I use this (along with the FATSO) to bounce individually arranged tracks out of Ableton. Not only can you achieve an amazing tape sound; it makes the mixing/mastering process (I use Logic) very easy. My workflow is extremely quick and accurate with these plugs.
This is a must have if you're wanting to get the output and volume required to compete with current industry standard masters. Really handy when you need that 'lift' to get your mixes and masters nice and loud without breaking 0db! I love it and use it as part of my mastering chain.
Solid and transparent for mastering tracks. The blend feature is especially useful.
Hello, this Plugin is very nice - full points!!!!!!
Greetings from Germany :-)
The Precision Maximizer is an awesome plug-in.
I use it on electronic bass sounds, to really beef them up and make them jump out of the mix. I've also been using it on some lead sounds and individual snares etc. It really can make things sound a lot bigger without losing any dynamics.
Have used it in mastering also, just to help tickle a little bit more level out of a track ;)
very handy but use with care,sometimes easy to overdo
Easy to use and it sounds great, although when you really push it you might hear some unwanted noises.
At first I thought "It's ONLY a maximizer. You can use the standard DAW plug-in and it will do the job just the same". Wrong! I ran them back-to-back, going back and forth between the DAW plug-in and the UA, and it was really tough. Both delivered the increased output without clipping over, but after listening to the biggest peaks of the mix over a dozen times, I started to hear a subtle sloppy bottom end growl coming out of the DAW maximizer. I then ran the UA Precision Maximizer and the track just had that very subtle clarity and definition. It retained an elegant warmth that gave the track punch, but maintained sounding clear. What can I say, UA? I'm gonna have to get this thing, because I do not want to compromise even the littlest things.
this works great on a single track but works better as masteringtool!
I used it not to get more loudness, but to get a fine enhancement on my mix and it workes perfectly. The song sounded much brighter und clearer. An excellent plugin!
I have to take back my older review of this product! I used to have the buyers remorse. Not anymore! I used to never have a use for this thing that I bought on a wim. But if you have hip hop clients like me who you beg and pleed with to give you 24 bit files of their beats that they're rapping to, but they just act like your making a big deal out of nothing while they snatch their mp3 off their e-mail then this thing is DEFINITLEY for you! I put a 33609 on the vocal tracks and one on the whole mix (not the s.e version either). And it still sounds like its missing something (because they are rapping over an mp3!:(. But now I also throw this on right before the presission limiter when I need it and wolla! Magic! What a life saver!
Today I did a test UAD Maximizer against a real tube Saturation unit by SPL Charisma.
In many cases the saturation you can get from the maximizer was more desirable as the one you get from the SPL unit.
I will not say it was better it depends on what you are searching for.
The Percisson Maximizer is a no Brainer for the Bugs and is a good exeample to set an end to the discussion Plug-Ins vs. Hardware.
Well done UAD....
my question was, maximizer vs. limiter for in-the-box mixdowns?
my test was on two trax of differing electronic stuff, one dubtech with loads of sub and one electro with alot less! Going into this i assumed the maximizer was gonna rock my boat for this stuff, but i was suprised....
On the first track the limiter fared better by up to 6db of loudness before distortion occurred on the bass - the maximizer just couldnt handle the bass like the limiter could. Actual and percieved loudness was 'more' for the limiter. The limiter does seem to have a slower release in 'auto' than the maximizer's onboard limit function but otherwise is colourless to a higher input gain than the maximizer.
The second track fared slightly better on first listen with the maximizer - it sounded more 'crisp' than with the limiter, and i could push it more. BUT on closer listen some of the harmonics on the breakdown (not just the 'loud' sections) were distorting - when i dropped the input gain to eliminate this, again the limiter outperformed maximizer in terms of loudness, this time by around 3db.
So, I'm getting the limiter. Its even got Katz meters (as opposed to the maximizer which doesnt really show you output all that well) its more transparent and is just as 'loud' as the maximizer, if not louder. With tools like the LA2A and Pultec etc, you can do your colouration in mix and not on the bounce. Still, either one is better than anything Waves do - no harsh artifacts with UAD!
This plugin is awesome !!! i have used the Sony Oxford inflater and this in my opinion gives better results. UAD are the leaders in software emulations........quality everytime.
Sorry to say it, this item is just O.K. Get the demo and try it. Then get Universal Audio to give you another demo and try it again. If you still like it buy it.
I bought it after one demo (and now have the buyers remorse) and I'd have to say unless you don't know how to work the precission buss compressor or the neve 33609 this probably ain't your thang.
If you make techno or hip hop, I think that this will come in handy quite often. If you make country or rock. This won’t be used on every song you do. this really pushes the loudness bar to the ceiling. So that means that your music will be colored. If you want to get loud and keep as much acoustics as possible stick to the UAD limiter . This works best with a roaring base and heavy kick drums.
Ok: 3 band mode's killing half of resources. The price for a single plug-in's a little high, too (both mentioned before). But if you use the maximizer just for the mastering process (means: applying once to a single track together with two or three other effects), the remaining resources won't create you any problem.
One of the previous reviews' "it just sounds bad" maybe depends a little from the type of music you're "maximizing". I've made good experiences with natural sounds (classic guitar) and artificial brass. The maximizer's effects are very subtle and I really like the ratio off compression to little loss of dynamics of the result.
For me the maximizer's a specific tool for specific applications. And I really like it!
Fantastic! Never heard a loudness maximizer do stuff like this this so well.
Though it pains me to say this, for the first ime in my UAD experience, I found this plug to be pretty lame. If you own a Waves L1, L2 or L3/L3 multi, you do not need this plug. As a matter of fact, of all the maximizer type plugs I have, this is the worst and the most expensive for a single plug. I have nearly every UAD plug available love them all and use them all religiously. But this is one I don't see me ever using because it just sounds bad, clips easily and just doesn't do my projects any justice no matter what setting I use. When it comes to maximizer plugs, I'm spoiled by Waves.
all i want to say: i get second uad-1 for precision maximizer. it's the best software limiter! MUST HAVE!