Ampeg® Heritage Bass Amp Bundle

Ampeg® Heritage Bass Amp Bundle

Unison Enabled


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Three flavors of legendary Ampeg bass amps, exclusively for UAD-2 and Apollo.

When it comes to bass amplification, Ampeg reigns supreme. Their B-15 and SVT amplifiers have stood the test of time as the ultimate in not only power, but in tone. Developed by Brainworx, the Ampeg SVT-VR, SVT-3 PRO, and B-15N Bass Amplifier plug-ins offer three flavors of the legendary Ampeg recipe — exclusively for UAD-2 hardware and
Apollo interfaces.

Now You Can:

Track and re-amp with three flavors of the immortal Ampeg Heritage bass amps

Fine-tune your sounds with an onboard FX Rack that contains a noise gate, filter controls, and more

Audition different high-end Recording Chains with a selection of mics, cabinets, and outboard gear

Stay in tune with included Brainworx bx_tuner

Included Plug-Ins

Ampeg B-15N Bass Amplifier

The Ampeg B-15 bass amp defined the sound of recorded electric bass, from Motown sides with James Jamerson to classic Stax records with Donald “Duck” Dunn. Featuring Unison technology for Apollo interfaces, the Ampeg B-15N Bass Amplifier plug-in lets you track through an exacting emulation of this 30-watt, 1x15, all-tube brute that laid the foundation for ’60s and ’70s rock, funk, and soul.

Ampeg SVT-VR Bass Amplifier

Introduced in 1969, the SVT is the result of Ampeg’s desire to create the, “biggest, nastiest bass amplifier the world has ever seen.” Mission accomplished. Now you can track through or re-amp with an exacting emulation of the classic 300-watt all-tube behemoth and its equally legendary 8x10 cabinet.

Ampeg SVT-3 PRO Bass Amplifier

Lauded for its punch and versatility, the Ampeg SVT-3 PRO plug-in combines the classic tone of the original SVT, with a tighter, more modern sound. By expertly emulating its tube preamp, solid-state power section, five-position midrange selector, and 9-band graphic EQ, the SVT-3 PRO plug-in is a powerful tone tool with a dizzying array of sonic possibilities.

Unison<sup>™</sup> Technology for Apollo Interfaces

Unison Technology for Apollo Interfaces

With UA’s groundbreaking Unison technology, each Ampeg amp in the Heritage plug-in bundle gives you the unique impedance, gain staging, and circuit behaviors that are essential to each amplifier’s iconic tones.

Key Features

Three legendary bass amps for UAD-2 hardware and Apollo interfaces
Unison™ technology for the tone, touch, and feel of the classic Ampeg bass amps
Modern tones and textures with the Ampeg SVT-3 PRO Bass Amplifier
Huge classic rock sounds with the Ampeg SVT-VR Bass Amplifier
Soulful tube combo tones with the Ampeg B-15N Bass Amplifier
Onboard FX Rack that contains a noise gate, filter controls, and more
Bundle includes the Brainworx bx_tuner

Customer Reviews

Ampeg Heritage Bass Amp Bundle

Overall Rating

r. sveinungsen

September 23, 2020

tight and solid

we use this amp mainly for recording bass. It has a solid and natural sound.... nice...

A. Reverberi

September 19, 2020


Solid and very versatile, another great Brainworx amp sim

D. Lane

September 16, 2020

It works.

I used this plugin within console during a trial period, my trial has since ended. It works. The point of using an apollo with console is to combat issues with latency/software monitoring. If I want to tune my instrument while playing ITB... I have to switch on software monitoring because I am unable to purchase a simple tuner at a reasonable price, especially after purchasing an Apollo Quad at retail price.

J. Slavin

September 16, 2020


As usual a great product, I’ve never used a bass amp before, but the reason I like it, is how it lets a bass sit much easier in a mix

T. Hansen

September 13, 2020

Like the Real thing.

I was planning to buy the Ampeg portaflex, and I probably will sometime in the future. But now i’m not in a hurry anymoore. This plugin is great! It puts the bass perfectly in the mix with all the beautiful tone, grit and dirt you can possible expect from a real tube amp. It just sounds Amazing!

瞬. 道淵

September 12, 2020



F. Lockwood

September 1, 2020


Un des meilleurs plug UAD pour la Bass ! indispensable !

