Ampeg® Heritage Bass Amp Bundle
-
Three flavors of legendary Ampeg bass amps, exclusively for UAD-2 and Apollo.
When it comes to bass amplification, Ampeg reigns supreme. Their B-15 and SVT amplifiers have stood the test of time as the ultimate in not only power, but in tone. Developed by Brainworx, the Ampeg SVT-VR, SVT-3 PRO, and B-15N Bass Amplifier plug-ins offer three flavors of the legendary Ampeg recipe — exclusively for UAD-2 hardware and
Apollo interfaces.Now You Can:
Track and re-amp with three flavors of the immortal Ampeg Heritage bass amps
Fine-tune your sounds with an onboard FX Rack that contains a noise gate, filter controls, and more
Audition different high-end Recording Chains with a selection of mics, cabinets, and outboard gear
Stay in tune with included Brainworx bx_tuner
Included Plug-Ins
Ampeg B-15N Bass Amplifier
The Ampeg B-15 bass amp defined the sound of recorded electric bass, from Motown sides with James Jamerson to classic Stax records with Donald “Duck” Dunn. Featuring Unison™ technology for Apollo interfaces, the Ampeg B-15N Bass Amplifier plug-in lets you track through an exacting emulation of this 30-watt, 1x15, all-tube brute that laid the foundation for ’60s and ’70s rock, funk, and soul.
Ampeg SVT-VR Bass Amplifier
Introduced in 1969, the SVT is the result of Ampeg’s desire to create the, “biggest, nastiest bass amplifier the world has ever seen.” Mission accomplished. Now you can track through or re-amp with an exacting emulation of the classic 300-watt all-tube behemoth and its equally legendary 8x10 cabinet.
Ampeg SVT-3 PRO Bass Amplifier
Lauded for its punch and versatility, the Ampeg SVT-3 PRO plug-in combines the classic tone of the original SVT, with a tighter, more modern sound. By expertly emulating its tube preamp, solid-state power section, five-position midrange selector, and 9-band graphic EQ, the SVT-3 PRO plug-in is a powerful tone tool with a dizzying array of sonic possibilities.
Unison™ Technology for Apollo Interfaces
With UA’s groundbreaking Unison technology, each Ampeg amp in the Heritage plug-in bundle gives you the unique impedance, gain staging, and circuit behaviors that are essential to each amplifier’s iconic tones.
Customer Reviews
r. sveinungsen
September 23, 2020
tight and solid
we use this amp mainly for recording bass. It has a solid and natural sound.... nice...
Read MoreA. Reverberi
September 19, 2020
Solid
Solid and very versatile, another great Brainworx amp sim
Read MoreJ. Slavin
September 16, 2020
Nice
As usual a great product, I’ve never used a bass amp before, but the reason I like it, is how it lets a bass sit much easier in a mix
Read MoreT. Hansen
September 13, 2020
Like the Real thing.
I was planning to buy the Ampeg portaflex, and I probably will sometime in the future. But now i’m not in a hurry anymoore. This plugin is great! It puts the bass perfectly in the mix...
Read MoreF. Lockwood
September 1, 2020
Formidable
Un des meilleurs plug UAD pour la Bass ! indispensable !
Read More -
Key Features
Three legendary bass amps for UAD-2 hardware and Apollo interfaces
Unison™ technology for the tone, touch, and feel of the classic Ampeg bass amps
Modern tones and textures with the Ampeg SVT-3 PRO Bass Amplifier
Huge classic rock sounds with the Ampeg SVT-VR Bass Amplifier
Soulful tube combo tones with the Ampeg B-15N Bass Amplifier
Onboard FX Rack that contains a noise gate, filter controls, and more
Bundle includes the Brainworx bx_tuner
-
Customer Reviews
Ampeg Heritage Bass Amp Bundle
r. sveinungsen
tight and solid
we use this amp mainly for recording bass. It has a solid and natural sound.... nice...
A. Reverberi
Solid
Solid and very versatile, another great Brainworx amp sim
D. Lane
It works.
I used this plugin within console during a trial period, my trial has since ended. It works. The point of using an apollo with console is to combat issues with latency/software monitoring. If I want to tune my instrument while playing ITB... I have to switch on software monitoring because I am unable to purchase a simple tuner at a reasonable price, especially after purchasing an Apollo Quad at retail price.
J. Slavin
Nice
As usual a great product, I’ve never used a bass amp before, but the reason I like it, is how it lets a bass sit much easier in a mix
T. Hansen
Like the Real thing.
