA (upgraded from Apollo Twin X, but still have it). Clean sound, great processing power for mixing/mastering with UAD plug-ins. Being able to "daisy-chain" the x6 and Twin X is awesome; providing more processing and increases available inputs. This integration really extends the value of both units.
Best Studio Investment In Years
I changed my studio configuration from a digital mixer/ interface/ control surface That I bought 13 years ago, to the X6 and a control surface. I was reluctant because my all in time one mixer worked great in many different circumstances. However, when a few of my friends started singing the praises of the Universal Audio product line, I had to do some exploring. When I discovered how the X6 has its own processing power and the incredible line of plugins, I just had to try it. I had also purchased a U/A 610 Mic Pre (hardware device) a few weeks prior. I must say that between these two purchases, my recordings have moved to another level. Even the projects I’ve previously recorded sound better going through the U/A circuitry. I’m really blow away by the sound quality of the X6 by itself, but when you add the plugins, you get an entire new world of upgrades. I can honestly say that this is the best studio investment I’ve made in years. Thanks Universal Audio! To you I tip my hat!!!
Slimmed down from an entire studio
I've gone from an Apogee Symphony and full rack of gear to this x6 and I couldn't be happier with it. I use this alongside an Arrow for mobile and I have an Octo satellite.
Doubt I'll ever go back to patch bays and outboard now.
Everything you could want!
For a small studio setup where I would not use anymore than 2 mics at one time, this unit is perfect. Rack mounted, with 2 Hi-z inputs direct on the face, the pre amp is world class, and the unison pre amps... awesome. Customisable to whatever sound you’re trying to create. With multiple outs for monitor system or 5.1, this unit is the single Best improvement I’ve made to my studio. Thanks to the UA team for world class plugins and hardware. This is definitely the beginning of a loyal relationship with UA.
Didn't know what I was missing!
Have you ever thought you had a great set up only to upgrade and that everything you thought you loved about your set up was a pale comparison to your new gear? Well that is how I feel now that I've had some time to work with my new Apollo x6 and the plugins that came with it plus a 10 pack which actual was 13 because I had just bought the interface. Now some of these plugins I had versions of from other plugin makers and there simply is no comparison. The quality is just so much more from the x6's case to the solid parts from knobs to power switch. Everything is solid and well worth every penny I spent on this upgrade. The 6 cores that come with it will probably be enough for now, though I do see myself getting a satellite for songs with larger track numbers, especially for mixing other peoples music. However, when recording my own just the ability to write the sounds while recording without having any latency will save a ton of processing power when it comes to the final mix down of my original music and of course the music that I also record for others. That is smaller in number that ones that I mix and/or master but you get the idea. The only negative thing I would have to say has to do with LUNA! Granted it is there newest software and it is obvious that they need to add many of the features of all the big recording software titles but I wouldn't doubt for a second that they will continue to upgrade this software as well so that it out performs the others in that way as well. As far as recording tracks with it it works great, however, if your mixing something that you need a lot of plugins your going to run out of processing power and it doesn't seem to have a normal track freeze or bounce capabilities. Now it is possible to write the track to a file with effects and then load that file back into LUNA which so far seems to be a royal pain in the ass but as I said before I am sure that these types of features will not be long coming!
End note: Don't believe what you have is enough! This blows away pretty much everything with the exception of perhaps ProTools and lets face it their prices are so far out of line that it's ridiculous to even consider them unless your running a multi-million dollar studio and even then I'm not sure I would go with them simply because there effects package isn't something you truly own. If you want the upgrades it's $1000/year! With UAD you own your plugins and the updates come with the product. Really isn't a choice if you ask me!
Amazing unit - you guys should include a Thunderbolt cable though!
This is a fantastic piece of gear - the conversion is beautiful, and my mics and outboard pre's have never sounded so sweet! It's very annoying that it doesn't ship with the required Thunderbolt 3 cable however - at this price point, you guys could afford to toss one in the box with the gear!
S. Ouled Barka
Super convertisseur !