M. Alderete

August 31, 2020

Great Sound, good price

I'm new in Universal Audio world, and I am impressed of the sound quality. I tested different amp settings, added a compressor, push record plugins and I get a big fat bass sound in different styles.

Great sound for little money!

ThanksUniversal Audio

G. Porrino

August 26, 2020

Ampeg Heritage Bass Amp Bundle.

I am extremely happy with this bundle. The variety and flexibility of the plugins and the depth and quality of the sound is awesome.

F. St-Gelais

August 23, 2020

Green Day!

Decided to give this a try after reading Butch Walker used it on the latest Green Day album, which has killer bass tones (in my opinion). Absolutely love it. I feel ambarassed that I overlooked it for so long but better late than never!

E. Koch

August 20, 2020


offering the OX Box technology in a plugin would be kind of a big thing to people..

something about the way a tube rectifier supply reacts to loading....if Mesa/Boogie is going to be a snot about licencing plugins, then make Eleven with selectable power supply rectifiers, and just walk around them..

E. Koch

August 20, 2020


and make sure you have Brainworxs get you the B-15N power section here for Eleven...
it's the only tube rectifier driven 6L6 section

E. Koch

August 20, 2020


you get all the power amp sections from the Brianworxs plugs, get the acoustic feedback from Softube, and the cab and mic modeling from the UA OX box, and put it all under one GUI....Eleven.

E. Koch

August 20, 2020


think of Eleven as a consolidated modular tube power amp/cab/mic/and adjustable acoustic feedback plugin,
( where guitars and pickups are already modular, and preamps are going that way.. );
a way to get rid of the soaked amp heat, and the electrical power consumption that entails.

Eleven would be a true "green plugin"

E. Koch

August 20, 2020


think about how much national electricity would be saved if Eleven had modeled power amp sections....then, not only could people use the Brainworx Plug preamps, but also people wouldn't be power soaking their real tube amps....

and maybe more tube amp manufacturers would make amps with separate standby and power switches for their amp's preamps...or just start offering real tube preamps..

synthesizers were modular from the beginning...i don't understand why guitar amplification would take so long.

E. Koch

August 20, 2020


Eleven would work with all the Brainworx amps, ( except mine here ) if it had a Power Amp Selector Section, ( by tube type, #, and power supply rectifier )....i guess packaging tube power amp sections with Softube's acoustic feedback and UA's OX response, would be the best thing....

that way people can pick their preamps..

if Eleven, ( like that ) had a digital pre gain control...then i could just run a 610B...

i wired a Jensen Balancing DI transformer into my Baritone guitar's electronics...
so my "guitar cable" is actually a balanced XLR mic cable...and so, with the addition of a digital gain, the 610B would drive it just fine.....if UA wants to do Eleven that way..

E. Koch

August 20, 2020

I Just Noticed The OX Amp Top Box ( bye bye acoustic feedback )

So UA already has Cone Break-Up Down To A Science !!!
Great, but what if my amp is a plug in ??? and what if i want acoustic feedback also ???

maybe UA gets together with Softube on the Eleven Plugin ???
like i said, they already have the Acoustic Feedback plugin developed

E. Koch

August 19, 2020

Just the one review on this is fine

the rest of my reviews here are on the " Eleven, for UAD 2 "

there are several characteristic speaker cone break-up types...but the all would equate to a type of compression or limiting..

there is the alnico break-up, ( a smooth whoofy type break up )
and the aggressive green back break up ( more crunchy sounding )
and then more common types of break up that are not so well characterized...

suffice to say, a cone break-up type selector switch, in that section, would cover the bases.

E. Koch

August 19, 2020

i thought of a name for " the loud box "

Eleven ....
Softube already has the acoustic feedback processor developed, and the Speaker Cone Break-up Compressor would need to be a second independent processing stage..

so it makes sense to have the one knob, that goes to eleven, in the middle; with the feedback parameters on one side, and the break-up compressor parameters on the other.

E. Koch

August 19, 2020

part five of my 5 star review.

maybe Brainworks and Softube could work together on an "acoustic feedback /cone break-up compressor"... it makes sense that it would be one unit...a sort of "LOUD BOX" that could be used on any guitar amp plugin..