Analog Classics Pro Bundle
Customer Reviews
Analog Classics Pro Bundle
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N. Warnaar
Pultec Passive EQ Collection
After a five-minutes demo I was convinced... this UAD Pultec EQ is so much better than . Finally I found in this the perfect EQ for spoken word.
J. Seung
UA color
this collection is all about tube color and saturation.
do you like ua preamp color? just get this!
K. &
TELETRONIX - Bar None Vintage Modelling
I bought this collection immediately after hearing the included emulation of the original LA-2 model (the oldest version, pictured at the bottom of the stack). I have every other LA2A-inspired plugin emulation out there, and I've never heard anything like this. This is one of those rare plugins that really tap into that analog magic/voodoo. I never buy a plugin until I've used it for the full demo period, trying it on everything. I'm not impulsive that way. And I'm very picky with compressors in particular. Most compressors, once you properly gain match the before and after clips, don't make the cut. This plugin was just so on the mark that I bought it without thinking about it. This is a phenomenal accomplishment from UAD. Bravo!
D. Davis
1176 review
I was skeptical to say the least about how good this plugin collection of 1176s would sound, but, I have to admit I am pleased with the results. I own the waves and softube emulations that also sound good, but I am impressed with the sonic capability of this UAD emulation.
J. Kuse
Reminiscent of a 610, but not the same.
Using the 610B that came with my Apollo:
I've done a couple vocal shootouts with regular clients whose default signal chain involves a real 610. The real 610 both times was the obvious winner in body & depth. The UAD 610B does add cool functionality to the Apollo preamps, but with real 610s in reach I don't think I will bother trying it again unless I need the channels.
I will say that the EQ sounds exactly the same as the hardware unit. It doesn't saturate quite the same as a hardware version, but I've got to wonder about the reviewer saying they use it as a distortion effect... even a real 610 does not saturate musically like a 1073. The 610 is not a goto distortion box for me in either case.
PS - The DSP usage is out of control, guys
H. Lescura
Amazing!
Absolutely the best 1176 plugin till today. Each one has a special taste, so you can use them in every track on your session. Actually I have a Lindell 7x but I'm preferring the UAD 1176 because is so faithfull to the original and much more easy to make recalls.
E. Halterman
Fairchild on vocals... heaven!
I tried the LA-2A and loved it on vocals, but then just for kicks, I tried the Fairchild and I was blown away! There is nothing better than this for me on lead vocals, it is plain sweeeeeeeeeet!
J. Partelow
Pultec
Had the luxury of an immediate a/b between the plugin version and the hardware version of the same Pultec EQ on the vocal I did for a friend's song.
While the two weren't identical, the truth is there wasn't anything discernibly off from the plug compared with the hardware once a couple settings get adjusted, and the same amount of eq adjustments would likely be required of two hardware units when you factor in calibration, age, original Pultec hardware vs kit rebuild - might just be in a different way.
Hardware connoisseurs say it's not quite the same, my own take is Universal Audio makes that delta feel like you're splitting atoms to complain about it.
The only problem with ua plugins? Nothing, and they have more you haven't tried.
C. Edmonds
Sounds Great
I can't say I own or have extensive experience with any of the hardware UA modeled here, but I can say (and I am about to use a cliche that has ventured beyond mere overuse) that aside from the compression itself, these emulations add warmth to whatever sound flows through the algorithm. Really like how it sounds on my vocal tracks, not to mention the straight forward controls. But mainly, in a comparison with the legacy LA-2A that came with my UA interface, it seems to sound much more like the sound source is actually passing through hardware adding that certain...whatever it is. Call it color, call it warmth, subtle harmonics, placebo. I like it. Can my mom hear a difference in her car on an Mp3 vs. simple leveling via automation? no
I. Michele
Eccellente
Eccellente sono tutti dei magnifici compressori plugin ottimi
E. Ramazanoiglu
Top Class
I've not really ever got on with plugin 1176s before - at best they ahve been serviceable and some have been a modern interpretation (sometimes very good) but not quite grabbing me in the same way as hardware!
These have nailed it.
Thanks UA
A. Kolpakov
Excellent limiter/compressor
Gorgeous warm compressor/limiter. I use "silver" version for acoustic guitar (nylon) and bass. It gives me deep and fat analog character of sound. It don't mask guitar fingertip articulations as other compressors. With gain more than 50 sound became very punchy, so you must balance accuracy.
Great job for math simulation of device. Excellent that we have possibility easy to use this rare device plugin. Thanks!
A. Lee
Another satisfied customer here
I've been tracking vocals through UAD 1073 to La2a Grey and I've been getting fantastic results. I use the hardware Neve 1073 with the Apogee Symphony at my main studio but I don't think I'm missing out on any aspect for using Apollo w/ plugins for tracking. If i'm building an another studio, I'd definitely go with Apollos w/ UAD Plugs. (I'm a Pop/Urban Producer/Mixer)
S. Wright
Very close
Closest thing I've heard yet to a real la2a. Has the same low end bump and pocket as the real thing.
N. Brooks
Best Fairchild
I've spent years recording and have only been able to use a real Fairchild 670 twice. In my opinion, the Fairchild Tube Limiter collection is the best emulation out there; and for once in my life, I actually don't covet owning a real hardware unit. I'd much rather not put up with the hassles of tube maintenance and other maintenance costs, especially since these units from UAD are SPOT-ON. There is an indescribable warmth that happens when you put a Fairchild into a signal chain - even without any compression whatsoever, and that exact warmth happens with the UADs. My favorite use is with Mid-Side processing, but I will often use these on single channels - especially acoustic guitars, vox, drums) without that implemented. BRAVO, UAD.BRAVO!!
T. Schreiber
Best emulation ever!
This is the best emulation i´hve ever heard so far!
Bright an warm, holy Sh*t.
I love this plugin!!!!
E. Waters
Like it. Useful.
Very handy. Useful for making a track a bit brighter & more prominent in the mix. Not exactly like a traditional EQ. Careful to not overuse it.
B. Bulmer
Fairchild....a fair deal.
Is there such thing as too much of a good thing. In the case of the the Fairchild Collection I would have to say...No.
Insert it on every track, then the mix bus. Why not?
Do it !!! Just because you can !
R. Bowring
Pultec Passive EQ Collection
Since I started using this plug in 2 weeks ago it has become by go to eq collection for colour. The character it imparts is sublime, as it adds something that I simply have not found in other emulations I've used. Does is sound exactly like the hardware? I don't know but it has added something magical to nearly every source I've tried it on!
E. Piesczek-ali
Perfect!
I guess that is my first review. I usually work with the 610 hardware. I can't take my gear everywhere so I thought that the UA 610 plug in was a good alternative for me.
The thing is that I wasn't expecting how far the UAD team went with this modeling if I can call this a modeling. It sounds like the original. What else can I say? Awesome! That is a nice piece. UAD Team, thank you.