This badboy here is amazing, I usually put it on my kick drum and snare and my god is just tape music to my ears I can describe it is just big body and meaty definitely go to on all my ongoing projects. But to be honest I mainly used this bad boy on vocals. I mainly do Hip Hop Pop and R&B!
My vocal chain is U87 70's ver. - Through the UAD neve 1073 - Studer A800 - Pultec -La2a silver and my God Vocals never sounded better, it's the Million dollar studio vocal quality everybody's been searching for. Thanks UA i'm your customer for life! I recommend the studer to everybody!
Not to violate any confidentiality agreement between me and Apple corp, I believe my audio drop out problem (re: my last post) is finally solved so.....I will give this plug a hearty 5 stars!
The Studer A800 is the first plugin I place across my mixes. This helps me get a good sound right off the bat. Once I dial it in, I proceed by placing the SSL G Buss Compressor on the Master Bus and start mixing from there. Do this and not only will you end up using less EQ and Compression, but your mixes will sound better because of it. Don't forget to play around with the Bias and HF filter. That's where the magic is at!
Playing a mix through Studer (and Ampex) creates the same improvement one might find between icemilk and icecream!
Not sure if any of you guys were ever poor enough that your parents bought you icemilk but believe me... Its night and day!!!
I purchased this plugin when it came out over a year ago. Right after I purchased it they came out with the Ampex plugin. That was the one I really wanted to run on the 2 track bus. After using this plugin (Studer 800) on the 2 track bus and also after I started the Ampeq 14 day demo I was a little bummed out I did not purchase the Ampeq. A few weeks later I stuck the Studer on every channel of my mix (only the drums & bass tracks) and I was amazed at what it did. About 7 years ago I sold my Otari MTR-90 so I am very familiar with tape machines and how they sound.
If you run this plugin on your drum & bass tracks it just glues them together. There is no need to spend thousands of dollars up keeping your 2" anymore with this plugin.
I use this plugin everywhere, loving the 15 ips speed, it smooths everything and gives body to any material. On the Apollo channel strip and in my daw, it is always there to imprint that nice smooth tape sound to all my material. Cannot recommend this enough
While at a session in L.A. last week, the band and I over the songs a few times as the engineer was getting tones and recording them to Pro Tools (sounded fine). Then we tracked the keepers onto a 2" Studer machine. I couldn't stop grinning after hearing my kit played back through that deck (it's been so long, I'd forgotten what tape does for drums). When I got home I started the A800 demo, tracked some drums and right there in front of me was that sound. Subtle on the overheads (like they were EQ'd - with really awesome EQ), more pronounced on kick & snare (the body of the drums were pulled forward, whereas it was mostly attack before). The price kept me from trying this out before. Don't be stupid like me, buy this. I finally did.
I am now beginning to feel the way i used to about making music thanks to Universal Audio.
They look after their customers like no other company and are my to go to plug inns everytime
Since my recent buy of Studer A800, plus a strategic change in my way of mixing. As you can listen from my artist page (www.indabamusic.com/people/Mimidhof). My two latest Remix Submission were done using Studer A800 on every track.
I'm owner of a simple DSP Duo core.. so I hesitate because of the price of the plugin and also because of using it in every track would fast let me without any DSP resource.
But I'm very glad of the result over all on the Drum track and the bass sound they are easyer to fit in my mixes. And I just begin to use it.
For my setup with little DSP ressources, for this plugin I took the decision to use it as an offline process, when I begin a new mix I process all my track with Studer A800.
To my mind, there are two things that resolve the 'in the box / outside of the box' argument. The first one is production and mixing experience i.e. really knowing and understanding what you are doing, and the second is getting the Studer on every first insert (or every first insert of your most prominent elements if you are having to budget your DSP accordingly).
When the Studer's start working their magic, your mixes will have so much more sonic appeal, that you will soon put in the hours required to gain the experience, so it's the best starting point you'll ever define.
I have been recording on a 1" 16 track tape machine for years. I never really wanted to go digital, but once I saw THIS plug-in I knew it was time to make the jump. Being a total tape snob I really have to say that UA really blew my mind with the Studer plug-in. I can even make my track sound like a blown out, old hissy reel. I can't wait to get the Ampex next.
There are hidden wonderments built into this plug in that I can't imagine. It has kept people who have even BIGGER EARS than I do so satisfied that I wanted to write to tell the folks here about it. More later but YOU GUYS ARE INCREDIBLE. I'm impressed and I'll be hunting more tasty gadgetry from you before the new year is rolled in.
best! R. Squires
I love this plugin. I use it on individual tracks and on the whole mix. I'm sure, that with enough hours and hours of work you could re-create what it does with a bunch of really precise EQ plugs but it's just astounding how easy it is to slap this plug on and get warmth and 'fatness'. It's my new favorite.
I know that I will never be able to afford or operate properly a physical version of this machine. I love the ability to just have it right there, a mouse click away and in multiple instances of this great tool.
Throw it on your track and swim through the many great presets, read the manual, and I guarantee you will be able to find that analog sweetness you desire.
Well worth the cost of admission!
I've tried many tape simulators since I bought my first Pro Tools in 1996.
Working with the DAW in the early years, I sadly missed the A-800 and the Ampex MM1100/1200 that were instrumental in making that rock'n'roll sound after which many generations of music makers have modeled their preferences.
But when I insert the UAD A-800 plug-in on the live drums, it's like taking a ride in a Time Machine - right back to mid-80's when the analog machines were at their peak! I insert on the overhead mikes and it produces the crushing that squeezes the kit together tightly.
Now I'll be waiting for you guys to work on the AMPEX 8-track. Why not go over to Les Paul's and measure his machine?
This is a really good simulation of Studer A800. It's always so hard to repeat an analogue existence in digital world but I think UAD did it. It's saturation is very realistic and so easy to understand how to use. By the way, ''ganging'' feature is genius to emulate 24 channel input on the same deck. Thanks for all UAD team, from customer support to engineers!
This is a reason to buy UA products by itself. Its usefulness cannot be overstated. On every channel of every mix, Period!
Wow, i must say this plugin is worth twice its price. It has done wonders for my mixes, tight bottom end and smooth highs. I now spend less time tweaking the EQ's on my tracks. Digital process has come a long way.
Well done UA keep up the good work.
If there is one plug in i couldn't resist on purchasing its this bad boy. People complain its pricey but if you want quality you got to pay for it, otherwise we would all sound the same. MUST HAVE TOOL!!!
The extra punch, depth, and clarity of the Studer has helped bring the vibe back to my mixes. Finding the right bias, tape speed, and tape formula has sometimes even replaced the need for compression on instruments such as bass, kick and snare, and even overheads. What a wonderful tool.