UA 175B & 176 Tube Compressor Collection
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The Bill Putnam-designed tube compressors that changed recording.
Introduced in the early 1960s, Universal Audio's 175B™ and 176™ compressors were the first audio compressors purpose-built for studio recording and mixing music. Often cited among the crowning achievements of audio pioneer and UA founder Bill Putnam Sr., the 175B and 176 are prized for their rich tube gain reduction character, fast attack, and sonic flexibility.
With only roughly 1,000 units made, vintage 175B and 176s easily command well over $5,000 on the vintage market today, and they can be found in the racks of some of the world's finest studios. Now, you can track and mix with the only authentic plug-in emulation of the original UA 175B and 176 compressors — exclusively for UAD hardware and UA Audio Interfaces.Now You Can:
Track and mix with the only authentic emulations of Bill Putnam Sr.'s most coveted compressor designs
Add vintage tube gain reduction character and detail to vocals, drums, guitars, and more
Spice up any source with harmonically rich tube amplifier and transformer emulation
Creatively control or enhance the dynamics of your most important sources with 2:1, 4:1, 8:1 and 12:1 ratio controls
Harness plug-in-only features like Dry/Wet Mix parallel processing and Headroom for user‑customizable operating level
Mix with artist presets from Jacquire King (Kings of Leon, Tom Waits), Carl Glanville (U2, Bruce Springsteen), Joe Chiccarelli (My Morning Jacket, Beck), and more
Take a Listen
A Pioneering Limiter
With its breakthrough fast attack time and independently variable Attack and Release controls, the UA 175B and 176 went far beyond all previously available broadcast limiters. They were quickly installed in the early 1960's at both United/Western and legendary Sunset Sound studios, where a rack of 176s still reside today. As an all-tube predecessor to the famed 1176, the 175B and 176 compressors have lent warmth and character to thousands of seminal recordings — from the Rolling Stones and Elton John, to Led Zeppelin, Van Halen, Aretha Franklin, and Miles Davis.
Emulating a Masterpiece
Based on a pair of UA's 1960s golden units, the UA 175B and 176 Tube Compressor Collection plug-ins expertly capture Putnam’s tube-based gain reduction designs, as well as the tube amplifier's ultra-musical harmonics and rich, low-frequency transformer saturation. Putnam’s feedback compression circuit is key to the 175B/176 mojo, yielding softer compression at lower input levels and harder, nearly brickwall limiting at higher levels.
All-Around Champ
Sonically, the 175B and 176 compressors are often compared favorably to a Fairchild compressor, albeit with more versatile controls. As such, they're perfect for vocals, drums, guitars, and more. The UA 175B and 176 Tube Compressor Collection plug-ins give you all the character and juice of the originals — indistinguishable from the target hardware in blind listening tests.
In Action
Delicate when you need subtle control, but colorful when slammed, these plug-ins can add depth to room mics or a drum bus, give your guitars definition, park a bass in a mix, and inject vocals with energy. You can even turn off the compression completely and use the 175B/176 plug-ins as a "tone box," lending rich tube amplifier and transformer textures galore.
“You can count on the UA 175B & 176 Tube Compressor Collection to shine the right light on almost any source. It puts motion in a track that I want to dance with the pulse of the mix.”
– Joel Hamilton (Pretty Lights, Sparklehorse, Rival Schools)
“The 175B and 176 compressors sit in a magical place in between the LA-2A and 1176, creating something unique while revealing new layers of sonic opportunity.”
– Carl Glanville (U2, Billy Joel, Counting Crows)
“I’m into gear that was used to create music in the ‘60s and ’70s, and the UA 175B and 176 were a big part of it. Now with the UA 175B & 176 Tube Compressor Collection, I'm able to have both pieces with as many instances as I can handle!”
– David Isaac (Marcus Miller, Luther Vandross, Eric Clapton)
“Once you load a preset in the UA 175B & 176 Tube Compressor Collection, you're instantly rewarded with a smooth sonic richness — the signature sound of these rare hardware units.”
