API® Complete UAD Bundle
API Complete UAD Plug‑In Bundle
Tight bottom end for electronic music
I write electronic music, in particular trance, so I was looking for a bus compressor to tighten up my low end and keep the whole mix clean & together. I've been using the Shadow Hills for the last 3 years, but it never write hit the mark, and so, in the tradition of the never ending search to improve my production, I demoed the API, Zener, elysia & the SSL G (2017 version) For me the API was the most consistent in levels, whilst adding some dirt to the low mids, the SSL was a close 2nd, however I found that it was too varied in it's gain reduction when the bottom end was absent. I also use this daily for my Post production mixes - it's so flexible with the selectable knee, the old & new styles and the thrust component.....definitely add this to your demo list. I'm very happy with this one :)
This unison plugin by itself has been a god send especially for all the hip hop music I've been mixing and mastering. Drums are on smash and my clients are asking what I have changed and I politely say API!!!!! So, if you are a producer or engineer and don't know, you are truly missing out!!!! Thanks UA.......
Great channel strip with a perfect gate for drums
I love this strip on drums. The entire signal path sounds great. The filters and eq are very smooth. However, for me, the best part is the gate. I am able to get a ton of isolation on my drum mics, while still allowing them to sound musical.
For vocal bus. Amazing
Excellent on Drum Buss
Has a really nice spank to it. Makes drums pop. Does something similar to the Zener Limiter. Very versatile
Clean and Precise
Good EQs for tone shaping. Adds that crispness that the hardware does. One of my go to parametric EQs.
Great preamp for capturing quick transients. EQ is clean and useful. My favorite use is on drum tracks. Overheads and rooms specifically.
King of rap vocals
So much body to this pre. Even with cheap mica
I love this thing. Big and thick and warm. More beef than jerky!
By far the best digital version of the API 2500
I have been a close friend of Paul Wolff since working at The Bayou in Georgetown D.C. in 1978 where he was the house engineer. I became the second FOH guy shortly thereafter.
He built custom devices in the FOH console including the Flanger/Doubler that Softube is doing a digital version of these days (UA..please add this to your product list soon.)
I bought a prototype 2500 from Paul right after he made one for a few old friends of his. It was a magic box for me. I stopped using the SSL Buss Comp on the 8000GB console I worked on daily once I bought my 2500.
The 2500 prototypes (maybe 12 were made) and the following production versions are wonderful pieces of hardware. I never found a digital version that came close until the UA version. If UA were to ask Paul about the changes between the proto and the production versions, it would be a great update to add onto the 2500. If not, the existing 2500 is a steal just as it is.
Pretty Look, Wonderful Sound. I especially love the 560 so much. It is very convenient for me to handle. I really recommend!!
Having used the Waves version for some time I took the plunge and went UAD's version or should I say update, as UAD's API 2500 is definitely the Rolls Royce of the two. Exceptional buss compression that can also be used on tracks and also comes with some great presets.
My go to Channel Strip!
I use this channel strip constantly. I like the sound and the control over the sound.
Even though I already had the Waves and Liquid Mix versions (the latter is excellent), I decided to demo the UAD version. At light settings, it didn't seem much different than the others. When I began to push it, my jaw hit the floor. Some real magic in this plug. Never thought I'd bother to purchase yet another comp, but it was just too compelling not to.
Gave me the vision for the next step
I buildt a custom 12-point touch console with Audient iD22 with 8ch adat preamp and two UAD PCIe cards as the centerpoint of it all. I use my UAD effects to print, so I hook them up on a VST host, this is where the API Vision magic starts. Instantly my audient mixer app turns into a UAD emulated API Vision console..
- The GUI is large (TOO LARGE) wich sports good working area for your fingertups, the response is good.
- dsp power on the instance chart result was made with all sections of the strip activated, wich reduced for every section that you disable. Normally one builds the tone f.ex with a Fairchild or 1176 so the dsp power can be directed to other dyn.effects
- The soundemulation is superb, I have compared with reference stems and get them identical with the strip alone!
- the Gui is just to big! I only manage to allign 4-6 channels, it depends on the resizing I do
- Does not support multitouch as far as I have tried, but may be because of my touch and VST host.
Agresivo, pero tambien puede ser sutil. Gran posibilidad de extremos y colores. Un jugador de toda la cancha!
A step up
I also have the Waves version of the 2500 which I always liked for the drum bus and sometimes on the mix bus. The UAD is definitely a step up, and now I'm addicted to it on the mix bus. I really like using the wet/dry mix knob and headroom options that they added. Another fine emulation from UA, and it's quickly become an essential part of my mixing process.
Правильный выбор для компрессии шины
Просмотрел много обзоров, поработал с демо-версией-купил и не жалею-отлично звучит-хорошо склеивает группы инструментов и на мастер-шине на своем месте.