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A limitless mic locker using advanced microphone modeling.

When paired with the Sphere microphone (sold separately), the Townsend Labs Sphere Precision Microphone software plug-ins give you unprecedented access to the rich, three-dimensional sounds of the finest microphones in recording history.

The Townsend Labs Sphere Precision Microphone System is the first mic modeler to capture proximity effect and off-axis polar response — the essential elements to accurately capturing the rich detail of rare vintage microphones. So you can track instruments and vocals using hallowed microphone sounds from Neumann, Telefunken, AKG, and more* — in real time using any Apollo interface.

*All trademarks are property of their respective owners and used only to represent the microphones modeled as part of the Townsend Labs Sphere L22™ Precision Microphone Software.

Track through your Apollo and easily audition and record through vintage microphone sounds with no latency

Change the proximity effect and polar pattern in real time or at mixdown

Reduce bleed, room coloration, and feedback — before or after tracking

Record in stereo with different mic models on the left and right channels

Choose from 34 included emulations of classic condenser, ribbon, and dynamic microphones

Use IsoSphere technology to optimize the Sphere L22's response to your specific acoustic treatment

Included Mic Models

Included Mic Models

Included Mic Models
LD-47K (Neumann U47)
LD-49K (Neumann M49)
LD-67 (Neumann U67)
LD-87 (Neumann U87)
LD-12 (AKG C12)
LD-414 US (Later-period AKG 414 w/ nylon capsule)
RB-77DX Satin (RCA 77DX)
DN-12A (Vintage AKG D12)
DN-421N (Sennheiser MD421N)
LD-251 (Telefunken ELA M 251)
LD-800 (Sony C800G)
RB-4038 (Coles 4038)

And More...

See All Included Mic Models ›

Take a Listen

Take a Listen

Included Mic Models

A commissioned model of a current production SoyuzⓇ 017 TUBE large diaphragm microphone, created in partnership with Soyuz. It’s a modern classic that is 100% hand-built in Tula, Russia. Popular uses include vocals and acoustic instruments.

Used by countless icons from Frank Sinatra and Nat King Cole to Jimi Hendrix, the LD-37A is based on a classic '50s Sony C-37A. Compared to other tube condensers, this mic sports a warm, smooth sound while also keeping the "air" and detail. It excels on vocals, electric guitars, and horns but it's also a popular choice for toms and drum overheads.

A lesser known FET-version of the Sony C-37A, the 37P is slightly brighter and is an excellent choice for freshening up dull sounding sources.

Created in 1947, Neumann U47 has stood the test of time as the ultimate studio mic. Extensively used by The Beatles, Frank Sinatra, and countless others, only about 6,000 of these mics were produced. The Neumann U47 analyzed for this model has a fully brass capsule with a screw-mounted mylar diaphragm and a genuine VF14 tube.

The Neumann U49 employs the same capsule used in the U47, but the response of the U49 is slightly smoother and less colored. The U49 also uses a Telefunken AC701 tube instead of the VF-14 used the 47. The LD-49K model is based on a Neumann 49c, which was likely manufactured in the early ’60s and has a U47 capsule with a screw-mounted mylar diaphragm.

The LD-563 is based on an iconic East German bottle microphone from the mid-1960s. When set to cardioid, the model is based on an M7 capsule. When set to omni, the model is based on an M55k capsule. And in figure-8 the capsule used is an M8.

The 563 with the M7 capsule is an absolute favorite for recording vocals, but it’s not a one-trick pony. It has also found much use as a room mic for drums and many other applications.

The Neumann U67 is a unique and wonderful mic that sounds warm without sounding dull. It shines on distorted guitar amps where it can reduce harshness while maintaining detail. The LD-67 model is based on a mid-’60s version with an EF86 tube and its high-pass filter and pad switch settings are fully modeled.

After the Berlin Wall fell, a warehouse was found with Neumann U67 parts on the East German side of the border. In 1991 a limited production of U67 reissues were made from these new-old-stock parts.

The Neumann U87 was brought to market as a replacement for the U67, even though it sounds quite different. The LD-87 model is based on a mid-’70s version with a split backplate capsule which sounds slightly different than a modern 87. The high-pass filter and pad switch settings are also fully modeled.

LD-87 TK
The LD-87 TK model is based on a Neumann U87 modified by Tracy Korby. The modification extends the 87's response at both the low and high end, giving it a more modern sound but without accentuating sibilance.

