Harrison® 32C Channel EQ
Colorful four-band EQ modeled directly from a certified hit-making console.
The Harrison 32C Channel EQ plug-in for UAD-2 hardware and Apollo interfaces is an expert emulation of this classic, character-rich, four-band channel EQ. Partnering with Harrison Consoles Ltd. and engineer Bruce Swedien (Quincy Jones, Michael Jackson), Universal Audio has recreated the Harrison four-band 32C channel EQ from Swedien’s own Harrison 32 Series console — the same console behind Michael Jackson’s Thriller. “I never dreamed Universal Audio’s design team could come so unbelievably close to capturing the sound of my beloved desk,” says Swedien. “The additional Harrison EQs within Pro Tools sessions are a Godsend.”
Renowned for its colorful, smooth high-end response, and friendly, put-it-on-everything usefulness, the Harrison 32C EQ plug-in features four overlapping parametric bands. Each of the Low (40-600 Hz), Low-Mid (200Hz to 3.1 kHz), Hi-Mid (400 Hz to 6 kHz), and High (900 Hz to 13 kHz) bands have fully sweepable Frequency and Gain Controls. Instead of traditional Q controls, the 32C has circuitry that automatically adjusts the effective bandwidth, adding to its signature sound. Furthermore, the Low band is switchable from Peak to Shelving EQ. Finally, the Harrison 32C features 12 dB per octave High and Low Pass filters which can be switched in or out.
Now You Can:
Shape your mixes with the same colorfully smooth EQ used on Thriller
Polish lead vocals and drums with silky analog texture
Expertly sculpt electric guitars to sit in a mix
Harness presets from legendary engineer Bruce Swedien
Accentuate resonance on electric pianos, strings, and more
Intuitevly craft kick drums and overheads
“The Harrison 32C EQ plug-in has a lovely top end, giving my sources a nice ‘ping.’”
– Hans Zimmer (The Dark Knight, Gladiator)
April 25, 2022
Best color EQ
I'm trying to record everything properly, so when I usually EQ, I'm looking for color - and that's where the Harrison is a real...Read More
January 8, 2022
It's got a "sound"
First of all, I love the layout of this EQ, it is super intuitive to use. The bands are pretty subtle compared with other colour EQs, which actually allows for more gradients when making...Read More
November 27, 2021
nice... i use it every time..all the time nice...Read More
September 20, 2021
It's like a magic!
You can hear the sonic differences immediately even without tuning anything on the panel. Of course you will obtain a more...Read More
July 5, 2021
Very smooth!!!Read More
June 9, 2021
After having tested it I can not do without it, especially used as a low and high pass filter.Read More
Plug-in modeled from Bruce Swedien’s own Harrison 4032C console
Harrison licensed and authenticated
Colorful 4-band EQ with high and low cut filters
Switchable “in” or “out” 12 dB per octave parametric High and Low Pass filters
Easy-to-use “Auto-Q” automatically adjusts the effective bandwidth
Favorite EQ presets from Bruce Swedien
“UAD Only” features include Gain, Phase Reverse, and a global Power switch
Requires a UAD DSP Accelerator Card or Apollo Interface available from authorized dealers worldwide
Harrison® 32C / 32C SE Channel EQ
Best color EQ
I'm trying to record everything properly, so when I usually EQ, I'm looking for color - and that's where the Harrison is a real best. Also the filters are just super effective with, and I can spare a lot of DSP capacity.
It's got a "sound"
First of all, I love the layout of this EQ, it is super intuitive to use. The bands are pretty subtle compared with other colour EQs, which actually allows for more gradients when making adjustments. The Gain knob is where the EQ can reach extreme settings and break up. Instantly lends a vintage vibe to instruments.
Not really in love with this thing...regret buying it.