– Steve Levine (Culture Club, Beach Boys, Ziggy Marley)
“The UA 175B & 176 Tube Compressor Collection will thicken and warm up harsh vocals, and just like the hardware, the plug-in versions overdrive in a very pleasing way.”
– Peter Mokran (Christina Aguilera, The Flaming Lips)Customer Reviews
F. Martinsen
October 1, 2021
Fat warm huge tone
Love this compressor, tried the demo first and it got stuck on several things in my mixes just had to purchase this amazing compressor....
Read MoreP. Bryer
July 27, 2021
Beautiful sound. Great tone.
Got these to round out my compressor collection. Put the 175B on Ravel - stunning! Just sounds great. Lovely warm tone. Can’t wait to try them in all situations!
Read MoreJ. Manness
April 29, 2021
Amazing tone box!
I've been revisiting the 176 because it's made such a difference putting it on submixes and the master bus. The trick is to mess with the HR so you get the right balance of tone and...
Read MoreR. Neville
April 20, 2021
This came with my octo satellite
I’ve never heard of these compressors before but damn, they sound so good. I replaced the LA-2A with the 175 and 176 and immediately it added some colour that really brought out the...
Read MoreJ. Markunas
April 11, 2021
A Must Have For Vocals!
I bought this plugin after reading Sylvia Massey's book (and seeing a few of her studio tours on YouTube). This compressor set is magic on vocal...
Read MoreD. Montoya
April 7, 2021
These two rule on acoustic instruments
Fat. Huge. Warm. Round. Clear. I've always had trouble getting smaller acoustic instruments to sit in a mix. Whatever voodoo UA has placed...
Read More -
Key Features
Painstaking circuit emulation of Bill Putnam Sr.'s rare and iconic 175B and 176 tube compressors
Models the entire circuit path and control set of the original hardware units
UA 175B features a fixed 12:1 Ratio, 176 features four selectable Ratios: 2:1, 4:1, 8:1 and 12:1
Exclusive plug-in features include Sidechain Link, Dry/Wet Mix parallel processing and Headroom for user-customizable operating level
Includes artist presets from Jacquire King (Kings of Leon, Tom Waits), Carl Glanville (U2, Bruce Springsteen), Joe Chiccarelli (My Morning Jacket, Beck), and more
Requires a UAD-2 DSP Accelerator or UA Audio Interface, available from authorized dealers worldwide
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Customer Reviews
UA 175B & 176 Tube Compressor Collection
F. Martinsen
Fat warm huge tone
Love this compressor, tried the demo first and it got stuck on several things in my mixes just had to purchase this amazing compressor.
P. Bryer
Beautiful sound. Great tone.
Got these to round out my compressor collection. Put the 175B on Ravel - stunning! Just sounds great. Lovely warm tone. Can’t wait to try them in all situations!
J. Manness
Amazing tone box!
I've been revisiting the 176 because it's made such a difference putting it on submixes and the master bus. The trick is to mess with the HR so you get the right balance of tone and compression. If you normally reach for the Fairchild plugin, use this!
R. Neville
This came with my octo satellite
I’ve never heard of these compressors before but damn, they sound so good. I replaced the LA-2A with the 175 and 176 and immediately it added some colour that really brought out the vocals. Absolutely amazing!
J. Markunas
A Must Have For Vocals!
I bought this plugin after reading Sylvia Massey's book (and seeing a few of her studio tours on YouTube). This compressor set is magic on vocal chains, I'd even go as far as to say I like it better than the LA-2A on vocals. It adds a magic sheen and smoothness to harsh vocals, and in my case, vocals that weren't recorded in a sound-dead room. Plus, at $150 it's a no-brainer. Buy it!
D. Montoya
These two rule on acoustic instruments
Fat. Huge. Warm. Round. Clear. I've always had trouble getting smaller acoustic instruments to sit in a mix. Whatever voodoo UA has placed in this plugin magically makes these instruments sit authoritatively in a mix.