LD-87 Modern
Based on a current production Neumann U87Ai, the LD-87 Modern emulates this classic large-diaphragm FET condenser and defacto standard for broadcast, voiceover, and many other applications. The third 87-type mic in the Sphere Core Collection, the LD-87 Modern is slightly brighter than the LD-87 Vintage.

The LD-12 model is based on the iconic AKG C12 from the ’50s, faithfully capturing its gorgeous high-end sheen and sparkle. The LD-12 is a great choice for lush, breathy vocals without overly accentuating sibilance.

The LD-251 is based on the Telefunken ELA M 251 built for export to the US which has a 6072 tube and an original fully brass capsule. The 251 is one of the rarest and most highly regarded microphones of all time. It is the go-to vocal mic for many A-list artists, including Beyonce.

The LD-800 model is based on the legendary Sony C800G. The 800G is often the perfect choice for a modern pop or hip-hop sound and is the go-to microphone for countless big-name artists, including Mariah Carey.

LD-414 Brass
The original AKG 414 with a brass-ringed capsule is one of the greatest studio mics of all time. It uses the same CK12 capsule as the legendary C12, although just about everything else is completely different from the electronics to the body design. The LD-414 Brass is a perfect choice for drum overheads, snare drum, and acoustic guitar.

LD-414 Nylon
In the late ’70s, the AKG 414 began using a new capsule with a nylon mounting ring. The sound of these capsules are different and much of the high-end sparkle of the CK12 disappeared with the new capsule. While many people prefer the sound of the older capsule, the nylon version has a more neutral response which can work well on many sources.

LD-414 US
The LD-414 US is based on one of the most ubiquitous condenser microphones of all time, the later-period AKG 414. The mic uses essentially the same nylon capsule as the later production AKG 414 EB, so the sound is quite similar although a bit more neutral.

LD-414 T2
The LD-414 T2 is based on a newer AKG 414 variant that was designed to recreate the sound of the old CK12 brass-ringed capsule but using a modern nylon-style capsule. While it is a good sounding mic, it never got all that close to duplicating the sound of the original 414s with CK12s. The sound is a bit "scooped" with less midrange compared to the previous versions.

The SD-416 is based on an industry-standard shotgun microphone, commonly used in the studio for voice-over and ADR duties. It is the go-to mic for that big voice-over sound in Hollywood-produced movie trailers that we’re all so familiar with. The 416 also enjoys wide popularity in broadcast, tv, and film location sound.

The SD-451 is based on the AKG 451 modular end-address small diaphragm condenser mic which has become an industry standard. The full complement of capsule options are modeled, so you have all the flexibility of the original. The two 75Hz and 150Hz high-pass filter options are also modeled from the original.

The RB-4038 model is based on the Coles 4038 ribbon mic originally developed in the mid-’50s by the BBC and manufactured by STC (Standard Telephones and Cables). It excels on drum overheads and its inherent high-frequency roll off and large proximity effect are sometimes a liability at close distances, but at typical drum overhead distances it can have just the right balance.

RB-77DX Satin
The classic RCA 77DX is an iconic, a multi-pattern ribbon that has graced the desks of many famous personalities, including David Letterman and Larry King. Countless musical legends, such as Bing Crosby, Ray Charles, Frank Sinatra, Elvis Presley, B.B. King and Johnny Cash, have also recorded with a 77. Wonderful for recording brass instruments, this mic is typically used with cardioid or figure-8 pattern, but the full complement of patterns from the original is provided.

RB-77DX Chrome
The RB-77DX Umber model is substantially darker and smoother than the RB-77DX Satin model, and works well on brighter, more strident sources.

Introduced in 1965, the Shure SM57 is very likely the best selling studio microphone of all time. It can be a particularly good option when blended with other mics, such as ribbons and large diaphragm condensers, to achieve an overall more balanced sound. The DN-57 model is based on a recent production SM57.

Based on the Shure SM7A, the same mic Bruce Swedien used to record Michael Jackson's vocals on Thriller, the DN-7 model captures the magic that has allowed it to hold its own with some of the best condensers ever made. The DN-7 is based on the "A" version, and when the Axis control is set to 180 degrees, the model emulates the mic without the windscreen installed. Some recording engineers prefer this sound and permanently remove the windscreen.

The DN-12A model is based on a dynamic microphone from the 1950s which has gained wide use as a kick drum mic for its very unique tonal qualities. The filter settings in the model are designed to complement this mic and can be used to achieve a more modern kick drum sound. The Proximity EQ control adjusts the amount of bass resonance in the model and is an easy way to dial in exactly the right sound.

