Works perfect on everything, excepts drums, or any transient instruments. Kills the sound of it. So it's useless for mastering. On vocals, synths or anything else it's perfect.
Not sure about this, really. I bought it because I initially liked the effect on busses or the mastering chain. Though, the more I use it the more I tend to leave it off after A/B-ing.
It certainly does give wideness and a sort of depth perception, but it also changes a carefully crafted mix to a degree that I'm not sure I can tolerate: Transients and impulses on drums etc. seem to suffer from the typical stereo widener-effects. While this plug may initially seem wonderful, it just does the typical ms-delay on a stereo source like most others, albeit in a more sophisticated way. I might use this for sound design and fx, but not for a traditional music master that's elaborately done. This is too expansive for what it claims. Sorry, Katz.
When I was in college (20 years ago), I attended a lecture with engineer Francis Buckley, who said that he has never and would never run a signal through a piece of gear which processed a signal in a way he couldn't easily explain to someone or at least that he understood completely… yeah, to hell with that. While I don't know exactly what this does, I really, really like what it does (mixes get wider, clearer, more detailed and focused). It doesn't work on every mix I've done but it has brought it's fairy dust like magic to enough of them to more than justify it's cost. Very well done.
The K-Stereo is really effective in defining a master's depth and width, without compromising the weight of elements anchoring the middle and front of your mix. It is nice to be able to enhance or control the 3D effect of a mix, without any of the nasty phasing or "whole-in-the-middle" artefacts. The ambience EQ is another welcome tool, as is the separate balance control of middle and sides, making this my go-to stereo processor of the era.
I always had in mind that what if I had a tool that really
Make the image of my mix to be in its place
It's my biggest problem when I want all my ideas
To fit perfect but I didn't have anything to support that
This tool is one of its kind since I had never had results
With any of the other tools.
It will give you the inside of the mix without the use of a reverb
That's amazing .
That's what uad is all about
After downloading the K-Stereo and started to use it I knew immediately that this is a totally different of anything else iv tried before it just gives you that width and depth you need with such a simplicity way to work with and also sound amazing every plugin I tried before was just meeting things up and the K-Stereo just do it right with no overtones phase problems and all kind of those problems you get when you work on M/S. super recommended !!!
Like it. Subtle but expressive. The price is reasonable for this plugin. More plugins are now coming with Mid/Side processing. The K-Stereo has it as well. It's nice to be able to gently spread-out the stereo image. Do it cautiously. Too much could be undesirable.
K-Stereo is a well-known algorithm from Bob Katz.The Algorithmix sells it very expensive for the Windows platform.Some very expensive hardware gears are used K-Stereo.
as they say, "knock and open to you".UA opened this doors for us!!!
K-S is not only mastering feature,it,s a great mixing tool from snare to guitar group,for everything.Sound with a K-Stereo more detailed,more separate, and yet more connected.
Apply it in your multitrack master session on one channel(for example) and you do not lose a good center and get the "expensive" air.
I liked it, I bought K-Stereo on the second day of trial.
This is a good job UA, but competitors are not asleep. ;-)
I have always admired Bob Katz and his precise knowledge.
The K-system plug where available once for PC only from another company, I am on MAC!
So when I heard the rumors about the K-Stereo, I hoped it did what it promised.
I did much more!
I have now used it in every Mastering project since it arrived, it is in my default setup.
A must have!
Just bought it ! The song i'm mixing has linear programmed beats and up the middle vocals. panning and reverb aside it still sounded dense and narrow. Simply putting the K -stereo on the master fader more than did the trick. In fact I have always struggled to get my mixes More 3D, wider, deeper etc. Rock, Pop or whatever. I have used the manual style hass effect a million times. ( sample delay's this, stereo that ) But this plugin packages it all up for you with some noticeable added magic. helping to achieve that all encompassing mix. and i'm just scratching the surface, can't wait to get more familiar.
First I must say: I checked the "original" by Bob Katz/Algorithmix, which is almost the same but rather expensive.
When it comes to imaging and filling up gaps within the stereo field, I found very nice results with it. So everyone who doesn´t have other proper tools should go for it, as it´s quite easy to handle and the mid/side function is a so nice attribute.
On the the other hand I get the same or even better results by using the equipment I own anyway. A TC 3000 stereo programm (based on mid/side technique) or some short Altiverb/UAQ Lexicon 224 reverb or the combination of both (to taste) will do the same.
But for the money you can´t go so wrong ....
I was really skeptical about this plug in and what it could do. So after a few sessions with the demo I found out I could not live without it. This plug in really bring out the best in my mixes really took them to new heights. I use it on my mastering jobs this is a must plug in for any sound engineer highly recommended.
a really senseful Plug-In! It gives you the possibility to work with the space and the stereo-soundstage - and we all know that Bob Katz knows what he's doing :-)
I liked it immediately, thanks for the evaluation! Bernie, obaxe-music, austria
This is now my go to widener. My vocal tracks are almost always given some width and sparkle using this beautifully subtle plugin.
Some doublers and spatial plugin's really loose the focus for some program material, but this keeps everything front and centre, and just adds beautiful detail behind it, creating a sense of early reflections or space.
Very classy plugin that I'm finding more uses for every day.
I just used this on a acoustic guitar track and on backing vocals. Both were sounding too narrow how they were recorded.
The K-Stereo plug-in added a stereo image to it with amazing clarity and transparency while leaving the signal itself completely untouched and uncolored.
Also the phase of the mix wasn't harmed, it kept it fully mono compatible.
I already like this plug-in a lot.
Before bashing me here just do this test for yourself:
Take your best set of headphones, put just a kick in one channel and the K-Ambience on the master channel of your DAW.
If you add the ambiente effect as the manual says at 0dB on the Ambience Gaiin Knob it will add a Delay in your sound.
Now turn the Effect off and voalaaa the Kick is perfect again.
Now turn the Effect on and say: Damm what happen to the sound, just looks like there are 2 kicks running out of sync because of a small delay.
On a mastering situation this will really destroy your track. Dont take me wrong i have a lot of UAD stuff. Amperex , Manley, FATSO, harrison, all them really blew me away on the 1st try but this one is really not for me.
This little beauty is magic you dont even know its there till you bypass it!
I call it ...........SPECIAL KAY
Tested it for a while and it sounds good. I also fed it with just a 2 Sample Impulse (1st Sample +100%, 2nd Sample -100%) and what it seems to do is basically adding a number of delays. The Wide Button adds one delay somewhere around 30ms with the phase inverted on one channel -disappears in mono. The Deep button seems to add a number of delays in the same 30ms range (like a higher feedback setting) but without phase inverted channel. Well and the EQ probably affects these delays. Athough it´s a good idea to combine these functions in one plugin, I don´t think it´s worth 199$ and all the talk about "only enhancing the ambience that´s already there" is pure marketing crap in my opinion, because it clearly adds something new to the signal.
Send to a bus.
Insert Voxengo Sound Delay (free) on the bus, change to dual mono mode, set left to 10ms and right to 15ms (also try the other way around in your mix).
Insert Voxengo MSED (free) next on the bus and mute the Mid signal.
Adjust bus fader to taste.
To me this sounded better.
is widely regarded as one of the most relevant for me to work on mastering plugins. I watched for a long time and experimented with this plugin. now bought. and none of the songs from my studio is complete without a K-Stereo Ambience Recovery Plug-In! Thanks Bob Katz!) UAD thanks!) believe in YOU! Happy New Year!