C'est un super convertisseur ! la qualité de fabrication est irréprochable, aucun compromis sur la qualité de conversions, le produit est élégant, c'est un plaisir de travailler avec !
I own a 27”imac, 2012, 3.4 i7 processor, 32g ram, OS X Mojave.
The sound quality Is noticeably crisp and warm. I owned a older uad FireWire interface that to me didn’t have a warm sound but still produced fantastic quality and great reliability. When I upgraded to the Apollo X6, I was instantly blown away by the sound as I played songs from iTunes, I play a large amount of genre’s to hear how the interface react to them, I could hear the warm sound perfect through my studio monitors on all of the songs. The processing is super fast through the thunderbolt connections and I instantly fell in love with the sound quality and fast performance. Installing and registering was a breeze. The X serious is definitely worth the purchase. Thank you!
Big Improvement over the last generation of Apollo.
Surround Sound with Apollo
bought the X6 to be able to mix in surround 5.1. Have been a long time Apollo User, and it sounds just great www.unicorndigital.net
Constant Troubleshooting (do not buy unless you have a new computer)
I purchased an Apollo X6, along with a UAD accelerator and about $1000 worth of plugins. I was hoping it would be a great way to upgrade my recording setup and offload processing to the Apollo, freeing up the computer's CPU- NOPE. Since I purchased this and have been using the plugins in Luna and Pro Tools it's been nothing but CONSTANT troubleshooting. I've been nearly in tears on several occasions because of the frustration after spending so much money and having a setup that simply doesn't work.
I've expressed this to Brandon at customer service and have been met with indifferent technical responses asking for more system information, which I'd then provide, and would then be met with more technical questions. I don't feel heard as a customer or that they acknowledged how incredibly disheartening and frustrating this has been as someone new to their company. I got the feeling my responses were being glanced at, and was asked questions like "did you uninstall it?" and asked to repeat information I'd already provided. Oh, and don't expect to reach them on their phone support line and talk to a human - it's closed. The lackluster, robotic customer service was disheartening and I didn't get the impression they really cared. After spending thousands of dollars on their ecosystem that really hurts.
I would recommend this unit ONLY if you have a newer computer - my MacBook Pro (quad-core 2.6ghz, 16gb ram) is older but exceeds the system requirements by a longshot. I even installed a brand new system drive with a fresh install of OSX, UA and Luna and then encountered other issues, so I purchased a new computer just to be able to use the software and hardware I already purchased. The whole point was to avoid having to purchase a new computer.
This is a shame because UA products are high quality and plugins sound great, but if you're looking to get a few more years out of your computer by having the Apollo do your plugin processing, don't count on it. Had I made this decision again I would absolutely go Native and upgrade to a better computer with Fabfilter and Plugin Alliance plugin bundles, with another company that actually cares about their customers.
Word to the wise - make sure your computer is new enough to run this. If it is, great, It will most likely work fine? But don't expect tons of support from UA if it doesn't work on your older computer, even if you meet system requirements. I hope this saves someone the same hassle and headache that I've had to deal with for weeks of troubleshooting, with issues too many to name here.
UA Apollo x6
It was easy to setup and understand and Luna is what I have been waiting for. It is laid out the way I like to work and it sounds amazing. The first thing I did was record a small phrase using all my different microphones and I could hear all the subtleties of each one.
Thank you UA!
M. Del Bene
UAD APOLLO X6
I'm a movie and docs music composer. I think that Uad Apollo x6 is a great solution form personal studio and not only. It sound amazing and it's simply incredibile with plugs.
Lexicon 480 and Capitol Chamber, Neve pre and Api are unforgettable. I use plugs in real time recording guitar, cello, and acoustic sounds, there's no delay, If there is i don't feel it at all.
Superb clarity and depth. Highly recommended
Anything that requires 10 minutes of troubleshooting when you plug in a mic is problematic. Really kills the vibe when you have an idea and the UA engine decides to crap out. Lots of features but with software this buggy its difficult to recommend.