The DN-12E model is based on a dynamic microphone which has gained wide use as a kick drum mic for its very unique tonal qualities. The later 12E version has an XLR connector on the bottom of the mic.

An industry standard, the Electro-Voice RE20 large-diaphragm dynamic microphone is used for everything from broadcasting and voiceovers to kick drums. The DN-20 captures the original mic's pleasant presence boost and sharp high-frequency dip that minimizes sibilance, as well as its consistent bass response regardless of its distance from the source.

The DN-409N is based on the earliest version in the 409 line of microphones. It has slightly more coloration than the newer ones and works well on many sources, including electric guitar and vocals. Notable uses of the 409N include vocal duties for Pink Floyd's Live at Pompeii concert video.

The 409 is an all-around great mic but it especially shines on electric guitar. It has a smooth top end particularly for a dynamic mic and the low-end response below about 100Hz is greatly reduced which can help instruments and voice sit nicely in the mix.

This version is from the 1980s. The 409 is no longer in production and it sounds quite different, and arguably much better than modern incarnations, such as the 609 and 906.

The DN-421B is based on a current production black 421 which has a slightly brighter and modern sound than earlier incarnations.

DN-421N is based on a classic beige 421 from the 1960s. It has a slightly warmer sound than current production 421s. The 421 is unusual for a moving-coil dynamic microphone in that it has a large diaphragm. The larger diaphragm gives it greater low-end extension compared to typical dynamic mics, which makes it more suitable for recording bass instruments.

The DN-421S is based on one of the first 421 versions with a script logo. It has a slightly more colored sound than other 421s.

*Townsend Labs Sphere plug-in requires the Townsend Labs Sphere L22 microphone. All trademarks are property of their respective owners, and used only to represent the microphones modeled as part of the Townsend Labs Sphere software.

Key Features

Precision Sphere L22 microphone (sold separately) and the Sphere UAD plug-in model iconic large condenser microphones

Access to some of the most prized microphones of all time, including the U47 (with VF14 tube), U67, M49, and C12

Realtime UAD Processing with Apollo interfaces with extremely low latency (approx. 1.6 ms round trip at 96 kHz)

Polar Pattern Modeling emulates the three-dimensional response of target microphones

Select mic type, polar pattern, proximity effect, and other settings before or after tracking

Phase coherent mixing of multiple virtual mic models from the same physical microphone before or after tracking

Record in stereo using one Sphere L22 mic and even use different mic models on the left and right channels

Customer Reviews

Townsend Labs Sphere

Overall Rating

D. Bubien

November 25, 2022

Fun Amazing Mic

I’m really enjoying this mic and the endless opportunities it gives you to find the right sound! It’s Phenomenal

UAD User

November 19, 2022

Dat mic is amazing bruv

I don’t know how y’all did, but that’s a great job.

A. Vasilyev

November 18, 2022

Townsend Labs Sphere - fantasy

A set of classic sound fiction, who are not with us yet, join us and be happy with a large suitcase of microphones, with patristic fantastic noise reduction,

Q. Phùng

November 6, 2022

Good use

Sound quality is slightly improved

J. Mendel

November 5, 2022

Great tool!

Really enjoy the interface! The sound is a huge step forward in mic modeling. Great work!

t. rosa

November 1, 2022

Amazing. Just amazing

I haven't got to use the mic alot as of yet. But the few times I have used it I felt like I was using such a good mic for what the situation is. My only complaint is there is so many options you will get stuck just messing with the apps different mic emulations and such. The mic does so much for the price and it does all of it well. I wont lie and say I have heard all these mics. But I have heard some and the townsend does a solid job emulating. But thats the whole thing dont buy this mic cause of the mic it emulates. Buy this mic because it has so many great options and tweaks that you are pretty much limitless to what you can do. Rap vocal got it stereo guitar. Got it. Silky smooth vocals. They are there. Don't follow the hype of emulation. Just know that this mic for 1500 dollars. Is a steal and a half. I promise you won't have buyers remorse as long as you take your time to learn how to use it. What it offers and take the time to learn and use this mic right and you will have superb sounds. I swear that .The sound of the mic by itself is clear and bright. The mic has a weight to it that makes it feel premium. It looks premium. The case it comes with is solid. This mic is really great especially if you have a small budget. That's the only negative I have about the mic. I cannot afford any of the plugins. None of the other mic emulations nor any of the unison preamps or anything. Which is sad. I understand uad makes quality stuff. But I cant afford to enjoy much of it. I feel blessed with what I have.