I was planning to buy the Ampeg portaflex, and I probably will sometime in the future. But now i’m not in a hurry anymoore. This plugin is great! It puts the bass perfectly in the mix with all the beautiful tone, grit and dirt you can possible expect from a real tube amp. It just sounds Amazing!
瞬. 道淵
いい
最高
F. Lockwood
Formidable
Un des meilleurs plug UAD pour la Bass ! indispensable !
M. Alderete
Great Sound, good price
I'm new in Universal Audio world, and I am impressed of the sound quality. I tested different amp settings, added a compressor, push record plugins and I get a big fat bass sound in different styles.
Great sound for little money!
ThanksUniversal AudioG. Porrino
Ampeg Heritage Bass Amp Bundle.
I am extremely happy with this bundle. The variety and flexibility of the plugins and the depth and quality of the sound is awesome.
F. St-Gelais
Green Day!
Decided to give this a try after reading Butch Walker used it on the latest Green Day album, which has killer bass tones (in my opinion). Absolutely love it. I feel ambarassed that I overlooked it for so long but better late than never!
E. Koch
Eleven
offering the OX Box technology in a plugin would be kind of a big thing to people..
something about the way a tube rectifier supply reacts to loading....if Mesa/Boogie is going to be a snot about licencing plugins, then make Eleven with selectable power supply rectifiers, and just walk around them..E. Koch
Eleven
and make sure you have Brainworxs get you the B-15N power section here for Eleven...
it's the only tube rectifier driven 6L6 sectionE. Koch
Eleven
you get all the power amp sections from the Brianworxs plugs, get the acoustic feedback from Softube, and the cab and mic modeling from the UA OX box, and put it all under one GUI....Eleven.
E. Koch
Eleven
think of Eleven as a consolidated modular tube power amp/cab/mic/and adjustable acoustic feedback plugin,
( where guitars and pickups are already modular, and preamps are going that way.. );
a way to get rid of the soaked amp heat, and the electrical power consumption that entails.
Eleven would be a true "green plugin"E. Koch
Eleven
think about how much national electricity would be saved if Eleven had modeled power amp sections....then, not only could people use the Brainworx Plug preamps, but also people wouldn't be power soaking their real tube amps....
and maybe more tube amp manufacturers would make amps with separate standby and power switches for their amp's preamps...or just start offering real tube preamps..
synthesizers were modular from the beginning...i don't understand why guitar amplification would take so long.E. Koch
Eleven
Eleven would work with all the Brainworx amps, ( except mine here ) if it had a Power Amp Selector Section, ( by tube type, #, and power supply rectifier )....i guess packaging tube power amp sections with Softube's acoustic feedback and UA's OX response, would be the best thing....
that way people can pick their preamps..
if Eleven, ( like that ) had a digital pre gain control...then i could just run a 610B...
i wired a Jensen Balancing DI transformer into my Baritone guitar's electronics...
so my "guitar cable" is actually a balanced XLR mic cable...and so, with the addition of a digital gain, the 610B would drive it just fine.....if UA wants to do Eleven that way..E. Koch
I Just Noticed The OX Amp Top Box ( bye bye acoustic feedback )
So UA already has Cone Break-Up Down To A Science !!!
Great, but what if my amp is a plug in ??? and what if i want acoustic feedback also ???
maybe UA gets together with Softube on the Eleven Plugin ???
like i said, they already have the Acoustic Feedback plugin developedE. Koch
Just the one review on this is fine
the rest of my reviews here are on the " Eleven, for UAD 2 "
there are several characteristic speaker cone break-up types...but the all would equate to a type of compression or limiting..
there is the alnico break-up, ( a smooth whoofy type break up )
and the aggressive green back break up ( more crunchy sounding )
and then more common types of break up that are not so well characterized...
suffice to say, a cone break-up type selector switch, in that section, would cover the bases.E. Koch
i thought of a name for " the loud box "
Eleven ....
Softube already has the acoustic feedback processor developed, and the Speaker Cone Break-up Compressor would need to be a second independent processing stage..
so it makes sense to have the one knob, that goes to eleven, in the middle; with the feedback parameters on one side, and the break-up compressor parameters on the other.E. Koch
part five of my 5 star review.
maybe Brainworks and Softube could work together on an "acoustic feedback /cone break-up compressor"... it makes sense that it would be one unit...a sort of "LOUD BOX" that could be used on any guitar amp plugin..