P. Gent
Peter G
I trialled this one and bought it on the spot. I record podcasts and although I like LA-2A and 1176 compressors on my voice, this thing is pure butter with my SM7B. Absolutely gorgeous sounds.
I use the compressor in the Precision Channel Strip as a peak limiter, then have this following just taking off a further 1 to 2 dB.
I highly recommend that you try this compressor.J. MARTINEZ
The closest to the real McCoy I guess
Excellent plugins. Easy to work with on pretty much any application.
R. Walsh
Great Compressor
My go to for acoustic guitar
M. Johannes
Good Collection Of Tube Compressors
Last year I wanted to buy Virtual Tube Collection by Slate, but this UAD collection is good.
N. Acrisio
Great
Classic analogue sound. Precise and well-defined. Great.
P. Koubi
very good on vocals
very smooth and natural! the 176 works perfectly on my vocals and acoustic guitar
S. Roth
Great to give a little colour
I haven’t had time to fully discover their power, but for now they are already great to just give a little bit of colour
B. Tari
Alap!
Legyen ilyened!
UAD User
pretty fire my g
Didn’t know this existed till the plug-in came out. Imagine a vari-mu like the Fairchild or Manley but with the snappiness and agility of an 1176. The 175B has a grittier darker texture. 176 sounds relatively hi-fi and modern with a sparkle that’s defined and sharp without being harsh. Manley vari-mu is more sizzly and diffused on the top end. Brings things forward in a crunchy but not annoying way. Definitely the evil but cool twin of the Manley. Sick vibes bro.
D. Binnall
These are phenomenal.
Anything you run through them, guitars, drums, bass, vocals, you name it, comes out the other end creamy and warm. These are quickly becoming my go to compressors when I need to warm up and fatten up a signal.
Very tasty.M. North
magic when used with a ribbon mic
I saw one of the Jacquire King demos that UA does, and he used this in it which directly inspired me to buy it. I have been using both the 175 and the 175 B on dark, blues guitar - very slow stuff, lots of overtones and grit, and this just shines without distorting anything. I love the ability to choose between these 2 options, as every performance is different, sometimes you need the B to get you there, sometimes you got it all in the mic and you just need to 176 to bring it home without overdoing it.
Á. Gústafsson
175B & 176
I have found that the 175B is amazing on male vocals with a deep voice (my own)
The 176 is brighter and works really well on instruments. There´s some magical warmth in these, if you like the vintage sound this is the real dealM. Ricos Casajuana
176 = My new fav
I tried these two the other day and I was surprised about the 175B and it’s character, but the real deal came with the 176. I tried EVERY SINGLE UAD COMPRESSOR on a piano track, and this was definitely my favourite.
The 176 is SO TRANSPARENT in the compression, you don’t feel like the compressor is destroying the signal, it’s just controlling it, but instead of that smashy compression character you get that valve warmth that honestly, made me WOW. It’s just a different compressor, and used correctly, it will make your too-dynamic tracks into something big, natural, without that agressive compression. It’s unbelievable reducing 4dB of gain in the 1176 and in the 176 and hearing that the 176 just feels controlled, not compressed, but real, alive!
The 175B has too much character and I still have to find myself using it, but the 176 is gonna be my main compressor!M. Ricos Casajuana
176 = My new fav
I tried these two the other day and I was surprised about the 175B and it’s character, but the real deal came with the 176. I tried EVERY SINGLE UAD COMPRESSOR on a piano track, and this was definitely my favourite.
The 176 is SO TRANSPARENT in the compression, you don’t feel like the compressor is destroying the signal, it’s just controlling it, but instead of that smashy compression character you get that valve warmth that honestly, made me WOW. It’s just a different compressor, and used correctly, it will make your too-dynamic tracks into something big, natural, without that agressive compression. It’s unbelievable reducing 4dB of gain in the 1176 and in the 176 and hearing that the 176 just feels controlled, not compressed, but real, alive!
The 175B has too much character and I still have to find myself using it, but the 176 is gonna be my main compressor!