November 1, 2022

Impressive all round mic

It’s a real pleasure to set this mic with the plugin and record a voice over for instance.
The simulations allow you to get to the sound that fits in seconds. The possibility to handle the proximity effect, off axis parameter... is also a great thing.

T. Lauenstein

October 31, 2022


Absolutely amazing stuff. Always running the c800 emulation. Just sounding so clean

S. El Hammami

October 12, 2022

Not a gadget

This microphone thanks to this plugin is amazing. It is not just a plugin that does signal treatement on mono wave file. The microphone is recording in stereo and thanks to this additionnal info based on stereo signal the plugin recreate the warmness of famous listed microphones.

G. Gaia

October 11, 2022

I am more than happy.

This mic opens up doors to make vocal performances shine though the mix. This mic makes me want to become a better producer. I only wish I would have gotten it sooner. What a amazing deal.

M. Gonzalez

October 9, 2022

Great sounding microphone even when not using the additional models

Worth every penny and very forgiving in poorly treated hotel rooms.

T. Kingen

September 28, 2022

Finally found 'my' microphone

The Sphere L22 is a great mic unto itself but the emulation software makes it so much more. After careful consideration I also purchased the Bill Putnam Collection just on the strength of the "Sinatra" U47 alone. Very happy with this rig in my home project studio.

H. Ismail

September 21, 2022

One Mic To Rule Them All

It was a myth to me at 1st.
But after years of reading the reviews from earlier adopters.. it became obvious about what I've been missing.

The L22 Sphere is probably the one mic to rule them all. It have now become 'my precious' - which sits in the middle of the studio as the daily grail.

I own an actual 416 and 87ai... and after using and comparing this to the mics I own, I learnt the hard way, that I didn't need to burn a hole in my wallet with those previous purchase. In fact I'm ready to surrender some of my mic collection and just stick to this one L22 and probably get another.

Listening is Believing!

J. Marshall

September 16, 2022

Really wonderful mic

The mic itself is very nice quality. Great quality case and accessories too. The mic emulations are fantastic. It sounds really expensive. Super flexible, and the ability to monitor the mic emulations through UAD Console is inspiring.
I am not stranger to mic modelling, and this is a great solution. The polar pattern options go way beyond what is possible with the real mics as well. It's a really well thought out system, sounds great, and pairs really nicely with Apollo interfaces.

H. Ismail

September 14, 2022

Unbelievable toolkit for any studio.

L22 Sphere and it's mic collection libraries from Townsend Labs is heaven sent. Easy to create your personal vintage mic presets with the app.

A. Pasco

September 4, 2022

Amazing sound

One of my favorite UAD purchases. The sounds are so good and it is so easy to use.

Y. Volcy

September 3, 2022


I like this plugin

S. Gauri

June 26, 2022

Just getting my head round all the things

It can do. I am excited to record my flutes and many stringed instruments with the different settings in this plugin.

R. Cassard

June 24, 2022

Absolute jawdropper — the true Swiss Army Knife of mics.

It's the very first time I've fired up my new Townsend Sphere mic. I'm recording via my Apollo x4 with nothing in the Unison slot and no EQ. Going straight to a linked stereo track in Logic (as instructed).
I add the Sphere plug-in to the channel and it defaults to a vintage Telefunken U-47. I haven't altered ANYTHING and the sound is absolutely gorgeous. Clean, full, deep, spacious.
With the Sphere plug-in alone, I can instantly switch between more than 35 fantastic-yet-diverse-sounding mics... AFTER recording a track. That's an insane level of flexibility. Not to mention changing the polar pattern, axis and proximity effect.
The LD-414 US emulation sounds identical to the 414 I've used religiously for almost 30 years. Can't tell 'em apart in a blindfold test.
And for an extra $200, I now have access to many of Bill Putnam's best mics, and Allen Sides'/Ocean Way's most coveted mics, too.
The Townsend Sphere is like a miracle for any producer or performer who wants to hear performances through their choice of the world's best mics. I now own hundreds of thousands of dollars worth of classic mics for $1500, while gaining mixing flexibility that is literally priceless.

R. Dobrev

June 21, 2022

Roman - Ponte records

Super, incredible, I'm with this microphone in a completely different recording category. Thanks for this microphone.