I used this plug for a bit and thought it was pretty decent so I popped on it, and I regret it now. Apparently Harrison released their version of this EQ natively and didn't include any of the harmonic distortion that would make it sound like the original. That means there wasn't anything different about it from any other standard EQ except for the curves it was made with....which anyone could do with any stock EQ with the Q function. Apparently UAD knew this wasn't going to fly with their customers so they did ad something to the plug to make it "vibe" a bit, but I'm still not impressed. Look this up if you'd like. Paul Third on youtube talks about this in depth and there are some google articles that cover it.
Having said that, this is not even close to being in the ballpark of something like the Softube active and passive EQ's. Those are way more analog and warm and full musical sounding to me. I guess I should preface that I purchased this because someone said you can boost 3k in this thing and it's a dream. That's home base for the range of vocals I was trying to perfect so I popped on it. It's ok. But with the softube I can push there and it never sounds wrong even when overdone and right in your face. The Harrison is not like that..it's just ok...especially if you have great signals and sources to work with......but I don't think it's got any magic like the ones I mentioned. But demo it out and see for yourself, you might really like it. Maybe I'll go back and try it again with some different mics and stuff...but for now I just feel like I wasted a bunch of money on an overpriced plug. My fault though considering I had 14 days to figure it out. I just hadn't fallen upon the softube stuff before I bought this one. Live and learn. Keep making music, YMMV
nice... i use it every time..all the time nice...
It's like a magic!
You can hear the sonic differences immediately even without tuning anything on the panel. Of course you will obtain a more pleasing sound using this EQ. I thought it might use some harmonic distortion tricks like other coloring plug-ins. But when I used a tone generator and a spectrum analyzer to check this, surprisingly found that my guess was wrong. I've no idea how they achieve such result. It's like a magic.
After having tested it I can not do without it, especially used as a low and high pass filter.
Not blown away but similar to the EQs on Mixbus. I was expecting something closer but it does the job.
This is something you want.
I was trained as an arranger, and I wasn't trained as an engineer. The first mixing board I was ever allowed to sit a play with was a Harrison. It's very easy to get a great sound on a Harrison board. Period. Try it, you'll see.
Legendary Thriller EQ
I absolutely love the Harrison 32C. Hearing Thriller all of my life made me want this sound.. Sadly, Harrison 4032C consoles are extremely hard to come by. But now, finally I can have the signature sound of the actual “Thriller Board”!
Incredible work from UAD. Rest in Peace Bruce Swedien. The main reason I do what I do!
Never understood the term "musical eq" till now. Harrison 32c adds flavor.
I never understood what the term "musical eq" meant till I used the Harrison 32c. There's something to it.
Still incredible, old secret weapon
I finally bought this beast !
I was waiting for a sale on this one for ages, and now it’s at home.
The first experiments I’ve made with it were quite spectacular, and at the end it just became my go to vintage EQ in the box, in few days. Yep it’s expensive, but damn UA did so much of a great job with this one. It’s becoming an old lost boy for the big public but it is still a true weapon for many engineers and producers, and you understand why when you try it. It’s hard to explain but it is extremely effective, has a fast workflow and always sounds good. Yes you need to know how to EQ, but this thing makes that work a game / joy. I like to run several EQs in series with this one first in the chain. Try it !!!
Well done UA, and thanks again.
Smooth and easy.
Really happy whit it !
Best basic universal channel strip EQ from UAD
Very good universal quality for basic track equalizing and filtering with an color (more color than Precise Channel Strip), little more color have API 550,560 and more NEVE... Best for snare...linear sound, tight bass, clean highs, musical sounding
Awesome general eq
Love this for general eq duties- never sounds harsh when boosting, and works great for removing mud from tracks with too much in the low-mids
When comes to mixing pop, that’s my go to eq. Realy clean, punchy, with some vibe.
very sweet eq
Great top end , and love the lo and hi pass filters.
Easy, bright EQ
Especially if you are suspect your mix is "OK, but... just missing something," this EQ will get you over the finish line, while not changing/overhauling the sound you're looking for.
That missing texture
This EQ gave me that missing texture I've been looking for on so many things. For me it's less about the frequency control and more about the grain and texture that it adds to the signal path.